Federico Fellini’s best non-narrative feature is an intoxicating meta-travelogue, not just of the Eternal City but the director’s idea of Rome past and present. The masterful images alternate between nostalgic vulgarity and dreamy timelessness. Criterion’s disc is a new restoration.
Fellini’s Roma
Blu-ray
The Criterion Collection 848
1972 / Color / 1:85 widescreen / 120 min. / available through The Criterion Collection / Street Date December 13, 2016 / 39.95
Starring Peter Gonzales, Fiona Florence, Pia De Doses, Renato Giovannoli, Dennis Christopher, Feodor Chaliapin Jr., Elliott Murphy, Anna Magnani, Gore Vidal, Federico Fellini.
Cinematography Giuseppe Rotunno
Film Editor Ruggero Mastroianni
Original Music Nino Rota
Written by Federico Fellini and Bernardino Zapponi
Produced by Turi Vasile
Directed by Federico Fellini
Reviewed by Glenn Erickson
Federico Fellini stopped making standard narrative pictures after 1960’s La dolce vita; from then on his films skewed toward various forms of experimentation and expressions of his own state of mind. Most did have a story to some degree,...
Fellini’s Roma
Blu-ray
The Criterion Collection 848
1972 / Color / 1:85 widescreen / 120 min. / available through The Criterion Collection / Street Date December 13, 2016 / 39.95
Starring Peter Gonzales, Fiona Florence, Pia De Doses, Renato Giovannoli, Dennis Christopher, Feodor Chaliapin Jr., Elliott Murphy, Anna Magnani, Gore Vidal, Federico Fellini.
Cinematography Giuseppe Rotunno
Film Editor Ruggero Mastroianni
Original Music Nino Rota
Written by Federico Fellini and Bernardino Zapponi
Produced by Turi Vasile
Directed by Federico Fellini
Reviewed by Glenn Erickson
Federico Fellini stopped making standard narrative pictures after 1960’s La dolce vita; from then on his films skewed toward various forms of experimentation and expressions of his own state of mind. Most did have a story to some degree,...
- 12/13/2016
- by Glenn Erickson
- Trailers from Hell
She's beautiful, desired and enjoys a social mobility in the improving Italian economy... but she's also a pawn of cruel materialist values. Stefania Sandrelli personifies a liberated spirit who lives for the moment, but who can't form the relationships we call 'living.' Antonio Pietrangeli and Ettore Scola slip an insightful drama into the young Sandrelli's lineup of comedy roles. I Knew Her Well Blu-ray The Criterion Collection 801 1965 / B&W / 1:85 widescreen / 115 min. / Io la conoscevo bene / available through The Criterion Collection / Street Date February 23, 2016 / 39.95 Starring Stefania Sandrelli, Mario Adorf, Jean-Claude Brialy, Joachim Fuchsberger, Nino Manfredi, Enrico Maria Salerno, Ugo Tognazzi, Karin Dor, Franco Nero. Cinematography Armando Nannuzzi Production design Maurizio Chiari Film Editor Franco Fraticelli Original Music Piero Picconi Written by Antonio Pietrangeli, Ruggero Maccari, Etore Scola Produced by Turi Vasile Directed by Antonio Pietrangeli
Reviewed by Glenn Erickson
Did a new kind of woman emerge in the 1960s?...
Reviewed by Glenn Erickson
Did a new kind of woman emerge in the 1960s?...
- 3/15/2016
- by Glenn Erickson
- Trailers from Hell
I vinti
Directed by Michelangelo Antonioni
Written by Michelangelo Antonioni, Giorgio Bassani, Suso Cecchi D’Amico, Diego Fabbri, Roger Nimier, Turi Vasile
Italy/France, 1953
In 1953, Michelangelo Antonioni directed the episodic I vinti (The Vanquished), quite possibly the least “Antonioni-esque” feature he ever made (the roster of credited writers above is some indication of the impersonal nature of the film). Comprised of three vignettes about troubled youth in France, Italy, and England, the film at times comes across almost as a moralizing after school special, whereby it attempts to draw attention to the desperate and destructive state of young people during this period. But while the film’s obvious didacticism is its least laudable characteristic, I vinti is nevertheless a fascinating examination of this “burnt out generation.”
These young people were just children during World War II. They’ve grown up in a time of upheaval and violence, and now as...
Directed by Michelangelo Antonioni
Written by Michelangelo Antonioni, Giorgio Bassani, Suso Cecchi D’Amico, Diego Fabbri, Roger Nimier, Turi Vasile
Italy/France, 1953
In 1953, Michelangelo Antonioni directed the episodic I vinti (The Vanquished), quite possibly the least “Antonioni-esque” feature he ever made (the roster of credited writers above is some indication of the impersonal nature of the film). Comprised of three vignettes about troubled youth in France, Italy, and England, the film at times comes across almost as a moralizing after school special, whereby it attempts to draw attention to the desperate and destructive state of young people during this period. But while the film’s obvious didacticism is its least laudable characteristic, I vinti is nevertheless a fascinating examination of this “burnt out generation.”
These young people were just children during World War II. They’ve grown up in a time of upheaval and violence, and now as...
- 7/16/2014
- by Jeremy Carr
- SoundOnSight
Michelangelo Antonioni’s third feature, I Vinti, translating as The Vanquished, gets a Blu-ray upgrade from Raro Video, serving as a definite collector’s item for aficionados of the director. A rather stilted and stuffy moral tale about lost youth, it’s a title championed by some as serving as an index for the turning point in Italian cinema, which was heavily influenced in the post-war period by a Catholic revival. Certainly, this is the auteur still struggling to find his stride, and the title most notably serves as an influential precursor to his most celebrated work, 1966’s Blow-Up. Beyond this, it’s a rather lukewarm trio of segments based on ‘ripped-from-the headline’ scenarios concerning privileged youths and their apathetic ambivalence toward their fellow man, supposedly caused from growing up through war.
Bouncing from France, to Italy, and finally, London, England, we get a series of disturbing acts of violence...
Bouncing from France, to Italy, and finally, London, England, we get a series of disturbing acts of violence...
- 7/8/2014
- by Nicholas Bell
- IONCINEMA.com
Raro Video U.S. will release a restored version of Michelangelo Antonioni’s (Blow-up) 1953 I Vinti, one of the Italian master’s first feature films, on DVD on March 29.
Passion and murder collide in Michelangelo Antonioni's I Vinti.
I Vinti is a unique triptych film revolving around three murders, one taking place in Paris, another in Rome, and another in London. All of the perpetrators are affluent youths, each killing for dubious motives. In the France segment, a group of adolescents kill for money, even though they don’t need it; in the London segment, a poet uncovers a woman’s body and tries to profit from the discovery; and in the Italian segment, a student becomes caught up in a smuggling ring, with deadly results.
The film is told with Antonioni’s trademark splintered chronology, which weaves multiple story lines, in this case. The director remains one of...
Passion and murder collide in Michelangelo Antonioni's I Vinti.
I Vinti is a unique triptych film revolving around three murders, one taking place in Paris, another in Rome, and another in London. All of the perpetrators are affluent youths, each killing for dubious motives. In the France segment, a group of adolescents kill for money, even though they don’t need it; in the London segment, a poet uncovers a woman’s body and tries to profit from the discovery; and in the Italian segment, a student becomes caught up in a smuggling ring, with deadly results.
The film is told with Antonioni’s trademark splintered chronology, which weaves multiple story lines, in this case. The director remains one of...
- 3/24/2011
- by Laurence
- Disc Dish
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