Yentl.The publication of My Name Is Barbra, Barbra Streisand's 970-page memoir, has offered fans of the actress-singer-icon a long-awaited glimpse into her life. It’s a lot of book, a maximalist feast of details and anecdotes that paints a lavish portrait of the woman who became a generational star. It’s easy to forget just how much of Streisand's career was besieged by misogyny, whether it was critics' repeated derision of appearance or co-stars like Walter Matthau berating her on set. Streisand certainly never forgot, and her memoir offers frequent reminders of the sexism that hampered her path to success at every turn. Her memoir conveys an achingly detailed portrait of endurance by a wildly ambitious woman. Wherever she went, she was derided for trying to do or be “too much,” and she took pleasure in proving her detractors wrong in her inimitable style. When she chose to get behind the camera and direct,...
- 4/25/2024
- MUBI
If Criterion24/7 hasn’t completely colonized your attention every time you open the Channel––this is to say: if you’re stronger than me––their May lineup may be of interest. First and foremost I’m happy to see a Michael Roemer triple-feature: his superlative Nothing But a Man, arriving in a Criterion Edition, and the recently rediscovered The Plot Against Harry and Vengeance is Mine, three distinct features that suggest a long-lost voice of American movies. Meanwhile, Nobuhiko Obayashi’s Antiwar Trilogy four by Sara Driver, and a wide collection from Ayoka Chenzira fill out the auteurist sets.
Series-wise, a highlight of 1999 goes beyond the well-established canon with films like Trick and Bye Bye Africa, while of course including Sofia Coppola, Michael Mann, Scorsese, and Claire Denis. Films starring Shirley Maclaine, a study of 1960s paranoia, and Columbia’s “golden era” (read: 1950-1961) are curated; meanwhile, The Breaking Ice,...
Series-wise, a highlight of 1999 goes beyond the well-established canon with films like Trick and Bye Bye Africa, while of course including Sofia Coppola, Michael Mann, Scorsese, and Claire Denis. Films starring Shirley Maclaine, a study of 1960s paranoia, and Columbia’s “golden era” (read: 1950-1961) are curated; meanwhile, The Breaking Ice,...
- 4/17/2024
- by Nick Newman
- The Film Stage
When Barbra Streisand’s “Yentl” opened on Nov. 18, 1983, directing was very much a man’s world. In the 1970s, there had been a few inroads for women. Italian director Lina Wertmuller was nominated for best director for 1976’s “Seven Beauties” Stateside, actress Barbara Loden, who was married to Oscar-winning director Elia Kazan, wrote, directed and starred in the acclaimed 1970 indie drama “Wanda,” which won best foreign film at the Venice Film Festival. She never followed up with another movie and died of breast cancer in 1980.
There was also Joan Micklin Silver (“Hester Street”), Claudia Weill (“Girlfriends”), Martha Coolidge (“Not a Pretty Picture”), Joan Tewkesbury (“Old Boyfriends”) and Joan Darling (“First Love”). But those filmmakers ran into brick walls when they tried to set up projects with the major studios. The late Silver told Vanity Fair in 2021 that a studio executive didn’t mince his word: “Feature films are expensive to make and expensive to market,...
There was also Joan Micklin Silver (“Hester Street”), Claudia Weill (“Girlfriends”), Martha Coolidge (“Not a Pretty Picture”), Joan Tewkesbury (“Old Boyfriends”) and Joan Darling (“First Love”). But those filmmakers ran into brick walls when they tried to set up projects with the major studios. The late Silver told Vanity Fair in 2021 that a studio executive didn’t mince his word: “Feature films are expensive to make and expensive to market,...
- 11/19/2023
- by Susan King
- Gold Derby
Stalked By My Doctor.Recently I was flipping through the seasonal calendar at a Boston-area repertory cinema, and a program dedicated to the enterprising feminist filmmaker Joyce Chopra caught my eye. I wondered how Chopra’s six-decade career, spanning everything from short-form documentaries and TV movies to Sundance-winning features and stage plays televised for PBS, would be condensed into a curated selection of screenings. In fact it would only be two: Smooth Talk (1985), one of Chopra’s two theatrically-released features, and Joyce at 34 (1972), a short documentary that she co-directed with Claudia Weill early in her career.I’m not ignorant of the creative merits or historical importance of these films, nor the rights/access issues resolved by Criterion’s recent physical release of a 4K restoration of Smooth Talk, which includes Joyce at 34 as a special feature. But as I look at rep theater programs across the country and see...
- 6/7/2023
- MUBI
Showing Up contains many of the hallmarks of a classic Kelly Reichardt picture: a Pacific Northwest setting, a Jonathan Raymond co-writing credit, Christopher Blauvelt cinematography, a rich ensemble cast, and an unrivaled attention to locations, production design, and wardrobe. There’s also Michelle Williams appearing in her fourth Reichardt film, their collaboration having begun with 2008’s Wendy and Lucy.
In Showing Up, Williams is Lizzy, a talented sculptor who finds herself a bit worn down by the realities of modern life. By all accounts she has a decent day job––something she likely wouldn’t refute––working in the office of the liberal arts college she attended. Outside of offering her rent and cat food money, the position keeps Lizzy plugged into the local art scene and most importantly grants her free access to the campus kiln (operated by André Benjamin in a joyful role).
Outside of Williams, that aforementioned...
In Showing Up, Williams is Lizzy, a talented sculptor who finds herself a bit worn down by the realities of modern life. By all accounts she has a decent day job––something she likely wouldn’t refute––working in the office of the liberal arts college she attended. Outside of offering her rent and cat food money, the position keeps Lizzy plugged into the local art scene and most importantly grants her free access to the campus kiln (operated by André Benjamin in a joyful role).
Outside of Williams, that aforementioned...
- 4/6/2023
- by Caleb Hammond
- The Film Stage
With eternal respect to Virginia Woolf, whose “A Room of One’s Own” clearly inspires the title of Ioseb ‘Soso’ Bliadze’s beautifully articulate miniature, even before a woman needs money and her own space to be able to pursue self-fulfillment, she needs to know she needs those things. Bliadze’s superbly performed, remarkably immersive Karlovy Vary competition entry is one such story of tentative, interior emancipation, described in the tiniest arcs of change: the width of a smile, the warmth of an embrace, the directness of a gaze. As such it is hardly cinema’s most tempestuous act of female empowerment, but the work of dismantling oppressive patriarchies, such as that which underpins modern-day Georgian society, needs both sledgehammers and subtler instruments.
The room in question is a poky box at the back of a narrow two-bedroom apartment in Tbilisi. The rent is 600 lari (about 200) per month, to be...
The room in question is a poky box at the back of a narrow two-bedroom apartment in Tbilisi. The rent is 600 lari (about 200) per month, to be...
- 7/6/2022
- by Jessica Kiang
- Variety Film + TV
The end of summer and start of fall has seen the release of several books that qualify as major entries in film studies—specifically Fun City Cinema and Inland Empire—along with some wild, wooly appreciations for the likes of Shaun of the Dead and Kevin Smith. Read on for details about these and much more.
Fun City Cinema: New York City and the Movies That Made It by Jason Bailey (Abrams Books)
Billed as a visual history of a century of filmmaking in New York City, Fun City Cinema is the book NYC deserves, Jason Bailey without question the right author for the job. As he showed in books on Richard Pryor and 1970s detective pictures, Bailey is adept at analyzing why certain films and individuals make such a deep impact on the cultural and artistic landscape. Fun City Cinema might be his most ambitious yet—large-scale, photo-heavy, and...
Fun City Cinema: New York City and the Movies That Made It by Jason Bailey (Abrams Books)
Billed as a visual history of a century of filmmaking in New York City, Fun City Cinema is the book NYC deserves, Jason Bailey without question the right author for the job. As he showed in books on Richard Pryor and 1970s detective pictures, Bailey is adept at analyzing why certain films and individuals make such a deep impact on the cultural and artistic landscape. Fun City Cinema might be his most ambitious yet—large-scale, photo-heavy, and...
- 10/21/2021
- by Christopher Schobert
- The Film Stage
Several titles boosted by wet weather and start of school summer holidays.
RankFilm (Distributor)Three-day gross (July 23-25)Total gross to dateWeek 1 Black Widow (Disney) £1.41m £13.8m 3 2 Space Jam: A New Legacy (Warner Bros) £1.4m £3.6m 2 3 The Croods 2: A New Age (Universal) £875,622 £2.1m 2 4 Old (Universal) £866,860 £866,860 1 5 The Forever Purge (Universal) £598,803 £1.8m 2
Gbp to Usd conversion rate: 1.38
Black Widow held top spot at the UK-Ireland box office for a third consecutive session, as M. Night Shyamalan’s Old fell below the £1m mark on its opening weekend.
Disney’s latest Marvel title posted a good hold, falling just 22% with £1.41m. Black Widow...
RankFilm (Distributor)Three-day gross (July 23-25)Total gross to dateWeek 1 Black Widow (Disney) £1.41m £13.8m 3 2 Space Jam: A New Legacy (Warner Bros) £1.4m £3.6m 2 3 The Croods 2: A New Age (Universal) £875,622 £2.1m 2 4 Old (Universal) £866,860 £866,860 1 5 The Forever Purge (Universal) £598,803 £1.8m 2
Gbp to Usd conversion rate: 1.38
Black Widow held top spot at the UK-Ireland box office for a third consecutive session, as M. Night Shyamalan’s Old fell below the £1m mark on its opening weekend.
Disney’s latest Marvel title posted a good hold, falling just 22% with £1.41m. Black Widow...
- 7/26/2021
- by Ben Dalton
- ScreenDaily
Claudia Weill’s 1978 comic tale of a photographer trying to make it in New York is a gem whose emotional force comes from the female friendships at its heart
Claudia Weill’s insouciant New York comedy from 1978 is now rereleased: a little indie gem and lo-fi miracle whose emotional force catches you glancingly. Girlfriends now looks like a pop-cultural ancestor to any number of romcoms, as well as to Single White Female, TV’s thirtysomething (in which Melanie Mayron also starred) and Sex and the City, and Emma Seligman’s recent movie Shiva Baby.
Mayron stars as aspiring young photographer Suzie Weinblatt, an unassuming mix of Annie Hall and Alvy Singer. Suzie has to deal with a restless singleton life after her best friend and roommate Anne (Anita Skinner) moves out to get married to a supercilious guy called Martin (Bob Balaban) that Suzie doesn’t like very much, perhaps...
Claudia Weill’s insouciant New York comedy from 1978 is now rereleased: a little indie gem and lo-fi miracle whose emotional force catches you glancingly. Girlfriends now looks like a pop-cultural ancestor to any number of romcoms, as well as to Single White Female, TV’s thirtysomething (in which Melanie Mayron also starred) and Sex and the City, and Emma Seligman’s recent movie Shiva Baby.
Mayron stars as aspiring young photographer Suzie Weinblatt, an unassuming mix of Annie Hall and Alvy Singer. Suzie has to deal with a restless singleton life after her best friend and roommate Anne (Anita Skinner) moves out to get married to a supercilious guy called Martin (Bob Balaban) that Suzie doesn’t like very much, perhaps...
- 7/23/2021
- by Peter Bradshaw
- The Guardian - Film News
Her debut film Girlfriends is required watching if you want to work with Lena Dunham. What made it so groundbreaking? And why did she not make more? As the cult classic returns, Weill looks back
Claudia Weill’s career as a director of feature films lasted just two years but she had an enormous impact. Girlfriends, her 1978 debut about two young female New Yorkers being pulled in different directions was a tiny independent film, but its influence has been rippling out ever since, detectable most notably in the work of Greta Gerwig and Lena Dunham.
“It’s only a joy,” says Weill, of seeing others pick up where she left off. “We all inspire each other.” Weill certainly thinks Frances Ha, which starred and was co-written by Greta Gerwig, took some inspiration from Girlfriends. “But it was a completely different film,” she adds, “and women’s friendships are a big subject.
Claudia Weill’s career as a director of feature films lasted just two years but she had an enormous impact. Girlfriends, her 1978 debut about two young female New Yorkers being pulled in different directions was a tiny independent film, but its influence has been rippling out ever since, detectable most notably in the work of Greta Gerwig and Lena Dunham.
“It’s only a joy,” says Weill, of seeing others pick up where she left off. “We all inspire each other.” Weill certainly thinks Frances Ha, which starred and was co-written by Greta Gerwig, took some inspiration from Girlfriends. “But it was a completely different film,” she adds, “and women’s friendships are a big subject.
- 7/20/2021
- by Alex Godfrey
- The Guardian - Film News
by Cláudio Alves
This month, the Criterion Channel added Claudia Weill's 1978 debut feature Girlfriends to their roster. Since last year, the film has been part of the collection, but it's now available for streaming. Coincidentally, I've also recently purchased the European edition of the Blu-Ray. Taking this into account, as well as the fact that I've been hearing and reading wonderful things about this flick for ages, it seems like a good time to finally watch Girlfriends and share my first impressions with you, dear readers…...
This month, the Criterion Channel added Claudia Weill's 1978 debut feature Girlfriends to their roster. Since last year, the film has been part of the collection, but it's now available for streaming. Coincidentally, I've also recently purchased the European edition of the Blu-Ray. Taking this into account, as well as the fact that I've been hearing and reading wonderful things about this flick for ages, it seems like a good time to finally watch Girlfriends and share my first impressions with you, dear readers…...
- 5/27/2021
- by Cláudio Alves
- FilmExperience
While the summer movie season will kick off shortly––and we’ll be sharing a comprehensive preview on the arthouse, foreign, indie, and (few) studio films worth checking out––on the streaming side, The Criterion Channel and Mubi have unveiled their May 2021 lineups and there’s a treasure trove of highlights to dive into.
Timed with Satyajit Ray’s centenary, The Criterion Channel will have a retrospective of the Indian master, along with series on Gena Rowlands, Robert Ryan, Mitchell Leisen, Michael Almereyda, Josephine Decker, and more. In terms of recent releases, they’ll also feature Fire Will Come, The Booksellers, and the new restoration of Tom Noonan’s directorial debut What Happened Was….
On Mubi, in anticipation of Undine, they’ll feature two essential early features by Christian Petzold, Jerichow and The State That I Am In, along with his 1990 short documentary Süden. Also amongst the lineup is Sophy Romvari’s Still Processing,...
Timed with Satyajit Ray’s centenary, The Criterion Channel will have a retrospective of the Indian master, along with series on Gena Rowlands, Robert Ryan, Mitchell Leisen, Michael Almereyda, Josephine Decker, and more. In terms of recent releases, they’ll also feature Fire Will Come, The Booksellers, and the new restoration of Tom Noonan’s directorial debut What Happened Was….
On Mubi, in anticipation of Undine, they’ll feature two essential early features by Christian Petzold, Jerichow and The State That I Am In, along with his 1990 short documentary Süden. Also amongst the lineup is Sophy Romvari’s Still Processing,...
- 4/26/2021
- by Jordan Raup
- The Film Stage
Whether a viewer in 1896 or 2020, cinema has always been a dynamic and variable experience. Cinema as an event—as a manifestation of a meeting point between the art of moving images and an audience, big or small—has never fit any one definition, and this last year, so severely disrupted by a global pandemic, has deeply underscored the versatility and resilience of our great love.Our viewing this year, like that of so many, has been strange: compromised, confrontational, escapist, euphoric, painful, revelatory—encompassing all of the reactions one can have to film. How we encountered our favorite movies and most meaningful cinematic experiences of the year was hardly new: A by-now-normal mix of festivals, theatres, various subscription and transactional streaming services, as well as private screener links and gems buried on over-stuffed hard drives. But for most of the year, the communal experience shrunk to living rooms and glowing screens.
- 12/23/2020
- MUBI
Criterion lets out the stops to celebrate a filmmaker long due for some victory laps — Claudia Weill’s endearing drama takes on the subject of a modern woman trying to be independent but human in the tough art world of New York. The Movies was a hard field to crack as well. Criterion says that when Weill was admitted to the Academy of Motion Picture Arts and Sciences in 1981, she was only the fourth woman director ever voted in. The cast of this freewheeling show is delightful — Melanie Mayron, Anita Skinner, Christopher Guest, Bob Balaban, Amy Wright, Viveca Lindfors, and of course Eli Wallach.
Girlfriends
Blu-ray
The Criterion Collection 1055
1978 / Color / 1:66 widescreen / 88 min. / available through The Criterion Collection / Street Date November 10, 2020 / 39.95
Starring: Melanie Mayron, Anita Skinner, Christopher Guest, Eli Wallach, Bob Balaban, Amy Wright, Viveca Lindfors.
Cinematography: Fred Murphy
Film Editor: Suzanne Petit
Original Music: Michael Small
Written by Vicki Polon...
Girlfriends
Blu-ray
The Criterion Collection 1055
1978 / Color / 1:66 widescreen / 88 min. / available through The Criterion Collection / Street Date November 10, 2020 / 39.95
Starring: Melanie Mayron, Anita Skinner, Christopher Guest, Eli Wallach, Bob Balaban, Amy Wright, Viveca Lindfors.
Cinematography: Fred Murphy
Film Editor: Suzanne Petit
Original Music: Michael Small
Written by Vicki Polon...
- 12/8/2020
- by Glenn Erickson
- Trailers from Hell
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Joaquin Phoenix in Joker (2019). The first few details have emerged regarding Ari Aster's next feature, with Joaquin Phoenix in talks to star. Tentatively titled Beau is Afraid, the film (previously a 2011 short film by Aster) involves an anxious man's surreal and nightmarish trek to his overbearing mother's home following her death. Meanwhile, Spike Lee has announced his plans to direct a musical about the launch of launch of Pfizer’s erectile dysfunction drug, Viagra. Recommended VIEWINGNew York's Screen Slate and Collaborative Cataloging Japan recently hosted a Twitch discussion with legendary filmmaker Masao Adachi on Gewaltpia: Motoharu Jonouchi and the Japanese Avant-Garde. The stream will remain online through tomorrow, and then will be available to Screen Slate's Patreon supporters. Omelia Contadina, by Jr and Alice Rohrwacher in collaboration with the inhabitants of the Alfina plateau,...
- 11/25/2020
- MUBI
Claudia Weill is a director whose work meant so much to me at such a formative age that I was almost hesitant to interview her; the two features she directed, Girlfriends (1978) and It’s My Turn (1980) spoke to me on such a profoundly personal level that I feared speaking with her could only be a disappointing experience—either because she wouldn’t live up to my image of her or because I would be so intimidated that I’d turn into a blabbering idiot. One of Weill’s many talents is to create work so intimate and precise that it always feels like […]
The post "It Came Out of Feeling Like I Didn’t Actually See Myself in the Movies...": Claudia Weill on Girlfriends first appeared on Filmmaker Magazine.
The post "It Came Out of Feeling Like I Didn’t Actually See Myself in the Movies...": Claudia Weill on Girlfriends first appeared on Filmmaker Magazine.
- 11/23/2020
- by Jim Hemphill
- Filmmaker Magazine - Blog
Claudia Weill is a director whose work meant so much to me at such a formative age that I was almost hesitant to interview her; the two features she directed, Girlfriends (1978) and It’s My Turn (1980) spoke to me on such a profoundly personal level that I feared speaking with her could only be a disappointing experience—either because she wouldn’t live up to my image of her or because I would be so intimidated that I’d turn into a blabbering idiot. One of Weill’s many talents is to create work so intimate and precise that it always feels like […]
The post "It Came Out of Feeling Like I Didn’t Actually See Myself in the Movies...": Claudia Weill on Girlfriends first appeared on Filmmaker Magazine.
The post "It Came Out of Feeling Like I Didn’t Actually See Myself in the Movies...": Claudia Weill on Girlfriends first appeared on Filmmaker Magazine.
- 11/23/2020
- by Jim Hemphill
- Filmmaker Magazine-Director Interviews
The Criterion Collection could easily take a month off in 2020, maybe two, and rest easy at winning the title for best cinephile DVD/Blu-Ray company (how many years in a row they’ve already won that title is something we’ll leave you to debate with friends). 2020 has already included an amazing and essential box set from French New Wave legend Agnès Varda, another upcoming box set from Federico Fellini which is sure to astound, and plenty of landmark, long-awaited soon-to-come releases like “Moonstruck,” Jim Jarmusch‘s hip hop/ninja assassin mash-up, “Ghost Dog: The Way Of The Samurai,” Claudia Weill‘s seminal feminist indie classic “Girlfriends,” Bong Joon Ho’s Oscar-winning “Parasite” class warfare drama, David Lynch‘s “Elephant Man,” and earlier this summer, “Come & See,” the legendary WWII film from Soviet director Elem Klimov.
Continue reading Criterion December Titles Include David Cronenberg’s ‘Crash,’ Alejandro Iñárritu’s ‘Amores Perros’ & More at The Playlist.
Continue reading Criterion December Titles Include David Cronenberg’s ‘Crash,’ Alejandro Iñárritu’s ‘Amores Perros’ & More at The Playlist.
- 9/15/2020
- by Rodrigo Perez
- The Playlist
As the Venice International Film Festival is winding down, the Toronto International Film festival kicks off Sept. 10 and continues through Sept. 19 in a Covid-19 hybrid version with physical screenings and drive-in, digital screenings and virtual red carpets. Whereas Venice is the oldest film festival having begun in 1932, Toronto is relatively new. In fact, it wasn’t even called the Toronto International Film Festival until 1994.
The festival was the brainchild of founders Bill Marshall, Dusty Cohl and Henk Van Der Kolk who launched the inaugural Festival of Festivals in 1976. The mandate was to feature the best pics from other film festivals and to attract major Hollywood productions by being one of the most hospitable movie celebrations.
The first edition of the festival didn’t set the world on fire. Guests Jack Nicholson and Julie Christie never made it. The festival had hoped to open with Hal Ashby’s biopic on Woody Guthrie,...
The festival was the brainchild of founders Bill Marshall, Dusty Cohl and Henk Van Der Kolk who launched the inaugural Festival of Festivals in 1976. The mandate was to feature the best pics from other film festivals and to attract major Hollywood productions by being one of the most hospitable movie celebrations.
The first edition of the festival didn’t set the world on fire. Guests Jack Nicholson and Julie Christie never made it. The festival had hoped to open with Hal Ashby’s biopic on Woody Guthrie,...
- 9/10/2020
- by Susan King
- Gold Derby
Industry Conference, talent development details.
A documentary about climate activist Greta Thunberg and a shot film about a teenage Indigenous communities activist have joined the Toronto International Film Festival (TIFF) line-up.
Nathan Grossman’s I Am Greta chronicles the young Swede’s meteoric rise to public attention, while James Burns’s short film The Water Walker focuses on the work of 15-year-old Autumn Peltier, an Anishinaabe water activist.
Peltier will take part in a live conversation with author Naomi Klein that will be made free to international audiences. The date will be announced closer to the start of TIFF, which...
A documentary about climate activist Greta Thunberg and a shot film about a teenage Indigenous communities activist have joined the Toronto International Film Festival (TIFF) line-up.
Nathan Grossman’s I Am Greta chronicles the young Swede’s meteoric rise to public attention, while James Burns’s short film The Water Walker focuses on the work of 15-year-old Autumn Peltier, an Anishinaabe water activist.
Peltier will take part in a live conversation with author Naomi Klein that will be made free to international audiences. The date will be announced closer to the start of TIFF, which...
- 8/27/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
An epic 15-disc box set featuring the films of Federico Fellini isn’t the only release arriving on The Criterion Collection this November. Following Roma and Marriage Story, they will also be adding another Netflix title to their library: Martin Scorsese’s mob epic The Irishman. Featuring a brand-new documentary on the making of the film, a video essay by critic Farran Smith Nehme, and program on the visual effects, and more, it looks like an essential pick-up even if you already have a Netflix subscription.
Also among the November lineup is Norman Jewison’s delightful romantic drama Moonstruck, featuring interviews with the cast and crew, an audio commentary from 1998 with Cher, Jewison, and John Patrick Shanley, and more. Claudia Weill’s landmark indie drama Girlfriends is also coming to Criterion, with interviews featuring the cast and crew, short films by Weill, and more. Lastly, Jim Jarmusch’s Ghost Dog: The Way of the Samurai...
Also among the November lineup is Norman Jewison’s delightful romantic drama Moonstruck, featuring interviews with the cast and crew, an audio commentary from 1998 with Cher, Jewison, and John Patrick Shanley, and more. Claudia Weill’s landmark indie drama Girlfriends is also coming to Criterion, with interviews featuring the cast and crew, short films by Weill, and more. Lastly, Jim Jarmusch’s Ghost Dog: The Way of the Samurai...
- 8/18/2020
- by Leonard Pearce
- The Film Stage
The pandemic might be
killing us and all our businesses, but you know who seems unaffected? The
Criterion Collection who are having a killer 2020 so far. Not only have
they made moves like scoring Neon’s Academy Award Best Picture winner “Parasite”
just a few short months after it won the Oscar, but they’re having a field day
with box sets like the Agnes Varda complete set and the upcoming Federico
Fellini set.
Continue reading Criterion Adds Scorsese’s ‘The Irishman,’ ‘Moonstruck’ & Claudia Weill’s Feminist ’70s Cult Classic ‘Girlfriends’ at The Playlist.
killing us and all our businesses, but you know who seems unaffected? The
Criterion Collection who are having a killer 2020 so far. Not only have
they made moves like scoring Neon’s Academy Award Best Picture winner “Parasite”
just a few short months after it won the Oscar, but they’re having a field day
with box sets like the Agnes Varda complete set and the upcoming Federico
Fellini set.
Continue reading Criterion Adds Scorsese’s ‘The Irishman,’ ‘Moonstruck’ & Claudia Weill’s Feminist ’70s Cult Classic ‘Girlfriends’ at The Playlist.
- 8/18/2020
- by Rodrigo Perez
- The Playlist
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
HBO Max
The latest streaming service has arrived with HBO Max, which pulls together what was offered on the HBO platform with quite an expanded library. While the WarnerMedia platform is certainly the most scattered of its competitors in terms of the range of content, if you dig deeper, there’s plenty of worthwhile offerings. Led by the Studio Ghibli catalog, they also have a Turner Classic Movies channel, featuring Criterion Collection classics, a Charlie Chaplin collection, landmark westerns, all of the A Star is Borns, Citizen Kane, Casablanca, The Abyss, and more. Happy watching.
Where to Stream: HBO Max
End of Sentence (Elfar Adalsteins)
To...
HBO Max
The latest streaming service has arrived with HBO Max, which pulls together what was offered on the HBO platform with quite an expanded library. While the WarnerMedia platform is certainly the most scattered of its competitors in terms of the range of content, if you dig deeper, there’s plenty of worthwhile offerings. Led by the Studio Ghibli catalog, they also have a Turner Classic Movies channel, featuring Criterion Collection classics, a Charlie Chaplin collection, landmark westerns, all of the A Star is Borns, Citizen Kane, Casablanca, The Abyss, and more. Happy watching.
Where to Stream: HBO Max
End of Sentence (Elfar Adalsteins)
To...
- 5/29/2020
- by Jordan Raup
- The Film Stage
Since 1989, the National Film Registry of the Library of Congress has been accomplishing the important task of preserving films that “represent important cultural, artistic and historic achievements in filmmaking.” From films way back in 1897 all the way up to 2005, they’ve now reached 775 films that celebrate our heritage and encapsulate our film history.
Today they’ve unveiled their 2019 list, which includes Elaine May’s A New Leaf, Spike Lee’s She’s Gotta Have It, Martin Scorsese’s The Last Waltz, the Prince feature Purple Rain, Oliver Stone’s Platoon, Claudia Weill’s Girlfriends, Miloš Forman’s Amadeus, George Cukor’s Gaslight, and more.
“The National Film Registry is an essential American enterprise that officially recognizes the rich depth and variety, the eloquence and the real greatness of American cinema and the filmmakers who have created it, film by film,” said Scorsese.
Check out the full list below and you can...
Today they’ve unveiled their 2019 list, which includes Elaine May’s A New Leaf, Spike Lee’s She’s Gotta Have It, Martin Scorsese’s The Last Waltz, the Prince feature Purple Rain, Oliver Stone’s Platoon, Claudia Weill’s Girlfriends, Miloš Forman’s Amadeus, George Cukor’s Gaslight, and more.
“The National Film Registry is an essential American enterprise that officially recognizes the rich depth and variety, the eloquence and the real greatness of American cinema and the filmmakers who have created it, film by film,” said Scorsese.
Check out the full list below and you can...
- 12/11/2019
- by Jordan Raup
- The Film Stage
The Library of Congress has unveiled its annual selection of 25 films added to the National Film Registry, with an unprecedented seven titles directed by women, the most in a single year since the inaugural registry in 1989. (Scroll down for the full list.)
Among those making the cut for 2019 are Kimberly Peirce’s 1999 Oscar winner Boys Don’t Cry; Greta Schiller’s 1984 documentary Before Stonewall; Claudia Weill’s 1978 Girlfriends; Gunvor Nelson’s 1969 avant-garde pic My Name Is Oona; Elaine May’s A New Leaf, which in 1971 made her the first woman to write, direct and star in a major American studio feature; the 2002 indie Real Women Have Curves, directed by Patricia Cardoso; and Madeline Anderson’s 1970 I Am Somebody, which is considered the first documentary on civil rights directed by a woman of color.
Also notably added to the Film Registry are such classics as George Cukor’s 1944 Gaslight, which won...
Among those making the cut for 2019 are Kimberly Peirce’s 1999 Oscar winner Boys Don’t Cry; Greta Schiller’s 1984 documentary Before Stonewall; Claudia Weill’s 1978 Girlfriends; Gunvor Nelson’s 1969 avant-garde pic My Name Is Oona; Elaine May’s A New Leaf, which in 1971 made her the first woman to write, direct and star in a major American studio feature; the 2002 indie Real Women Have Curves, directed by Patricia Cardoso; and Madeline Anderson’s 1970 I Am Somebody, which is considered the first documentary on civil rights directed by a woman of color.
Also notably added to the Film Registry are such classics as George Cukor’s 1944 Gaslight, which won...
- 12/11/2019
- by Nancy Tartaglione
- Deadline Film + TV
“Purple Rain,” “Clerks,” “She’s Gotta Have It,” “Coal Miner’s Daughter,” “Amadeus,” “Sleeping Beauty,””Boys Don’t Cry” and “The Last Waltz” are among this year’s additions to the National Film Registry by the Library of Congress.
The list also includes 1944’s “Gaslight,” starring Ingrid Bergman in an Oscar-winning performance; the 1955 film noir “The Phenix City Story,” based on a real-life murder in Alabama; Disney’s 1959 canine tearjerker “Old Yeller”; Oliver Stone’s 1986 Best Picture winner “Platoon,” based on his own experiences in Vietnam; and Luis Valdez’s “Zoot Suit,” which tells the story of the 1943 Sleepy Lagoon Murder and the racially charged riots that followed.
A place on the list — always made up of 25 films — guarantees the film will be preserved under the terms of the National Film Preservation Act. The criteria for selection is that the movies are “culturally, historically or aesthetically” significant.
“The National Film Registry has become...
The list also includes 1944’s “Gaslight,” starring Ingrid Bergman in an Oscar-winning performance; the 1955 film noir “The Phenix City Story,” based on a real-life murder in Alabama; Disney’s 1959 canine tearjerker “Old Yeller”; Oliver Stone’s 1986 Best Picture winner “Platoon,” based on his own experiences in Vietnam; and Luis Valdez’s “Zoot Suit,” which tells the story of the 1943 Sleepy Lagoon Murder and the racially charged riots that followed.
A place on the list — always made up of 25 films — guarantees the film will be preserved under the terms of the National Film Preservation Act. The criteria for selection is that the movies are “culturally, historically or aesthetically” significant.
“The National Film Registry has become...
- 12/11/2019
- by Dave McNary
- Variety Film + TV
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Museum of the Moving Image
“No Joke: Absurd Comedy as Political Reality” commences with Xavier: Renegade Angel, Starship Troopers and more.
“See It Big! Ghost Stories” continues.
The Greek feature Electra plays this Sunday.
Film at Lincoln Center
Restorations of Le Professeur and Sergei Parajanov shorts play as part of the 57th New York Film Festival’s final weekend.
Museum of the Moving Image
“No Joke: Absurd Comedy as Political Reality” commences with Xavier: Renegade Angel, Starship Troopers and more.
“See It Big! Ghost Stories” continues.
The Greek feature Electra plays this Sunday.
Film at Lincoln Center
Restorations of Le Professeur and Sergei Parajanov shorts play as part of the 57th New York Film Festival’s final weekend.
- 10/10/2019
- by Nick Newman
- The Film Stage
Netflix may get most of the attention, but it’s hardly a one-stop shop for cinephiles who are looking to stream essential classic and contemporary films. Each of the prominent streaming platforms — and there are more of them all the time — caters to its own niche of film obsessives. From chilling horror fare on Shudder, to the boundless wonders of the Criterion Channel, and esoteric (but unmissable) festival hits on the newly launched Ovid.tv, IndieWire’s monthly guide will highlight the best of what’s coming to every major streaming site, with an eye towards exclusive titles that may help readers decide which of these services is right for them.
Here’s the best of the best for May 2019.
Amazon Prime
Amazon Prime continues to be among the best streaming platform for exclusive streaming access to “first-run” arthouse and foreign films that you may have just missed in theaters.
Here’s the best of the best for May 2019.
Amazon Prime
Amazon Prime continues to be among the best streaming platform for exclusive streaming access to “first-run” arthouse and foreign films that you may have just missed in theaters.
- 5/8/2019
- by David Ehrlich
- Indiewire
A Month Of Female Filmmakers At The New Bev | 7165 Beverly Blvd.
In a welcome change of pace, the New Beverly Cinema is devoting nearly the entirety of their May calendar to films directed by women. Selections range from the enshrined to the obscure, and likewise run the gamut from comedy to romance to drama to all points in between. Alongside a spotlight on pioneering Hollywood filmmaker Dorothy Arzner, highlights include a trio of two-night double bills, including, on May 8 and 9, the under-recognized Claudia Weill films Girlfriends and It’s My Turn; on May 15 and 16, Elaine May’s ...
In a welcome change of pace, the New Beverly Cinema is devoting nearly the entirety of their May calendar to films directed by women. Selections range from the enshrined to the obscure, and likewise run the gamut from comedy to romance to drama to all points in between. Alongside a spotlight on pioneering Hollywood filmmaker Dorothy Arzner, highlights include a trio of two-night double bills, including, on May 8 and 9, the under-recognized Claudia Weill films Girlfriends and It’s My Turn; on May 15 and 16, Elaine May’s ...
A Month Of Female Filmmakers At The New Bev | 7165 Beverly Blvd.
In a welcome change of pace, the New Beverly Cinema is devoting nearly the entirety of their May calendar to films directed by women. Selections range from the enshrined to the obscure, and likewise run the gamut from comedy to romance to drama to all points in between. Alongside a spotlight on pioneering Hollywood filmmaker Dorothy Arzner, highlights include a trio of two-night double bills, including, on May 8 and 9, the under-recognized Claudia Weill films Girlfriends and It’s My Turn; on May 15 and 16, Elaine May’s ...
In a welcome change of pace, the New Beverly Cinema is devoting nearly the entirety of their May calendar to films directed by women. Selections range from the enshrined to the obscure, and likewise run the gamut from comedy to romance to drama to all points in between. Alongside a spotlight on pioneering Hollywood filmmaker Dorothy Arzner, highlights include a trio of two-night double bills, including, on May 8 and 9, the under-recognized Claudia Weill films Girlfriends and It’s My Turn; on May 15 and 16, Elaine May’s ...
Early on in “Snapshots,” an elderly matriarch announces to her visiting daughter and granddaughter that two topics of conversation are forbidden for the weekend: “what-ifs and politics.” It’s as sure a sign as any that those themes — identity politics in particular, with the red-blue kind more implied — will proceed to dominate Melanie Mayron’s earnest, gentle-hearted film, an across-the-generations ode to following your heart and living your truth. If that sounds corny, this reflection on an illicit affair between two young married women, and the familial reverberations it has decades later, isn’t shy of stating its case in bluntly homespun terms: One rather wishes Jan Miller Corran and Katherine Cortez’s evidently heartfelt script placed a little more trust in its actors (and audience) to connect the emotional dots.
As it is, “Snapshots” wallows a little too readily in cliché to be quite as stirring as its story...
As it is, “Snapshots” wallows a little too readily in cliché to be quite as stirring as its story...
- 7/31/2018
- by Guy Lodge
- Variety Film + TV
Editor’s Note: This article is presented in partnership with FilmStruck. Developed and managed by Turner Classic Movies (TCM) in collaboration with the Criterion Collection. FilmStruck features the largest streaming library of contemporary and classic arthouse, indie, foreign and cult films as well as extensive bonus content, filmmaker interviews and rare footage. Learn more here. Agnes Varda
At age 88, the indomitable and highly influential Varda shows zero sign of slowing down when it comes to churning out art told through continually experimental means (she’s also remained committed to supporting her work in person, recently popping up at both the French Institute Alliance Française for a career-spanning chat and this year’s Rendezvous With French Cinema series with a brand new exhibit; we should all be so lucky to be as vital and involved when we’re half Varda’s age). Varda’s contributions to cinema and feminism have been...
At age 88, the indomitable and highly influential Varda shows zero sign of slowing down when it comes to churning out art told through continually experimental means (she’s also remained committed to supporting her work in person, recently popping up at both the French Institute Alliance Française for a career-spanning chat and this year’s Rendezvous With French Cinema series with a brand new exhibit; we should all be so lucky to be as vital and involved when we’re half Varda’s age). Varda’s contributions to cinema and feminism have been...
- 4/18/2017
- by Kate Erbland
- Indiewire
A very happy International Women’s Day (and, related, Happy A Day Without A Woman those exercising their ability to strike in order to help highlight the important contributions made by women in the workplace and the world at large) to all of our readers! With this important day in mind, we’ve assembled a list of films, all currently streaming online, that would not exist without the female creators (writers, directors, sometime-stars, and more) who crafted them. It’s just a taste — a nibble, really — of some of the industry’s best examples of forward-thinking, female-driven work.
Read More: IndieWire Stands With Women: 27 TV Shows Created by Women, Starring Women, That We Absolutely Love
Take a peek, and appreciate the power of women and their strong-as-hell creativity and drive.
“Paris Is Burning” (Netflix)
Jennie Livingston’s incisive, intimate and wildly entertaining documentary about New York City “drag ball culture...
Read More: IndieWire Stands With Women: 27 TV Shows Created by Women, Starring Women, That We Absolutely Love
Take a peek, and appreciate the power of women and their strong-as-hell creativity and drive.
“Paris Is Burning” (Netflix)
Jennie Livingston’s incisive, intimate and wildly entertaining documentary about New York City “drag ball culture...
- 3/8/2017
- by Kate Erbland
- Indiewire
Photo by John Nowak/TCM
Turner Classic Movies (TCM) today announced Trailblazing Women, a multi-year initiative created to raise awareness about the historical contributions of women working behind the camera. The programming event, hosted by actress, producer and director Illeana Douglas, premieres October 1 and airs every Tuesday and Thursday throughout the entire month, and will shine a spotlight on cinema’s greatest female filmmakers and women who challenged gender stereotypes while carving out successful careers in an industry where men hold the bulk of the power.
The Trailblazing Women initiative marks a multi-year partnership between TCM and Women In Film (Wif), Los Angeles that will showcase the current gender gap in the film industry as statistics prove a lack of parity in positions behind the camera such as:
Men outnumbered women 23-to-1 as directors of the 1,300 top-grossing films since 2002
A 5–to-1 ratio of men working on films to women
15 percent...
Turner Classic Movies (TCM) today announced Trailblazing Women, a multi-year initiative created to raise awareness about the historical contributions of women working behind the camera. The programming event, hosted by actress, producer and director Illeana Douglas, premieres October 1 and airs every Tuesday and Thursday throughout the entire month, and will shine a spotlight on cinema’s greatest female filmmakers and women who challenged gender stereotypes while carving out successful careers in an industry where men hold the bulk of the power.
The Trailblazing Women initiative marks a multi-year partnership between TCM and Women In Film (Wif), Los Angeles that will showcase the current gender gap in the film industry as statistics prove a lack of parity in positions behind the camera such as:
Men outnumbered women 23-to-1 as directors of the 1,300 top-grossing films since 2002
A 5–to-1 ratio of men working on films to women
15 percent...
- 9/3/2015
- by Michelle McCue
- WeAreMovieGeeks.com
London’s Birds Eye View Film Festival will include 10 UK premieres and titles from Girls star Lena Dunham and Kelly Reichardt.
The Birds Eye View Film Festival (April 8-13), celebrating women’s work in film, has revealed details of its 2014 programme including works by British director Destiny Ekaragha and Laura Checkoway to films by Lena Dunham and Kelly Reichardt.
The festival will also celebrate inspiring female filmmakers and actors of recent times including the late pioneering animator Joy Batchelor, Broadway legend Elaine Stritch and award-winning British filmmaker Gurinder Chadha.
The festival will comprise 19 features including 10 UK premieres such as German director Katrin Gebbe’s debut Nothing Bad Can Happen and the London premiere of Jennifer Baichwal and Edward Burtynsky’s Watermark, the follow-up to their 2006 documentary hit Manufactured Landscapes.
The programme also includes an American Indie strand featuring Kelly Reichardt’s thriller Night Moves starring Jesse Eisenberg and Dakota Fanning; Chiemi Karasawa’s documentary Elaine Stritch: Shoot Me; and the...
The Birds Eye View Film Festival (April 8-13), celebrating women’s work in film, has revealed details of its 2014 programme including works by British director Destiny Ekaragha and Laura Checkoway to films by Lena Dunham and Kelly Reichardt.
The festival will also celebrate inspiring female filmmakers and actors of recent times including the late pioneering animator Joy Batchelor, Broadway legend Elaine Stritch and award-winning British filmmaker Gurinder Chadha.
The festival will comprise 19 features including 10 UK premieres such as German director Katrin Gebbe’s debut Nothing Bad Can Happen and the London premiere of Jennifer Baichwal and Edward Burtynsky’s Watermark, the follow-up to their 2006 documentary hit Manufactured Landscapes.
The programme also includes an American Indie strand featuring Kelly Reichardt’s thriller Night Moves starring Jesse Eisenberg and Dakota Fanning; Chiemi Karasawa’s documentary Elaine Stritch: Shoot Me; and the...
- 3/10/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
You may have heard of BAMCinematek's awesome "Hey Girlfriend! Lena Dunham Selects" series curated by none other than Dunham herself, the director and star of the Criterion-approved micro-indie "Tiny Furniture" and the writer, producer and co-star of "Girls," her upcoming HBO show also produced by Judd Apatow.
That eight-film series (tickets on sale here), which will feature in person appearances by Dunham, Nora Ephron, Whit Stillman, Chris Eigeman, and Claudia Weill and includes films like "The Last Days of Disco," "Clueless," and Weill's prizewinning debut "Girlfriends" from 1978, has added one more film to its slate: Amy Heckerling's long-awaited, toothy vampire comedy, "Vamps."
Marking the reunion of Heckerling with her "Clueless" star Alicia Silverstone, 17 years after the release of that now-classic teen movie, BAMcinématek will present the directors cut of "Vamps" on Saturday, April 7 at 6:50pm. Heckerling will appear in person at Bam for a Q&A after the movie.
That eight-film series (tickets on sale here), which will feature in person appearances by Dunham, Nora Ephron, Whit Stillman, Chris Eigeman, and Claudia Weill and includes films like "The Last Days of Disco," "Clueless," and Weill's prizewinning debut "Girlfriends" from 1978, has added one more film to its slate: Amy Heckerling's long-awaited, toothy vampire comedy, "Vamps."
Marking the reunion of Heckerling with her "Clueless" star Alicia Silverstone, 17 years after the release of that now-classic teen movie, BAMcinématek will present the directors cut of "Vamps" on Saturday, April 7 at 6:50pm. Heckerling will appear in person at Bam for a Q&A after the movie.
- 3/22/2012
- by Edward Davis
- The Playlist
"New York City means different things to different people," begins Cullen Gallagher at Not Coming to a Theater Near You, "and its cinematic representations over the years are as diverse as the city itself. With the rise of independent movies and the decentralization of the American film industry after the dissolution of the once dominant studio system, the 1970s witnessed a prolific return of filmmaking to the Big Apple. That decade saw the release of several seminal NYC movies, ranging from indie underdogs to studio epics: the operatic majesty of The Godfather, the blaxploitation classic Shaft, the junkie drama Panic in Needle Park, the neurotic rom-com Annie Hall, the comic book fantasy Superman, and the psycho-urban-Western Taxi Driver. This hardly scratches the surface of that particular cinematic context. But amidst the Saturday Night Fevers and the Death Wishes, there were also smaller, quieter tributes to the city, like Claudia Weill's Girl Friends,...
- 3/19/2011
- MUBI
In the mid-'70s, when women (among them Claudia Weill, Joan Micklin Silver, Joan Darling) were getting the chance to direct mainstream movies, Pauline Kael cautioned against expecting great things right away. Filmmakers needed a chance to learn and develop, she said, and there was always a chance they might not, or might simply become proficient hacks. It didn't matter, she was quoted as saying, whether there was a king or a queen on top of the garbage heap.
Daphne Merkin's profile of Nancy Meyers in the New York Times Magazine a few weeks back was an attempt to claim that a Garbage Queen was a step forward. The trouble with the piece, as with almost every plight-of-women-in-film article, is that the relentless focus on Hollywood winds up saying that the women directors working outside the mainstream don't exist.
The institutional sexism that still cripples Hollywood is appalling. When Mira Nair...
Daphne Merkin's profile of Nancy Meyers in the New York Times Magazine a few weeks back was an attempt to claim that a Garbage Queen was a step forward. The trouble with the piece, as with almost every plight-of-women-in-film article, is that the relentless focus on Hollywood winds up saying that the women directors working outside the mainstream don't exist.
The institutional sexism that still cripples Hollywood is appalling. When Mira Nair...
- 1/21/2010
- by Charles Taylor
- ifc.com
NaFF ~ Day Five
Yesterday I caught the film that got Nicole Kidman and her hubby here on day three, a documentary called Prodigal Sons. I have no idea why Kidman herself chose it (perhaps it was research for The Danish Girl?) but she chose well. The film is from transgendered filmmaker Kimberly Reed and begins by recounting her journey to her 20 year high school reunion. Her hometown knew her as football quarterback Paul. For the film's first several minutes I expected that the movie would be a traditional but queer slanted memoir doc. I assumed it would recount this reunion and disparate reactions to Paul's new identity as Kim and Kim's own struggles with accepting her past (a lot of post-operative transgendered types destroy all photos and pretend that said past didn't exist). I underestimated it.
Prodigal Sons quickly morphs into something much greater. It's a complicated, well judged and...
Yesterday I caught the film that got Nicole Kidman and her hubby here on day three, a documentary called Prodigal Sons. I have no idea why Kidman herself chose it (perhaps it was research for The Danish Girl?) but she chose well. The film is from transgendered filmmaker Kimberly Reed and begins by recounting her journey to her 20 year high school reunion. Her hometown knew her as football quarterback Paul. For the film's first several minutes I expected that the movie would be a traditional but queer slanted memoir doc. I assumed it would recount this reunion and disparate reactions to Paul's new identity as Kim and Kim's own struggles with accepting her past (a lot of post-operative transgendered types destroy all photos and pretend that said past didn't exist). I underestimated it.
Prodigal Sons quickly morphs into something much greater. It's a complicated, well judged and...
- 4/25/2009
- by NATHANIEL R
- FilmExperience
Nashville Film Festival ~ Day Four
A sizeable dilemma arrived last night, the kind film festivals enjoy torturing cinephiles with as two coveted films ran in the same time slot. Do I see the lost 70s movie Girlfriends (1978) or the new film from the terrific young Mexican director Fernando Eimbcke, Lake Tahoe? I've been raving about Eimbcke to anyone who would listen since fall 2004 when I saw his debut Duck Season in Toronto. It opened in the States, finally, two years later [2006 top ten list]. If I have to wait until 2011 to see Lake Tahoe I may expire of anticipatitis and regret my decision but I went with Girlfriends. Here's why: Girlfriends has only been on VHS once (many aeons ago) and copies are hard to track down, no DVD release ever materialized and none is planned and I love movies about women.
Girlfriends is about a young Jewish photographer Susan Weinblatt (BAFTA nominated Melanie Mayron,...
A sizeable dilemma arrived last night, the kind film festivals enjoy torturing cinephiles with as two coveted films ran in the same time slot. Do I see the lost 70s movie Girlfriends (1978) or the new film from the terrific young Mexican director Fernando Eimbcke, Lake Tahoe? I've been raving about Eimbcke to anyone who would listen since fall 2004 when I saw his debut Duck Season in Toronto. It opened in the States, finally, two years later [2006 top ten list]. If I have to wait until 2011 to see Lake Tahoe I may expire of anticipatitis and regret my decision but I went with Girlfriends. Here's why: Girlfriends has only been on VHS once (many aeons ago) and copies are hard to track down, no DVD release ever materialized and none is planned and I love movies about women.
Girlfriends is about a young Jewish photographer Susan Weinblatt (BAFTA nominated Melanie Mayron,...
- 4/20/2009
- by NATHANIEL R
- FilmExperience
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.