“Schoolgirl Crushed”
By Raymond Benson
George Roy Hill’s 1964 comedy, The World of Henry Orient, is based on a novel by Nora Johnson that fictionalizes her own experiences as a schoolgirl in New York City when she and a friend allegedly had crushes on pianist Oscar Levant. She and her father, Nunnally Johnson, adapted the book to screenplay.
It’s the story of two mid-teens, competently played by newcomers Merrie Spaeth (“Gil”) and Tippy Walker (“Val”), who attend a private girls school in the city. Gil’s parents are divorced and she lives with her mother and another divorcee in a nice Upper East Side apartment. Val’s parents are still married, but unhappily, and they’re constantly traveling the world for her father’s (Tom Bosley) business. This leaves Gil and Val to indulge in precocious imaginary “adventures” around the city.
Val develops an infatuation on eccentric womanizing concert...
By Raymond Benson
George Roy Hill’s 1964 comedy, The World of Henry Orient, is based on a novel by Nora Johnson that fictionalizes her own experiences as a schoolgirl in New York City when she and a friend allegedly had crushes on pianist Oscar Levant. She and her father, Nunnally Johnson, adapted the book to screenplay.
It’s the story of two mid-teens, competently played by newcomers Merrie Spaeth (“Gil”) and Tippy Walker (“Val”), who attend a private girls school in the city. Gil’s parents are divorced and she lives with her mother and another divorcee in a nice Upper East Side apartment. Val’s parents are still married, but unhappily, and they’re constantly traveling the world for her father’s (Tom Bosley) business. This leaves Gil and Val to indulge in precocious imaginary “adventures” around the city.
Val develops an infatuation on eccentric womanizing concert...
- 6/5/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
"Who are those guys?"
George Roy Hill doesn't get written up much these days. People either like some of his films or not, but don't usually have much to say about them. In the breadth of subjects and tones he tackled, the former TV director certainly made it hard to perceive an authorial voice, and even his visual style was inconsistent, veering between the flatly televisual and a more nouvelle vague playfulness. Regular collaborator William Goldman praised him as one of the greats precisely because of his versatility, but he seems destined to be recalled for only a couple of movies, and as an able journeyman rather than as a unique artist.
The World of Henry Orient (1964) is a charming oddity. It deals with a fantasy world concocted by two 14-year-old schoolgirls in New York, based around a minor local celebrity, concert pianist Henry Orient (Peter Sellers), whom they encounter...
George Roy Hill doesn't get written up much these days. People either like some of his films or not, but don't usually have much to say about them. In the breadth of subjects and tones he tackled, the former TV director certainly made it hard to perceive an authorial voice, and even his visual style was inconsistent, veering between the flatly televisual and a more nouvelle vague playfulness. Regular collaborator William Goldman praised him as one of the greats precisely because of his versatility, but he seems destined to be recalled for only a couple of movies, and as an able journeyman rather than as a unique artist.
The World of Henry Orient (1964) is a charming oddity. It deals with a fantasy world concocted by two 14-year-old schoolgirls in New York, based around a minor local celebrity, concert pianist Henry Orient (Peter Sellers), whom they encounter...
- 1/10/2013
- by David Cairns
- MUBI
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