When Hot Docs, the documentary film festival held annually in Toronto, staged its first event back in 1994, the program presented a mere 21 features, including the Noam Chomsky profile “Manufacturing Consent” and Nick Broomfield’s “Aileen Wuornos: The Selling of a Serial Killer.”
From the humble beginning, this celebration of nonfiction short subjects and features has become the largest of its kind, and one of the most internationally recognized, receiving 3,000 submissions from across the globe for possible inclusion in the 2018 event.
“We’re in the golden age of documentary, and we’re seeing that in the volume of films submitted,” says Hot Docs director of programming Shane Smith, “but also the range and quality of the stories being told. I never have trouble finding films for the festival. The problem is deciding on the final selection because of the number of quality films that we see.”
This year’s Hot Docs,...
From the humble beginning, this celebration of nonfiction short subjects and features has become the largest of its kind, and one of the most internationally recognized, receiving 3,000 submissions from across the globe for possible inclusion in the 2018 event.
“We’re in the golden age of documentary, and we’re seeing that in the volume of films submitted,” says Hot Docs director of programming Shane Smith, “but also the range and quality of the stories being told. I never have trouble finding films for the festival. The problem is deciding on the final selection because of the number of quality films that we see.”
This year’s Hot Docs,...
- 4/20/2018
- by Robert Ham
- Variety Film + TV
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