Oscar-nominated actress Amy Irving is ready to release her first album.
The performer tells The Hollywood Reporter that Born In a Trunk, featuring 10 cover songs pulled from her life and career, will be released digitally on April 7. “Why Don’t You Do Right?” — the first single which Irving sang as Jessica Rabbit in Who Framed Roger Rabbit — will be available on digital platforms on March 3.
Irving, 69, made her film debut in Brian De Palma’s Carrie in 1976 and two years later was in supernatural thriller The Fury. Her role in Yentl earned her an Oscar nomination for best supporting actress and she scored best actress Golden Globes nominations for Crossing Delancey and Anastasia: The Mystery of Anna. She also has a number of stage credits, earning an Obie Award for her off-Broadway performance in a production of The Road to Mecca.
Born In a Trunk also features Irving covering songs...
The performer tells The Hollywood Reporter that Born In a Trunk, featuring 10 cover songs pulled from her life and career, will be released digitally on April 7. “Why Don’t You Do Right?” — the first single which Irving sang as Jessica Rabbit in Who Framed Roger Rabbit — will be available on digital platforms on March 3.
Irving, 69, made her film debut in Brian De Palma’s Carrie in 1976 and two years later was in supernatural thriller The Fury. Her role in Yentl earned her an Oscar nomination for best supporting actress and she scored best actress Golden Globes nominations for Crossing Delancey and Anastasia: The Mystery of Anna. She also has a number of stage credits, earning an Obie Award for her off-Broadway performance in a production of The Road to Mecca.
Born In a Trunk also features Irving covering songs...
- 2/15/2023
- by Mesfin Fekadu
- The Hollywood Reporter - Movie News
This review originally ran June 13, 2022, in conjunction with the film’s world premiere at the Tribeca Festival.
After reaching an apparent artistic and popular breakthrough with “Support the Girls,” Andrew Bujalski sort of returns to Mumblecore, the genre he trail-blazed two decades ago, as necessitated by Covid-19.
“There There,” world premiering at the 2022 Tribeca Festival, visually recalls the D.I.Y. aesthetics from the first decade of the writer-director-editor’s career. Premise-wise, it’s one of those interconnected ensemble pieces that peaked, or perhaps jumped the shark, in the aughts with Paul Haggis’ “Crash.”
Structurally, the film contains six segments separated by transitional overtures of the type more prevalent in the 1970s, except here we see the musician actually performing diegetically. Yet even with adherence to familiar conventions, the finished product feels experimental and cerebral.
Also Read:
‘The Inspection’ Review: Military Coming-of-Age Drama Feels Like an Instant Queer Classic
Each segment is essentially a two-hander.
After reaching an apparent artistic and popular breakthrough with “Support the Girls,” Andrew Bujalski sort of returns to Mumblecore, the genre he trail-blazed two decades ago, as necessitated by Covid-19.
“There There,” world premiering at the 2022 Tribeca Festival, visually recalls the D.I.Y. aesthetics from the first decade of the writer-director-editor’s career. Premise-wise, it’s one of those interconnected ensemble pieces that peaked, or perhaps jumped the shark, in the aughts with Paul Haggis’ “Crash.”
Structurally, the film contains six segments separated by transitional overtures of the type more prevalent in the 1970s, except here we see the musician actually performing diegetically. Yet even with adherence to familiar conventions, the finished product feels experimental and cerebral.
Also Read:
‘The Inspection’ Review: Military Coming-of-Age Drama Feels Like an Instant Queer Classic
Each segment is essentially a two-hander.
- 11/17/2022
- by Martin Tsai
- The Wrap
Andrew Bujalski has been a fixture of American independent cinema for the past two decades. After helping to pioneer the “mumblecore” movement with his 2002 debut “Funny Ha Ha,'” the writer/director has continued to be a sporadic presence on the festival circuit with films like “Mutual Appreciation” and “Support the Girls.” But while his latest film, “There There,” shares a lo-fi, dialogue-driven aesthetic with his other films, it is also his most technically ambitious undertaking to date.
The film is comprised of a series of conversations between an ensemble cast, but due to Covid restrictions (the film was shot over a six-month period in 2021), no two actors were ever in the same room during their scenes. Bujalski worked with one actor at a time, essentially turning the film into a series of monologues that gave his script and the actors nowhere to hide.
“To me, this was an essential cinema experiment,...
The film is comprised of a series of conversations between an ensemble cast, but due to Covid restrictions (the film was shot over a six-month period in 2021), no two actors were ever in the same room during their scenes. Bujalski worked with one actor at a time, essentially turning the film into a series of monologues that gave his script and the actors nowhere to hide.
“To me, this was an essential cinema experiment,...
- 10/18/2022
- by Christian Zilko
- Indiewire
There There Tribeca Festival Spotlight Narrative Section Reviewed for Shockya.com by Abe Friedtanzer Director: Andrew Bujalski Writer: Andrew Bujalski Cast: Jason Schwartzman, Lili Taylor, Molly Gordon, Lennie James, Avi Nash, Annie Laganga, Roy Nathanson, Jon Natchez Screened at: Village East Cinema, NYC, 4/11/22 Opens: June 10th, 2022 How important is it for two actors to […]
The post Tribeca 2022: There There Movie Review appeared first on Shockya.com.
The post Tribeca 2022: There There Movie Review appeared first on Shockya.com.
- 6/25/2022
- by Abe Friedtanzer
- ShockYa
Magnolia Pictures has acquired the U.S. rights to “There There,” the latest film from “Support the Girls” and “Results” filmmaker Andrew Bujalski, out of the Tribeca Film Festival.
“There There” is described as an “uneasy comedy” about a delirious mirror image of everyday life in a distinctly twisted and discordant world. The film stars Jason Schwartzman, Lili Taylor, Lennie James, Molly Gordon, Avi Nash, Annie La Ganga, Roy Nathanson and Jon Natchez.
Magnolia plans to release the film later this year.
“There There” is something of an experimental film in which eight different performers were each filmed in isolation but then brought together in the edit. The story involves characters negotiating trust with one another. Oddly enough, the actors in the film were never within 1,000 miles of each other, and each gave their performances not even within a week of one another.
“We’re jazzed to be distributing another terrific film from Andrew Bujalski,...
“There There” is described as an “uneasy comedy” about a delirious mirror image of everyday life in a distinctly twisted and discordant world. The film stars Jason Schwartzman, Lili Taylor, Lennie James, Molly Gordon, Avi Nash, Annie La Ganga, Roy Nathanson and Jon Natchez.
Magnolia plans to release the film later this year.
“There There” is something of an experimental film in which eight different performers were each filmed in isolation but then brought together in the edit. The story involves characters negotiating trust with one another. Oddly enough, the actors in the film were never within 1,000 miles of each other, and each gave their performances not even within a week of one another.
“We’re jazzed to be distributing another terrific film from Andrew Bujalski,...
- 6/23/2022
- by Brian Welk
- The Wrap
Magnolia Pictures has acquired U.S. rights to “There There,” Andrew Bujalski’s ensemble comedy starring Jason Schwartzman and Lili Taylor.
The film had its world premiere at Tribeca. The deal re-teams Bujalski with Magnolia which previously distributed the director’s “Support the Girls” and “Results.”
“We’re jazzed to be distributing another terrific film from Andrew Bujalski,” said Magnolia President Eamonn Bowles. “‘There There’ is wonderful look at where a lot of us are today,” continued Bowles. Magnolia plans to release “There, There” later this year.
Bujalski said he couldn’t imagine a better partner than Magnolia to bring this “deeply off-kilter movie to the world.” “As distributors their savvy is extraordinary, but moreover, their level of commitment, both to filmmakers and their audiences, is unparalleled,” added the helmer, who also penned the film.
Schwartzman is best known for starring in “Rushmore,” “Fargo” and “Spider-Man: Across the Spider-Verse.” Taylor...
The film had its world premiere at Tribeca. The deal re-teams Bujalski with Magnolia which previously distributed the director’s “Support the Girls” and “Results.”
“We’re jazzed to be distributing another terrific film from Andrew Bujalski,” said Magnolia President Eamonn Bowles. “‘There There’ is wonderful look at where a lot of us are today,” continued Bowles. Magnolia plans to release “There, There” later this year.
Bujalski said he couldn’t imagine a better partner than Magnolia to bring this “deeply off-kilter movie to the world.” “As distributors their savvy is extraordinary, but moreover, their level of commitment, both to filmmakers and their audiences, is unparalleled,” added the helmer, who also penned the film.
Schwartzman is best known for starring in “Rushmore,” “Fargo” and “Spider-Man: Across the Spider-Verse.” Taylor...
- 6/23/2022
- by Elsa Keslassy and Brent Lang
- Variety Film + TV
New York City jazz outfit Onyx Collective have unveiled a starry-eyed take on the Richard Rodgers and Lorenz Hart classic, “Manhattan,” which will appear on their tribute to the Rodgers and Hart/Rodgers and Hammerstein songbook, Manhattan Special, out Friday, April 24th, via Tmwrk Records.
A New York City anthem since it arrived in 1925, “Manhattan” has been performed by everyone from Ella Fitzgerald and Tony Bennett to the Supremes and Rod Stewart and Bette Midler. On their version, Onyx Collective fold the song’s vintage Jazz Age charm into a...
A New York City anthem since it arrived in 1925, “Manhattan” has been performed by everyone from Ella Fitzgerald and Tony Bennett to the Supremes and Rod Stewart and Bette Midler. On their version, Onyx Collective fold the song’s vintage Jazz Age charm into a...
- 4/23/2020
- by Jon Blistein
- Rollingstone.com
The first time I heard Ornette Coleman in person was at a New Year’s Eve concert in the Harlem State Office Building cafeteria. (He and his band Prime Time were topping a triple bill that opened with drummer Ronald Shannon Jackson & the Decoding Society and found guitarist James “Blood” Ulmer’s band spanning the transition from 1980 to 1981; both leaders had spent crucial time as Ornette sidemen.) The thing I remember most about it was how closely Ornette’s sound on alto sax resembled that of Charlie Parker’s. I had never heard the resemblance on Coleman’s recordings, but on the nearly non-existent sound system in this low-ceilinged (with acoustic tile) room, the similarity was striking.
Over the years I read many articles, by Ornette or interviewing Ornette or theorizing independently, that tried to explain his concept of harmolodic music (so called because HARmony, MOtion Aka rhythm, and meLODy...
Over the years I read many articles, by Ornette or interviewing Ornette or theorizing independently, that tried to explain his concept of harmolodic music (so called because HARmony, MOtion Aka rhythm, and meLODy...
- 6/13/2015
- by SteveHoltje
- www.culturecatch.com
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