Stars: Martin Kove, James Earl Jones, Jose Ferrer, Mary Louise Weller, Deborah Shelton, Lila Kedrova, Lydia Cornell, Sofia Seirli, Spyros Papafrantzis | Written by Richard Jeffries, Nico Mastorakis | Directed by Richard Jeffries
Arrow Video’s line of Niko Mastorakis releases continues with early 80s exploitationer Blood Tide, a film that has more behind the scenes pedigree than you’d imagine or expect!
The sheer names connected with the film – which is produced and co-written by Mastorakis, with Brian Trenchard-Smith, credited a creative consultant And Richard Jeffries (who’d later go on to direct the fantastic Scarecrows and The Vagrant) behind the camera – is remarkable. It’s a veritable who’s who of genre filmmaking in the 70s and 80s, all coming together to make a film that feels fantastically Lovercraftian.
Set on another Greek island, in much the same manner as Mastorakis’ Island of Death, Blood Tide sees a couple, Neil...
Arrow Video’s line of Niko Mastorakis releases continues with early 80s exploitationer Blood Tide, a film that has more behind the scenes pedigree than you’d imagine or expect!
The sheer names connected with the film – which is produced and co-written by Mastorakis, with Brian Trenchard-Smith, credited a creative consultant And Richard Jeffries (who’d later go on to direct the fantastic Scarecrows and The Vagrant) behind the camera – is remarkable. It’s a veritable who’s who of genre filmmaking in the 70s and 80s, all coming together to make a film that feels fantastically Lovercraftian.
Set on another Greek island, in much the same manner as Mastorakis’ Island of Death, Blood Tide sees a couple, Neil...
- 5/29/2020
- by Phil Wheat
- Nerdly
A haunted house film is a tough sell. No masked stalker, no creatures that eviscerate and certainly no zombies lurching down those shadowed halls. A single setting, a dark secret, a group of people terrified by something is usually your standard template, and even the best haunted house flick doth not stray from the formula. So the trick is to convince the viewers once you get them inside – something that the low on budget, high on conviction, and seldom talked about The Evil (1978) accomplishes admirably.
Barely distributed in May of ‘78 by Roger Corman’s New World Pictures, The Evil was made for $700,000 Us and came and went very quickly. The filmmakers complained about the paltry distribution, but I’m sure Corman turned a profit somewhere down the line – he usually did. So from the modest budget, to the generic sounding title (why not just call it Horror Movie?) to the not exactly topical sub genre,...
Barely distributed in May of ‘78 by Roger Corman’s New World Pictures, The Evil was made for $700,000 Us and came and went very quickly. The filmmakers complained about the paltry distribution, but I’m sure Corman turned a profit somewhere down the line – he usually did. So from the modest budget, to the generic sounding title (why not just call it Horror Movie?) to the not exactly topical sub genre,...
- 2/20/2016
- by Scott Drebit
- DailyDead
One of our favorite writers, Dennis Cozzalio, is with us again for today's Saturday Matinee. Dennis, not coincidentally, presides over one of our favorite film blogs, Sergio Leone and the Infield Fly Rule. The occasion is the premiere of Allan Arkush's commentary for John Landis' Animal House which will run this coming Monday. Dennis happened to be an extra on the film so we asked him to share his experiences. We're also pleased to present some rare production stills courtesy of Katherine Wilson, the movie's local casting director in Oregon. Enjoy! Eugene, Oregon, Fall 1977. I was a first-term freshman trying to squeak out at least a 3.0 Gpa my first time at bat at the University of Oregon. I had enrolled in the film studies department, officially proclaiming it my major, fully expecting to broaden my horizons by seeing a lot of films to which I had never had the opportunity to be exposed.
- 10/4/2014
- by Dennis Cozzalio
- Trailers from Hell
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