The Broadway premieres of Ruben Santiago-Hudson’s Lackawanna Blues and Paula Vogel’s How I Learned To Drive have been set for 2022 and 2021, respectively, with producers at the Manhattan Theatre Club expressing “hopes high that we will be able to return to live theatre.”
The nonprofit Mtc announced the target openings today, along with plans to present an Off Broadway production of Simon Stephens’ Morning Sun starring Edie Falco and the American premiere of Anchuli Felicia King’s Golden Shield.
Mtc artistic director Lynne Meadow said, “With hopes high that we will be able to return to live theatre, we have created a season of diverse and exciting Broadway and Off Broadway premieres and we are honored to be working with the very best of New York’s brilliant artistic community.”
Santiago-Hudson’s Lackawanna Blues, to be performed and directed by the playwright with original music by Bill Sims Jr.,...
The nonprofit Mtc announced the target openings today, along with plans to present an Off Broadway production of Simon Stephens’ Morning Sun starring Edie Falco and the American premiere of Anchuli Felicia King’s Golden Shield.
Mtc artistic director Lynne Meadow said, “With hopes high that we will be able to return to live theatre, we have created a season of diverse and exciting Broadway and Off Broadway premieres and we are honored to be working with the very best of New York’s brilliant artistic community.”
Santiago-Hudson’s Lackawanna Blues, to be performed and directed by the playwright with original music by Bill Sims Jr.,...
- 11/16/2020
- by Greg Evans
- Deadline Film + TV
Manhattan Theatre Club, Lynne Meadow Artistic Director and Barry Grove Executive Producer Daryl Roth and Cody Lassen in association with Vineyard Theatre have announced the full company for the Broadway premiere of the Pulitzer Prize-winning How I Learned to Drive - written by Paula Vogel, directed by Mark Brokaw. Tony Award nominee Johanna Day, Alyssa May Gold, and Chris Myers join previously announced stars Mary-Louise Parker and David Morse.
- 2/14/2020
- by BWW News Desk
- BroadwayWorld.com
If only Lanford Wilson's autobiographical "Lemon Sky" were completely of its time, in 1950s suburbia.
If only young gay men didn't have to hide who they are and be shunned by their parents, then this could be seen as a snapshot of an uglier time.
Yet this play about coming of age and being gay in San Diego in the 1950s remains relevant. Wilson, who died this year, was a Pulitzer winner, one of the founders of the off-off-Broadway scene and wrote many plays including "The Hot L Baltimore," "5th of July" and "Balm in Gilead." The Keen Company mounts the revival of "Lemon Sky" at the Clurman Theatre at Theatre Row, and when Wilson's work is staged, there's reason to pay attention.
"Lemon Sky" is so raw in parts that it's painful to watch. Yet it's so well acted that it's riveting. Except when Alan breaks to talk to the audience,...
If only young gay men didn't have to hide who they are and be shunned by their parents, then this could be seen as a snapshot of an uglier time.
Yet this play about coming of age and being gay in San Diego in the 1950s remains relevant. Wilson, who died this year, was a Pulitzer winner, one of the founders of the off-off-Broadway scene and wrote many plays including "The Hot L Baltimore," "5th of July" and "Balm in Gilead." The Keen Company mounts the revival of "Lemon Sky" at the Clurman Theatre at Theatre Row, and when Wilson's work is staged, there's reason to pay attention.
"Lemon Sky" is so raw in parts that it's painful to watch. Yet it's so well acted that it's riveting. Except when Alan breaks to talk to the audience,...
- 9/30/2011
- by editorial@zap2it.com
- Pop2it
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