Italy’s period of combatting terrorism from the late 1960s to the late ’80s, known as the “Years of Lead,” remains a richly-mined topic in cinema, more successfully processed on screen than through any of the official bodies charged with accountability. Digging into his personal trauma from that era, director Claudio Noce (“The Ice Forest”) takes some of the basic facts from the attempted assassination in 1976 of his father, a deputy police chief, and aims to process how that affected him and his family. “Padrenostro,” or “Our Father,” is , at its best when it sticks to the tense rapport within a family terrified they’ll be targeted again. The subject together with the fine ensemble cast will likely see strong interest at home, but any kind of significant travel is unlikely apart from Italian showcases.
Noce was two years old when the attack occurred, old enough for him to feel...
Noce was two years old when the attack occurred, old enough for him to feel...
- 9/4/2020
- by Jay Weissberg
- Variety Film + TV
Claudio Noce’s very personal picture is a beautiful mess that views the harsh adult world from a child’s perspective
As a child in the 1970s, writer-director Claudio Noce stood in the wings while a leftwing terrorist group – the Armed Proletarian Cells – targeted his father, Rome’s deputy chief of police. The trauma, he says, harried him all his life before finally finding a catharsis of sorts with the making of Padrenostro, which competes for the top prize here in Venice. This, Noce’s third feature, marks his moment of unburdening. Unsurprisingly, then, it’s a personal picture, agonised and self-questioning, almost to a fault.
Noce’s alter-ego is Valerio (Mattia Garaci), an angelic-looking 10-year-old with a low-grade heart murmur and a penchant for solitary walks and wild flights of fancy. But his immediate surroundings feel horribly real. Wounded in an assassination attempt, his father Alfonso (Pierfrancesco Favino) now...
As a child in the 1970s, writer-director Claudio Noce stood in the wings while a leftwing terrorist group – the Armed Proletarian Cells – targeted his father, Rome’s deputy chief of police. The trauma, he says, harried him all his life before finally finding a catharsis of sorts with the making of Padrenostro, which competes for the top prize here in Venice. This, Noce’s third feature, marks his moment of unburdening. Unsurprisingly, then, it’s a personal picture, agonised and self-questioning, almost to a fault.
Noce’s alter-ego is Valerio (Mattia Garaci), an angelic-looking 10-year-old with a low-grade heart murmur and a penchant for solitary walks and wild flights of fancy. But his immediate surroundings feel horribly real. Wounded in an assassination attempt, his father Alfonso (Pierfrancesco Favino) now...
- 9/4/2020
- by Xan Brooks
- The Guardian - Film News
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