Morpheus Tales XVI
The Depredator’s Club by Deborah Walker
The Receipts by Paul Johnson-Jovanovic & James Brooks
Seasons In The Abyss by Anthony Baynton
Crepuscular Beast by Sharon Baillie
The Function Room by Matt Leyshon
When The Letter Came by Matthew Acheson
The Birds of Averrone by Kyle Memmings
Morning Jog by James Gabriel
Lilies by Gary Budgen
Flip Of The Switch by Philip Roberts
As far as short horror fiction magazines go I believe that Morpheus Tales is one of the best out there right now and their latest issue does nothing to change my opinion. I can always count on Morpheus tales to deliver some frightening and terrifying tales.
Even though there were a few stories I didn’t care for in this issue, the one’s I really liked were really good. Here are a few of the highlights for me.
The Receipts by Paul Johnson-Jovanovic & James Brooks...
The Depredator’s Club by Deborah Walker
The Receipts by Paul Johnson-Jovanovic & James Brooks
Seasons In The Abyss by Anthony Baynton
Crepuscular Beast by Sharon Baillie
The Function Room by Matt Leyshon
When The Letter Came by Matthew Acheson
The Birds of Averrone by Kyle Memmings
Morning Jog by James Gabriel
Lilies by Gary Budgen
Flip Of The Switch by Philip Roberts
As far as short horror fiction magazines go I believe that Morpheus Tales is one of the best out there right now and their latest issue does nothing to change my opinion. I can always count on Morpheus tales to deliver some frightening and terrifying tales.
Even though there were a few stories I didn’t care for in this issue, the one’s I really liked were really good. Here are a few of the highlights for me.
The Receipts by Paul Johnson-Jovanovic & James Brooks...
- 8/28/2012
- by Peter Schwotzer
- FamousMonsters of Filmland
Lightning Entertainment’s Slate Of New Titles For Cannes Includes Chris Colfer’s Struck By Lightning
Lightning Entertainment has acquired international rights to five feature films and will present the slate of new titles, including the star-studded comedy Struck By Lightning written by and starring Glee.s Chris Colfer, to buyers at the upcoming Cannes Film Market, it was announced today by Robert Beaumont, President of Lightning Entertainment.
Struck By Lightning will make its market premiere at the Marché du Film following its Tribeca Film Festival world debut where it received an overwhelmingly positive response. Servitude will also make its market premiere with promotional footage being shown for family film Heaven.S Door and South African thriller One Last Look. Black South-easter is currently in production.
.We are thrilled to present this eclectic slate of new titles featuring films from across the globe to our buyers at Cannes and we are incredibly excited that both Struck By Lightning and Servitude will be making their market premieres next month,...
Struck By Lightning will make its market premiere at the Marché du Film following its Tribeca Film Festival world debut where it received an overwhelmingly positive response. Servitude will also make its market premiere with promotional footage being shown for family film Heaven.S Door and South African thriller One Last Look. Black South-easter is currently in production.
.We are thrilled to present this eclectic slate of new titles featuring films from across the globe to our buyers at Cannes and we are incredibly excited that both Struck By Lightning and Servitude will be making their market premieres next month,...
- 4/27/2012
- by Michelle McCue
- WeAreMovieGeeks.com
Screened at Locarno International Film Festival Piazza Grande
When Anders Larsen chases after one of the two young black brothers who have just mugged him on a busy Cape Town street, he doesn't just want his case back, he wants to know how the boy was able to leap up and over a park gate with such agility.
Larsen (Marcel Van Heerden) trains trapeze artists, and what he sees in the lad is what he's always looking for: the makings of someone he can turn into what the title of this likable film calls "The Flyer".
Director Revel Fox, co-writing with Philip Roberts, makes the most of a structure familiar from many an old-time Hollywood picture as one brother goes to jail while the other purses a dream. Only budgetary limitations keep the pleasure in the film muted as trapeze artists need a Big Top and the roar of the crowd, and the action here takes place in the barren space where Larsen trains his flyers. The film may find a warmer welcome on television and DVD than in theaters.
"The Flyer" starts snappily with two excellent performances from youngsters Jarrid Geduld, as the athletic Kier, and Marvin Pasqualie, as the criminally inclined Spies. They live rough and steal what they need with the older Spies definitely in charge.
When a robbery goes sour and Kier is apprehended, Spies knifes a police officer to allow Kier to flee. Spies goes to jail while Kier accepts Larsen's offer to train for the trapeze.
Ian van der Heyden and Craig Palm, as Kier and Spies respectively, take over as the older brother is released from jail a hardened criminal still wishing to involve Kier in his plans.
The story follows a conventional path with the inclusion of dancer Mickey (Kim Engelbrecht) as Kier's love interest while Anders plots an audition for his young flyer with a famous Paris circus.
It's all very neatly done and to see a trapeze artist attempt not only the triple somersault but also the quadruple is always a thrill, but Fox's film tells a decent yarn, and when you go to the circus you need a legend.
When Anders Larsen chases after one of the two young black brothers who have just mugged him on a busy Cape Town street, he doesn't just want his case back, he wants to know how the boy was able to leap up and over a park gate with such agility.
Larsen (Marcel Van Heerden) trains trapeze artists, and what he sees in the lad is what he's always looking for: the makings of someone he can turn into what the title of this likable film calls "The Flyer".
Director Revel Fox, co-writing with Philip Roberts, makes the most of a structure familiar from many an old-time Hollywood picture as one brother goes to jail while the other purses a dream. Only budgetary limitations keep the pleasure in the film muted as trapeze artists need a Big Top and the roar of the crowd, and the action here takes place in the barren space where Larsen trains his flyers. The film may find a warmer welcome on television and DVD than in theaters.
"The Flyer" starts snappily with two excellent performances from youngsters Jarrid Geduld, as the athletic Kier, and Marvin Pasqualie, as the criminally inclined Spies. They live rough and steal what they need with the older Spies definitely in charge.
When a robbery goes sour and Kier is apprehended, Spies knifes a police officer to allow Kier to flee. Spies goes to jail while Kier accepts Larsen's offer to train for the trapeze.
Ian van der Heyden and Craig Palm, as Kier and Spies respectively, take over as the older brother is released from jail a hardened criminal still wishing to involve Kier in his plans.
The story follows a conventional path with the inclusion of dancer Mickey (Kim Engelbrecht) as Kier's love interest while Anders plots an audition for his young flyer with a famous Paris circus.
It's all very neatly done and to see a trapeze artist attempt not only the triple somersault but also the quadruple is always a thrill, but Fox's film tells a decent yarn, and when you go to the circus you need a legend.
- 8/11/2005
- The Hollywood Reporter - Movie News
When Anders Larsen chases after one of the two young black brothers who have just mugged him on a busy Cape Town street, he doesn't just want his case back, he wants to know how the boy was able to leap up and over a park gate with such agility.
Larsen (Marcel Van Heerden) trains trapeze artists, and what he sees in the lad is what he's always looking for: the makings of someone he can turn into what the title of this likable film calls The Flyer.
Director Revel Fox, co-writing with Philip Roberts, makes the most of a structure familiar from many an old-time Hollywood picture as one brother goes to jail while the other purses a dream. Only budgetary limitations keep the pleasure in the film muted as trapeze artists need a Big Top and the roar of the crowd, and the action here takes place in the barren space where Larsen trains his flyers. The film may find a warmer welcome on television and DVD than in theaters.
The Flyers starts snappily with two excellent performances from youngsters Jarrid Geduld, as the athletic Kier, and Marvin Pasqualie, as the criminally inclined Spies. They live rough and steal what they need with the older Spies definitely in charge.
When a robbery goes sour and Kier is apprehended, Spies knifes a police officer to allow Kier to flee. Spies goes to jail while Kier accepts Larsen's offer to train for the trapeze.
Ian van der Heyden and Craig Palm, as Kier and Spies respectively, take over as the older brother is released from jail a hardened criminal still wishing to involve Kier in his plans.
The story follows a conventional path with the inclusion of dancer Mickey (Kim Engelbrecht) as Kier's love interest while Anders plots an audition for his young flyer with a famous Paris circus.
It's all very neatly done and to see a trapeze artist attempt not only the triple somersault but also the quadruple is always a thrill, but Fox's film tells a decent yarn, and when you go to the circus you need a legend.
Larsen (Marcel Van Heerden) trains trapeze artists, and what he sees in the lad is what he's always looking for: the makings of someone he can turn into what the title of this likable film calls The Flyer.
Director Revel Fox, co-writing with Philip Roberts, makes the most of a structure familiar from many an old-time Hollywood picture as one brother goes to jail while the other purses a dream. Only budgetary limitations keep the pleasure in the film muted as trapeze artists need a Big Top and the roar of the crowd, and the action here takes place in the barren space where Larsen trains his flyers. The film may find a warmer welcome on television and DVD than in theaters.
The Flyers starts snappily with two excellent performances from youngsters Jarrid Geduld, as the athletic Kier, and Marvin Pasqualie, as the criminally inclined Spies. They live rough and steal what they need with the older Spies definitely in charge.
When a robbery goes sour and Kier is apprehended, Spies knifes a police officer to allow Kier to flee. Spies goes to jail while Kier accepts Larsen's offer to train for the trapeze.
Ian van der Heyden and Craig Palm, as Kier and Spies respectively, take over as the older brother is released from jail a hardened criminal still wishing to involve Kier in his plans.
The story follows a conventional path with the inclusion of dancer Mickey (Kim Engelbrecht) as Kier's love interest while Anders plots an audition for his young flyer with a famous Paris circus.
It's all very neatly done and to see a trapeze artist attempt not only the triple somersault but also the quadruple is always a thrill, but Fox's film tells a decent yarn, and when you go to the circus you need a legend.
- 8/10/2005
- The Hollywood Reporter - Movie News
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