Irène, the vibrant center of Sandrine Kiberlain’s impressive debut feature, is indeed radiant. Beaming with youth, she’s an 18-year-old aspiring actor, awakened to first love and to the vision of who she wants to be. Irène is also Jewish, living with her family in occupied Paris, and the awful paradox of her blossoming during the summer of ’42 while a hateful and murderous world is closing in is suggested by the movie’s original title, Une Jeune Fille Qui Va Bien: She’s “a young girl who’s doing just fine.” Her zest for life sustains her, and it’s also a dangerous kind of tunnel vision.
Played to awkward/graceful perfection by Rebecca Marder, in her first lead film role, Irène is almost always in exuberant motion, well captured by Guillaume Schiffman’s nimble, unobtrusive cinematography. When the camera lingers for a moment on her anklets and oxfords,...
Played to awkward/graceful perfection by Rebecca Marder, in her first lead film role, Irène is almost always in exuberant motion, well captured by Guillaume Schiffman’s nimble, unobtrusive cinematography. When the camera lingers for a moment on her anklets and oxfords,...
- 2/16/2023
- by Sheri Linden
- The Hollywood Reporter - Movie News
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