Sophomore director Nicolas Pariser follows his politically engaged debut, “The Great Game,” with an even deeper plunge into the disconnect between political theory and the workings of government in the unmistakably French “Alice and the Mayor.” Deeply influenced by Eric Rohmer in the way it aspires to use philosophical dialogue to reveal something about the people behind the talk, Pariser unfortunately tips the conversation scales far into tilt, resulting in a movie so enamored by its self-perception of cleverness that even policy wonks will find it hard to muster enthusiasm. Aside from the pleasures of watching Fabrice Luchini and the winningly fresh-faced Anaïs Demoustier, there’s little to attract interest, especially outside the Republic.
Longtime politico Paul Théraneau (Luchini) is proud of his track record as mayor of Lyon, but he’s lost a sense of intellectual engagement. To kick-start the cerebral juices, his staff hire Alice Heimann (Demoustier), a...
Longtime politico Paul Théraneau (Luchini) is proud of his track record as mayor of Lyon, but he’s lost a sense of intellectual engagement. To kick-start the cerebral juices, his staff hire Alice Heimann (Demoustier), a...
- 5/20/2019
- by Jay Weissberg
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.