Lycanthropy serves as a metaphor for burgeoning queer desire in My Animal from director Jacqueline Castel. Heather (Bobbi Salvör Menuez) is a benchwarmer on her local hockey team and deals with an alcoholic mother at home. Adding to her misery is the fact that she’s confined to her quarters during each full moon due to a dangerous transformation occurring within her. She finally finds a salve in Jonny (Amandla Stenberg), a figure skater who recently moved to town. Desperate to flee from her myriad problems, Heather hopes that Jonny will join her on the journey to society’s outskirts. Edited by […]
The post “My Techniques Are Intuitive”: Editors Marc Boucrot and Jacqueline Castel on My Animal first appeared on Filmmaker Magazine.
The post “My Techniques Are Intuitive”: Editors Marc Boucrot and Jacqueline Castel on My Animal first appeared on Filmmaker Magazine.
- 2/4/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Lycanthropy serves as a metaphor for burgeoning queer desire in My Animal from director Jacqueline Castel. Heather (Bobbi Salvör Menuez) is a benchwarmer on her local hockey team and deals with an alcoholic mother at home. Adding to her misery is the fact that she’s confined to her quarters during each full moon due to a dangerous transformation occurring within her. She finally finds a salve in Jonny (Amandla Stenberg), a figure skater who recently moved to town. Desperate to flee from her myriad problems, Heather hopes that Jonny will join her on the journey to society’s outskirts. Edited by […]
The post “My Techniques Are Intuitive”: Editors Marc Boucrot and Jacqueline Castel on My Animal first appeared on Filmmaker Magazine.
The post “My Techniques Are Intuitive”: Editors Marc Boucrot and Jacqueline Castel on My Animal first appeared on Filmmaker Magazine.
- 2/4/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
The inherent loneliness of deep space exploration is the foundation of The Longest Goodbye, filmmaker Ido Mizrahy’s latest documentary. Particularly as it concerns NASA’s looming deadline to have a mission blast off to Mars by 2033, Mizrahy explores how technology can aid astronauts in maintaining vital connections—to friends, family and Earth itself—and what scientific advancements are being made to preserve the social and emotional well-being of these intrepid explorers. Cinematographer Boaz Freund, who’s previously collaborated with Mizrahy, tells Filmmaker about shooting in the vast Utah desert, making Mars a character in the film and working with colorist Marc Boucrot. See […]
The post “In the Desert, There Were Challenges We Couldn’t Foresee”: Dp Boaz Freund on The Longest Goodbye first appeared on Filmmaker Magazine.
The post “In the Desert, There Were Challenges We Couldn’t Foresee”: Dp Boaz Freund on The Longest Goodbye first appeared on Filmmaker Magazine.
- 1/20/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
The inherent loneliness of deep space exploration is the foundation of The Longest Goodbye, filmmaker Ido Mizrahy’s latest documentary. Particularly as it concerns NASA’s looming deadline to have a mission blast off to Mars by 2033, Mizrahy explores how technology can aid astronauts in maintaining vital connections—to friends, family and Earth itself—and what scientific advancements are being made to preserve the social and emotional well-being of these intrepid explorers. Cinematographer Boaz Freund, who’s previously collaborated with Mizrahy, tells Filmmaker about shooting in the vast Utah desert, making Mars a character in the film and working with colorist Marc Boucrot. See […]
The post “In the Desert, There Were Challenges We Couldn’t Foresee”: Dp Boaz Freund on The Longest Goodbye first appeared on Filmmaker Magazine.
The post “In the Desert, There Were Challenges We Couldn’t Foresee”: Dp Boaz Freund on The Longest Goodbye first appeared on Filmmaker Magazine.
- 1/20/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
The Seven Last Words
Canadian filmmaker, musician and composer Kaveh Nabatian assembles six directors beside himself for the multidisciplinary omnibus project The Seven Last Words. Besides himself are Ariane Lorrain, Still Light, Still Night’s Sophie Goyette (pictured above), Juan Andres Arango, Sophie Deraspe, Karl Lemieux, and Caroline Monnet who are joined by the British Callino String Quartet. The films were shot in Iran, Haiti, Colombia, Nunavut and Quebec in 35mm, 16mm and HD while Marc Boucrot (of Gaspar Noe’s Enter the Void and Love) was the film’s editor.
Gist: Based on The Seven Last Words of Our Saviour on the Cross (1787) by Joseph Haydn, a piece commissioned for the artist expressing the suffering of Christ on the cross, each director “provides their own very personal view of the themes in Heiden’s piece: forgiveness, redemption, abandonment and reunion.…...
Canadian filmmaker, musician and composer Kaveh Nabatian assembles six directors beside himself for the multidisciplinary omnibus project The Seven Last Words. Besides himself are Ariane Lorrain, Still Light, Still Night’s Sophie Goyette (pictured above), Juan Andres Arango, Sophie Deraspe, Karl Lemieux, and Caroline Monnet who are joined by the British Callino String Quartet. The films were shot in Iran, Haiti, Colombia, Nunavut and Quebec in 35mm, 16mm and HD while Marc Boucrot (of Gaspar Noe’s Enter the Void and Love) was the film’s editor.
Gist: Based on The Seven Last Words of Our Saviour on the Cross (1787) by Joseph Haydn, a piece commissioned for the artist expressing the suffering of Christ on the cross, each director “provides their own very personal view of the themes in Heiden’s piece: forgiveness, redemption, abandonment and reunion.…...
- 1/1/2019
- by Nicholas Bell
- IONCINEMA.com
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