The Alexa 35 is booming! As IndieWire released its camera survey, it seems that the new Super 35 flagship from Arri is among the most popular cameras chosen by Sundance 2024’s filmmakers. The Arri 35 causes the notable Super 35 format to go back to the game. Furthermore, the Arri Alexa Mini is the most popular camera five years in a row. Watch the segmentation.
Sundance 2024’s Narratives: Camera Manufacturers’ chart
As you can see in the chart, Super 35 is the dominant format. As we thought that large sensors would pull down the notable Super 35, it’s not as simple as that, since the Arri 35 kicks the Super 35 to the popularity line again. Additionally, this is the first time that we have seen a solid presence of the Arri 35 in our charts. Head to head with the old (and mighty) Alexa Mini, the Arri 35 is climbing strong and may become the most preferred camera among storytellers.
Sundance 2024’s Narratives: Camera Manufacturers’ chart
As you can see in the chart, Super 35 is the dominant format. As we thought that large sensors would pull down the notable Super 35, it’s not as simple as that, since the Arri 35 kicks the Super 35 to the popularity line again. Additionally, this is the first time that we have seen a solid presence of the Arri 35 in our charts. Head to head with the old (and mighty) Alexa Mini, the Arri 35 is climbing strong and may become the most preferred camera among storytellers.
- 1/29/2024
- by Yossy Mendelovich
- YMCinema
Smoking weed and telling off Catholic priests are just two of the ways Malu Rocha (Yara de Novaes) asserts her rebellious spirit. The eccentric, indomitable and idiosyncratic actress at that center of Pedro Freire’s feature debut “Malu” is the embodiment of a highly flammable substance. Her volatile personality, capable of consuming everything in her way, ignites a Rio de Janeiro-set intergenerational drama inspired by the life story of the director’s mother.
Malu doesn’t live in the present. Most of the time, she’s either retelling stories from her youth about getting into trouble with the law during the dictatorship years, or else rambling about a hypothetical future. Malu dreams of turning her home into a cultural center where kids from the nearby favela can come for recreational activities and theater productions. But the property needs as many repairs as do her relationships with both her elderly mother...
Malu doesn’t live in the present. Most of the time, she’s either retelling stories from her youth about getting into trouble with the law during the dictatorship years, or else rambling about a hypothetical future. Malu dreams of turning her home into a cultural center where kids from the nearby favela can come for recreational activities and theater productions. But the property needs as many repairs as do her relationships with both her elderly mother...
- 1/27/2024
- by Carlos Aguilar
- Variety Film + TV
Pedro Freire’s feature debut, Malu is a multigenerational family drama about an actress whose relationship with both mother and daughter are strained. Set in Rio de Janeiro, the film depicts the frayed familial fabric that sees the women at once caring for and offending one another. Mauro Pinheiro Jr. served as the film’s cinematographer. Below, he explains how he fended off problems posed by inclement weather and why he favored a sparse setup that allowed the film’s performers maximum freedom. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why […]
The post “It Was Essential to Offer the Cast Complete Freedom of Movement”: Dp Mauro Pinheiro Jr. on Malu first appeared on Filmmaker Magazine.
The post “It Was Essential to Offer the Cast Complete Freedom of Movement”: Dp Mauro Pinheiro Jr. on Malu first appeared on Filmmaker Magazine.
- 1/21/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Pedro Freire’s feature debut, Malu is a multigenerational family drama about an actress whose relationship with both mother and daughter are strained. Set in Rio de Janeiro, the film depicts the frayed familial fabric that sees the women at once caring for and offending one another. Mauro Pinheiro Jr. served as the film’s cinematographer. Below, he explains how he fended off problems posed by inclement weather and why he favored a sparse setup that allowed the film’s performers maximum freedom. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why […]
The post “It Was Essential to Offer the Cast Complete Freedom of Movement”: Dp Mauro Pinheiro Jr. on Malu first appeared on Filmmaker Magazine.
The post “It Was Essential to Offer the Cast Complete Freedom of Movement”: Dp Mauro Pinheiro Jr. on Malu first appeared on Filmmaker Magazine.
- 1/21/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Guadalajara Wraps and a New Fest Begins
Ficg (pronounced FeeSeeg and standing for the Festival International de Cine in Guadalajara), displayed a new vibrancy. Besides some great films, great attendance and great organization, several Latin American countries are entering the international film business for the first time (Peru and Ecuador) with subsidies from their government pointing to an optimism for film production as an economic factor in their country's growth. I blogged about the Dominican Republic but not about the new Law 226 in Mexico which encourages businesses to invest up to 20 million pesos (U.S.$2 million) or 10% of the taxes they owed the previous year (whichever is higher) into Mexican film production, or Brazilian access to subsidies.
In addition, Guadalajara is becoming known as the Silicon Valley of Mexico as its economy is based especially on information technology with a large number of international firms having facilities there. It is also considered to be the home of Mariachi music. The city is named after the Spanish city of Guadalajara with the name originating from the Arabic word meaning "Valley of Stones". It is the highest ranking major Mexican city and has the second strongest economic potential of any major North American city. Only Chicago scores more highly for sheer economic potential (Per a 2007 report in fDi magazine, an English-language news and foreign direct investment publication owned by The Financial Times Ltd and edited in London). The same research calls Guadalajara the "city of the future" due to its youthful population, low unemployment and large number of recent foreign investment deals. It was also ranked the third most business friendly city in North America.
A new digital film studio is going up. The University is an important center of culture and learning.
And sadly, violence over drugs is not far away. This past Friday, Narco gangs appropriated 25 vehicles in 16 separate incidents – 11 of them in the Guadalajara metropolitan zone where they set fire to them in retaliation for action taken against them in a military action to capture two Mexican drug cartel members. At the Centro Magno festival venue, festival transport staff stopped filmgoers leaving a screening of Andres Wood's Violeta Went to Heaven as they sought to return to the festival's central Expo Center venue, acknowledging concerns for safety. A truck was set on fire not far (but not too close either: at Calzada Lázaro Cárdenas and Mezquite, at la Colonia de El Fresno) from the Expo where the festival was still being held, but there was no disruption of the festival.
Our friend, Hebe Tabachnik, Iberoamerican programmer for the Palm Springs Film Festival is on the jury and writes from there:
Dear friends, in spite of the disruptive and unfortunately deadly incidents in Guadalajara today, all the attendees to the Ficg Guadalajara are Ok. We are sorry this beautiful city and specially its amazing people have to experience this kind of criminal acts. The festival is going ahead with its schedule events, as it should be. Celebrating the arts and show no fear is the best way to manifest against the non sense violence. Viva Guadalajara. Viva Mexico!!!!
The activities of the industry, with meetings about Iberoamerican coproductions with its well presented professional projects, the film market itself with films available to watch up to 2 weeks after the closing, the Cannes Marche Producers Network, Works in Progress, Berlinale's Talent Campus and Doculab, and of course, the festival itself with galas every night, a Focus on U.K. and Mike Leigh, Homages, Mexican and Iberoamerican Competition, Sounds of Cinema, Children's Cinema, Lgbt prizes, Open Air Screenings - all defy easy decision making on how best to spend one's time there.
The prize winners:
PalmarÉS FICG27
Premio Maguey
Mención Especial
“Todo el mundo tiene alguien menos yo” (México) Dir. Raúl Fuentes
Premio Maguey
“Mía“ (Argentina) Dir. Javier van de Couter
Premio del Público Milenio
“Espacio Interior“ (México) Dir. Kai Parlange
Premio Mezcal
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Premio Cinecolor
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Mejor Cortometraje de Animación - Premio Rigo Mora
“Un ojo” (México) Dir. Lorenza Manrique
Mejor Cortometraje Iberoamericano
“Minuto 200” (Colombia) Dir. Frank Benítez
Mejor Cortometraje Mexicano
“Lucy vs. los límites de la voz” (México) Dir. Mónica Herrera
Largometraje Iberoamericano Documental
Mención Especial
“El salvavidas“ (Chile) Dir. Maite Alberdi
Mejor Documental Iberoamericano
“ ¡Vivan las antípodas! “(Argentina - Chile - Alemania - Holanda) Dir. Víctor Kossakovsky
Largometraje Mexicano Documental
Mención Especial
“Carrière, 250 metros” Dir. Juan Carlos Rulfo y Natalia Gil
Mención Especial
“El paciente interno” Dir. Alejandro Solar
Mejor Documental Mexicano
“Cuates de Australia” Everardo González
Largometraje de Ficción Iberoamericana
Mejor Guion
Jaime Osorio por “El páramo” (Colombia)
Mejor Fotografía
Mauro Pinheiro Jr. por “Sudoeste” (Brasil)
Mejor Actriz
Francisca Gavilán por “Violeta se fue a los cielos” (Chile)
Mejor Actor
Andrés Crespo por “Pescador” (Ecuador)
Premio Especial del Jurado
“Los pasos dobles” (España - Suiza) Dir. Isaki Lacuesta
Mejor Opera Prima
“Transeunte” (Brasil) Dir. Eryk Rocha
Mejor Director
Sebastián Cordero por “Pescador” (Ecuador)
Mejor Película Iberoamericana
"Abrir puertas y ventanas" (Argentina) "Dir. Milagros Mumenthaler
Largometraje de Ficción Mexicana
Mención Especial
Música Original de "Días de gracia"
Mejor Guion
Miguel Bonilla por “Diente por diente”
Mejor Fotografía
Jerónimo Rodríguez por “Todo el mundo tiene a alguien menos yo”
Mejor Actriz
Martha Higareda por “Mariachi Gringo”
Mejor Actor
Kuno Becker por “Espacio Interior”
Mejor Opera Prima
"El fantástico mundo de Juan Orol" Dir. Sebastián del Amo
Mejor Director
Everardo Gout por “Días de gracia”.
Mejor Película
“Mariachi Gringo” Dir. Tom Gustafson
alt=premios-paralelos>
Premio de los Niños
“El secreto del medallón de jade” (México) Dir. Rodolfo Guzmán y Leopoldo Aguilar
Premio Feisal
Mención Especial
“No hay lugar lejano” (México) Dir. Michelle Ibaven
Mención Especial
“Oro Colombiano: 400 años de música del alma” (Colombia) Dir. Sanjay Agarwal e Iván Higa
Premio Feisal
“75 habitantes, 20 casas, 300 vacas” (Argentina) Dir. Fernando Domínguez
Premio Fipresci
“Violeta se fue a los cielos” (Chile) Dir. Andrés Wood
Guerrero de la Prensa
Mejor largometraje de ficción “Días de gracia” (México) Dir. Everardo Gout Mejor largometraje documental “El paciente interno” (México) Dir. Alejandro Solar
Academia Jalisciense de Cinematografía
Mejor cortometraje jalisciense “La noria” Dir. Karla Castañeda Mejor largometraje jalisciense “Fecha de caducidad” Dir. Kenya Márquez
No sooner does this festival and market wrap when a new Mexican festival, the Riviera Maya Film Festival, begins March 20 - 25 which will play in Cancun, Playa del Carmen, Tulum, Cozumel and Holbox. The industry component Rivieralab, a coproduction event will take place in Quintana Roo March 22-25 and will host 158 projects from Latin America and Europe. 10 projects will be showcased to financiers, fund representatives, producers and sales agents, 3 will receive 200,000 pesos or approximately Us$15,500. 8 international works in progress at post-production stage from a pool of 40 will be selected to receive support.
Ficg (pronounced FeeSeeg and standing for the Festival International de Cine in Guadalajara), displayed a new vibrancy. Besides some great films, great attendance and great organization, several Latin American countries are entering the international film business for the first time (Peru and Ecuador) with subsidies from their government pointing to an optimism for film production as an economic factor in their country's growth. I blogged about the Dominican Republic but not about the new Law 226 in Mexico which encourages businesses to invest up to 20 million pesos (U.S.$2 million) or 10% of the taxes they owed the previous year (whichever is higher) into Mexican film production, or Brazilian access to subsidies.
In addition, Guadalajara is becoming known as the Silicon Valley of Mexico as its economy is based especially on information technology with a large number of international firms having facilities there. It is also considered to be the home of Mariachi music. The city is named after the Spanish city of Guadalajara with the name originating from the Arabic word meaning "Valley of Stones". It is the highest ranking major Mexican city and has the second strongest economic potential of any major North American city. Only Chicago scores more highly for sheer economic potential (Per a 2007 report in fDi magazine, an English-language news and foreign direct investment publication owned by The Financial Times Ltd and edited in London). The same research calls Guadalajara the "city of the future" due to its youthful population, low unemployment and large number of recent foreign investment deals. It was also ranked the third most business friendly city in North America.
A new digital film studio is going up. The University is an important center of culture and learning.
And sadly, violence over drugs is not far away. This past Friday, Narco gangs appropriated 25 vehicles in 16 separate incidents – 11 of them in the Guadalajara metropolitan zone where they set fire to them in retaliation for action taken against them in a military action to capture two Mexican drug cartel members. At the Centro Magno festival venue, festival transport staff stopped filmgoers leaving a screening of Andres Wood's Violeta Went to Heaven as they sought to return to the festival's central Expo Center venue, acknowledging concerns for safety. A truck was set on fire not far (but not too close either: at Calzada Lázaro Cárdenas and Mezquite, at la Colonia de El Fresno) from the Expo where the festival was still being held, but there was no disruption of the festival.
Our friend, Hebe Tabachnik, Iberoamerican programmer for the Palm Springs Film Festival is on the jury and writes from there:
Dear friends, in spite of the disruptive and unfortunately deadly incidents in Guadalajara today, all the attendees to the Ficg Guadalajara are Ok. We are sorry this beautiful city and specially its amazing people have to experience this kind of criminal acts. The festival is going ahead with its schedule events, as it should be. Celebrating the arts and show no fear is the best way to manifest against the non sense violence. Viva Guadalajara. Viva Mexico!!!!
The activities of the industry, with meetings about Iberoamerican coproductions with its well presented professional projects, the film market itself with films available to watch up to 2 weeks after the closing, the Cannes Marche Producers Network, Works in Progress, Berlinale's Talent Campus and Doculab, and of course, the festival itself with galas every night, a Focus on U.K. and Mike Leigh, Homages, Mexican and Iberoamerican Competition, Sounds of Cinema, Children's Cinema, Lgbt prizes, Open Air Screenings - all defy easy decision making on how best to spend one's time there.
The prize winners:
PalmarÉS FICG27
Premio Maguey
Mención Especial
“Todo el mundo tiene alguien menos yo” (México) Dir. Raúl Fuentes
Premio Maguey
“Mía“ (Argentina) Dir. Javier van de Couter
Premio del Público Milenio
“Espacio Interior“ (México) Dir. Kai Parlange
Premio Mezcal
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Premio Cinecolor
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Mejor Cortometraje de Animación - Premio Rigo Mora
“Un ojo” (México) Dir. Lorenza Manrique
Mejor Cortometraje Iberoamericano
“Minuto 200” (Colombia) Dir. Frank Benítez
Mejor Cortometraje Mexicano
“Lucy vs. los límites de la voz” (México) Dir. Mónica Herrera
Largometraje Iberoamericano Documental
Mención Especial
“El salvavidas“ (Chile) Dir. Maite Alberdi
Mejor Documental Iberoamericano
“ ¡Vivan las antípodas! “(Argentina - Chile - Alemania - Holanda) Dir. Víctor Kossakovsky
Largometraje Mexicano Documental
Mención Especial
“Carrière, 250 metros” Dir. Juan Carlos Rulfo y Natalia Gil
Mención Especial
“El paciente interno” Dir. Alejandro Solar
Mejor Documental Mexicano
“Cuates de Australia” Everardo González
Largometraje de Ficción Iberoamericana
Mejor Guion
Jaime Osorio por “El páramo” (Colombia)
Mejor Fotografía
Mauro Pinheiro Jr. por “Sudoeste” (Brasil)
Mejor Actriz
Francisca Gavilán por “Violeta se fue a los cielos” (Chile)
Mejor Actor
Andrés Crespo por “Pescador” (Ecuador)
Premio Especial del Jurado
“Los pasos dobles” (España - Suiza) Dir. Isaki Lacuesta
Mejor Opera Prima
“Transeunte” (Brasil) Dir. Eryk Rocha
Mejor Director
Sebastián Cordero por “Pescador” (Ecuador)
Mejor Película Iberoamericana
"Abrir puertas y ventanas" (Argentina) "Dir. Milagros Mumenthaler
Largometraje de Ficción Mexicana
Mención Especial
Música Original de "Días de gracia"
Mejor Guion
Miguel Bonilla por “Diente por diente”
Mejor Fotografía
Jerónimo Rodríguez por “Todo el mundo tiene a alguien menos yo”
Mejor Actriz
Martha Higareda por “Mariachi Gringo”
Mejor Actor
Kuno Becker por “Espacio Interior”
Mejor Opera Prima
"El fantástico mundo de Juan Orol" Dir. Sebastián del Amo
Mejor Director
Everardo Gout por “Días de gracia”.
Mejor Película
“Mariachi Gringo” Dir. Tom Gustafson
alt=premios-paralelos>
Premio de los Niños
“El secreto del medallón de jade” (México) Dir. Rodolfo Guzmán y Leopoldo Aguilar
Premio Feisal
Mención Especial
“No hay lugar lejano” (México) Dir. Michelle Ibaven
Mención Especial
“Oro Colombiano: 400 años de música del alma” (Colombia) Dir. Sanjay Agarwal e Iván Higa
Premio Feisal
“75 habitantes, 20 casas, 300 vacas” (Argentina) Dir. Fernando Domínguez
Premio Fipresci
“Violeta se fue a los cielos” (Chile) Dir. Andrés Wood
Guerrero de la Prensa
Mejor largometraje de ficción “Días de gracia” (México) Dir. Everardo Gout Mejor largometraje documental “El paciente interno” (México) Dir. Alejandro Solar
Academia Jalisciense de Cinematografía
Mejor cortometraje jalisciense “La noria” Dir. Karla Castañeda Mejor largometraje jalisciense “Fecha de caducidad” Dir. Kenya Márquez
No sooner does this festival and market wrap when a new Mexican festival, the Riviera Maya Film Festival, begins March 20 - 25 which will play in Cancun, Playa del Carmen, Tulum, Cozumel and Holbox. The industry component Rivieralab, a coproduction event will take place in Quintana Roo March 22-25 and will host 158 projects from Latin America and Europe. 10 projects will be showcased to financiers, fund representatives, producers and sales agents, 3 will receive 200,000 pesos or approximately Us$15,500. 8 international works in progress at post-production stage from a pool of 40 will be selected to receive support.
- 3/12/2012
- by Sydney Levine
- Sydney's Buzz
Year: 2009
Directors: Esmir Filho
Writers: Esmir Filho & Ismael Caneppele
IMDb: link
Trailer: link
Review by: Linus de Paoli
Rating: 8 out of 10
[Editor's note: So begins our Locarno coverage. Surprised? We're making moves in Europe, lots more to come!]
After a couple of rather disappointing films I wasn’t expecting much, but “Os Famosos E Os Duendes Da Morte” was the first truly impressive work of this year’s international competition of the Locarno Film festival! It features many mysterious elements, dreams and visions that appear almost Lynchesque, but it never gets supernatural. In the way the film deals with its characters, it is more a dreamy coming-of-age story than a thriller. And it definitely is a vivid and strong example for young Brazilian film making all along the line!
16-year-old Bob Dylan fan "Mr. Tambourine Man" lives in a small town that he refers to as "the a**hole of the world". He is bored by his real life and spends a lot of time on the Internet,...
Directors: Esmir Filho
Writers: Esmir Filho & Ismael Caneppele
IMDb: link
Trailer: link
Review by: Linus de Paoli
Rating: 8 out of 10
[Editor's note: So begins our Locarno coverage. Surprised? We're making moves in Europe, lots more to come!]
After a couple of rather disappointing films I wasn’t expecting much, but “Os Famosos E Os Duendes Da Morte” was the first truly impressive work of this year’s international competition of the Locarno Film festival! It features many mysterious elements, dreams and visions that appear almost Lynchesque, but it never gets supernatural. In the way the film deals with its characters, it is more a dreamy coming-of-age story than a thriller. And it definitely is a vivid and strong example for young Brazilian film making all along the line!
16-year-old Bob Dylan fan "Mr. Tambourine Man" lives in a small town that he refers to as "the a**hole of the world". He is bored by his real life and spends a lot of time on the Internet,...
- 8/11/2009
- QuietEarth.us
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