Michael Caine’s heist comedy has been rated one of the top UK movies ever. It’s a flip Swingin’ England slapstick thriller, lavishly produced and with an emphasis on fancy cars. Caine is a cockney crook with an insane scheme to steal millions in Red Chinese gold in Turin. Slick stuntwork combines with ‘Team Brit’ humor for a wild escape in a rush hour traffic jam. The lavish goes for show-off spectacle — its real stars are a trio of undersized, underdog UK automobiles.
The Italian Job 4K
4K Ultra HD + Blu-ray
Kl Studio Classics
1969 / Color / 2:35 widescreen / 99 min. / Street Date January 31, 2023 / Available from / 39.95
Starring: Michael Caine, Noël Coward, Benny Hill, Raf Vallone, Tony Beckley, Rossano Brazzi, Margaret Blye, Irene Handl, Michael Standing, Harry Baird, Robert Rietty, Lelia Goldoni, Valery Leon, Lisa Shane.
Cinematography: Douglas Slocombe
Production Designer: Disley Jones
Art Director: Michael Knight
Film Editor: John Trumper
Stunt Driving:...
The Italian Job 4K
4K Ultra HD + Blu-ray
Kl Studio Classics
1969 / Color / 2:35 widescreen / 99 min. / Street Date January 31, 2023 / Available from / 39.95
Starring: Michael Caine, Noël Coward, Benny Hill, Raf Vallone, Tony Beckley, Rossano Brazzi, Margaret Blye, Irene Handl, Michael Standing, Harry Baird, Robert Rietty, Lelia Goldoni, Valery Leon, Lisa Shane.
Cinematography: Douglas Slocombe
Production Designer: Disley Jones
Art Director: Michael Knight
Film Editor: John Trumper
Stunt Driving:...
- 1/21/2023
- by Glenn Erickson
- Trailers from Hell
Updated: A TV series followup to the 1969 film “The Italian Job” is in the works at Paramount Plus, Variety has learned. In addition, the streamer is planning series adaptations of “Love Story,” “Fatal Attraction,” “Parallax View,” and “Flashdance.”
In the “Italian Job” series, when the grandchildren of the legendary Charlie Croker inherit his old safety deposit box, the quest for the infamous Italian bullion is reignited.
The project has received a script-to-series order at the streamer. Matt Wheeler is attached to write and executive produce, with Donald De Line onboard as a producer. Paramount Television Studios will produce. The announcement was made as part of ViacomCBS’ investor day presentation on Wednesday.
De Line was a producer on the 2003 American remake of “The Italian Job.” Wheeler previously co-created the CBS drama series “Salvation.” He most recently served as an executive producer on CBS’ “Hawaii Five-o” reboot. He is repped by APA,...
In the “Italian Job” series, when the grandchildren of the legendary Charlie Croker inherit his old safety deposit box, the quest for the infamous Italian bullion is reignited.
The project has received a script-to-series order at the streamer. Matt Wheeler is attached to write and executive produce, with Donald De Line onboard as a producer. Paramount Television Studios will produce. The announcement was made as part of ViacomCBS’ investor day presentation on Wednesday.
De Line was a producer on the 2003 American remake of “The Italian Job.” Wheeler previously co-created the CBS drama series “Salvation.” He most recently served as an executive producer on CBS’ “Hawaii Five-o” reboot. He is repped by APA,...
- 2/24/2021
- by Joe Otterson
- Variety Film + TV
Francis Coppola has re-edited his little-loved The Godfather Pt 3 and has retitled this as The Godfather, Coda: The Death Of Michael Corleone. It opens this Friday December 4th in select theaters.
Check out the trailer:
Celebrating the 30th Anniversary of The Godfather: Part III, director/screenwriter Francis Ford Coppola brings a definitive new edit and restoration of the final film in his epic Godfather trilogy—Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone. Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)… but he may also be the spark that turns Michael’s hope of business legitimacy into an inferno of mob violence. The film’s meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending,...
Check out the trailer:
Celebrating the 30th Anniversary of The Godfather: Part III, director/screenwriter Francis Ford Coppola brings a definitive new edit and restoration of the final film in his epic Godfather trilogy—Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone. Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)… but he may also be the spark that turns Michael’s hope of business legitimacy into an inferno of mob violence. The film’s meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending,...
- 12/2/2020
- by Tom Stockman
- WeAreMovieGeeks.com
Celebrating the 30th Anniversary of The Godfather: Part III, director/screenwriter Francis Ford Coppola brings a definitive new edit and restoration of the final film in his epic Godfather trilogy—Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone. Watch the new trailer below.
Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)… but he may also be the spark that turns Michael’s hope of business legitimacy into an inferno of mob violence.
The film’s meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending, as well as changes to scenes, shots, and music cues. The resulting project reflects author Mario Puzo and Coppola’s original intentions of The Godfather: Part III, and delivers,...
Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)… but he may also be the spark that turns Michael’s hope of business legitimacy into an inferno of mob violence.
The film’s meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending, as well as changes to scenes, shots, and music cues. The resulting project reflects author Mario Puzo and Coppola’s original intentions of The Godfather: Part III, and delivers,...
- 11/18/2020
- by Zehra Phelan
- HeyUGuys.co.uk
Francis Ford Coppola spent months working on the upcoming new cut of “The Godfather: Part III.” In a new video the legendary director promised that the film’s re-edit will give the picture “a new life”
Paramount Pictures released the trailer and a Coppola featurette for the upcoming “Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone,” on Tuesday. The film, which has been billed as screenwriter Mario Puzo and Coppola’s original vision for the finale, will premiere in theaters on Dec. 4 and release on Blu-ray and digital on Dec. 8.
“I have re-edited it and given it what really isn’t a new title but rather the original title: ‘Coda: The Death of Michael Corleone,” Coppola said. “In musical term, a coda is sort of like an epilogue, a summing up, and that’s what we intended the movie to be. You’ll see a film which...
Paramount Pictures released the trailer and a Coppola featurette for the upcoming “Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone,” on Tuesday. The film, which has been billed as screenwriter Mario Puzo and Coppola’s original vision for the finale, will premiere in theaters on Dec. 4 and release on Blu-ray and digital on Dec. 8.
“I have re-edited it and given it what really isn’t a new title but rather the original title: ‘Coda: The Death of Michael Corleone,” Coppola said. “In musical term, a coda is sort of like an epilogue, a summing up, and that’s what we intended the movie to be. You’ll see a film which...
- 11/18/2020
- by Tyler Hersko
- Indiewire
This week at Tfe we're celebrating the centennial of one of cinema’s most prolific and legendary producers, Dino De Laurentiis. We’ll start with three of his key influential early films. Here's Eric Blume...
Bitter Rice was De Laurentiis breakthrough international hit. He married its star
De Laurentiis, born outside of Naples, set up his own company in 1946 when he was just 27 years old. He produced four smaller films before making a huge splash onto the international scene with 1949’s Bitter Rice, a film currently available through the Criterion Collection. Bitter Rice serves up an arresting and hypnotic blend of melodrama, sexuality, and social commentary. The film is set in northern Italy during a typical spring where hundreds of poor women travel to the rice fields to work to the bone for forty days. There are workers with a legal contract and then the “illegals” who come in hopes of getting an opportunity.
Bitter Rice was De Laurentiis breakthrough international hit. He married its star
De Laurentiis, born outside of Naples, set up his own company in 1946 when he was just 27 years old. He produced four smaller films before making a huge splash onto the international scene with 1949’s Bitter Rice, a film currently available through the Criterion Collection. Bitter Rice serves up an arresting and hypnotic blend of melodrama, sexuality, and social commentary. The film is set in northern Italy during a typical spring where hundreds of poor women travel to the rice fields to work to the bone for forty days. There are workers with a legal contract and then the “illegals” who come in hopes of getting an opportunity.
- 8/5/2019
- by Eric Blume
- FilmExperience
By Fred Blosser
“Cannon for Cordoba,” a 1970 film produced by Vincent M. Fennelly for the Mirisch Corporation, written by Stephen Kandel, directed by Paul Wendkos, and distributed by United Artists, has been released by Kino Lorber Studio Classics in an attractive new Blu-ray edition. In the movie, U.S. Army Captain Rod Douglas (George Peppard) leads a three-man team across the Mexican Border in 1916. Douglas has been assigned to gather intelligence on a predatory rebel general, Cordoba (Raf Vallone), who has confiscated American-owned property in Mexico. Wealthy U.S. ranchers and politicians are demanding that the Army secure the border with troops (an outcry for a $70 billion wall would have to wait another hundred years). After Douglas’ team enters Mexico, one of the trio, Adam, is captured and tortured to death by Cordoba’s troops. Douglas and the third ranger, Jackson (Don Gordon), escape to warn Gen. Pershing (John Russell...
“Cannon for Cordoba,” a 1970 film produced by Vincent M. Fennelly for the Mirisch Corporation, written by Stephen Kandel, directed by Paul Wendkos, and distributed by United Artists, has been released by Kino Lorber Studio Classics in an attractive new Blu-ray edition. In the movie, U.S. Army Captain Rod Douglas (George Peppard) leads a three-man team across the Mexican Border in 1916. Douglas has been assigned to gather intelligence on a predatory rebel general, Cordoba (Raf Vallone), who has confiscated American-owned property in Mexico. Wealthy U.S. ranchers and politicians are demanding that the Army secure the border with troops (an outcry for a $70 billion wall would have to wait another hundred years). After Douglas’ team enters Mexico, one of the trio, Adam, is captured and tortured to death by Cordoba’s troops. Douglas and the third ranger, Jackson (Don Gordon), escape to warn Gen. Pershing (John Russell...
- 11/20/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
A middling entry in the genre of blow-it-up big action spectacles, Paul Wendkos’ Spain-filmed western gives us all the excitement promised by the poster, but with some cardboard characters and lumpy storytelling. George Peppard is on the job, however, and once again proves he can carry a big picture, flaws and all.
Cannon for Cordoba
Blu-ray
Kl Studio Classics
1970 / Color / 2:35 widescreen / 104 min. / Street Date October 31, 2017 / available through Kino Lorber / 29.95
Starring: George Peppard, Raf Vallone, Giovanna Ralli, Don Gordon, Pete Duel, Nico Minardos, John Russell, John Larch, Gabriele Tinti, Francine York, Lionel Murton, Hans Meyer, Aldo Sambrell, Luis Barboo.
Cinematography: Antonio Macasoli
Film Editor: Walter A. Hannemann
Special effects: Emilio Ruiz del Río
Original Music: Elmer Bernstein
Written by Stephen Kandel
Produced by Vincent M. Fennelly
Directed by Paul Wendkos
While providing backing for independent writer-producers like Billy Wilder, Walter Mirisch also shepherded various less ambitious war movies and westerns,...
Cannon for Cordoba
Blu-ray
Kl Studio Classics
1970 / Color / 2:35 widescreen / 104 min. / Street Date October 31, 2017 / available through Kino Lorber / 29.95
Starring: George Peppard, Raf Vallone, Giovanna Ralli, Don Gordon, Pete Duel, Nico Minardos, John Russell, John Larch, Gabriele Tinti, Francine York, Lionel Murton, Hans Meyer, Aldo Sambrell, Luis Barboo.
Cinematography: Antonio Macasoli
Film Editor: Walter A. Hannemann
Special effects: Emilio Ruiz del Río
Original Music: Elmer Bernstein
Written by Stephen Kandel
Produced by Vincent M. Fennelly
Directed by Paul Wendkos
While providing backing for independent writer-producers like Billy Wilder, Walter Mirisch also shepherded various less ambitious war movies and westerns,...
- 11/7/2017
- by Glenn Erickson
- Trailers from Hell
Or, “Never on Sunday with Your Stepson.” Director Jules Dassin’s monument to his beloved Melina Mercouri transposes a Greek tragedy to a modern setting. The pampered wife of a shipping magnate is like a queen of old — she can fling a priceless gem into the Thames on just a whim, and she goes in whatever direction her heart takes her. When her attractive stepson Anthony Perkins enters the picture, there will be Hell to Pay.
Phaedra
Blu-ray
Olive Films
1962 / B&W / 1:66 widescreen / 116 min. / Street Date March 21, 2017 / available through the Olive Films website / 29.95
Starring: Melina Mercouri, Anthony Perkins, Raf Vallone, Elisabeth Ercy.
Cinematography: Jacquest Natteau
Film Editor: Roger Dwyre
Original Music: Mikis Theodorakis
Written by Jules Dassin, Margarita Lymberaki from the play Hippolytus by Euripides
Produced and Directed by Jules Dassin
Anyone into amour fou, the romantic notion of a love without limits, beyond the harsh constraints of reality?...
Phaedra
Blu-ray
Olive Films
1962 / B&W / 1:66 widescreen / 116 min. / Street Date March 21, 2017 / available through the Olive Films website / 29.95
Starring: Melina Mercouri, Anthony Perkins, Raf Vallone, Elisabeth Ercy.
Cinematography: Jacquest Natteau
Film Editor: Roger Dwyre
Original Music: Mikis Theodorakis
Written by Jules Dassin, Margarita Lymberaki from the play Hippolytus by Euripides
Produced and Directed by Jules Dassin
Anyone into amour fou, the romantic notion of a love without limits, beyond the harsh constraints of reality?...
- 3/21/2017
- by Glenn Erickson
- Trailers from Hell
By Lee Pfeiffer
MGM has released the 1970 Western Cannon For Cordoba as part of their burn-to-dvd line. This is yet another film that was written off as "run of the mill" at the time of its initial release but probably plays far better today when Westerns are scare commodities. The film is clearly designed to capitalize on movies such as The Professionals and The Wild Bunch, and while it certainly isn't in the league of those classics, it's a consistently engrossing and highly entertaining horse opera. Set in 1916, when the Us was embroiled in assisting the Mexican government in suppressing "revolutionaries" who were really bandits, the plot centers on a crime kingpin named General Coroba (well played with charm and menace by Raf Vallone), who launches an audacious raid on American General Pershing's troops and succeeds in stealing a number of valuable cannons that will make him almost invulnerable...
MGM has released the 1970 Western Cannon For Cordoba as part of their burn-to-dvd line. This is yet another film that was written off as "run of the mill" at the time of its initial release but probably plays far better today when Westerns are scare commodities. The film is clearly designed to capitalize on movies such as The Professionals and The Wild Bunch, and while it certainly isn't in the league of those classics, it's a consistently engrossing and highly entertaining horse opera. Set in 1916, when the Us was embroiled in assisting the Mexican government in suppressing "revolutionaries" who were really bandits, the plot centers on a crime kingpin named General Coroba (well played with charm and menace by Raf Vallone), who launches an audacious raid on American General Pershing's troops and succeeds in stealing a number of valuable cannons that will make him almost invulnerable...
- 5/8/2016
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
'Ben-Hur' 1959 with Stephen Boyd and Charlton Heston: TCM's '31 Days of Oscar.' '31 Days of Oscar': 'Lawrence of Arabia' and 'Ben-Hur' are in, Paramount stars are out Today, Feb. 1, '16, Turner Classic Movies is kicking off the 21st edition of its “31 Days of Oscar.” While the Academy of Motion Picture Arts and Sciences is being vociferously reviled for its “lack of diversity” – more on that appallingly myopic, self-serving, and double-standard-embracing furore in an upcoming post – TCM is celebrating nearly nine decades of the Academy Awards. That's the good news. The disappointing news is that if you're expecting to find rare Paramount, Universal, or Fox/20th Century Fox entries in the mix, you're out of luck. So, missing from the TCM schedule are, among others: Best Actress nominees Ruth Chatterton in Sarah and Son, Nancy Carroll in The Devil's Holiday, Claudette Colbert in Private Worlds. Unofficial Best Actor...
- 2/2/2016
- by Andre Soares
- Alt Film Guide
Bitter Rice
Written by Giuseppe De Santis, Carlo Lizzani, Gianni Puccini
Directed by Giuseppe De Santis
Italy, 1949
The opening credits of Bitter Rice parade an array of Italian film industry luminaries, figures who would help redefine the country’s national cinema, picking up where neorealism left off and setting the stage for the remarkable work that would emerge in the decades to come. Screenwriters Carlo Lizzani and Giuseppe De Santis (who also directed) were two of eight individuals contributing in one way or another to the script, though they were the two who would share an Academy Award nomination for its story. Cinematographer Otello Martelli had nearly 50 films under his belt by the time of Bitter Rice, but in the years that followed he would most memorably man the camera for Federico Fellini’s finest films. And producing the movie was the venerable Dino De Laurentiis, really just at the start of his legendary career.
Written by Giuseppe De Santis, Carlo Lizzani, Gianni Puccini
Directed by Giuseppe De Santis
Italy, 1949
The opening credits of Bitter Rice parade an array of Italian film industry luminaries, figures who would help redefine the country’s national cinema, picking up where neorealism left off and setting the stage for the remarkable work that would emerge in the decades to come. Screenwriters Carlo Lizzani and Giuseppe De Santis (who also directed) were two of eight individuals contributing in one way or another to the script, though they were the two who would share an Academy Award nomination for its story. Cinematographer Otello Martelli had nearly 50 films under his belt by the time of Bitter Rice, but in the years that followed he would most memorably man the camera for Federico Fellini’s finest films. And producing the movie was the venerable Dino De Laurentiis, really just at the start of his legendary career.
- 1/19/2016
- by Jeremy Carr
- SoundOnSight
Forget the proletarian messages, this Italian Neorealist classic is really an exploitation film about ogling brazen, buxom babes in short-shorts, up to their knees in a rice paddy. Hollywood actress Doris Dowling is the nominal star but new discovery Silvana Mangano became the knockout dream of every Italian male suffering from postwar shortages (cough). Giuseppe De Santis delivered the perfect combo -- an art film that pulled in every lonely guy nella cittá. Bitter Rice Blu-ray The Criterion Collection 792 1949 / B&W / 1:33 flat full frame / 109 min. / Riso amaro / available through The Criterion Collection / Street Date January 12, 2016 / 29.95 Starring Vittorio Gassman, Doris Dowling, Silvana Mangano, Raf Vallone. Cinematography Otello Martelli Film Editor Gabriele Varriale Original Music Goffredo Petrassi Written by Corrado Alvaro, Giuseppe De Santis, Carlo Lizzani, Franco Monicelli, Carlo Musso, Ivo Perilli, Gianni Puccini Produced by Dino De Laurentiis Directed by Giuseppe De Santis
Reviewed by Glenn Erickson
Way back in...
Reviewed by Glenn Erickson
Way back in...
- 1/12/2016
- by Glenn Erickson
- Trailers from Hell
Criterion digs Bitter Rice out of obscurity this month, a pulpy mix of social drama and dime store pathos from director and screenwriter Giuseppe De Santis. Premiering at the 1949 Cannes Film Festival, the title was also nominated for an Oscar in 1950 for Best Story. Lumped in with the neo-realism movement, it’s been a well-regarded minor title, but its problematic noir elements seem to have denied it prominent classification, at least compared to De Santis’ contemporary, Roberto Rossellini, whose Rome, Open City (1945) birthed the movement (and had just finished his notable war trilogy the year prior to release of this title). But De Santis creates something a bit stranger with this hybrid, a darker examination of sex and violence from the perspective of two central female characters. In its native language, the title is a pun since the Italian word for rice can also be substituted for the word laughter,...
- 1/12/2016
- by Nicholas Bell
- IONCINEMA.com
Eli Wallach and Anne Jackson on the Oscars' Red Carpet Eli Wallach and Anne Jackson at the Academy Awards Eli Wallach and wife Anne Jackson are seen above arriving at the 2011 Academy Awards ceremony, held on Sunday, Feb. 27, at the Kodak Theatre in Hollywood. The 95-year-old Wallach had received an Honorary Oscar at the Governors Awards in November 2010. See also: "Doris Day Inexplicably Snubbed by Academy," "Maureen O'Hara Honorary Oscar," "Honorary Oscars: Mary Pickford, Greta Garbo Among Rare Women Recipients," and "Hayao Miyazaki Getting Honorary Oscar." Delayed film debut The Actors Studio-trained Eli Wallach was to have made his film debut in Fred Zinnemann's Academy Award-winning 1953 blockbuster From Here to Eternity. Ultimately, however, Frank Sinatra – then a has-been following a string of box office duds – was cast for a pittance, getting beaten to a pulp by a pre-stardom Ernest Borgnine. For his bloodied efforts, Sinatra went on...
- 4/24/2015
- by D. Zhea
- Alt Film Guide
Death Occurred Last Night
Written by Artur Brauner, Biagio Proietti, Giorgio Scerbaneco, Duccio Tessari
Directed by Duccio Tessari
Italy, 1970
As a feature relatively hidden from mainstream film culture, Death Occurred Last Night’s only critical talk belongs to the hardcore giallo enthusiasts. Debate over whether the film fits into the strict classifications of giallo or perhaps the less-enthused poliziotteschi take prominence in these discussions, with something of a consensus drawn as “probably neither.” These insights from impassioned people looking through the lens of subgenre offer an interesting dissection that would escape those new to the club. That is, by evaluating the film purely in the context of it entering the genre canon, one must take its failures in the context of being campy, and therefore enjoyable in its own right. However, if outside the giallo realm, these camp elements are harder to defend and leave the film in a much messier position,...
Written by Artur Brauner, Biagio Proietti, Giorgio Scerbaneco, Duccio Tessari
Directed by Duccio Tessari
Italy, 1970
As a feature relatively hidden from mainstream film culture, Death Occurred Last Night’s only critical talk belongs to the hardcore giallo enthusiasts. Debate over whether the film fits into the strict classifications of giallo or perhaps the less-enthused poliziotteschi take prominence in these discussions, with something of a consensus drawn as “probably neither.” These insights from impassioned people looking through the lens of subgenre offer an interesting dissection that would escape those new to the club. That is, by evaluating the film purely in the context of it entering the genre canon, one must take its failures in the context of being campy, and therefore enjoyable in its own right. However, if outside the giallo realm, these camp elements are harder to defend and leave the film in a much messier position,...
- 5/7/2014
- by Zach Lewis
- SoundOnSight
Raro Video continues remastering rare and obscure Italian titles with the long unavailable 1970 curio from Duccio Tessari, Death Occurred Last Night. A rare hybrid of police thriller and giallo, this fascinating title is a definite highlight in the little known Tessari’s varied filmography. Most noted for his work in spaghetti westerns, those unfamiliar with his work will surely be interested in seeking out other available titles. As seedy and ridiculous as it is intriguing and unfailingly amusing, its attention to character and narrative development sets it apart from similar titles of the time period, preceding comparable American fare such as Paul Schrader’s 1979 Hardcore.
A self-controlled yet increasingly desperate father (Raf Vallone) informs Detective Duca Lamberti (Frank Wolff) at the police station in Milan that his girl is missing. As he answers a round of questions, we discover his girl is actually a mentally handicapped twenty five year old...
A self-controlled yet increasingly desperate father (Raf Vallone) informs Detective Duca Lamberti (Frank Wolff) at the police station in Milan that his girl is missing. As he answers a round of questions, we discover his girl is actually a mentally handicapped twenty five year old...
- 5/6/2014
- by Nicholas Bell
- IONCINEMA.com
This is part 2 (part 1 Here) of an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource Mr Porter analysing Michael Caine’s suits in The Italian Job. This post covers all the costumes he wore during the film.
We rejoin Charlie and his ragtag crew at the big meeting when the gang are all introduced to each other. It had to be a Doug Hayward moment and thankfully does not disappoint. In actual fact it is probably Michael Caine’s best fitting suit in the whole movie:
Dark blue worsted wool suit; double breasted jacket, wide peaked lapels, 6 on 2 fastening, slanted hip pockets, ticket pocket, high rear vents; white high collar medium spread shirt with double cuffs; narrow leg trousers; white silk necktie.
Odd to wear a white tie out of formal occasion or evening wear, but it works well as part of the ensemble.
We rejoin Charlie and his ragtag crew at the big meeting when the gang are all introduced to each other. It had to be a Doug Hayward moment and thankfully does not disappoint. In actual fact it is probably Michael Caine’s best fitting suit in the whole movie:
Dark blue worsted wool suit; double breasted jacket, wide peaked lapels, 6 on 2 fastening, slanted hip pockets, ticket pocket, high rear vents; white high collar medium spread shirt with double cuffs; narrow leg trousers; white silk necktie.
Odd to wear a white tie out of formal occasion or evening wear, but it works well as part of the ensemble.
- 2/20/2014
- by Lord Christopher Laverty
- Clothes on Film
Montiel movies: From the blockbuster La Violetera to new versions of Carmen and Camille (Please check out the previous post: "Legendary Spanish Star Dead at 85."] Next in line for the sensual, husky-voice performer was a second tear-jerking hit: Luis César Amadori's La Violetera ("The Violet Peddler," 1958), for which Montiel is supposed to have earned $1 million dollars. In this romantic musical melodrama, she plays Soledad Moreno, a flower seller in the Madrid of the early 1900s, who falls in passionately love with an aristocrat played by Italian star Raf Vallone. As to be expected, class issues arise. Soledad flees for France, where she becomes (surprise!) a singing sensation. What follows includes tears, despair, a deadly iceberg (heard of the Titanic?), psychological and physiological trauma, and, finally, eternal love. Pictured above: A very sexy Montiel in a risque Gina Lollobrigida-like pose. “La violetera was even bigger than El último cuplé,...
- 4/10/2013
- by Andre Soares
- Alt Film Guide
The Shoes of the Fisherman
By Mike Malloy
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Complex and arcane religious rituals wouldn’t seem to make for good filmed entertainment. And yet, the Vatican’s papal election process – occurring again this week to name a successor to Pope Benedict XVI – has been detailed in cinema almost as many times as the more Hollywood-sounding subject of papal assassination attempts.
And while the workings of the pontifical election conclave might not be surprising in a religious film, they were even deemed dramatic enough for inclusion in The Godfather Part III. Yep, Francis Ford Coppola’s 1990 crime epic takes a break between whackings to portray the 1978 conclave that elected the first Pope John Paul.
But more impressive than the fact that cinema has depicted this process is the fact that, on occasion, the movies seem to have gotten it right. When a...
By Mike Malloy
800x600
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Complex and arcane religious rituals wouldn’t seem to make for good filmed entertainment. And yet, the Vatican’s papal election process – occurring again this week to name a successor to Pope Benedict XVI – has been detailed in cinema almost as many times as the more Hollywood-sounding subject of papal assassination attempts.
And while the workings of the pontifical election conclave might not be surprising in a religious film, they were even deemed dramatic enough for inclusion in The Godfather Part III. Yep, Francis Ford Coppola’s 1990 crime epic takes a break between whackings to portray the 1978 conclave that elected the first Pope John Paul.
But more impressive than the fact that cinema has depicted this process is the fact that, on occasion, the movies seem to have gotten it right. When a...
- 3/13/2013
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Originally titled La Casa Della Paura/The House of Fear, The Girl in Room 2A is American director William Rose’s 1974 giallo. Produced by Dick Randall, the man behind the infamous Pieces and Don’t Open‘Til Christmas, it’s his entry into the Italian thriller boom of the 1970’s that was spearheaded by Dario Argento with The Bird with the Crystal Plumage.
Beautiful Margaret Bradley (Daniela Giordano) has just been released from jail on a trumped-up drug charge and is sent to live at a boarding house run by a mysterious woman named Mrs. Grant (Giovanna Galetti). Mrs. Grant has a middle-aged son, Frank (Angelo Infanti) who has taken a shine to the new boarder. Settling into her new life, it isn’t long before this peaceful new home becomes a nightmare of hallucinations and nefarious goings on.
In one genuinely creepy scene, Margaret imagines being back in jail...
Beautiful Margaret Bradley (Daniela Giordano) has just been released from jail on a trumped-up drug charge and is sent to live at a boarding house run by a mysterious woman named Mrs. Grant (Giovanna Galetti). Mrs. Grant has a middle-aged son, Frank (Angelo Infanti) who has taken a shine to the new boarder. Settling into her new life, it isn’t long before this peaceful new home becomes a nightmare of hallucinations and nefarious goings on.
In one genuinely creepy scene, Margaret imagines being back in jail...
- 3/26/2012
- by Derek Botelho
- DailyDead
Written and directed by: William Rose
Cast: Daniela Giordano, John Scanlon, Angelo Infanti, Giovanna Galletti and Raf Vallone
The Girl in Room 2A is quite a tease. Her reputation as a violent giallo is unfounded. The girl may be rough, but she’s no giallo.
She’d like for you to believe that she’s a disturbing precursor to the torture porn genre. If such a distinction gets her some notoriety, I’ll not argue with her. She’s been through quite enough already. But cinematic sleaze merchants have been torturing beautiful, buxom women onscreen for decades. So her trauma (while not insubstantial) really isn’t anything unique. Her biggest problem, aside from her muddled identity, is that she’s just not very bright.
The film starts out in rough fashion with an attractive young woman leaving her apartment. She is abducted violently by several men and thrown into a...
Cast: Daniela Giordano, John Scanlon, Angelo Infanti, Giovanna Galletti and Raf Vallone
The Girl in Room 2A is quite a tease. Her reputation as a violent giallo is unfounded. The girl may be rough, but she’s no giallo.
She’d like for you to believe that she’s a disturbing precursor to the torture porn genre. If such a distinction gets her some notoriety, I’ll not argue with her. She’s been through quite enough already. But cinematic sleaze merchants have been torturing beautiful, buxom women onscreen for decades. So her trauma (while not insubstantial) really isn’t anything unique. Her biggest problem, aside from her muddled identity, is that she’s just not very bright.
The film starts out in rough fashion with an attractive young woman leaving her apartment. She is abducted violently by several men and thrown into a...
- 3/23/2012
- by Bradley Harding
- Planet Fury
I’ve always been a war film buff, maybe because I grew up with them at a time when they were a regular part of the cinema landscape. That’s why I read, with particular interest, my Sound on Sight colleague Edgar Chaput’s recent pieces on The Flowers of War (“The Flowers of War Is an Uneven but Interesting Chinese Ww II Film” – posted 2/20/12) and The Front Line (The Front Line Rises to the Occasion to Overcome Its Familiarity” – 2/16/12) with such interest. An even more fun read was the back-and-forth between Edgar and Sos’s Michael Ryan over the latter (“The Sound on Sight Debate on Korea’s The Front Line” – 2/12/12), with Michael unimpressed because the movie had “…nothing new to add to the war genre,” and Edgar coming back with “…‘new’ is not always what a film must strive for. So long as it does well what it set out to do…...
- 2/28/2012
- by Bill Mesce
- SoundOnSight
The folks at Mondo Macabro dropped us a line to let us know that the 1973 film The Girl in Room 2A is finally getting an official DVD release on March 27th. If giallo is your thing, you won't want to miss this one!
From the Press Release:
Mondo Macabro is proud to present the official DVD release of The Girl in Room 2A, scrubbed and freshened up, with a sparkling anamorphic transfer from the film negative, new subtitles, and presented completely Uncut and Unedited. This special release of the 1973 giallo classic also includes special extras to entice genre film lovers to add this special treat to their collections.
The Girl in Room 2A (1973, Italy, 84 min.), directed by American filmmaker William Rose (Rent-a-Girl), stars 1966's Miss Italy winner and popular genre actress Daniela Giordano (Evil Eye) as Margaret Bradley, a recently paroled young girl who moves into a boarding house run by a kindly older woman.
From the Press Release:
Mondo Macabro is proud to present the official DVD release of The Girl in Room 2A, scrubbed and freshened up, with a sparkling anamorphic transfer from the film negative, new subtitles, and presented completely Uncut and Unedited. This special release of the 1973 giallo classic also includes special extras to entice genre film lovers to add this special treat to their collections.
The Girl in Room 2A (1973, Italy, 84 min.), directed by American filmmaker William Rose (Rent-a-Girl), stars 1966's Miss Italy winner and popular genre actress Daniela Giordano (Evil Eye) as Margaret Bradley, a recently paroled young girl who moves into a boarding house run by a kindly older woman.
- 2/15/2012
- by The Woman In Black
- DreadCentral.com
The Movie Pool goes in with guns blazing to review Cannon for Cordoba on DVD for the first time!
This DVD is offered as part of MGM's "Limited Edition Collection," which is available from select online retailers and manufactured only when the DVD is ordered. The DVD features a simple menu with no menu for chapters or scenes. Manufacture-On-Demand (Mod) DVDs are made to play in DVD playback units only and may not play in DVD recorders or PC drives. This DVD did not play in our laptop DVD drive but did play in our Toshiba DVD recorder.
DVD Specs
Aspect Ratio: 1.85:1
Running Time: 104 minutes
Rating: PG-13
Audio: Dolby Digital 2.0
Subtitles: None
Special Features: Theatrical trailer
The Set-up
During the Mexican Revolution of 1912, a U.S. Army captain (George Peppard) is sent on a mission to destroy stolen American cannons and capture a rebel leader (Raf Vallone).
Written by:...
This DVD is offered as part of MGM's "Limited Edition Collection," which is available from select online retailers and manufactured only when the DVD is ordered. The DVD features a simple menu with no menu for chapters or scenes. Manufacture-On-Demand (Mod) DVDs are made to play in DVD playback units only and may not play in DVD recorders or PC drives. This DVD did not play in our laptop DVD drive but did play in our Toshiba DVD recorder.
DVD Specs
Aspect Ratio: 1.85:1
Running Time: 104 minutes
Rating: PG-13
Audio: Dolby Digital 2.0
Subtitles: None
Special Features: Theatrical trailer
The Set-up
During the Mexican Revolution of 1912, a U.S. Army captain (George Peppard) is sent on a mission to destroy stolen American cannons and capture a rebel leader (Raf Vallone).
Written by:...
- 7/15/2011
- Cinelinx
Above: Peter Schreiner's Totò.
"Siegel knew about the Windigo, all right. He remembered being scared out of his wits once at camp by the fireside yarn image of a mile-high skeleton made of ice, roaring and crashing through the Canadian wilderness, grabbing up humans by the handful and feeding on their flesh."
—Tom Pynchon, 'Mortality and Mercy in Vienna' (1959)
I suspected as much after seeing his 2007 film Bellavista, but catching his latest work Totò in its one public screening at the Viennale—in the Kunstlerhaus on the evening of Wednesday 28th—confirms it beyond any doubt. Peter Schreiner, born in Vienna in 1957, may not be among Europe's better-known documentarians, but based on these two films alone (he has a string of intermittent credits stretching back to the early eighties) he's clearly one of the best.
In total I saw 37 feature-length films at this year's Viennale and the ones I...
"Siegel knew about the Windigo, all right. He remembered being scared out of his wits once at camp by the fireside yarn image of a mile-high skeleton made of ice, roaring and crashing through the Canadian wilderness, grabbing up humans by the handful and feeding on their flesh."
—Tom Pynchon, 'Mortality and Mercy in Vienna' (1959)
I suspected as much after seeing his 2007 film Bellavista, but catching his latest work Totò in its one public screening at the Viennale—in the Kunstlerhaus on the evening of Wednesday 28th—confirms it beyond any doubt. Peter Schreiner, born in Vienna in 1957, may not be among Europe's better-known documentarians, but based on these two films alone (he has a string of intermittent credits stretching back to the early eighties) he's clearly one of the best.
In total I saw 37 feature-length films at this year's Viennale and the ones I...
- 11/4/2009
- MUBI
In real life, straight men don’t kiss each other all that often — not counting a certain game of Truth or Dare I participated in back in college.
But in movies and on TV? Straight men seem to kiss each other fairly often. Thing is, it’s rarely for romantic reasons.
So why do they kiss, if not for romance? Interestingly, they seem to find almost every reason under the sun - some good, some bad and some just plain weird. Here are 12 of them graded by adding a score for sexiness plus a score for freshness minus a score for gay panic equaling an AfterElton.com Hot Kiss Rating.
Christopher Meloni/Lee Tergesen GLAAD Awards Kiss
Actors Christopher Meloni and Lee Tergesen gave the audience exactly what it wanted at the 2000 GLAAD Media Awards, kissing each other the way their Oz characters, boyfriends Chris Keller and Tobias Beecher, might have kissed.
But in movies and on TV? Straight men seem to kiss each other fairly often. Thing is, it’s rarely for romantic reasons.
So why do they kiss, if not for romance? Interestingly, they seem to find almost every reason under the sun - some good, some bad and some just plain weird. Here are 12 of them graded by adding a score for sexiness plus a score for freshness minus a score for gay panic equaling an AfterElton.com Hot Kiss Rating.
Christopher Meloni/Lee Tergesen GLAAD Awards Kiss
Actors Christopher Meloni and Lee Tergesen gave the audience exactly what it wanted at the 2000 GLAAD Media Awards, kissing each other the way their Oz characters, boyfriends Chris Keller and Tobias Beecher, might have kissed.
- 3/10/2009
- by AfterElton.com Staff
- The Backlot
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