“Dune” has been named the best-shot film of 2021 by the American Society of Cinematographers, which held its annual awards show on Sunday evening in Los Angeles.
Cinematographer Greig Fraser won the award over a field that included fellow Oscar nominees “The Power of the Dog,” “The Tragedy of Macbeth” and “Nightmare Alley,” as well as “Belfast.”
In the first 35 years of its existence, the ASC winner has gone on to take the Oscar for Best Cinematography less than half the time, although that percentage has improved recently. “Dune” is considered one of the front runners for this year’s cinematography Oscar, with Fraser seemingly in a close with Ari Wegner for “The Power of the Dog,” who could be the first woman ever to win in the category.
Other feature-film awards went to Jessica Beshir for “Faya Dayi” in the documentary category and Pat Scola for “Pig” in the spotlight category,...
Cinematographer Greig Fraser won the award over a field that included fellow Oscar nominees “The Power of the Dog,” “The Tragedy of Macbeth” and “Nightmare Alley,” as well as “Belfast.”
In the first 35 years of its existence, the ASC winner has gone on to take the Oscar for Best Cinematography less than half the time, although that percentage has improved recently. “Dune” is considered one of the front runners for this year’s cinematography Oscar, with Fraser seemingly in a close with Ari Wegner for “The Power of the Dog,” who could be the first woman ever to win in the category.
Other feature-film awards went to Jessica Beshir for “Faya Dayi” in the documentary category and Pat Scola for “Pig” in the spotlight category,...
- 3/21/2022
- by Steve Pond
- The Wrap
The American Society of Cinematographers on Tuesday unveiled nominations for its 36th annual ASC Awards, honoring the year’s best in feature film, documentary and television cinematography.
The society’s marquee Feature Film nominees include Bruno Delbonnel for The Tragedy of Macbeth, Greig Fraser for Dune, Dan Laustsen for Nightmare Alley, Ari Wegner for The Power of the Dog and Haris Zambarloukos for Belfast.
Last year, the ASC awarded Mank‘s Erik Messerschmidt with the Feature Film trophy, on his way to winning the Cinematography Oscar for the black-and-white film. This year, Belfast and Macbeth are also both black and white, along with for that matter Guillermo del Toro’s alt-version of Nightmare Alley.
The ASC film winner historically goes on to win the Oscar about half the time — 16 times in the past 35 years.
In TV, there were no repeats from last year’s shows on today’s list. Jon Joffin,...
The society’s marquee Feature Film nominees include Bruno Delbonnel for The Tragedy of Macbeth, Greig Fraser for Dune, Dan Laustsen for Nightmare Alley, Ari Wegner for The Power of the Dog and Haris Zambarloukos for Belfast.
Last year, the ASC awarded Mank‘s Erik Messerschmidt with the Feature Film trophy, on his way to winning the Cinematography Oscar for the black-and-white film. This year, Belfast and Macbeth are also both black and white, along with for that matter Guillermo del Toro’s alt-version of Nightmare Alley.
The ASC film winner historically goes on to win the Oscar about half the time — 16 times in the past 35 years.
In TV, there were no repeats from last year’s shows on today’s list. Jon Joffin,...
- 1/25/2022
- by Patrick Hipes
- Deadline Film + TV
“Flashback” proves it’s possible to create a Christopher Nolan-esque, fantasy-tinged narrative puzzle of interlocking realities without need of a major-studio budget or elaborate CGI. Whether it says much of anything else may depend on your attitude toward such labyrinths — whether you need them to actually go somewhere, or conversely find that surface complexity provides depth and meaning in itself.
Writer-director Christopher MacBride’s second feature (following paranoid found-footage horror “The Conspiracy” by nearly a decade) stars Dylan O’Brien as a young man haplessly trying to navigate a wormhole of comingled memories and visions perhaps belatedly triggered by teenage drug experimentation. Formerly titled (and still being released in some markets as) “The Education of Fredrick Fitzell,” the movie’s pileup of dislocating side-swipes from any tangible here/now is intriguing and well-crafted to a degree many genre fans will find exciting. But others will be justified in wondering if all this stylish,...
Writer-director Christopher MacBride’s second feature (following paranoid found-footage horror “The Conspiracy” by nearly a decade) stars Dylan O’Brien as a young man haplessly trying to navigate a wormhole of comingled memories and visions perhaps belatedly triggered by teenage drug experimentation. Formerly titled (and still being released in some markets as) “The Education of Fredrick Fitzell,” the movie’s pileup of dislocating side-swipes from any tangible here/now is intriguing and well-crafted to a degree many genre fans will find exciting. But others will be justified in wondering if all this stylish,...
- 6/3/2021
- by Dennis Harvey
- Variety Film + TV
Yesterday saw a deluge of precursor results hit the Oscar race, including one of the biggest Guilds chiming in. Obviously, we know already that last night the Directors Guild of America gave their top prize to Sam Mendes for 1917, but Saturday evening also saw the American Society of Cinematographers Awards, the Annie Awards, the Cinema Audio Society Awards, and the USC Scripter Awards, in addition to the Directors Guild of America Awards. Below, we’ll run down the results of the various shows, though obviously we already covered DGA in a previous post. Together, you can begin to piece together more of the awards season, as the races head into the home stretch… First up, the Asc results: Theatrical Release Roger Deakins, Asc, Bsc for “1917” – Winner Phedon Papamichael, Asc, Gsc for “Ford v Ferrari” Rodrigo Prieto, Asc, AMC for “The Irishman” Robert Richardson, Asc for “Once Upon a Time in Hollywood” Lawrence Sher,...
- 1/26/2020
- by Joey Magidson
- Hollywoodnews.com
Cinematographer Roger Deakins won the top prize Saturday night at the 34th annual Asc Awards (at the Ray Dolby Ballroom at Hollywood & Highland) for his bravura camera work on “1917,” the continuous-shot, World War I extravaganza, directed by Sam Mendes.
Deakins beat Phedon Papamichael (“Ford v Ferrari”), Rodrigo Prieto (“The Irishman”), Robert Richardson (“Once Upon a Time in Hollywood”), and Lawrence Sher (“Joker”). The latter three are Oscar-nominated with Deakins. The fifth nominee, Jarin Blaschke (“The Lighthouse”), earned the Asc Spotlight Award for his gritty, Gothic-looking black-and-white cinematography.
Additionally, Fejmi Daut and Samir Ljuma took the Asc Documentary category for “Honeyland.”
Given the Best Picture momentum and universal acclaim for the technical feat, Deakins moves a step closer to his second Oscar. He finally landed his first with “Blade Runner 2049″ after 14 Academy Award nominations. Deakins leads the Asc with five wins.
“1917” is not only the tour de force of the season,...
Deakins beat Phedon Papamichael (“Ford v Ferrari”), Rodrigo Prieto (“The Irishman”), Robert Richardson (“Once Upon a Time in Hollywood”), and Lawrence Sher (“Joker”). The latter three are Oscar-nominated with Deakins. The fifth nominee, Jarin Blaschke (“The Lighthouse”), earned the Asc Spotlight Award for his gritty, Gothic-looking black-and-white cinematography.
Additionally, Fejmi Daut and Samir Ljuma took the Asc Documentary category for “Honeyland.”
Given the Best Picture momentum and universal acclaim for the technical feat, Deakins moves a step closer to his second Oscar. He finally landed his first with “Blade Runner 2049″ after 14 Academy Award nominations. Deakins leads the Asc with five wins.
“1917” is not only the tour de force of the season,...
- 1/26/2020
- by Bill Desowitz
- Indiewire
Four of the five nominees at Saturday’s 34th American Society of Cinematographers ceremony matched up with the Oscar list for Best Cinematography: Rodrigo Prieto for “The Irishman,” Lawrence Sher for “Joker,” Roger Deakins for “1917” and Robert Richardson for “Once Upon a Time in Hollywood.” The guild’s fifth nominee was Phedon Papamichael for “Ford v Ferrari,” while the Oscar’s fifth choice is Jarin Blaschke for “The Lighthouse.” Scroll down to see who won all of the film and TV categories at the 2020 Asc Awards, which took place January 25 at the Hollywood & Highland Center in a ceremony hosted by Ben Mankiewicz.
SEEJanuary 25 is busiest day on 2020 Oscars calendar: DGA Awards plus cinematographers, sound mixers and Annies
Blaschke did pop up in the Spotlight Award category, which honors movies that screen at festivals, internationally, or in limited release. He was joined there by Natasha Braier for “Honey Boy” and Jasper Wolf for “Monos.
SEEJanuary 25 is busiest day on 2020 Oscars calendar: DGA Awards plus cinematographers, sound mixers and Annies
Blaschke did pop up in the Spotlight Award category, which honors movies that screen at festivals, internationally, or in limited release. He was joined there by Natasha Braier for “Honey Boy” and Jasper Wolf for “Monos.
- 1/26/2020
- by Marcus James Dixon
- Gold Derby
The features “Honeyland,” “Antopocene: The Human Epoch” and “Obscuro Barroco” were each recognized Monday with nominations for the brand-new documentary award from the American Society of Cinematographers’ Outstanding Achievement Awards.
The Asc also announced nominees in various TV categories for the 34th annual ceremony, which will be held at the Ray Dolby Ballroom at Hollywood & Highland in Los Angeles on Jan. 25, 2020.
The Asc, which celebrated its 100th year in 2019, is a nonprofit organization dedicated to advancing the art of cinematography.
Also Read: Eddie Murphy to Receive Career Achievement Award from Critics Choice Association
New to this year’s ceremony is the Asc Documentary Award, which was added to recognize exceptional cinematography in non-fiction filmmaking.
First-time nominees this year are Fejmi Daut, Nicholas de Pencier, Evangelia Kranioti, Samir Ljuma, C. Kim Miles, Polly Morgan, Peter Robertson, Chris Seeger and Craig Wrobleski. This year’s honorees include Frederick Elmes, Donald A. Morgan,...
The Asc also announced nominees in various TV categories for the 34th annual ceremony, which will be held at the Ray Dolby Ballroom at Hollywood & Highland in Los Angeles on Jan. 25, 2020.
The Asc, which celebrated its 100th year in 2019, is a nonprofit organization dedicated to advancing the art of cinematography.
Also Read: Eddie Murphy to Receive Career Achievement Award from Critics Choice Association
New to this year’s ceremony is the Asc Documentary Award, which was added to recognize exceptional cinematography in non-fiction filmmaking.
First-time nominees this year are Fejmi Daut, Nicholas de Pencier, Evangelia Kranioti, Samir Ljuma, C. Kim Miles, Polly Morgan, Peter Robertson, Chris Seeger and Craig Wrobleski. This year’s honorees include Frederick Elmes, Donald A. Morgan,...
- 11/25/2019
- by Margeaux Sippell
- The Wrap
Asc Awards Nominees: ‘Honeyland’, ‘The Marvelous Mrs. Maisel’ Make The Cut In Docu And TV Categories
American Society of Cinematographers (Asc) revealed the nominees in documentary and television categories for the 34th Annual Asc Outstanding Achievement Awards which will take place January 25, 2020, at the Ray Dolby Ballroom in Los Angeles.
Nominees in the newly created documentary category include Honeyland, Anthropocene: The Human Epoch and Obscuro Barroco. On the TV side, nominees include awards season favorites The Marvelous Mrs. Maisel and The Handmaid’s Tale in the Non-Commercial Television category while FX’s Legion received two noms in the Commercial Television category. Meanwhile, the AMC series The Terror: Infamy and CBS All Access’ new take on The Twilight Zone were among those in the Motion Picture, Miniseries, or Pilot Made for Television category.
Earlier this year, the Asc announced the new documentary category to recognize exceptional cinematography in nonfiction filmmaking. The category was open to all features and episodes 30 minutes or longer that are released in theaters, at film festivals,...
Nominees in the newly created documentary category include Honeyland, Anthropocene: The Human Epoch and Obscuro Barroco. On the TV side, nominees include awards season favorites The Marvelous Mrs. Maisel and The Handmaid’s Tale in the Non-Commercial Television category while FX’s Legion received two noms in the Commercial Television category. Meanwhile, the AMC series The Terror: Infamy and CBS All Access’ new take on The Twilight Zone were among those in the Motion Picture, Miniseries, or Pilot Made for Television category.
Earlier this year, the Asc announced the new documentary category to recognize exceptional cinematography in nonfiction filmmaking. The category was open to all features and episodes 30 minutes or longer that are released in theaters, at film festivals,...
- 11/25/2019
- by Dino-Ray Ramos
- Deadline Film + TV
FX’s science-fiction series “Legion” scored a leading two nominations for the American Society of Cinematographers Awards.
“Legion” received nods in the commercial television category, along with “Project Blue Book,” “Vikings” and “Gotham.”
Non-commercial TV series recognition went to “Das Boot,” “The Marvelous Mrs. Maisel,” “Carnival Row,” “Titans” and “The Handmaid’s Tale.”
Winners will be announced at the organization’s gala on Jan. 25 at the Ray Dolby Ballroom at Hollywood and Highland.
See the full list of nominees below:
Documentary
Fejmi Daut and Samir Ljuma – Honeyland
Nicholas de Pencier – Anthropocene: The Human Epoch
Evangelia Kranioti – Obscuro Barroco
Episode of a Series for Non-Commercial Television
David Luther – Das Boot, “Gegen die Zeit” (episode 6) (Sky)
M. David Mullen, Asc – The Marvelous Mrs. Maisel, “Simone” (Amazon)
Chris Seager, Bsc – Carnival Row, “Grieve No More” (Amazon)
Brendan Steacy, Csc – Titans, “Dick Grayson” (DC Universe)
Colin Watkinson, Asc, Bsc – The Handmaid’s Tale, “Night” (Hulu)
Episode...
“Legion” received nods in the commercial television category, along with “Project Blue Book,” “Vikings” and “Gotham.”
Non-commercial TV series recognition went to “Das Boot,” “The Marvelous Mrs. Maisel,” “Carnival Row,” “Titans” and “The Handmaid’s Tale.”
Winners will be announced at the organization’s gala on Jan. 25 at the Ray Dolby Ballroom at Hollywood and Highland.
See the full list of nominees below:
Documentary
Fejmi Daut and Samir Ljuma – Honeyland
Nicholas de Pencier – Anthropocene: The Human Epoch
Evangelia Kranioti – Obscuro Barroco
Episode of a Series for Non-Commercial Television
David Luther – Das Boot, “Gegen die Zeit” (episode 6) (Sky)
M. David Mullen, Asc – The Marvelous Mrs. Maisel, “Simone” (Amazon)
Chris Seager, Bsc – Carnival Row, “Grieve No More” (Amazon)
Brendan Steacy, Csc – Titans, “Dick Grayson” (DC Universe)
Colin Watkinson, Asc, Bsc – The Handmaid’s Tale, “Night” (Hulu)
Episode...
- 11/25/2019
- by Dave McNary
- Variety Film + TV
Ever wonder where the phrase Stockholm syndrome came from? The answer can more or less be found in Robert Budreau’s bank-heist biopic “Stockholm.” The film announces its intentions from the start, boldly declaring itself “Based on an absurd but true story.” Neither claim — the absurdity, nor the truth — is entirely accurate, leading to a movie that is both intermittently compelling and consistently uneven.
Budreau certainly has enough to work with, having adapted a lengthy 1974 New Yorker story about a still-infamous robbery in Sweden. Though the names and, as it turns out, some crucial details have been changed, the script hews fairly close to the basic event. An impish Hawke blasts things off as Lars Nystrom, the Swedish-born, American-raised troublemaker who announces his arrival at Stockholm’s biggest bank by blaring Bob Dylan on the radio while simultaneously brandishing a machine gun.
The first person to notice his softer side...
Budreau certainly has enough to work with, having adapted a lengthy 1974 New Yorker story about a still-infamous robbery in Sweden. Though the names and, as it turns out, some crucial details have been changed, the script hews fairly close to the basic event. An impish Hawke blasts things off as Lars Nystrom, the Swedish-born, American-raised troublemaker who announces his arrival at Stockholm’s biggest bank by blaring Bob Dylan on the radio while simultaneously brandishing a machine gun.
The first person to notice his softer side...
- 4/10/2019
- by Elizabeth Weitzman
- The Wrap
“Cold War” cinematographer Łukasz Żal has won the top feature award from the American Society of Cinematographers.
“Cold War,” shot in black and white, topped Alfonso Cuaron’s digital 65mm black-and-white lensing of his own “Roma,” Linus Sandgren’s multi-format work on Damien Chazelle’s moonshot drama “First Man,” Matthew Libatique for Bradley Cooper’s “A Star Is Born,” and Robbie Ryan for Yorgos Lanthimos’ “The Favourite.”
Zal was unable to attend the Saturday night ceremonies, now in their 33rd year. The gala took place in the Ray Dolby Ballroom at Hollywood & Highland in Los Angeles, with Ben Mankiewicz hosting.
Zal is also up for the Academy Award in cinematography along with Cuaron, Labitique, Ryan and Caleb Deschanel for “Never Look Away.” “Cold War,” directed by Pawel Pawlikowski, is set in Poland and Paris from the late 1940s until the 1960s and follows a musical director and a young singer...
“Cold War,” shot in black and white, topped Alfonso Cuaron’s digital 65mm black-and-white lensing of his own “Roma,” Linus Sandgren’s multi-format work on Damien Chazelle’s moonshot drama “First Man,” Matthew Libatique for Bradley Cooper’s “A Star Is Born,” and Robbie Ryan for Yorgos Lanthimos’ “The Favourite.”
Zal was unable to attend the Saturday night ceremonies, now in their 33rd year. The gala took place in the Ray Dolby Ballroom at Hollywood & Highland in Los Angeles, with Ben Mankiewicz hosting.
Zal is also up for the Academy Award in cinematography along with Cuaron, Labitique, Ryan and Caleb Deschanel for “Never Look Away.” “Cold War,” directed by Pawel Pawlikowski, is set in Poland and Paris from the late 1940s until the 1960s and follows a musical director and a young singer...
- 2/10/2019
- by Dave McNary
- Variety Film + TV
33rd Annual Asc Outstanding Achievement Awards set for February 9 in Hollywood.
The American Society of Cinematographers (Asc) has announced its nominees and the film list includes Alfonso Cuarón for Roma, Łukasz Żal for Cold War, and Robbie Ryan for The Favourite.
Also in contention are Matthew Libatique for A Star Is Born, and Linus Sandgren for First Man. The winners will be unveiled at the 33rd Annual Asc Outstanding Achievement Awards on February 9 in Hollywood.
In other categories announced on Monday (7):
Episode of a Series for Non-Commercial Television
Gonzalo Amat, The Man In The High Castle, ‘Jahr Null’
Adriano Goldman,...
The American Society of Cinematographers (Asc) has announced its nominees and the film list includes Alfonso Cuarón for Roma, Łukasz Żal for Cold War, and Robbie Ryan for The Favourite.
Also in contention are Matthew Libatique for A Star Is Born, and Linus Sandgren for First Man. The winners will be unveiled at the 33rd Annual Asc Outstanding Achievement Awards on February 9 in Hollywood.
In other categories announced on Monday (7):
Episode of a Series for Non-Commercial Television
Gonzalo Amat, The Man In The High Castle, ‘Jahr Null’
Adriano Goldman,...
- 1/7/2019
- by Jeremy Kay
- ScreenDaily
The American Society of Cinematographers (Asc) has announced its nominees and the film list includes Alfonso Cuarón for Roma, Łukasz Żal for Cold War, and Robbie Ryan for The Favourite.
The American Society of Cinematographers (Asc) has announced its nominees and the film list includes Alfonso Cuarón for Roma, Łukasz Żal for Cold War, and Robbie Ryan for The Favourite.
Also in contention are Matthew Libatique for A Star Is Born, and Linus Sandgren for First Man. The winners will be unveiled at the 33rd Annual Asc Outstanding Achievement Awards on February 9 Hollywood.
In other categories announced on Monday:
Episode...
The American Society of Cinematographers (Asc) has announced its nominees and the film list includes Alfonso Cuarón for Roma, Łukasz Żal for Cold War, and Robbie Ryan for The Favourite.
Also in contention are Matthew Libatique for A Star Is Born, and Linus Sandgren for First Man. The winners will be unveiled at the 33rd Annual Asc Outstanding Achievement Awards on February 9 Hollywood.
In other categories announced on Monday:
Episode...
- 1/7/2019
- by Jeremy Kay
- ScreenDaily
Two black-and-white foreign-language films have been nominated as the best work of 2018 by the American Society of Cinematographers, which on Monday announced a slate of nominees that included Alfonso Cuarón for “Roma” and Lukasz Zal for “Cold War.”
The other three nominees in the Asc’s theatrical-film category were Matthew Libatique for “A Star Is Born,” Robbie Ryan for “The Favourite” and Linus Sandgren for “First Man.”
Missing from the list was James Laxton for “If Beale Street Could Talk” and Rachel Morrison for “Black Panther,” both of whom are considered strong Oscar contenders in the cinematography category.
Last year, Morrison became the first woman ever nominated in the Asc’s feature-film category, and then the first to be nominated for the cinematography Oscar.
Also Read: How Alfonso Cuarón Brought His Memories to Life in 'Roma'
The Spotlight Award, which goes to films that may not receive wide release,...
The other three nominees in the Asc’s theatrical-film category were Matthew Libatique for “A Star Is Born,” Robbie Ryan for “The Favourite” and Linus Sandgren for “First Man.”
Missing from the list was James Laxton for “If Beale Street Could Talk” and Rachel Morrison for “Black Panther,” both of whom are considered strong Oscar contenders in the cinematography category.
Last year, Morrison became the first woman ever nominated in the Asc’s feature-film category, and then the first to be nominated for the cinematography Oscar.
Also Read: How Alfonso Cuarón Brought His Memories to Life in 'Roma'
The Spotlight Award, which goes to films that may not receive wide release,...
- 1/7/2019
- by Steve Pond
- The Wrap
The American Society of Cinematographers has announced nominees in film and television for 2018.
Film nominees included Alfonso Cuaron’s digital 65mm black-and-white lensing of his own “Roma,” Linus Sandgren’s multi-format work on Damien Chazelle’s moonshot drama “First Man,” Matthew Libatique for Bradley Cooper’s “A Star Is Born,” Robbie Ryan for Yorgos Lanthimos’ “The Favourite” and Lukasz Zal for Pawel Pawlikowski’s “Cold War.”
Cuarón became the second director ever nominated by the Asc for shooting his or her own film. Cary Joji Fukunaga was nominated in the Spotlight Award category for “Beasts of No Nation” in 2016.
Television nominees included Adriano Goldman’s elegant work on Netflix’s “The Crown,” Colin Watkinson and Zoe White’s moody execution on Hulu’s “The Handmaid’s Tale,” Ben Richardson’s big-country visuals in Paramount’s “Yellowstone,” and Florian Hoffmeister’s lush lensing of AMC’s “The Terror.”
In the spotlight award category,...
Film nominees included Alfonso Cuaron’s digital 65mm black-and-white lensing of his own “Roma,” Linus Sandgren’s multi-format work on Damien Chazelle’s moonshot drama “First Man,” Matthew Libatique for Bradley Cooper’s “A Star Is Born,” Robbie Ryan for Yorgos Lanthimos’ “The Favourite” and Lukasz Zal for Pawel Pawlikowski’s “Cold War.”
Cuarón became the second director ever nominated by the Asc for shooting his or her own film. Cary Joji Fukunaga was nominated in the Spotlight Award category for “Beasts of No Nation” in 2016.
Television nominees included Adriano Goldman’s elegant work on Netflix’s “The Crown,” Colin Watkinson and Zoe White’s moody execution on Hulu’s “The Handmaid’s Tale,” Ben Richardson’s big-country visuals in Paramount’s “Yellowstone,” and Florian Hoffmeister’s lush lensing of AMC’s “The Terror.”
In the spotlight award category,...
- 1/7/2019
- by Kristopher Tapley
- Variety Film + TV
The American Society of Cinematographers has revealed the film and TV nominees for its 33rd annual Asc Awards, set for February 9 at the Ray Dolby Ballroom at Hollywood & Highland.
The marquee Theatrical Release prize certainly is an international contest, with the five nominees all hailing from different countries: Mexico’s Alfonso Cuarón for Roma, American Matthew Libatique for A Star is Born, Irishman Robbie Ryan for The Favourite, Linus Sandgren of Sweden for First Man and Poland’s Łukasz Żal for Cold War.
It’s the same story for the Spotlight Award, which recognizes cinematography in smaller features that might not receive wider theatrical release or awareness. Vying for that prize are Briton Joshua James Richards (The Rider), Georgian Giorgi Shvelidze (Namme) and Frank van den Eeden of the Netherlands (Girl).
Check out the TV nominees below.
The Asc said last month that Robert Richardson will receive its Asc Lifetime...
The marquee Theatrical Release prize certainly is an international contest, with the five nominees all hailing from different countries: Mexico’s Alfonso Cuarón for Roma, American Matthew Libatique for A Star is Born, Irishman Robbie Ryan for The Favourite, Linus Sandgren of Sweden for First Man and Poland’s Łukasz Żal for Cold War.
It’s the same story for the Spotlight Award, which recognizes cinematography in smaller features that might not receive wider theatrical release or awareness. Vying for that prize are Briton Joshua James Richards (The Rider), Georgian Giorgi Shvelidze (Namme) and Frank van den Eeden of the Netherlands (Girl).
Check out the TV nominees below.
The Asc said last month that Robert Richardson will receive its Asc Lifetime...
- 1/7/2019
- by Erik Pedersen
- Deadline Film + TV
Alfonso Cuarón (“Roma”) will compete against feature cinematographers Matthew Libatique (“A Star Is Born”), Robbie Ryan (“The Favourite”), Linus Sandgren (“First Man”), and Łukasz Żal (“Cold War”) in the 33rd annual Asc Awards. They will be held February 9 at the Ray Dolby Ballroom in Hollywood, marking the Asc’s 100th anniversary.
However, after making history last year as the first woman Dp nominated for her work on “Mudbound,” Rachel Morrison was snubbed for Best Picture contender “Black Panther.” Also left out was previous Asc nominee James Laxton (“Moonlight”) for Barry Jenkins’ follow-up, “If Beale Street Could Talk.”
For Cuarón, this marks the first time that the Asc has nominated a director in the feature category for serving as his own Dp. Previously, Cary Fukunaga (“Bond 25”) was nominated in the Spotlight category for “Beasts of No Nation,” which he both directed and shot.
In addition, “Roma” and “Cold War” mark...
However, after making history last year as the first woman Dp nominated for her work on “Mudbound,” Rachel Morrison was snubbed for Best Picture contender “Black Panther.” Also left out was previous Asc nominee James Laxton (“Moonlight”) for Barry Jenkins’ follow-up, “If Beale Street Could Talk.”
For Cuarón, this marks the first time that the Asc has nominated a director in the feature category for serving as his own Dp. Previously, Cary Fukunaga (“Bond 25”) was nominated in the Spotlight category for “Beasts of No Nation,” which he both directed and shot.
In addition, “Roma” and “Cold War” mark...
- 1/7/2019
- by Bill Desowitz
- Indiewire
Review By Peter Belsito
Stockholm was the best film I saw at the recent Whistler Film Festival in British Columbia.
Many of us are familiar with the term “Stockholm Syndrome”, a phenomenon where imprisoned or kidnapped hostages start to identify emotionally or politically with their captors. The Patty Hearst story is probably one of its most famous examples.
In the most legendary and spectacular case of “Stockholm Syndrome” — the 1974 Patty Hearst affair, the kidnap victim swung all the way over to the other side. Yet that was far from typical. Patty, the 20-year-old heiress who wedded herself to the “revolutionary” Symbionese Liberation Army, was photographed sporting a beret and a born-again moniker (Tania!) and a machine gun.
This is Not about that incident at all.
This film is about the original story from which that the term takes its name. And it is far more complex and interesting than the title might suggest.
Stockholm was the best film I saw at the recent Whistler Film Festival in British Columbia.
Many of us are familiar with the term “Stockholm Syndrome”, a phenomenon where imprisoned or kidnapped hostages start to identify emotionally or politically with their captors. The Patty Hearst story is probably one of its most famous examples.
In the most legendary and spectacular case of “Stockholm Syndrome” — the 1974 Patty Hearst affair, the kidnap victim swung all the way over to the other side. Yet that was far from typical. Patty, the 20-year-old heiress who wedded herself to the “revolutionary” Symbionese Liberation Army, was photographed sporting a beret and a born-again moniker (Tania!) and a machine gun.
This is Not about that incident at all.
This film is about the original story from which that the term takes its name. And it is far more complex and interesting than the title might suggest.
- 12/21/2018
- by Sydney Levine
- Sydney's Buzz
I have no doubt that one day gifted visual storyteller Ed Gass-Donnelly will make a brilliant work. With four features under his belt, including This Beautiful City, Small Town Murder Songs, The Last Exorcism Part II and now Lavender, he’s shown tremendous promise capturing haunting images that externalize the internal conflicts, horrors and phobias of their subjects. His latest is a meditative horror film that, despite masterful visual direction and captivating performances, falls back on familiar horror/thriller tropes, courtesy of the screenplay by Gass-Donnelly and Colin Frizzell. Students of the genre will be far ahead, although they may admire the muted, understated style even if you how the blocks will fit together.
Abbie Cornish stars as Jane, a young mother suffering from memory loss following a car accident. She’s haunted by the specter of her past. With an apt and horrifying sequence, young Jane clenches a knife...
Abbie Cornish stars as Jane, a young mother suffering from memory loss following a car accident. She’s haunted by the specter of her past. With an apt and horrifying sequence, young Jane clenches a knife...
- 5/2/2016
- by John Fink
- The Film Stage
Review by Barbie Snitzer
I believe I’ve previously declared that it is always my intention to approach every movie with a blank slate, absent preconceptions and prejudice. I am however, only human, so I do sometimes occasionally fall short of my ideal.
I admit to such a lapse as I began to watch Still Mine. The bucolic scenery, the languorous pace, and the obvious hints of Irene’s (Genviève Bujold) descent towards dementia that indicated such would be the movie’s story, coaxed my cinematic cynic. Having recently endured Unfinished Song (read my review of that Here) I can hardly be faulted.
I began to believe this was yet another Lifetime-style-Made-for-tv schmaltz-fest intended for the geriatric demographic- a blatant play for the “grey pound” as Vanessa Redgrave calls the overlooked audience of the senior citizens of our society, a segment with disposable income starving for worthwhile entertainment that doesn...
I believe I’ve previously declared that it is always my intention to approach every movie with a blank slate, absent preconceptions and prejudice. I am however, only human, so I do sometimes occasionally fall short of my ideal.
I admit to such a lapse as I began to watch Still Mine. The bucolic scenery, the languorous pace, and the obvious hints of Irene’s (Genviève Bujold) descent towards dementia that indicated such would be the movie’s story, coaxed my cinematic cynic. Having recently endured Unfinished Song (read my review of that Here) I can hardly be faulted.
I began to believe this was yet another Lifetime-style-Made-for-tv schmaltz-fest intended for the geriatric demographic- a blatant play for the “grey pound” as Vanessa Redgrave calls the overlooked audience of the senior citizens of our society, a segment with disposable income starving for worthwhile entertainment that doesn...
- 7/26/2013
- by Movie Geeks
- WeAreMovieGeeks.com
Six herds of bison (carrying the expression of a barfly at the end of a very long night), three foxes, two black bears and one wolf with a rabbit in his mouth. This is the account of all animals we saw on our 552-kilometer road trip across the Northwest Territories, looking for Larry Sole. Who is Larry Sole?
To answer that question I must take you back to the late eighties, to a time when Iron Maiden and Van Halen ruled, when the greatness of a man was measured by the vertical feathery grandness of his hair, and seizure-inducing magenta was the colour of everything. In this questionable moment in history, a gorgeous man named Richard Van Camp -- in the minus inhumane cold of Canada's north -- picked up a pen and started writing a novel about a skinny, self-deprecating headbanger named Larry Sole. It became an ode to the burning,...
To answer that question I must take you back to the late eighties, to a time when Iron Maiden and Van Halen ruled, when the greatness of a man was measured by the vertical feathery grandness of his hair, and seizure-inducing magenta was the colour of everything. In this questionable moment in history, a gorgeous man named Richard Van Camp -- in the minus inhumane cold of Canada's north -- picked up a pen and started writing a novel about a skinny, self-deprecating headbanger named Larry Sole. It became an ode to the burning,...
- 5/28/2013
- Moviefone
Six herds of bison (carrying the expression of a barfly at the end of a very long night), three foxes, two black bears and one wolf with a rabbit in his mouth. This is the account of all animals we saw on our 552-kilometer road trip across the Northwest Territories, looking for Larry Sole. Who is Larry Sole?
To answer that question I must take you back to the late eighties, to a time when Iron Maiden and Van Halen ruled, when the greatness of a man was measured by the vertical feathery grandness of his hair, and seizure-inducing magenta was the colour of everything. In this questionable moment in history, a gorgeous man named Richard Van Camp -- in the minus inhumane cold of Canada's north -- picked up a pen and started writing a novel about a skinny, self-deprecating headbanger named Larry Sole. It became an ode to the burning,...
To answer that question I must take you back to the late eighties, to a time when Iron Maiden and Van Halen ruled, when the greatness of a man was measured by the vertical feathery grandness of his hair, and seizure-inducing magenta was the colour of everything. In this questionable moment in history, a gorgeous man named Richard Van Camp -- in the minus inhumane cold of Canada's north -- picked up a pen and started writing a novel about a skinny, self-deprecating headbanger named Larry Sole. It became an ode to the burning,...
- 5/28/2013
- Moviefone
It's one of the most familiar stories in the realm of horror cinema: a studio purchases a solid indie horror film, makes a pretty penny on the deal, and then settles down for a sequel parade. Paramount did it with Friday the 13th and then Paranormal Activity, Lionsgate did it with Saw... and it sure looked like they were about to franchise the heck out of Daniel Stamm's The Last Exorcism (which earned strong reviews and solid box office), but for some reason the sequel arrives courtesy of CBS Films. I've strayed from the original point: once a low-budget horror film rakes in some huge profits the sequels are inevitable, and that even holds true for horror movies that have the word "last" in the title. Three years after The Last Exorcism comes, of course, The Last Exorcism Part II -- and I bet it makes just enough money...
- 3/1/2013
- by Scott Weinberg
- FEARnet
Reviewed by Elliot V. Kotek
(from the 2010 Toronto International Film Festival)
Directed/Written by: Ed Gass-Donnelly
Starring: Martha Plimpton, Peter Stormare, Aaron Poole, Jill Hennessy, Ari Cohen, Jackie Burroughs and Steven Eric McIntyre
Shot with stunning simplicity by Brendan Steacy, “Small Town Murder Songs,” the sophomore feature effort of 33-year-old Toronto native Ed Gass-Donnelly, finds its footing in a Mennonite Christian community. When a girl turns up dead on the banks of the local “beach,” the town’s police chief Walter Ruden has issues from his past dredged to light. Like fellow Canadian David Cronenberg’s “History of Violence,” “Small Town Murder Songs” explores the issues of how deep one can bury what is innate within each of us and whether faith alone is truly enough to maintain strength.
With a detective at the helm, Chief Walter does the rounds, from the religious community leaders to old-school farmers and the nearby strip club,...
(from the 2010 Toronto International Film Festival)
Directed/Written by: Ed Gass-Donnelly
Starring: Martha Plimpton, Peter Stormare, Aaron Poole, Jill Hennessy, Ari Cohen, Jackie Burroughs and Steven Eric McIntyre
Shot with stunning simplicity by Brendan Steacy, “Small Town Murder Songs,” the sophomore feature effort of 33-year-old Toronto native Ed Gass-Donnelly, finds its footing in a Mennonite Christian community. When a girl turns up dead on the banks of the local “beach,” the town’s police chief Walter Ruden has issues from his past dredged to light. Like fellow Canadian David Cronenberg’s “History of Violence,” “Small Town Murder Songs” explores the issues of how deep one can bury what is innate within each of us and whether faith alone is truly enough to maintain strength.
With a detective at the helm, Chief Walter does the rounds, from the religious community leaders to old-school farmers and the nearby strip club,...
- 6/27/2011
- by admin
- Moving Pictures Magazine
Reviewed by Elliot V. Kotek
(from the 2010 Toronto International Film Festival)
Directed/Written by: Ed Gass-Donnelly
Starring: Martha Plimpton, Peter Stormare, Aaron Poole, Jill Hennessy, Ari Cohen, Jackie Burroughs and Steven Eric McIntyre
Shot with stunning simplicity by Brendan Steacy, “Small Town Murder Songs,” the sophomore feature effort of 33-year-old Toronto native Ed Gass-Donnelly, finds its footing in a Mennonite Christian community. When a girl turns up dead on the banks of the local “beach,” the town’s police chief Walter Ruden has issues from his past dredged to light. Like fellow Canadian David Cronenberg’s “History of Violence,” “Small Town Murder Songs” explores the issues of how deep one can bury what is innate within each of us and whether faith alone is truly enough to maintain strength.
With a detective at the helm, Chief Walter does the rounds, from the religious community leaders to old-school farmers and the nearby strip club,...
(from the 2010 Toronto International Film Festival)
Directed/Written by: Ed Gass-Donnelly
Starring: Martha Plimpton, Peter Stormare, Aaron Poole, Jill Hennessy, Ari Cohen, Jackie Burroughs and Steven Eric McIntyre
Shot with stunning simplicity by Brendan Steacy, “Small Town Murder Songs,” the sophomore feature effort of 33-year-old Toronto native Ed Gass-Donnelly, finds its footing in a Mennonite Christian community. When a girl turns up dead on the banks of the local “beach,” the town’s police chief Walter Ruden has issues from his past dredged to light. Like fellow Canadian David Cronenberg’s “History of Violence,” “Small Town Murder Songs” explores the issues of how deep one can bury what is innate within each of us and whether faith alone is truly enough to maintain strength.
With a detective at the helm, Chief Walter does the rounds, from the religious community leaders to old-school farmers and the nearby strip club,...
- 6/27/2011
- by admin
- Moving Pictures Network
Nicolas Bolduc, Paul Sarossy, and the other nominations for the 2011 Canadian Society of Cinematographers Awards have been announced. The Canadian Society of Cinematographers (Csc) is used “to promote the art and craft of cinematography and to provide tangible recognition of the common bonds that link film and video professionals, from the aspiring student and camera assistant to the news veteran and senior director of photography. Csc members are involved in the production of feature films, documentaries, television series, specials and commercials.” The Csc Awards will be handed out on April 2, 2011 at the Frontenac Ballroom, Westin Harbour Castle in Toronto. The full listing of the 2011 Canadian Society of Cinematographers Awards nominations is below.
The Roy Tash Award For Spot News Cinematography
Adam Blair Obstacles in Haiti, CTV News
Gord Edick G20 Shots Fired/Protestors Confronted, Global News
George Papadionysia Despair in Port-au-Prince, CTV News
The Stan Clinton Award For News Essay...
The Roy Tash Award For Spot News Cinematography
Adam Blair Obstacles in Haiti, CTV News
Gord Edick G20 Shots Fired/Protestors Confronted, Global News
George Papadionysia Despair in Port-au-Prince, CTV News
The Stan Clinton Award For News Essay...
- 3/4/2011
- by filmbook
- Film-Book
Making for quite the entertaining evening, the 2010 MuchMusic Video Awards took place in Toronto, Canada on Sunday evening (June 20).
With the show being held at MuchMusic World Headquarters, the big winners of the night included Justin Bieber and Hedley.
Keeping the crowd in a frenzy, the Canadian music extravaganza also included performances by big names including Adam Lambert, Ke$ha, Katy Perry and the show's co-host Miley Cyrus.
The complete list of 2010 MuchMusic Video Awards winners is as follows:
Video Of The Year
Billy Talent (Warner Music)
Devil On My Shoulder
Director: Howard Greenhalgh
Producer: Geoff McLean
Production Company: Vision Entertainment
Danny Fernandes (Cp Records/Fontana North)
Addicted
Director: Marc André Debruyne
Producers: Rory Halsall, Bruce Carson
Production Company: The Ne Inc.
Winner Hedley (Universal Music)
Perfect
Director: Kyle Davison
Producer: Cherie Sinclair
Production Company: The Field Inc
Nickelback (Emi)
I'd Come For You
Director: Nigel Dick, Nina Dluhy
Producer: Lewis Weinstein
Production Company: DNA,...
With the show being held at MuchMusic World Headquarters, the big winners of the night included Justin Bieber and Hedley.
Keeping the crowd in a frenzy, the Canadian music extravaganza also included performances by big names including Adam Lambert, Ke$ha, Katy Perry and the show's co-host Miley Cyrus.
The complete list of 2010 MuchMusic Video Awards winners is as follows:
Video Of The Year
Billy Talent (Warner Music)
Devil On My Shoulder
Director: Howard Greenhalgh
Producer: Geoff McLean
Production Company: Vision Entertainment
Danny Fernandes (Cp Records/Fontana North)
Addicted
Director: Marc André Debruyne
Producers: Rory Halsall, Bruce Carson
Production Company: The Ne Inc.
Winner Hedley (Universal Music)
Perfect
Director: Kyle Davison
Producer: Cherie Sinclair
Production Company: The Field Inc
Nickelback (Emi)
I'd Come For You
Director: Nigel Dick, Nina Dluhy
Producer: Lewis Weinstein
Production Company: DNA,...
- 6/21/2010
- GossipCenter
Making for quite the entertaining evening, the 2010 MuchMusic Video Awards took place in Toronto, Canada on Sunday evening (June 20).
With the show being held at MuchMusic World Headquarters, the big winners of the night included Justin Bieber and Hedley.
Keeping the crowd in a frenzy, the Canadian music extravaganza also included performances by big names including Adam Lambert, Ke$ha, Katy Perry and the show's co-host Miley Cyrus.
The complete list of 2010 MuchMusic Video Awards winners is as follows:
Video Of The Year
Billy Talent (Warner Music)
Devil On My Shoulder
Director: Howard Greenhalgh
Producer: Geoff McLean
Production Company: Vision Entertainment
Billy Talent
Danny Fernandes (Cp Records/Fontana North)
Addicted
Director: Marc André Debruyne
Producers: Rory Halsall, Bruce Carson
Production Company: The Ne Inc.
Danny Fernandes
Winner Hedley (Universal Music)
Perfect
Director: Kyle Davison
Producer: Cherie Sinclair
Production Company: The Field Inc
Hedley
Nickelback (Emi)
I'd Come For You
Director: Nigel Dick,...
With the show being held at MuchMusic World Headquarters, the big winners of the night included Justin Bieber and Hedley.
Keeping the crowd in a frenzy, the Canadian music extravaganza also included performances by big names including Adam Lambert, Ke$ha, Katy Perry and the show's co-host Miley Cyrus.
The complete list of 2010 MuchMusic Video Awards winners is as follows:
Video Of The Year
Billy Talent (Warner Music)
Devil On My Shoulder
Director: Howard Greenhalgh
Producer: Geoff McLean
Production Company: Vision Entertainment
Billy Talent
Danny Fernandes (Cp Records/Fontana North)
Addicted
Director: Marc André Debruyne
Producers: Rory Halsall, Bruce Carson
Production Company: The Ne Inc.
Danny Fernandes
Winner Hedley (Universal Music)
Perfect
Director: Kyle Davison
Producer: Cherie Sinclair
Production Company: The Field Inc
Hedley
Nickelback (Emi)
I'd Come For You
Director: Nigel Dick,...
- 6/21/2010
- GossipCenter
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