“But what a melodrama,” says one of the characters in director Dominik Graf’s “Beloved Sisters,” a film about a poet and his ménage à trois with two sisters. What’s astonishing is how little actual drama there is when Caroline von Beulwitz (Hannah Herszsprung) shares Friedrich Schiller (Florian Stetter), the husband of her sister, Charlotte von Lengefeld (Henriette Confurius). Instead, a narrator walks the audiences through the romance as the trio happily exchanges letters, with the only struggles in the relationship arising from outside the inseparable trio for most of the film. Their triangle seems to be a thoroughly modern arrangement, and Graf’s directorial choices reflect that. Titles in a contemporary font float into the screen, while the camera zooms in a way that isn’t traditionally done in films set in the 18th century, thanks to work from director of photography Michael Wiesweg. It infuses the German...
- 1/8/2015
- by Kimber Myers
- The Playlist
Exclusive: The return of the Zoo-Palast cinema to the Berlinale’s roster of screening venues is “the greatest challenge facing us this year,” according to festival director Dieter Kosslick.
Kosslick spoke exclusively to ScreenDaily less than three weeks before the 64th edition (Feb 6-16) kicks off with the world premiere of Wes Anderson’s The Grand Budapest Hotel on Feb 6, explaining that the festival will now have three centres throughout the city: at the Zoo-Palast where the Berlinale was based until 1999; at the Berlinale-Palast at Potsdamer Platz; and at the Friedrichstadtpalast in the former East Berlin.
“We now have a focus in the Western part of the city which is something we had always wanted: the Berlinale is back in the West! We have a balanced cinema situation in the whole of the city,” he said.
“We had to abandon the original idea of having the Friedrichstadtpalast only as a temporary venue while the Zoo-Palast was being...
Kosslick spoke exclusively to ScreenDaily less than three weeks before the 64th edition (Feb 6-16) kicks off with the world premiere of Wes Anderson’s The Grand Budapest Hotel on Feb 6, explaining that the festival will now have three centres throughout the city: at the Zoo-Palast where the Berlinale was based until 1999; at the Berlinale-Palast at Potsdamer Platz; and at the Friedrichstadtpalast in the former East Berlin.
“We now have a focus in the Western part of the city which is something we had always wanted: the Berlinale is back in the West! We have a balanced cinema situation in the whole of the city,” he said.
“We had to abandon the original idea of having the Friedrichstadtpalast only as a temporary venue while the Zoo-Palast was being...
- 1/20/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
COLOGNE, Germany -- Tom Fahrmann has won the 2008 German camera prize, best feature film, for his lensing of Volker Schlondorff's Kazakhstan-set drama "Ulzhan".
Michael Wiesweg took the top TV cinematography award for his work on Dominik Graf's "Das Gelubde" (The Vow), with Michael Schreitel winning the best series award for the Pro7 weekly "Unschuldig" (Innocent).
The 18th German Camera Awards were handed out Sunday night at a gala here. The prize is the country's top honor for cinematographers.
Michael Wiesweg took the top TV cinematography award for his work on Dominik Graf's "Das Gelubde" (The Vow), with Michael Schreitel winning the best series award for the Pro7 weekly "Unschuldig" (Innocent).
The 18th German Camera Awards were handed out Sunday night at a gala here. The prize is the country's top honor for cinematographers.
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