Andrew Bujalski has been a fixture of American independent cinema for the past two decades. After helping to pioneer the “mumblecore” movement with his 2002 debut “Funny Ha Ha,'” the writer/director has continued to be a sporadic presence on the festival circuit with films like “Mutual Appreciation” and “Support the Girls.” But while his latest film, “There There,” shares a lo-fi, dialogue-driven aesthetic with his other films, it is also his most technically ambitious undertaking to date.
The film is comprised of a series of conversations between an ensemble cast, but due to Covid restrictions (the film was shot over a six-month period in 2021), no two actors were ever in the same room during their scenes. Bujalski worked with one actor at a time, essentially turning the film into a series of monologues that gave his script and the actors nowhere to hide.
“To me, this was an essential cinema experiment,...
The film is comprised of a series of conversations between an ensemble cast, but due to Covid restrictions (the film was shot over a six-month period in 2021), no two actors were ever in the same room during their scenes. Bujalski worked with one actor at a time, essentially turning the film into a series of monologues that gave his script and the actors nowhere to hide.
“To me, this was an essential cinema experiment,...
- 10/18/2022
- by Christian Zilko
- Indiewire
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