Until recently, the literary pedigree of a motion picture could clear a path to an Oscar nomination and often a win. Best Picture champs such as “No Country for Old Men” (2007), “Million Dollar Baby” (2004) and “The English Patient” (1996) all began their lives on the page in works by Cormac McCarthy, F.X. Toole and Michael Ondaatje, respectively. This year, “White Noise,” Noah Baumbach‘s Netflix film based on Don DeLillo’s 1985 novel, is angling for such a Best Picture nomination.
The tradition dates back to the earliest days of the Academy Awards when classic novels were regularly adapted for the screen. The 1930s saw “All Quiet on the Western Front” (by Erich Maria Remarque), “Mutiny on the Bounty” (by Charles Nordoff and James Norman Hall) and “Gone With the Wind” (by Margaret Mitchell) walk off with the top prize. The subsequent decade was also fortunate for novelists, as adaptations of “Rebecca...
The tradition dates back to the earliest days of the Academy Awards when classic novels were regularly adapted for the screen. The 1930s saw “All Quiet on the Western Front” (by Erich Maria Remarque), “Mutiny on the Bounty” (by Charles Nordoff and James Norman Hall) and “Gone With the Wind” (by Margaret Mitchell) walk off with the top prize. The subsequent decade was also fortunate for novelists, as adaptations of “Rebecca...
- 11/30/2022
- by Robert Rorke
- Gold Derby
William Wyler's propaganda-laden wartime drama abounds in the kind of defiant hominess Fellowes has down to a fine art
He is an Oscar-winning screenwriter for Gosford Park, a bestselling author with his novels Snobs and Past Imperfect, and now Julian Fellowes rules the small screen unchallenged thanks to his barnstormingly successful period costume drama Downton Abbey. This crackingly enjoyable TV show is the most successful of its sort since 1981's Brideshead Revisited and has been swiftly recommissioned, with the first series DVD edition poised to catapult off the shelves in time for Christmas. It perfectly demonstrates Fellowes's skills as a writer: he is clever, vigorous, prolific; he has a storyteller's gusto, a killer instinct for a narrative chicane and an uncool interest in the intricacies of the English caste and class system.
The only tiny speck of grit in the vaseline for Mr Fellowes must have been the complaints...
He is an Oscar-winning screenwriter for Gosford Park, a bestselling author with his novels Snobs and Past Imperfect, and now Julian Fellowes rules the small screen unchallenged thanks to his barnstormingly successful period costume drama Downton Abbey. This crackingly enjoyable TV show is the most successful of its sort since 1981's Brideshead Revisited and has been swiftly recommissioned, with the first series DVD edition poised to catapult off the shelves in time for Christmas. It perfectly demonstrates Fellowes's skills as a writer: he is clever, vigorous, prolific; he has a storyteller's gusto, a killer instinct for a narrative chicane and an uncool interest in the intricacies of the English caste and class system.
The only tiny speck of grit in the vaseline for Mr Fellowes must have been the complaints...
- 11/10/2010
- by Peter Bradshaw
- The Guardian - Film News
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