David Bond wants you to get out. Get outside, that is. Soak up some sun! Frolic in a field! Meet some bugs! Hug a tree, if you're so inclined. He's armed with business cards, brochures, t-shirts, and a website. Yes, he's got the statistics to convince you why staying inside and staring at screens will kill you faster versus how being in Nature (capitalized, since it's a product now!) can help us all live longer. But in his wisdom and well-intentioned grandstanding (the actually two mesh quite well), he knows that nothing gets to viewers like a personal story. Project Wild Thing, a title better suited for a YouTube promo, is one of the best such efforts in a while. As Bond's quest topically stair-steps (upward...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 9/23/2014
- Screen Anarchy
The Selfish Giant | Jackass Presents: Bad Grandpa | Cloudy With A Chance Of Meatballs | Ender's Game | Wolf Children | One Chance | Closed Circuit | Le Skylab | Muscle Shoals
The Selfish Giant (15)
(Clio Barnard, 2013, UK) Conner Chapman, Shaun Thomas, Sean Gilder. 91 mins
In the tradition of Kes, or Fish Tank, this offers a child's-eye view of poverty that's too strong for real-life kids of the same age. Despite the fairytale origins, miracles are in short supply in this Bradford suburb, where two drop-out mates scavenge for opportunities. But the balance between harsh realism and mythical lyricism is beautifully struck, and the two leads really are miraculous.
Jackass Presents: Bad Grandpa (15)
(Jeff Tremaine, 2013, Us) Johnny Knoxville, Jackson Nicoll. 92 mins
Old-suited Knoxville and his "grandson" take to the road for Borat-style pranks.
Cloudy With A Chance Of Meatballs 2 (U)
(Cody Cameron, Kris Pearn, 2013, Us) Bill Hader, Anna Faris, Will Forte. 95 mins
Food/fauna surrealism part...
The Selfish Giant (15)
(Clio Barnard, 2013, UK) Conner Chapman, Shaun Thomas, Sean Gilder. 91 mins
In the tradition of Kes, or Fish Tank, this offers a child's-eye view of poverty that's too strong for real-life kids of the same age. Despite the fairytale origins, miracles are in short supply in this Bradford suburb, where two drop-out mates scavenge for opportunities. But the balance between harsh realism and mythical lyricism is beautifully struck, and the two leads really are miraculous.
Jackass Presents: Bad Grandpa (15)
(Jeff Tremaine, 2013, Us) Johnny Knoxville, Jackson Nicoll. 92 mins
Old-suited Knoxville and his "grandson" take to the road for Borat-style pranks.
Cloudy With A Chance Of Meatballs 2 (U)
(Cody Cameron, Kris Pearn, 2013, Us) Bill Hader, Anna Faris, Will Forte. 95 mins
Food/fauna surrealism part...
- 10/26/2013
- by Steve Rose
- The Guardian - Film News
★★☆☆☆ Documentarian David Bond is the worried father of two young children. Like many kids raised in the city, his kids spend most of their day indoors and an inordinate amount of time in front of screens of one type or another. Inspired by a growing trepidation, the filmmaker appoints himself the 'Managing Director of Nature' and decides to market what the outdoors has to offer. The result is Project Wild Thing (2013), a kind of prog-doc both raising awareness of an issue and to some extent trying to solve it. Imagine a small-scale version of 2006's An Inconvenient Truth riffed upon by an English, middle-class Morgan Spurlock.
Bond seeks the advice of professionals in marketing as well as experts in psychology and social welfare. He quizzes school children, trying to encourage them to see something positive in going outside and communes with nature via an owl named 'Merlin'. Finally, we see...
Bond seeks the advice of professionals in marketing as well as experts in psychology and social welfare. He quizzes school children, trying to encourage them to see something positive in going outside and communes with nature via an owl named 'Merlin'. Finally, we see...
- 10/24/2013
- by CineVue UK
- CineVue
The documentary Project Wild Thing hopes to get kids off computers and embracing nature. But do protest films ever change anything – and who actually watches them?
What are you doing about global warming? Or fracking? Arab democracy? Diminishing bee populations? Nuclear energy? Gun control? Repression in Uganda? Russia? Burma? Increasingly, what we're doing about the world's problems seems to be watching documentaries on them – which does feel like doing something, while at the same time being very close to doing nothing. Now, at least, we can do nothing about more issues than ever before. The current cinema landscape is saturated with documentaries and fictionalised movies highlighting important political, humanitarian or environmental issues. That should be a good thing, but somehow, it doesn't always feel like it.
In the past month we've already had films on bees (More Than Honey), the internet and children (InRealLife), and climate change denial (Greedy Lying...
What are you doing about global warming? Or fracking? Arab democracy? Diminishing bee populations? Nuclear energy? Gun control? Repression in Uganda? Russia? Burma? Increasingly, what we're doing about the world's problems seems to be watching documentaries on them – which does feel like doing something, while at the same time being very close to doing nothing. Now, at least, we can do nothing about more issues than ever before. The current cinema landscape is saturated with documentaries and fictionalised movies highlighting important political, humanitarian or environmental issues. That should be a good thing, but somehow, it doesn't always feel like it.
In the past month we've already had films on bees (More Than Honey), the internet and children (InRealLife), and climate change denial (Greedy Lying...
- 10/17/2013
- by Steve Rose
- The Guardian - Film News
Erasing David, a strange little 2010 documentary, is coming to DVD from FilmBuff and Mpi on June 28 for the list price of $24.98.
Someone is always watching in Erasing David.
I haven’t seen this one yet, but we’re intrigued by the set-up: British actor-filmmaker David Bond (Pie in the Sky) sets out to investigate how much information about himself can be accessed by the government, private investigators and surveillance companies. So, he “disappears” for 30 days, leaving his pregnant wife and child behind and heading off on a hop-skip-and-jump trajectory across the UK and Europe. Off and running, Bond hires a pair of British private detectives to follow his trail, see how much information they can dig up on him after he has gone “underground” and learn if they can track him down.
Erasing David sounds like a dozen contemporary spy thrillers we’ve seen over the past few years, but as it’s a documentary,...
Someone is always watching in Erasing David.
I haven’t seen this one yet, but we’re intrigued by the set-up: British actor-filmmaker David Bond (Pie in the Sky) sets out to investigate how much information about himself can be accessed by the government, private investigators and surveillance companies. So, he “disappears” for 30 days, leaving his pregnant wife and child behind and heading off on a hop-skip-and-jump trajectory across the UK and Europe. Off and running, Bond hires a pair of British private detectives to follow his trail, see how much information they can dig up on him after he has gone “underground” and learn if they can track him down.
Erasing David sounds like a dozen contemporary spy thrillers we’ve seen over the past few years, but as it’s a documentary,...
- 6/7/2011
- by Laurence
- Disc Dish
Inception; The Twilight Saga: Eclipse; Shrek Forever After; White Material; Erasing David
Is Christopher Nolan the saviour of spectacularly intelligent cinema? On the evidence of his most recent work, the answer is an unequivocal "yes". Having used a bestselling comic-book franchise to create a pair of movies (Batman Begins and The Dark Knight) that are perhaps best described as art-house flicks posing as blockbuster fare, Nolan cashed in his hard-earned artistic and financial freedom with Inception (2010, Warner, 12), the $160m auteur vehicle that proves really expensive movies don't have to be stupid to be successful.
Playing with riffs previously explored in such diverse (and, to some eyes, downmarket) screen thrillers as Total Recall, Dreamscape and Nightmare on Elm Street sequel Dream Warriors, Inception casts its characters' psyches as the scene of the crime, setting a team of industrial espionage agents loose within the subconscious of their unknowing sting. Leonardo DiCaprio is...
Is Christopher Nolan the saviour of spectacularly intelligent cinema? On the evidence of his most recent work, the answer is an unequivocal "yes". Having used a bestselling comic-book franchise to create a pair of movies (Batman Begins and The Dark Knight) that are perhaps best described as art-house flicks posing as blockbuster fare, Nolan cashed in his hard-earned artistic and financial freedom with Inception (2010, Warner, 12), the $160m auteur vehicle that proves really expensive movies don't have to be stupid to be successful.
Playing with riffs previously explored in such diverse (and, to some eyes, downmarket) screen thrillers as Total Recall, Dreamscape and Nightmare on Elm Street sequel Dream Warriors, Inception casts its characters' psyches as the scene of the crime, setting a team of industrial espionage agents loose within the subconscious of their unknowing sting. Leonardo DiCaprio is...
- 12/5/2010
- by Mark Kermode
- The Guardian - Film News
Iron Man 2 (12A)
(Jon Favreau, 2010, Us) Robert Downey Jr, Mickey Rourke, Gwyneth Paltrow. 125 mins
Considering his CEO status, it's no surprise that Tony Stark's return feels more like an upgrade than a sequel. It's this season's must-have tech-form with a human interface, machine-tooled for enhanced multiplex performance, even if it has trouble finding much to say. Downey divides his time between battling his own ego and Rourke's ridiculous Russian baddie – among other myriad convoluted Marvel-universe subplots – but it's all about as exciting as the launch of a new MacBook.
Revanche (15)
(Götz Spielmann, 2008, Aus) Johannes Krisch, Irina Potapenko. 122 mins
An Austrian noir thriller, this takes the heist-gone-wrong set-up to intriguing new territory – the countryside – giving our sympathetic crook a new perspective, and bringing him perilously close to his cop nemesis.
Valhalla Rising (15)
(Nicolas Winding Refn, 2009, Den/UK) Mads Mikkelsen, Maarten Stevenson. 100 mins
This gory, hallucinatory Viking odyssey makes an indelible impression,...
(Jon Favreau, 2010, Us) Robert Downey Jr, Mickey Rourke, Gwyneth Paltrow. 125 mins
Considering his CEO status, it's no surprise that Tony Stark's return feels more like an upgrade than a sequel. It's this season's must-have tech-form with a human interface, machine-tooled for enhanced multiplex performance, even if it has trouble finding much to say. Downey divides his time between battling his own ego and Rourke's ridiculous Russian baddie – among other myriad convoluted Marvel-universe subplots – but it's all about as exciting as the launch of a new MacBook.
Revanche (15)
(Götz Spielmann, 2008, Aus) Johannes Krisch, Irina Potapenko. 122 mins
An Austrian noir thriller, this takes the heist-gone-wrong set-up to intriguing new territory – the countryside – giving our sympathetic crook a new perspective, and bringing him perilously close to his cop nemesis.
Valhalla Rising (15)
(Nicolas Winding Refn, 2009, Den/UK) Mads Mikkelsen, Maarten Stevenson. 100 mins
This gory, hallucinatory Viking odyssey makes an indelible impression,...
- 4/30/2010
- by Damon Wise
- The Guardian - Film News
Due to the progression of technology and the increasing scope of the Internet during the Information Age, we live in an exposed digital environment. To test the limits of our privacy in this modern era, filmmaker David Bond attempted to disappear for 30 days in his documentary Erasing David.
After receiving a letter of apology from a major corporation that his personal information had been breached, Bond became fascinated with the amount of data about him and his family stored on massive “secure” databases. This begins his quest to uncover not only how much is available on him, but if it’s possible to go “off the grid” completely, if only for a month.
Told in a non-linear format, the film splices Bond’s evasion from private investigators with expert interviews, prep work for his escape, and the hunt from the trackers’ perspective.
Bond lives in the UK, the third most...
After receiving a letter of apology from a major corporation that his personal information had been breached, Bond became fascinated with the amount of data about him and his family stored on massive “secure” databases. This begins his quest to uncover not only how much is available on him, but if it’s possible to go “off the grid” completely, if only for a month.
Told in a non-linear format, the film splices Bond’s evasion from private investigators with expert interviews, prep work for his escape, and the hunt from the trackers’ perspective.
Bond lives in the UK, the third most...
- 4/7/2010
- by Jeff Leins
- newsinfilm.com
For a guy who tried to hide from our society of surveillance for a whole month, David Bond, the director and subject of Erasing David, is one personable fellow. In his documentary, Bond tried to outrun a pair of private investigators for one whole month in an attempt to prove that it’s possible to live off of the world’s increasingly watched and monitored grid. Bond hired the P.I.’s himself, and Erasing David presents a surprising quest with some thrilling consequences. And while Bond may be cagey about giving out his personal data to just anyone, he was a wonderful interview subject who had no problem getting to the meat of his film, and where it could end up leading him.
Read more on SXSW 2010 Interview: Director David Bond (Erasing David)…...
Read more on SXSW 2010 Interview: Director David Bond (Erasing David)…...
- 4/4/2010
- by Kate Erbland
- GordonandtheWhale
We live in public these days. Pan down the average Facebook updates and you can the read the minutae of day to day existence, from every baby photo to every cat rampage to where you're going to eat, visible for your friends and world to see. And that information is permanent and accessible. More than ever, corporations and the government are using your day to day seemingly harmless transactions to track you. British filmmaker David Bond wanted to find out how exposed the average man was, and so he hired a detective agency called Cerberus, armed them with his name and his photograph, and then charged them with the task to capture him in 30 days. It's a captivating idea, a psuedo Mi-5 that kind of gets Spurlocked with a lot of common sense failings and a bit much of the filmmaker interjected. For a man who's paranoid about people knowing too much about him,...
- 3/19/2010
- by Brian Prisco
Only four hours of sleep. But the beer-soaked clothes are cleaned, and I'm as awake as I expect to be on day four of SXSW.
This afternoon I had the opportunity to chat with Erasing David's David Bond. His documentary on the lack of secure privacy in government databases is a wake-up call to anyone who thinks, "I've done nothing wrong, so there is nothing to worry about." Check out my review. You have another chance to see Erasing David at the G-Tech theater in Acc at 11 am. Not only will Bond be there, but one of the investigators tasked to finding him as he attempted 30 days off the grid. Based on our lively conversation today, I predict it will be a good Q&A.
Yesterday I took a quick tour of the incredibly packed Film/Interactive Trade Show. What a circus. Today, I actually spent a little more time there,...
This afternoon I had the opportunity to chat with Erasing David's David Bond. His documentary on the lack of secure privacy in government databases is a wake-up call to anyone who thinks, "I've done nothing wrong, so there is nothing to worry about." Check out my review. You have another chance to see Erasing David at the G-Tech theater in Acc at 11 am. Not only will Bond be there, but one of the investigators tasked to finding him as he attempted 30 days off the grid. Based on our lively conversation today, I predict it will be a good Q&A.
Yesterday I took a quick tour of the incredibly packed Film/Interactive Trade Show. What a circus. Today, I actually spent a little more time there,...
- 3/16/2010
- by Jenn Brown
- Slackerwood
Austin, Texas -- Distribution deals were never the point of the SXSW Film Festival, and that's still true at its 17th edition, which began this weekend.
But for filmmakers, actors, independent film aficionados and yes, sales executives, it's a laid-back Lone Star love-in.
"Audiences are more relaxed here," says Ron Yerxa, who with Albert Berger executive produced Jacob Hatley's "Ain't in It for My Health: A Film About Levon Helm," which held its world premiere Saturday afternoon. "Screenings at the Alamo Draft House have almost a party atmosphere, which is what I always thought festival screenings should be."
Wedged as it is between Sundance and Tribeca, SXSW has continued to grow and draw a wider spectrum of North American and world premieres. (The sublime mid-March Texas weather may have something to do with that.) Though this has contributed to greater attendance, the festival remains a less pressurized destination for...
But for filmmakers, actors, independent film aficionados and yes, sales executives, it's a laid-back Lone Star love-in.
"Audiences are more relaxed here," says Ron Yerxa, who with Albert Berger executive produced Jacob Hatley's "Ain't in It for My Health: A Film About Levon Helm," which held its world premiere Saturday afternoon. "Screenings at the Alamo Draft House have almost a party atmosphere, which is what I always thought festival screenings should be."
Wedged as it is between Sundance and Tribeca, SXSW has continued to grow and draw a wider spectrum of North American and world premieres. (The sublime mid-March Texas weather may have something to do with that.) Though this has contributed to greater attendance, the festival remains a less pressurized destination for...
- 3/14/2010
- by By Jay A. Fernandez
- The Hollywood Reporter - Movie News
Rating: 8/10
Directors: David Bond, Melinda McDougall (co-director)
In Erasing David, documentary filmmaker David Bond attempts to drop off the grid of surveillance life for thirty days. Increasingly dismayed about the content and quantity of personal information available to the world at large, Bond employs all manner of tactics to learn what is out there about him, how it was acquired, and how to stop it. Well-placed flashbacks show us just how it all snowballed until Bond saw no other way to truly discover the truth than to utterly subvert it.
Read more on SXSW 2010 Review: Erasing David…...
Directors: David Bond, Melinda McDougall (co-director)
In Erasing David, documentary filmmaker David Bond attempts to drop off the grid of surveillance life for thirty days. Increasingly dismayed about the content and quantity of personal information available to the world at large, Bond employs all manner of tactics to learn what is out there about him, how it was acquired, and how to stop it. Well-placed flashbacks show us just how it all snowballed until Bond saw no other way to truly discover the truth than to utterly subvert it.
Read more on SXSW 2010 Review: Erasing David…...
- 3/14/2010
- by Kate Erbland
- GordonandtheWhale
Just how much privacy do we have these days? Director David Bond decides to find out on a personal level by attempting to disappear for 30 days in the documentary Erasing David.
With a wife and child at home, he plans to leave home and avoid two trained investigators who will try to chase him down. In the beginning, Frank M. Ahearn, privacy consultant and co-author of How to Disappear (Volume 1) advises Bond of ways he can be tracked and just how easily surveillance can be initiated. But the comical interludes with Ahearn set up some very real and understandable paranoia.
Erasing David picks up where Ondi Timoner's We Live in Public leaves off -- instead of choosing to live in public and seeing the results, Bond focuses on a relatively ordinary life and how invasive the lack of data privacy is within the Information Age.
read more...
With a wife and child at home, he plans to leave home and avoid two trained investigators who will try to chase him down. In the beginning, Frank M. Ahearn, privacy consultant and co-author of How to Disappear (Volume 1) advises Bond of ways he can be tracked and just how easily surveillance can be initiated. But the comical interludes with Ahearn set up some very real and understandable paranoia.
Erasing David picks up where Ondi Timoner's We Live in Public leaves off -- instead of choosing to live in public and seeing the results, Bond focuses on a relatively ordinary life and how invasive the lack of data privacy is within the Information Age.
read more...
- 3/13/2010
- by Jenn Brown
- Slackerwood
Right now, this very moment, do you feel like you.re having a .private. moment? If you.re on the Internet, a cell phone or even walking down a public street. then, don.t count on it. In fact, award-winning filmmaker David Bond literally goes out of his way to show just how unlikely it is to have a truly private life in the documentary Erasing David.
After receiving a notice in the mail from a major corporation, apologizing for a breach of private digital information, David Bond decided he would try and disappear for 30 days. He became fascinated with the idea that every detail of his life was being tracked, recorded and stored in databases.
David.s plan was not to erase himself from the system, but rather to escape the system and see if the system could find him. He challenged a pair of successful UK private investigators to track him down,...
After receiving a notice in the mail from a major corporation, apologizing for a breach of private digital information, David Bond decided he would try and disappear for 30 days. He became fascinated with the idea that every detail of his life was being tracked, recorded and stored in databases.
David.s plan was not to erase himself from the system, but rather to escape the system and see if the system could find him. He challenged a pair of successful UK private investigators to track him down,...
- 3/13/2010
- by Travis
- WeAreMovieGeeks.com
How hard is it to maintain your privacy in the information age? In this day of the unquenchable database maw, pretty hard. That's the message of Erasing David, which begins a video-on-demand run today (3/12/10) on the iTunes Movie Store and Amazon VOD (it's also playing today at South by Southwest). Directed by David Bond and Melinda McDougall, this occasionally overblown documentary finds a gimmick to illustrate just how hard it is to keep your personal information to yourself in an era of seeming total access. Bond, a London-based filmmaker, is the first-person subject of the film. He decides to see if he can literally take himself off the grid and, to enhance the drama of the challenge, he hires a private security firm to put its best operatives on his trail. He'll attempt to disappear; they'll attempt to find him. The film...
- 3/12/2010
- by Marshall Fine
- Huffington Post
Directors: David Bond, Melinda McDougall David Bond (the titular subject of this documentary) lives in one of the most intrusive surveillance countries in the world – Great Britain. (Bond purports that Britain ranks third behind China and Russia as the most heavily surveilled societies in the world). Upon receiving a letter regarding a recent security breach that could have exposed some of his personal data, Bond begins to think about information security and what information is “out there” about him and his family. (The Orwellian tagline for the film reads: “He has nothing to hide, but does he have nothing to fear?”) First, Bond sends countless requests to various corporations and government entities to find out what information they have on him – the returned results are staggering (especially the ginormous package that he receives from Amazon UK). Then, he decides to disappear – go “off the grid,” if you will – for one month.
- 3/10/2010
- by Don Simpson
- SmellsLikeScreenSpirit
Indie Roundup is your weekly guide to what's new and upcoming in the world of independent film. Pictured clockwise, from upper left: Dr. Portnoy: Provacateur, Erasing David, Crying With Laughter, Centurion.
Online / On Demand Viewing. Have you had your fill of Jay Leno and late night TV programming fiascos? Me too! Still, the premise of Dr. Portnoy: Provacateur sounds refreshing. Debuting exclusively on Hulu, the new web series revolves around artist Michael Portnoy, who, as a talk show host, promises to 'get down to the bottom of what makes his guests tick.' Actor Alan Cumming, musician Melissa Auf Der Maur (Smashing Pumpkins), and John Cooper (Director of the Sundance Film Festival) are among the guests who subject themselves to scrutiny in the six-episode series.
Austin, Texas will become the center of the independent film world when South by Southwest (SXSW) gets underway next week, and you can share in...
Online / On Demand Viewing. Have you had your fill of Jay Leno and late night TV programming fiascos? Me too! Still, the premise of Dr. Portnoy: Provacateur sounds refreshing. Debuting exclusively on Hulu, the new web series revolves around artist Michael Portnoy, who, as a talk show host, promises to 'get down to the bottom of what makes his guests tick.' Actor Alan Cumming, musician Melissa Auf Der Maur (Smashing Pumpkins), and John Cooper (Director of the Sundance Film Festival) are among the guests who subject themselves to scrutiny in the six-episode series.
Austin, Texas will become the center of the independent film world when South by Southwest (SXSW) gets underway next week, and you can share in...
- 3/3/2010
- by Peter Martin
- Cinematical
In what is looking to be a more and more common move, Cinetics Rights Management’s Filmbuff (their VOD distribution label) has acquired two SXSW titles to premiere during the festival. Filmbuff will premiere both David Bond’s Erasing David and Justin Molotnikov’s Crying With Laughter to coincide with the films’ respective openings at the upcoming festival.
Read more on Cinetic’s Filmbuff acquires two SXSW films for same-day VOD premiere…...
Read more on Cinetic’s Filmbuff acquires two SXSW films for same-day VOD premiere…...
- 3/2/2010
- by Kate Erbland
- GordonandtheWhale
Two British films, one documentary and one narrative thriller set for the upcoming SXSW Film Festival, will be released digitally, day and date with their premieres at the festival in Austin this month. The films will first hit broadband VOD during the event and then debut on cable VOD two weeks later. Cinetic Right Management has acquired digital rights to David Bond's doc "Erasing David" and Justin Molotnikov's thriller "Crying With ...
- 3/1/2010
- Indiewire
The 2010 SXSW Film Festival will take place March 12-20 in Austin, Texas. The DeVilles (Denmark) Director: Nicole Nielsen Horanyi The love between the American burlesque stripper Teri Lee Geary (aka Kitten DeVille) and her punk rock singer husband Shawn Geary is strong but rather complicated. They live in their own time bubble, hers from the 1950’s and his from the 1980’s. (U.S. Premiere) Erasing David (United Kingdom) Director: David Bond Just how much of our personal information is floating around in government and corporate databases? Filmmaker David Bond decides to find out, by disappearing for a month and setting two [...]...
- 2/5/2010
- by Arthur Leander
- Alt Film Guide
I was so excited at seeing the SXSW line up last night that I completely forgot to post it and started searching the interwebs for cool content to go with it. Oops. Yes, I wish I was there but alas, it wasn’t mean to be (though don’t despair. We’ll be bringing you wicked awesome coverage).
But enough rambling, you want to know what’s all playing. Well, for a start there’s the much anticipated McGruber (trailer), the Duplass’ semi-mainstream comedy Cyrus, Jean-Pierre Jeunet’s Micmacs (trailer, review), Daniel Stamm’s horror flick Cotton and that’s on top of the previously announced titles which include Electra Luxx (Carla Gugino as a pregnant porn star? Bring. It. On.) and Kick-Ass (trailer). That’s already a great line-up but dear me, some of the other titles are pretty awesome too.
There’s Clay Liford scifi drama Earthling (trailer...
But enough rambling, you want to know what’s all playing. Well, for a start there’s the much anticipated McGruber (trailer), the Duplass’ semi-mainstream comedy Cyrus, Jean-Pierre Jeunet’s Micmacs (trailer, review), Daniel Stamm’s horror flick Cotton and that’s on top of the previously announced titles which include Electra Luxx (Carla Gugino as a pregnant porn star? Bring. It. On.) and Kick-Ass (trailer). That’s already a great line-up but dear me, some of the other titles are pretty awesome too.
There’s Clay Liford scifi drama Earthling (trailer...
- 2/4/2010
- QuietEarth.us
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