If you’re expecting to ride out the apocalypse in a deluxe bunker, you might want to consider the visionary wisdom of Yanomami shaman Davi Kopenawa, a central figure in The Falling Sky. “When the earth transforms,” he says at one point in the documentary, “you can have all the money you want. You can run away with the money, but when the stormy winds come, you won’t be able to silence them.”
Filled with beauty and fury, the film offers an immersive portrait of an endangered community. The specifics are those of the Yanomami people: their struggle to maintain a way of life in sync with nature, and to withstand invading forces of greed and commerce that treat nature as a source of wealth to be plundered. But the calamity that Kopenawa warns of is a global one. We’re in this together, and, if the looting of the planet continues unabated,...
Filled with beauty and fury, the film offers an immersive portrait of an endangered community. The specifics are those of the Yanomami people: their struggle to maintain a way of life in sync with nature, and to withstand invading forces of greed and commerce that treat nature as a source of wealth to be plundered. But the calamity that Kopenawa warns of is a global one. We’re in this together, and, if the looting of the planet continues unabated,...
- 5/20/2024
- by Sheri Linden
- The Hollywood Reporter - Movie News
For about the first hour of their documentary “The Falling Sky,” Brazilian directors Eryk Rocha and Gabriela Carneiro da Cunha introduce us to the traditions and ongoing plight of the Yanomami Indigenous people — namely, fending off invaders — without making their presence known. There are no title cards stating where we are and why, and the only voiceover we hear comes directly from the Yanomami, most often Davi Kopenawa, their current leader and co-author of a 2010 book bearing the same title as the film.
But then, following a hypnotic ritual under the night’s sky, Justino Yanomami, an elderly Yanomami, retells the tragedy of his first encounter with white missionaries and the violence and disease they spread in their Amazonian land. With his face illuminated by a raging fire, an emotional Justino looks directly into the lens, directly at the filmmakers and at us, and asks, “Are you really going to be our allies?...
But then, following a hypnotic ritual under the night’s sky, Justino Yanomami, an elderly Yanomami, retells the tragedy of his first encounter with white missionaries and the violence and disease they spread in their Amazonian land. With his face illuminated by a raging fire, an emotional Justino looks directly into the lens, directly at the filmmakers and at us, and asks, “Are you really going to be our allies?...
- 5/19/2024
- by Carlos Aguilar
- Variety Film + TV
Brazilian directors’ Eryk Rocha and Gabriela Carneiro da Cunha’s “The Falling Sky” delves into lives of the Amazonian Yanomami people, who live in the heart of the Amazon rainforest where they are contending with a harsh humanitarian crisis caused by the massive invasion of wildcat miners searching for gold and cassiterite, a mineral used in electronics. This unique doc – which launches in Directors Fortnight – is inspired by the thoughts, expressed in an eponymous book, of Davi Kopenawa, a shaman and spokesman for the Yanomami who performs the reahu ritual, a collective ceremony to hold up the sky and prevent it from falling.
The directors spoke in unison to Variety about why the Yanomami’s struggle against miners transcends the woes of their land and how their cosmology can help heal our planet as a whole.
What drew you to this project?
In the book Davi Kopenawa says that it...
The directors spoke in unison to Variety about why the Yanomami’s struggle against miners transcends the woes of their land and how their cosmology can help heal our planet as a whole.
What drew you to this project?
In the book Davi Kopenawa says that it...
- 5/19/2024
- by Nick Vivarelli
- Variety Film + TV
Chinese sales agent Rediance has boarded Ben Rivers’ upcoming documentary Bogancloch, a sequel to 2011’s award-winning Two Years At Sea.
Nestled in a vast highland forest in Scotland, Bogancloch is where modern day hermit Jake Williams lives his solitary life. It mark the second film in which UK filmmaker Rivers follows Williams, charting a subtly changing life in a radically changing world. It is told in an elliptical, non-expositional way, creating space for the viewer to read the film openly.
China-based Rediance has secured worldwide rights, excluding the UK and Germany.
Rivers has made around 40 short and feature length films...
Nestled in a vast highland forest in Scotland, Bogancloch is where modern day hermit Jake Williams lives his solitary life. It mark the second film in which UK filmmaker Rivers follows Williams, charting a subtly changing life in a radically changing world. It is told in an elliptical, non-expositional way, creating space for the viewer to read the film openly.
China-based Rediance has secured worldwide rights, excluding the UK and Germany.
Rivers has made around 40 short and feature length films...
- 5/16/2024
- ScreenDaily
China-based international sales agent Rediance has acquired world sales rights to “The Falling Sky,” a feature documentary which will premiere next month at Cannes in the Directors Fortnight section. Directed by Eryk Rocha and Gabriela Carneiro da Cunha, the film makes the Amazonian Yanomami people its stars.
Based on the book of the same title by shaman and Yanomami leader Davi Kopenawa and French anthropologist Bruce Albert, “The Falling Sky” portrays the indigenous community of Watorikɨ as it engages in a funeral rite known as the reahu, which is a collective effort to hold up the sky and prevent it from falling.
The film stands as a trenchant shamanic critique of the destruction of the Yanomami’s way of life caused by the intrusions of the napë, the white prospectors and the so-called civilized world into the Yanomami territory.
“The spellbinding images, meticulous sound design, and powerful words of Davi...
Based on the book of the same title by shaman and Yanomami leader Davi Kopenawa and French anthropologist Bruce Albert, “The Falling Sky” portrays the indigenous community of Watorikɨ as it engages in a funeral rite known as the reahu, which is a collective effort to hold up the sky and prevent it from falling.
The film stands as a trenchant shamanic critique of the destruction of the Yanomami’s way of life caused by the intrusions of the napë, the white prospectors and the so-called civilized world into the Yanomami territory.
“The spellbinding images, meticulous sound design, and powerful words of Davi...
- 4/23/2024
- by Patrick Frater
- Variety Film + TV
Following the main lineups for the 2024 Cannes Film Festival, a handful of sidebar slates have been unveiled, featuring Directors Fortnight, Critics Week, and Acid. Notable highlights include the Sundance favorite Good One (read our review here), Tyler Taormina’s Christmas Eve in Miller’s Point starring Michael Cera, the first film in over a decade from James White director Josh Mond, the Christopher Abbott-led It Doesn’t Matter, Eat the Night from Jessica Forever duo Caroline Poggi & Jonathan Vinel, Carson Lund’s Eephus, Patricia Mazuy’s Visting Hours, The Hyperboreans, a new film from The Wolf House directors Cristobal Leo & Joaquin Cocina, Matthew Rankin’s The Twentieth Century follow-up Universal Language, and more.
Check out the lineups below.
Cannes Directors Fortnight
Feature films:
“Ma Vie Ma Gueule,” Sophie Fillieres (France) – opening film
“A Son Image,” Thierry de Peretti (France)
“Christmas Eve in Miller’s Point,” Tyler Taormina (USA)
“Desert of Namibia,...
Check out the lineups below.
Cannes Directors Fortnight
Feature films:
“Ma Vie Ma Gueule,” Sophie Fillieres (France) – opening film
“A Son Image,” Thierry de Peretti (France)
“Christmas Eve in Miller’s Point,” Tyler Taormina (USA)
“Desert of Namibia,...
- 4/16/2024
- by Jordan Raup
- The Film Stage
The Cannes Directors’ Fortnight section has unveiled its lineup for the 2024 festival, which will open with This Life of Mine, the final feature from the late French director Sophie Fillières. The drama features Agnès Jaoui as a woman whose identity starts to unravel when she turns 55. Fillières died shortly after wrapping principal photography on the film and her children finished post-production.
There are four U.S. titles in the feature section of the non-competitive sidebar: Tyler Taormina’s Christmas Eve In Miller’s Point, Carson Lund’s Eephus, India Donaldson’s Good One and Gazer from Ryan J. Sloan.
Christmas Eve in Miller’s Point, starring Michael Cera, Elsie Fisher, Francesca Scorsese. Ben Shenkman, Gregg Turkington, Sawyer Spielberg, Maria Dizzia and newcomer Matilda Fleming, follows four generations as they gather for what might be their last Christmas in the family home. Lund, who lensed Christmas Eve, makes his feature debut with Eephus,...
There are four U.S. titles in the feature section of the non-competitive sidebar: Tyler Taormina’s Christmas Eve In Miller’s Point, Carson Lund’s Eephus, India Donaldson’s Good One and Gazer from Ryan J. Sloan.
Christmas Eve in Miller’s Point, starring Michael Cera, Elsie Fisher, Francesca Scorsese. Ben Shenkman, Gregg Turkington, Sawyer Spielberg, Maria Dizzia and newcomer Matilda Fleming, follows four generations as they gather for what might be their last Christmas in the family home. Lund, who lensed Christmas Eve, makes his feature debut with Eephus,...
- 4/16/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The 77th edition of Cannes’ Directors’ Fortnight will kick off with “This Life of Mine,” a dramedy directed by Sophie Fillières, a renowned French filmmaker who died last year. Presented posthumously, the film is headlined by French stars including Agnès Jaoui, Philippe Katerine and Valérie Donzelli. The independent selection, which has recently gone through a rebranding and is now spearheaded by artistic director Julien Rejl, will close with another French film, Jean-Christophe Meurisse’s “Plastic Guns,” an offbeat crime comedy headlined by popular actor Jonathan Cohen.
The lineup includes as many as four U.S. features, three of which are feature debuts, including India Donaldson’s coming-of-age film”Good One” which premiered at Sundance and garnered solid reviews. Set in upstate New York, “Good One” follows 17-year-old Sam as she joins her father and his oldest friend, Matt, on their annual backpacking trip in the Catskill Mountains. “Good One” has...
The lineup includes as many as four U.S. features, three of which are feature debuts, including India Donaldson’s coming-of-age film”Good One” which premiered at Sundance and garnered solid reviews. Set in upstate New York, “Good One” follows 17-year-old Sam as she joins her father and his oldest friend, Matt, on their annual backpacking trip in the Catskill Mountains. “Good One” has...
- 4/16/2024
- by Elsa Keslassy
- Variety Film + TV
Directors’ Fortnight has unveiled the selection for its 56th edition heavy on films from first-time US filmmakers, South American titles, and talent including Isabelle Huppert, Michael Cera and Agnès Jaoui.
Artistic director Julien Rejl revealed the line-up at a press conference in Paris on Tuesday (April 16) for the Cannes parallel section run by French directors guild the Srf.
Scroll down for the full selection
After undergoing a complete rebranding for last year’s edition complete with new artistic director Rejl and a new more inclusive female-forward name in French to La Quinzaine des Cinéastes, this year’s selection includes eight...
Artistic director Julien Rejl revealed the line-up at a press conference in Paris on Tuesday (April 16) for the Cannes parallel section run by French directors guild the Srf.
Scroll down for the full selection
After undergoing a complete rebranding for last year’s edition complete with new artistic director Rejl and a new more inclusive female-forward name in French to La Quinzaine des Cinéastes, this year’s selection includes eight...
- 4/16/2024
- ScreenDaily
Cannes parallel section Directors’ Fortnight has unveiled the line-up for its 56th edition running from May 15 to 23, at a press conference in Paris’ Forum des Images cultural center.
The section, launched in 1969 and overseen by the French Directors Guild, will present 21 feature films and 10 short films.
It is the second line-up overseen by Delegate General Julien Rejl, who took up the role last year.
Discoveries of his inaugural edition included Georgian director Elene Naveriani’s late coming-of-age drama Blackbird Blackbird Blackberry; U.S. indie film Riddle Of Fire by Weston Razooli, as well as Vietnamese filmmaker Phạm Thiên Ân’s 2023 Cannes Caméra d’Or winner Inside The Yellow Cocoon Shell.
The 2024 edition will open with late director Sophie Fillières’ final feature This Life of Mine, starring Agnès Jaoui as a woman whose sense of self starts to unravel as she turns 55.
Fillières died shortly after completing the shoot and her...
The section, launched in 1969 and overseen by the French Directors Guild, will present 21 feature films and 10 short films.
It is the second line-up overseen by Delegate General Julien Rejl, who took up the role last year.
Discoveries of his inaugural edition included Georgian director Elene Naveriani’s late coming-of-age drama Blackbird Blackbird Blackberry; U.S. indie film Riddle Of Fire by Weston Razooli, as well as Vietnamese filmmaker Phạm Thiên Ân’s 2023 Cannes Caméra d’Or winner Inside The Yellow Cocoon Shell.
The 2024 edition will open with late director Sophie Fillières’ final feature This Life of Mine, starring Agnès Jaoui as a woman whose sense of self starts to unravel as she turns 55.
Fillières died shortly after completing the shoot and her...
- 4/16/2024
- by Melanie Goodfellow
- Deadline Film + TV
Globo Filmes, the powerful film production arm of Brazil’s Globo, Latin America’s largest media company, has unveiled 11 new movie projects which join the biggest production slate of any company in Brazil.
Directors of new titles, all co-productions, range from star auteur Gabriel Mascaró, and celebrated doc director Eryk Rocha to multi-prized actor Dira Paes, who broke out in John Boorman’s “The Emerald Forest.”
Also in the cut is David Schurmann (“Little Secret”), who and Jean-Pierre Dutilleux whose 1976 “Raoni,” scored and was Oscar nomination and was championed by Marlon Brando.
Mascaró will direct “The Other Side of the Sky,” produced by Globo Filmes and Desvía Produções, a fantasy drama set in an alternative reality Brazil where anyone over 80 is confined to a colony, to help Brazil’s economic recovery. Rocha is prepping “Elza,” a doc portrait of legendary singer Elza Soares, Paes has in development her directorial debut,...
Directors of new titles, all co-productions, range from star auteur Gabriel Mascaró, and celebrated doc director Eryk Rocha to multi-prized actor Dira Paes, who broke out in John Boorman’s “The Emerald Forest.”
Also in the cut is David Schurmann (“Little Secret”), who and Jean-Pierre Dutilleux whose 1976 “Raoni,” scored and was Oscar nomination and was championed by Marlon Brando.
Mascaró will direct “The Other Side of the Sky,” produced by Globo Filmes and Desvía Produções, a fantasy drama set in an alternative reality Brazil where anyone over 80 is confined to a colony, to help Brazil’s economic recovery. Rocha is prepping “Elza,” a doc portrait of legendary singer Elza Soares, Paes has in development her directorial debut,...
- 5/18/2023
- by John Hopewell and Callum McLennan
- Variety Film + TV
Miami-based FiGa Films has announced a flurry of sales and acquisition activity during the EFM. Among its stellar pics is ‘Nudo Mixteco,” the first indigenous film it has handled, which HBO Max has picked up for the U.S., to bow in May.
Uruguayan doc, “Straight to VHS,” winner of the prestigious critics award, the Fipresci, at the Buenos Aires indie film fest, Bafici, has been sold to IndiePix for the U.S. It also acquired the film on which the doc is based upon, “Act of Violence on a Young Journalist,” that will be released as an extra on home video.
“We are delighted to collaborate with IndiePix and with their enthusiasm for ‘Straight to VHS,’” said FiGa Films’ Sandro Fiorin, adding: “Their plans for a home-video release full of extras sounds like an instant collectible item. Long live physical media!”
World premiering in the Fantasia sidebar Documentaries from the Edge,...
Uruguayan doc, “Straight to VHS,” winner of the prestigious critics award, the Fipresci, at the Buenos Aires indie film fest, Bafici, has been sold to IndiePix for the U.S. It also acquired the film on which the doc is based upon, “Act of Violence on a Young Journalist,” that will be released as an extra on home video.
“We are delighted to collaborate with IndiePix and with their enthusiasm for ‘Straight to VHS,’” said FiGa Films’ Sandro Fiorin, adding: “Their plans for a home-video release full of extras sounds like an instant collectible item. Long live physical media!”
World premiering in the Fantasia sidebar Documentaries from the Edge,...
- 2/16/2022
- by Anna Marie de la Fuente
- Variety Film + TV
In one of the biggest deals on titles at this year’s Visions du Réel, Switzerland’s premier documentary festival, Radio Télévision Suisse (Rts), the public broadcasting organization for the French-speaking part of the country, has acquired eleven titles from Visions du Réel’s 2021 selection.
The deal is part of a longstanding partnership between the Swiss doc festival and Rts, which selects around a dozen VdR titles every year.
Some are co-productions under the Swiss Broadcasting Corporation’s pact with the audiovisual industry to increase subsidies for independent Swiss production, including “Radiograph of a Family” by Iranian director Firouzeh Khosrovani.
An IDFA best feature winner, it tells the story of Tayi, who, on her wedding day, marries the photo of Hossein. Joining him in Switzerland, the distance that separates them persists from one country to the other, deepening over the years, and invades the smallest corners of their home.
“The...
The deal is part of a longstanding partnership between the Swiss doc festival and Rts, which selects around a dozen VdR titles every year.
Some are co-productions under the Swiss Broadcasting Corporation’s pact with the audiovisual industry to increase subsidies for independent Swiss production, including “Radiograph of a Family” by Iranian director Firouzeh Khosrovani.
An IDFA best feature winner, it tells the story of Tayi, who, on her wedding day, marries the photo of Hossein. Joining him in Switzerland, the distance that separates them persists from one country to the other, deepening over the years, and invades the smallest corners of their home.
“The...
- 6/14/2021
- by Lise Pedersen
- Variety Film + TV
Rio De Janeiro — The 21st Rio Intl. Film Fest opens Monday Dec. 9t with the screening of Greta Gerwig’s “Little Women” in the Odeon landmark theater. The smaller than usual edition, which was almost cancelled due to the lack of municipal backing, reflects the crisis of Brazil’s film sector, involved in a battle with the administration of President Jair Bolsonaro.
The once largest film fest in Latin America will feature this year about 100 international features, down from some 350 in the last fully sponsored edition in 2016. The recession that hit Brazil in 2015 and mainly politics explain the downsizing. Rio’s mayor Marcelo Crivella, a “bishop” of the fundamentalist Universal Church of God’s Kingdom elected in 2016, withdrew City Hall’s long-standing sponsorship for the fest in the 2017 edition.
Federal government shifted from left to cut-spending right, and government bank Bndes cut the fest sponsorship as of the 2018 edition, while...
The once largest film fest in Latin America will feature this year about 100 international features, down from some 350 in the last fully sponsored edition in 2016. The recession that hit Brazil in 2015 and mainly politics explain the downsizing. Rio’s mayor Marcelo Crivella, a “bishop” of the fundamentalist Universal Church of God’s Kingdom elected in 2016, withdrew City Hall’s long-standing sponsorship for the fest in the 2017 edition.
Federal government shifted from left to cut-spending right, and government bank Bndes cut the fest sponsorship as of the 2018 edition, while...
- 12/7/2019
- by Marcelo Cajueiro
- Variety Film + TV
Personal reflection on native Santiago concludes trilogy.
Icarus Films has picked up North American rights from Pyramide International to Patricio Guzmán’s The Cordillera Of Dreams ahead of its North American premiere in Toronto.
French-Chilean co-production Cordillera earned a special metion among the documentary selections in Cannes this year. It profiles the France-based filmmaker’s native Santiago – a place he left after the Augusto Pinochet regime seized power in 1973 – and is a personal reflection that also pays homage to the mountain range surrounding the city.
The film from Atacama Productions is the final instalment in a trilogy encompassing Nostalgia For The Light...
Icarus Films has picked up North American rights from Pyramide International to Patricio Guzmán’s The Cordillera Of Dreams ahead of its North American premiere in Toronto.
French-Chilean co-production Cordillera earned a special metion among the documentary selections in Cannes this year. It profiles the France-based filmmaker’s native Santiago – a place he left after the Augusto Pinochet regime seized power in 1973 – and is a personal reflection that also pays homage to the mountain range surrounding the city.
The film from Atacama Productions is the final instalment in a trilogy encompassing Nostalgia For The Light...
- 8/27/2019
- by Jeremy Kay
- ScreenDaily
Personal reflection of native Santiago concludes trilogy.
Icarus Films has picked up North American rights from Pyramide International to Patricio Guzmán’s The Cordillera Of Dreams ahead of its North American premiere in Toronto.
French-Chilean co-production Cordillera shared the Golden Eye Award for best documentary in Cannes in May. It profiles the France-based filmmaker’s native Santiago – a place he left after the Augusto Pinochet regime seized power in 1973 – and is a personal reflection that also pays homage to the mountain range surrounding the city.
The film is the final instalment in a trilogy encompassing Nostalgia For The Light (2010) and...
Icarus Films has picked up North American rights from Pyramide International to Patricio Guzmán’s The Cordillera Of Dreams ahead of its North American premiere in Toronto.
French-Chilean co-production Cordillera shared the Golden Eye Award for best documentary in Cannes in May. It profiles the France-based filmmaker’s native Santiago – a place he left after the Augusto Pinochet regime seized power in 1973 – and is a personal reflection that also pays homage to the mountain range surrounding the city.
The film is the final instalment in a trilogy encompassing Nostalgia For The Light (2010) and...
- 8/27/2019
- by Jeremy Kay
- ScreenDaily
The Kinoki Film Festival is a yearly celebration hosted by the Universidad Iberoamericana (Ibero), one of the most recognized universities in Mexico. From March 28 to April 5, the 14th edition of Kinoki will have Brazil as the spotlight country, with a trio of films from different periods: Glauber Rocha’s Black God, White Devil (aka Deus e o Diabo na Terra do Sol), Fernando Meirelles and Kátia Lund’s City of God and Eryk Rocha’s Cinema Novo. Both actor Jesús Ochoa, better known in the United States for such movies as Man on Fire and Quantum of Solace, and director Alonso Ruizpalacios, will he honored by the festival, each hosting a master class. Kinoki will also offer some special presentations of recent Mexican films,...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 3/13/2019
- Screen Anarchy
Festival doc activity included the Marche’s Doc Corner and a buzzy Doc Day that welcomed European Space Agency astronaut Thomas Pesquet.
The Cannes L’Œil d’or (Golden Eye) documentary award has been presented to Stefano Savona’s Samouni Road.
The $5,900 priz is presented by Lascam (the French-speaking authors’ society) and its president, Julie Bertuccelli, in collaboration with the Cannes Film Festival, with the support of Ina (French National Audiovisual Institute) and, new for this year, Audiens.
The jury – headed by director Emmanuel Finkiel – praised the Directors’ Fortnight entry for its “intelligent way of filming, the right distance in its point of view,...
The Cannes L’Œil d’or (Golden Eye) documentary award has been presented to Stefano Savona’s Samouni Road.
The $5,900 priz is presented by Lascam (the French-speaking authors’ society) and its president, Julie Bertuccelli, in collaboration with the Cannes Film Festival, with the support of Ina (French National Audiovisual Institute) and, new for this year, Audiens.
The jury – headed by director Emmanuel Finkiel – praised the Directors’ Fortnight entry for its “intelligent way of filming, the right distance in its point of view,...
- 5/20/2018
- by Wendy Mitchell
- ScreenDaily
A total of 37 films will screen at the event, including the world premiere of Venezuala crime story and Rolling Stones doc.
The world premiere of Rober Calzadilla’s feature debut El Amparo, about two men wrongly accused of guerrilla activity in Venezuela, will kick off the 27th edition of the festival, set to run from September 15–October 5 in Silver Spring, Maryland
The 2016 AFI Latin American Film Festival will close with the Us premiere of Paul Dugdale’s documentary The Rolling Stones Olé Olé Olé!: A Trip Across Latin America (pictured), which culminates with the band’s first gig in Cuba.
All in all 37 films from Latin America will screen, including entries from Spain and Portugal as part of a celebration of Ibero-American cultural connections.
Among the anticipated highlights are Pablo Larrain’s unorthodox biopic Neruda, Cesc Gay’s Spain-Argentina dramedy Truman with Ricardo Darin, and the North American premiere of Eryk Rocha’s Cinema Novo.
The...
The world premiere of Rober Calzadilla’s feature debut El Amparo, about two men wrongly accused of guerrilla activity in Venezuela, will kick off the 27th edition of the festival, set to run from September 15–October 5 in Silver Spring, Maryland
The 2016 AFI Latin American Film Festival will close with the Us premiere of Paul Dugdale’s documentary The Rolling Stones Olé Olé Olé!: A Trip Across Latin America (pictured), which culminates with the band’s first gig in Cuba.
All in all 37 films from Latin America will screen, including entries from Spain and Portugal as part of a celebration of Ibero-American cultural connections.
Among the anticipated highlights are Pablo Larrain’s unorthodox biopic Neruda, Cesc Gay’s Spain-Argentina dramedy Truman with Ricardo Darin, and the North American premiere of Eryk Rocha’s Cinema Novo.
The...
- 9/1/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Exclusive: Sandro Florin’s Us-based sales agency will introduce the Venezuela-Colombia co-production to international buyers in Cannes later this month.
Rober Calzadilla will direct El Amparo, which he introduced as a work-in-progress at San Sebastian last year.
The project, currently in post, was formerly known as Sobrevivientes and takes place on the Venezuela-Colombia border in the late 1980s.
After two men survive a deadly armed assault in the channels of the Arauca River, the Army accuses them of being guerrilla fighters and tries to remove them from police guard for further interrogation.
The tension mounts as the men claim to be fishermen and protest their innocence, while local villagers strive to protect them. A first-look photo from the film is included here.
Calzadilla is a Venezuelan actor, screenwriter and director who trained at the Juana Sujo School of Performing Arts in Caracas and studied film at the Central University of Venezuela School of the Arts.
Separately, FiGa has...
Rober Calzadilla will direct El Amparo, which he introduced as a work-in-progress at San Sebastian last year.
The project, currently in post, was formerly known as Sobrevivientes and takes place on the Venezuela-Colombia border in the late 1980s.
After two men survive a deadly armed assault in the channels of the Arauca River, the Army accuses them of being guerrilla fighters and tries to remove them from police guard for further interrogation.
The tension mounts as the men claim to be fishermen and protest their innocence, while local villagers strive to protect them. A first-look photo from the film is included here.
Calzadilla is a Venezuelan actor, screenwriter and director who trained at the Juana Sujo School of Performing Arts in Caracas and studied film at the Central University of Venezuela School of the Arts.
Separately, FiGa has...
- 5/1/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Festival de Cannes has announced the lineup for the official selection, including the Competition and Un Certain Regard sections, as well as special screenings, for the 69th edition of the festival:COMPETITIONOpening Night: Café Society (Woody Allen) [Out of Competition]Toni Erdmann (Maren Ade)Julieta (Pedro Almodóvar)American Honey (Andrea Arnold)Personal Shopper (Olivier Assayas)La Fille Inconnue (Jean-Pierre Dardenne & Luc Dardenne)Juste La Fin du Monde (Xavier Dolan)Ma Loute (Bruno Dumont)Paterson (Jim Jarmusch)Rester Vertical (Alain Guiraudie)Aquarius (Kleber Mendonça Filho)Mal de Pierres (Nicole Garcia)I, Daniel Blake (Ken Loach)Ma' Rosa (Brillante Mendoza)Bacalaureat (Cristian Mungiu)Loving (Jeff Nichols)Agassi (Park Chan-Wook)The Last Face (Sean Penn)Sieranevada (Cristi Puiu)Elle (Paul Verhoeven)The Neon Demon (Nicolas Winding-Refn)The Salesman (Asgha Farhadi)Un Certain REGARDOpening Film: Clash (Mohamed Diab)Varoonegi (Behnam Behzadi)Apprentice (Boo Junfeng)Voir du Pays (Delphine Coulin & Muriel Coulin)La Danseuse (Stéphanie Di Giusto)La...
- 4/22/2016
- by Notebook
- MUBI
Section to include world premiere of Bertrand Tavernier doc; a cinema masterclass with William Friedkin and a tribute to documentary giants Raymond Depardon and Frederick Wiseman.
Bertrand Tavernier’s documentary about French cinema Voyage à Travers le Cinéma Français will receive a world premiere at the Cannes Classic section of the Cannes Film Festival (May 11-22).
The revered French filmmaker has described his latest work as an expression of “gratitude to all the filmmakers, writers, actors and musicians that have appeared suddenly in my life.”
Voyage à Travers le Cinéma Français is a Little Bear-Gaumont-Pathé co-production and was made in participation with Canal+, Cine+ and the Sacem, with the support of Région Ile-de-France and Cnc. Gaumont will handle international sales and Pathé have distribution in France. The film will be released in theaters in October 2016.
As in previous years, Cannes Classic will also feature nine documentaries about cinema and restored prints of 20 international classics including rare gems...
Bertrand Tavernier’s documentary about French cinema Voyage à Travers le Cinéma Français will receive a world premiere at the Cannes Classic section of the Cannes Film Festival (May 11-22).
The revered French filmmaker has described his latest work as an expression of “gratitude to all the filmmakers, writers, actors and musicians that have appeared suddenly in my life.”
Voyage à Travers le Cinéma Français is a Little Bear-Gaumont-Pathé co-production and was made in participation with Canal+, Cine+ and the Sacem, with the support of Région Ile-de-France and Cnc. Gaumont will handle international sales and Pathé have distribution in France. The film will be released in theaters in October 2016.
As in previous years, Cannes Classic will also feature nine documentaries about cinema and restored prints of 20 international classics including rare gems...
- 4/20/2016
- ScreenDaily
Section to include a cinema masterclass with William Friedkin, the 70th anniversary of the Fipresci prize, a tribute to documentary giants Raymond Depardon and Frederick Wiseman and the double Palme d’Or of 1966.
Bertrand Tavernier’s documentary about French cinema Voyage à Travers le Cinéma Français will receive a world premiere at the Cannes Classic section of the Cannes Film Festival (May 11-22).
The legendary French filmmaker has described his latest work as an expression of “gratitude to all the filmmakers, writers, actors and musicians that have appeared suddenly in my life.”
Voyage à Travers le Cinéma Français is a Little Bear-Gaumont-Pathé co-production and was made in participation with Canal+, Cine+ and the Sacem, with the support of Région Ile-de-France and Cnc. Gaumont will handle international sales and Pathé have distribution in France. The film will be released in theaters in October 2016.
As in previous years, Cannes Classic will also feature nine documentaries about cinema and restored...
Bertrand Tavernier’s documentary about French cinema Voyage à Travers le Cinéma Français will receive a world premiere at the Cannes Classic section of the Cannes Film Festival (May 11-22).
The legendary French filmmaker has described his latest work as an expression of “gratitude to all the filmmakers, writers, actors and musicians that have appeared suddenly in my life.”
Voyage à Travers le Cinéma Français is a Little Bear-Gaumont-Pathé co-production and was made in participation with Canal+, Cine+ and the Sacem, with the support of Région Ile-de-France and Cnc. Gaumont will handle international sales and Pathé have distribution in France. The film will be released in theaters in October 2016.
As in previous years, Cannes Classic will also feature nine documentaries about cinema and restored...
- 4/20/2016
- ScreenDaily
Now that most of the Cannes Film Festival 2016 line-up has been settled when it comes to new premieres, their Cannes Classics sidebar of restored films is not only a treat for those attending, but a hint at what we can expect to arrive at repertory theaters and labels like Criterion in the coming years.
Today they’ve unveiled their line-up, which is toplined by Bertrand Tavernier‘s new 3-hour and 15-minute documentary about French cinema, Voyage à travers le cinéma français. They will also be screening William Friedkin‘s Sorcerer following his masterclass. Along with various documentaries, both classics in the genre and ones about films, they will also premiere new restorations of Andrei Tarkovsky‘s Solaris, Jean-Luc Godard‘s Masculin féminin, two episodes of Krzysztof Kieślowski‘s The Decalogue, as well as films from Kenji Mizoguchi, Marlon Brando, Jacques Becker, Mario Bava, and more.
Check out the line-up below.
Today they’ve unveiled their line-up, which is toplined by Bertrand Tavernier‘s new 3-hour and 15-minute documentary about French cinema, Voyage à travers le cinéma français. They will also be screening William Friedkin‘s Sorcerer following his masterclass. Along with various documentaries, both classics in the genre and ones about films, they will also premiere new restorations of Andrei Tarkovsky‘s Solaris, Jean-Luc Godard‘s Masculin féminin, two episodes of Krzysztof Kieślowski‘s The Decalogue, as well as films from Kenji Mizoguchi, Marlon Brando, Jacques Becker, Mario Bava, and more.
Check out the line-up below.
- 4/20/2016
- by Jordan Raup
- The Film Stage
Cinema Slate, a new distributor focused on Latin American cinema launched by Rodrigo Brandão, has struck a deal with streaming service Fandor to release four films.
The titles are part of Cinema Slate’s Brazilian Film Series: Year One showcasing up-and-coming Brazilian directors and will go out theatrically via the New York-based Cinema Slate day-and-date with digital launches through Fandor.
The promgramme begins on September 11 at New York’s Cinema Village with Cateano Gotardo’s omnibus film The Moving Creatures (O Que Se Move).
The series will be co-presented with New York-based Cinema Tropical, a leading presenter of Latin American cinema in the Us, and sponsored by Brazilian Press, a newspaper servicing the Brazilian community in the East Coast.
October 30 brings the release of Hard Labor (Trabalhar Cansa) co-directed by Marco Dutra and Juliana Rojas.
The third and fourth films in the series set for November and December are Fellipe Barbosa’s semi-autobiographical tale Casa Grande and Eryk Rocha...
The titles are part of Cinema Slate’s Brazilian Film Series: Year One showcasing up-and-coming Brazilian directors and will go out theatrically via the New York-based Cinema Slate day-and-date with digital launches through Fandor.
The promgramme begins on September 11 at New York’s Cinema Village with Cateano Gotardo’s omnibus film The Moving Creatures (O Que Se Move).
The series will be co-presented with New York-based Cinema Tropical, a leading presenter of Latin American cinema in the Us, and sponsored by Brazilian Press, a newspaper servicing the Brazilian community in the East Coast.
October 30 brings the release of Hard Labor (Trabalhar Cansa) co-directed by Marco Dutra and Juliana Rojas.
The third and fourth films in the series set for November and December are Fellipe Barbosa’s semi-autobiographical tale Casa Grande and Eryk Rocha...
- 8/7/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Brazilian distributor launches Tucaman France to promote Brazilian and Latin American cinema and kicks off with Sand Dollars.
Geraldine Chaplin stars in Israel Cárdenas and Laura Amelia Guzmán’s Dominican Republic-set drama (Dólares De Areia) that will screen in Cinélatino Rencontres de Toulouse in France next week.
The showcase will also present Tucaman France’s Brazilian amateur football story Sunday Ball from Eryk Rocha.
The distributor’s line-up includes Rio 2096 - A Story Of Love And Fury (Brazil), The Other Side Of Paradise (Brazil), The Telescope Of Time (Brazil) and Chronicles Of The End Of The World (Colombia).
Tucuman Films launched in 2009 to release Latin American and European art house cinema in Brazil. Its roster includes Jealousy, La Ritournelle, Mr. Morgan’s Last Love and 7 Boxes.
Geraldine Chaplin stars in Israel Cárdenas and Laura Amelia Guzmán’s Dominican Republic-set drama (Dólares De Areia) that will screen in Cinélatino Rencontres de Toulouse in France next week.
The showcase will also present Tucaman France’s Brazilian amateur football story Sunday Ball from Eryk Rocha.
The distributor’s line-up includes Rio 2096 - A Story Of Love And Fury (Brazil), The Other Side Of Paradise (Brazil), The Telescope Of Time (Brazil) and Chronicles Of The End Of The World (Colombia).
Tucuman Films launched in 2009 to release Latin American and European art house cinema in Brazil. Its roster includes Jealousy, La Ritournelle, Mr. Morgan’s Last Love and 7 Boxes.
- 3/23/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Films will be competing for nearly $40,000 in total prizes in various narrative and documentary categories.
San Francisco Film Society has unveiled the films in competition for this year’s Golden Gate Awards (Gga).
Films from 20 countries will compete for nearly $40,000 in total prizes at this year’s San Francisco International Film Festival, running April 23-May 7.
The winners of the Gga New Directors Prize and the Gga Documentary Feature will each receive $10,000, while the Gga Bay Area Documentary Feature winner will receive $5,000. Independent juries will select the winners in all categories with the winners announced on May 6.
In addition, the Gga will include competitors in six short film categories. These films will be announced on March 31.
The full list of nominees is as follows:
2015 Gga New Directors Prize (Narrative Feature) COMPETITIONBota, Iris Elezi, Thomas Logoreci, Albania/Italy/Kosovo – North American PremiereEl Cordero, Juan Francisco Olea, ChileCourt, Chaitanya Tamhane, India A Few Cubic Meters of Love, Jamshid Mahmoudi, Iran/AfghanistanFlapping...
San Francisco Film Society has unveiled the films in competition for this year’s Golden Gate Awards (Gga).
Films from 20 countries will compete for nearly $40,000 in total prizes at this year’s San Francisco International Film Festival, running April 23-May 7.
The winners of the Gga New Directors Prize and the Gga Documentary Feature will each receive $10,000, while the Gga Bay Area Documentary Feature winner will receive $5,000. Independent juries will select the winners in all categories with the winners announced on May 6.
In addition, the Gga will include competitors in six short film categories. These films will be announced on March 31.
The full list of nominees is as follows:
2015 Gga New Directors Prize (Narrative Feature) COMPETITIONBota, Iris Elezi, Thomas Logoreci, Albania/Italy/Kosovo – North American PremiereEl Cordero, Juan Francisco Olea, ChileCourt, Chaitanya Tamhane, India A Few Cubic Meters of Love, Jamshid Mahmoudi, Iran/AfghanistanFlapping...
- 3/11/2015
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
Guadalajara Wraps and a New Fest Begins
Ficg (pronounced FeeSeeg and standing for the Festival International de Cine in Guadalajara), displayed a new vibrancy. Besides some great films, great attendance and great organization, several Latin American countries are entering the international film business for the first time (Peru and Ecuador) with subsidies from their government pointing to an optimism for film production as an economic factor in their country's growth. I blogged about the Dominican Republic but not about the new Law 226 in Mexico which encourages businesses to invest up to 20 million pesos (U.S.$2 million) or 10% of the taxes they owed the previous year (whichever is higher) into Mexican film production, or Brazilian access to subsidies.
In addition, Guadalajara is becoming known as the Silicon Valley of Mexico as its economy is based especially on information technology with a large number of international firms having facilities there. It is also considered to be the home of Mariachi music. The city is named after the Spanish city of Guadalajara with the name originating from the Arabic word meaning "Valley of Stones". It is the highest ranking major Mexican city and has the second strongest economic potential of any major North American city. Only Chicago scores more highly for sheer economic potential (Per a 2007 report in fDi magazine, an English-language news and foreign direct investment publication owned by The Financial Times Ltd and edited in London). The same research calls Guadalajara the "city of the future" due to its youthful population, low unemployment and large number of recent foreign investment deals. It was also ranked the third most business friendly city in North America.
A new digital film studio is going up. The University is an important center of culture and learning.
And sadly, violence over drugs is not far away. This past Friday, Narco gangs appropriated 25 vehicles in 16 separate incidents – 11 of them in the Guadalajara metropolitan zone where they set fire to them in retaliation for action taken against them in a military action to capture two Mexican drug cartel members. At the Centro Magno festival venue, festival transport staff stopped filmgoers leaving a screening of Andres Wood's Violeta Went to Heaven as they sought to return to the festival's central Expo Center venue, acknowledging concerns for safety. A truck was set on fire not far (but not too close either: at Calzada Lázaro Cárdenas and Mezquite, at la Colonia de El Fresno) from the Expo where the festival was still being held, but there was no disruption of the festival.
Our friend, Hebe Tabachnik, Iberoamerican programmer for the Palm Springs Film Festival is on the jury and writes from there:
Dear friends, in spite of the disruptive and unfortunately deadly incidents in Guadalajara today, all the attendees to the Ficg Guadalajara are Ok. We are sorry this beautiful city and specially its amazing people have to experience this kind of criminal acts. The festival is going ahead with its schedule events, as it should be. Celebrating the arts and show no fear is the best way to manifest against the non sense violence. Viva Guadalajara. Viva Mexico!!!!
The activities of the industry, with meetings about Iberoamerican coproductions with its well presented professional projects, the film market itself with films available to watch up to 2 weeks after the closing, the Cannes Marche Producers Network, Works in Progress, Berlinale's Talent Campus and Doculab, and of course, the festival itself with galas every night, a Focus on U.K. and Mike Leigh, Homages, Mexican and Iberoamerican Competition, Sounds of Cinema, Children's Cinema, Lgbt prizes, Open Air Screenings - all defy easy decision making on how best to spend one's time there.
The prize winners:
PalmarÉS FICG27
Premio Maguey
Mención Especial
“Todo el mundo tiene alguien menos yo” (México) Dir. Raúl Fuentes
Premio Maguey
“Mía“ (Argentina) Dir. Javier van de Couter
Premio del Público Milenio
“Espacio Interior“ (México) Dir. Kai Parlange
Premio Mezcal
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Premio Cinecolor
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Mejor Cortometraje de Animación - Premio Rigo Mora
“Un ojo” (México) Dir. Lorenza Manrique
Mejor Cortometraje Iberoamericano
“Minuto 200” (Colombia) Dir. Frank Benítez
Mejor Cortometraje Mexicano
“Lucy vs. los límites de la voz” (México) Dir. Mónica Herrera
Largometraje Iberoamericano Documental
Mención Especial
“El salvavidas“ (Chile) Dir. Maite Alberdi
Mejor Documental Iberoamericano
“ ¡Vivan las antípodas! “(Argentina - Chile - Alemania - Holanda) Dir. Víctor Kossakovsky
Largometraje Mexicano Documental
Mención Especial
“Carrière, 250 metros” Dir. Juan Carlos Rulfo y Natalia Gil
Mención Especial
“El paciente interno” Dir. Alejandro Solar
Mejor Documental Mexicano
“Cuates de Australia” Everardo González
Largometraje de Ficción Iberoamericana
Mejor Guion
Jaime Osorio por “El páramo” (Colombia)
Mejor Fotografía
Mauro Pinheiro Jr. por “Sudoeste” (Brasil)
Mejor Actriz
Francisca Gavilán por “Violeta se fue a los cielos” (Chile)
Mejor Actor
Andrés Crespo por “Pescador” (Ecuador)
Premio Especial del Jurado
“Los pasos dobles” (España - Suiza) Dir. Isaki Lacuesta
Mejor Opera Prima
“Transeunte” (Brasil) Dir. Eryk Rocha
Mejor Director
Sebastián Cordero por “Pescador” (Ecuador)
Mejor Película Iberoamericana
"Abrir puertas y ventanas" (Argentina) "Dir. Milagros Mumenthaler
Largometraje de Ficción Mexicana
Mención Especial
Música Original de "Días de gracia"
Mejor Guion
Miguel Bonilla por “Diente por diente”
Mejor Fotografía
Jerónimo Rodríguez por “Todo el mundo tiene a alguien menos yo”
Mejor Actriz
Martha Higareda por “Mariachi Gringo”
Mejor Actor
Kuno Becker por “Espacio Interior”
Mejor Opera Prima
"El fantástico mundo de Juan Orol" Dir. Sebastián del Amo
Mejor Director
Everardo Gout por “Días de gracia”.
Mejor Película
“Mariachi Gringo” Dir. Tom Gustafson
alt=premios-paralelos>
Premio de los Niños
“El secreto del medallón de jade” (México) Dir. Rodolfo Guzmán y Leopoldo Aguilar
Premio Feisal
Mención Especial
“No hay lugar lejano” (México) Dir. Michelle Ibaven
Mención Especial
“Oro Colombiano: 400 años de música del alma” (Colombia) Dir. Sanjay Agarwal e Iván Higa
Premio Feisal
“75 habitantes, 20 casas, 300 vacas” (Argentina) Dir. Fernando Domínguez
Premio Fipresci
“Violeta se fue a los cielos” (Chile) Dir. Andrés Wood
Guerrero de la Prensa
Mejor largometraje de ficción “Días de gracia” (México) Dir. Everardo Gout Mejor largometraje documental “El paciente interno” (México) Dir. Alejandro Solar
Academia Jalisciense de Cinematografía
Mejor cortometraje jalisciense “La noria” Dir. Karla Castañeda Mejor largometraje jalisciense “Fecha de caducidad” Dir. Kenya Márquez
No sooner does this festival and market wrap when a new Mexican festival, the Riviera Maya Film Festival, begins March 20 - 25 which will play in Cancun, Playa del Carmen, Tulum, Cozumel and Holbox. The industry component Rivieralab, a coproduction event will take place in Quintana Roo March 22-25 and will host 158 projects from Latin America and Europe. 10 projects will be showcased to financiers, fund representatives, producers and sales agents, 3 will receive 200,000 pesos or approximately Us$15,500. 8 international works in progress at post-production stage from a pool of 40 will be selected to receive support.
Ficg (pronounced FeeSeeg and standing for the Festival International de Cine in Guadalajara), displayed a new vibrancy. Besides some great films, great attendance and great organization, several Latin American countries are entering the international film business for the first time (Peru and Ecuador) with subsidies from their government pointing to an optimism for film production as an economic factor in their country's growth. I blogged about the Dominican Republic but not about the new Law 226 in Mexico which encourages businesses to invest up to 20 million pesos (U.S.$2 million) or 10% of the taxes they owed the previous year (whichever is higher) into Mexican film production, or Brazilian access to subsidies.
In addition, Guadalajara is becoming known as the Silicon Valley of Mexico as its economy is based especially on information technology with a large number of international firms having facilities there. It is also considered to be the home of Mariachi music. The city is named after the Spanish city of Guadalajara with the name originating from the Arabic word meaning "Valley of Stones". It is the highest ranking major Mexican city and has the second strongest economic potential of any major North American city. Only Chicago scores more highly for sheer economic potential (Per a 2007 report in fDi magazine, an English-language news and foreign direct investment publication owned by The Financial Times Ltd and edited in London). The same research calls Guadalajara the "city of the future" due to its youthful population, low unemployment and large number of recent foreign investment deals. It was also ranked the third most business friendly city in North America.
A new digital film studio is going up. The University is an important center of culture and learning.
And sadly, violence over drugs is not far away. This past Friday, Narco gangs appropriated 25 vehicles in 16 separate incidents – 11 of them in the Guadalajara metropolitan zone where they set fire to them in retaliation for action taken against them in a military action to capture two Mexican drug cartel members. At the Centro Magno festival venue, festival transport staff stopped filmgoers leaving a screening of Andres Wood's Violeta Went to Heaven as they sought to return to the festival's central Expo Center venue, acknowledging concerns for safety. A truck was set on fire not far (but not too close either: at Calzada Lázaro Cárdenas and Mezquite, at la Colonia de El Fresno) from the Expo where the festival was still being held, but there was no disruption of the festival.
Our friend, Hebe Tabachnik, Iberoamerican programmer for the Palm Springs Film Festival is on the jury and writes from there:
Dear friends, in spite of the disruptive and unfortunately deadly incidents in Guadalajara today, all the attendees to the Ficg Guadalajara are Ok. We are sorry this beautiful city and specially its amazing people have to experience this kind of criminal acts. The festival is going ahead with its schedule events, as it should be. Celebrating the arts and show no fear is the best way to manifest against the non sense violence. Viva Guadalajara. Viva Mexico!!!!
The activities of the industry, with meetings about Iberoamerican coproductions with its well presented professional projects, the film market itself with films available to watch up to 2 weeks after the closing, the Cannes Marche Producers Network, Works in Progress, Berlinale's Talent Campus and Doculab, and of course, the festival itself with galas every night, a Focus on U.K. and Mike Leigh, Homages, Mexican and Iberoamerican Competition, Sounds of Cinema, Children's Cinema, Lgbt prizes, Open Air Screenings - all defy easy decision making on how best to spend one's time there.
The prize winners:
PalmarÉS FICG27
Premio Maguey
Mención Especial
“Todo el mundo tiene alguien menos yo” (México) Dir. Raúl Fuentes
Premio Maguey
“Mía“ (Argentina) Dir. Javier van de Couter
Premio del Público Milenio
“Espacio Interior“ (México) Dir. Kai Parlange
Premio Mezcal
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Premio Cinecolor
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Mejor Cortometraje de Animación - Premio Rigo Mora
“Un ojo” (México) Dir. Lorenza Manrique
Mejor Cortometraje Iberoamericano
“Minuto 200” (Colombia) Dir. Frank Benítez
Mejor Cortometraje Mexicano
“Lucy vs. los límites de la voz” (México) Dir. Mónica Herrera
Largometraje Iberoamericano Documental
Mención Especial
“El salvavidas“ (Chile) Dir. Maite Alberdi
Mejor Documental Iberoamericano
“ ¡Vivan las antípodas! “(Argentina - Chile - Alemania - Holanda) Dir. Víctor Kossakovsky
Largometraje Mexicano Documental
Mención Especial
“Carrière, 250 metros” Dir. Juan Carlos Rulfo y Natalia Gil
Mención Especial
“El paciente interno” Dir. Alejandro Solar
Mejor Documental Mexicano
“Cuates de Australia” Everardo González
Largometraje de Ficción Iberoamericana
Mejor Guion
Jaime Osorio por “El páramo” (Colombia)
Mejor Fotografía
Mauro Pinheiro Jr. por “Sudoeste” (Brasil)
Mejor Actriz
Francisca Gavilán por “Violeta se fue a los cielos” (Chile)
Mejor Actor
Andrés Crespo por “Pescador” (Ecuador)
Premio Especial del Jurado
“Los pasos dobles” (España - Suiza) Dir. Isaki Lacuesta
Mejor Opera Prima
“Transeunte” (Brasil) Dir. Eryk Rocha
Mejor Director
Sebastián Cordero por “Pescador” (Ecuador)
Mejor Película Iberoamericana
"Abrir puertas y ventanas" (Argentina) "Dir. Milagros Mumenthaler
Largometraje de Ficción Mexicana
Mención Especial
Música Original de "Días de gracia"
Mejor Guion
Miguel Bonilla por “Diente por diente”
Mejor Fotografía
Jerónimo Rodríguez por “Todo el mundo tiene a alguien menos yo”
Mejor Actriz
Martha Higareda por “Mariachi Gringo”
Mejor Actor
Kuno Becker por “Espacio Interior”
Mejor Opera Prima
"El fantástico mundo de Juan Orol" Dir. Sebastián del Amo
Mejor Director
Everardo Gout por “Días de gracia”.
Mejor Película
“Mariachi Gringo” Dir. Tom Gustafson
alt=premios-paralelos>
Premio de los Niños
“El secreto del medallón de jade” (México) Dir. Rodolfo Guzmán y Leopoldo Aguilar
Premio Feisal
Mención Especial
“No hay lugar lejano” (México) Dir. Michelle Ibaven
Mención Especial
“Oro Colombiano: 400 años de música del alma” (Colombia) Dir. Sanjay Agarwal e Iván Higa
Premio Feisal
“75 habitantes, 20 casas, 300 vacas” (Argentina) Dir. Fernando Domínguez
Premio Fipresci
“Violeta se fue a los cielos” (Chile) Dir. Andrés Wood
Guerrero de la Prensa
Mejor largometraje de ficción “Días de gracia” (México) Dir. Everardo Gout Mejor largometraje documental “El paciente interno” (México) Dir. Alejandro Solar
Academia Jalisciense de Cinematografía
Mejor cortometraje jalisciense “La noria” Dir. Karla Castañeda Mejor largometraje jalisciense “Fecha de caducidad” Dir. Kenya Márquez
No sooner does this festival and market wrap when a new Mexican festival, the Riviera Maya Film Festival, begins March 20 - 25 which will play in Cancun, Playa del Carmen, Tulum, Cozumel and Holbox. The industry component Rivieralab, a coproduction event will take place in Quintana Roo March 22-25 and will host 158 projects from Latin America and Europe. 10 projects will be showcased to financiers, fund representatives, producers and sales agents, 3 will receive 200,000 pesos or approximately Us$15,500. 8 international works in progress at post-production stage from a pool of 40 will be selected to receive support.
- 3/12/2012
- by Sydney Levine
- Sydney's Buzz
If the pass for 3-4 days worth of films weren't so pricey, Ioncinema.com would be among the very few journalists who venture to the Colorado movie-love in setting to discounted trip to Venice --- but surprise this year this is just as much other primo items from Berlin, Locarno than Cannes. George Clooney, Pierre Étaix and Tilda Swinton to receive Silver Medallion Awards Over twenty-five new features plus revival programs and unique programming from Guest Director Caetano Veloso will be presented as part of the 2011 exhibition Telluride, Co (September 1, 2011) – Telluride Film Festival (September 2-5, 2011), presented by the National Film Preserve, announces its program for the 38th Telluride Film Festival. Featuring diverse programming from around the globe, Tff once again sets the stage for some of the year’s most highly anticipated films. Tff opens its 38th year with over twenty-five new feature films plus special artist tributes, Guest Director programs selected by Caetano Veloso,...
- 9/4/2011
- IONCINEMA.com
George Clooney, Pierre Étaix and Tilda Swinton
to receive Silver Medallion Awards Over twenty-five new features plus revival programs
and unique programming from Guest Director Caetano Veloso will be presented as part of the 2011 exhibition
Telluride, Co (September 1, 2011) . Telluride Film Festival (September 2-5, 2011), presented by the National Film Preserve, announces its program for the 38th Telluride Film Festival. Featuring diverse programming from around the globe, Tff once again sets the stage for some of the year.s most highly anticipated films.
Tff opens its 38th year with over twenty-five new feature films plus special artist tributes, Guest Director programs selected by Caetano Veloso, Backlot programs, classics and restorations, shorts, student films, seminars and conversations, each introduced or proceeded with a Q&A by its filmmaker, actors, writer or producer. Telluride Film Festival opens Friday, September 2 and runs through Labor Day, Monday, September 5.
The .Show.
38th Telluride Film Festival is proud...
to receive Silver Medallion Awards Over twenty-five new features plus revival programs
and unique programming from Guest Director Caetano Veloso will be presented as part of the 2011 exhibition
Telluride, Co (September 1, 2011) . Telluride Film Festival (September 2-5, 2011), presented by the National Film Preserve, announces its program for the 38th Telluride Film Festival. Featuring diverse programming from around the globe, Tff once again sets the stage for some of the year.s most highly anticipated films.
Tff opens its 38th year with over twenty-five new feature films plus special artist tributes, Guest Director programs selected by Caetano Veloso, Backlot programs, classics and restorations, shorts, student films, seminars and conversations, each introduced or proceeded with a Q&A by its filmmaker, actors, writer or producer. Telluride Film Festival opens Friday, September 2 and runs through Labor Day, Monday, September 5.
The .Show.
38th Telluride Film Festival is proud...
- 9/1/2011
- by Michelle McCue
- WeAreMovieGeeks.com
"Take a close look at the lineup the Telluride Film Festival," advises Eugene Hernandez at indieWIRE. "These are films you’ll be hearing a lot about over the next few weeks during a fall festival swing that begins in Venice, travels to Telluride and continues through to big-city fests in Toronto and then New York. For many movies on the roster, the journey even dates back to Cannes in May."
The festival opens tomorrow and runs through Labor Day; meantime, here's the Show:
Viviana García Besné's Perdida, a look at the Calderon family, a cinema dynasty in Mexico.
Dr. Biju's The Way Home. See the description from the London Indian Film Festival.
Joseph Cedar's Footnote. See the Cannes roundup.
Mark Cousins's The Story of Film: An Odyssey. Trailer (scroll down about halfway).
David Cronenberg's A Dangerous Method. Premieres tomorrow (Friday) in Venice.
Luc and Jean-Pierre Dardenne's The Kid with a Bike.
The festival opens tomorrow and runs through Labor Day; meantime, here's the Show:
Viviana García Besné's Perdida, a look at the Calderon family, a cinema dynasty in Mexico.
Dr. Biju's The Way Home. See the description from the London Indian Film Festival.
Joseph Cedar's Footnote. See the Cannes roundup.
Mark Cousins's The Story of Film: An Odyssey. Trailer (scroll down about halfway).
David Cronenberg's A Dangerous Method. Premieres tomorrow (Friday) in Venice.
Luc and Jean-Pierre Dardenne's The Kid with a Bike.
- 9/1/2011
- MUBI
Telluride Festival Primary Lineup Announced: New Films From David Cronenberg, Werner Herzog and more
The Telluride Film Festival, a presentation of the National Film Preserve which takes place beginning tomorrow, Friday Sept 2 and runs through Monday Sept 5, has announced the first list of films set to screen during the five day run. One of the reasons that Telluride is so special is because the festival doesn’t announce the lineup until the day before the festival begins, so attendees have to commit to the fest without knowing what they will see. However the festival has a reputation for screening an incredible line up each and every single year, sometimes beating the Toronto International Film Festival to some of the big North American premieres. This year is no exception. The first list of films announced includes David Cronenberg‘s A Dangerous Method, The Turrin horse by Sos face Bela Tarr, The Artist, Into The Abyss, Steve McQueen ‘s Shame and the Dardenne Brothers‘ The Kid With a Bike.
- 9/1/2011
- by Ricky
- SoundOnSight
The Telluride Film Festival [1], a presentation of the National Film Preserve which takes place beginning tomorrow, Friday Sept 2 and runs through Monday Sept 5, is an unusual beast as far as film festivals go. The core film lineup is not announced until the day before the festival begins, so attendees have to commit to the fest without knowing any of the movies that will definitely play. Now the first list of films is out, and it has some expected inclusions such as David Cronenberg's A Dangerous Method (trailer [2]) and the Cannes fave The Artist (trailer [3]). In addition there are some good surprises, such as Steve McQueen and Michael Fassbender's reunion, Shame (pics [4]), and the Dardenne Brothers' The Kid With a Bike. More films will be announced at the last minute over the next couple days. One addition, for example, according to Kris Tapley, is Butter. Peter is arriving in...
- 9/1/2011
- by Russ Fischer
- Slash Film
Kicking off tomorrow for just four days, the Telluride Film Festival is nice precursor to the North American fall film festivals including Toronto and New York. They’ve unveiled their first line-up in press release and it is surprise free. Last year, they had the premiere of Peter Weir’s The Way Back, with no other festival showing the bleak adventure drama.
This year it is mostly titles headed to Toronto the next week including David Cronenberg‘s A Dangerous Method, Steve McQueen‘s Shame, Alexander Payne‘s The Descendants, Martin Scorsese‘s George Harrison doc, as well as Cannes titles like Pina, The Artist, Footnote, Le Havre and We Need To Talk About Kevin. Check out the line-up below.
Telluride, Co (September 1, 2011) – Telluride Film Festival (September 2-5, 2011), presented by the National Film Preserve, announces its program for the 38th Telluride Film Festival. Featuring diverse programming from around the globe,...
This year it is mostly titles headed to Toronto the next week including David Cronenberg‘s A Dangerous Method, Steve McQueen‘s Shame, Alexander Payne‘s The Descendants, Martin Scorsese‘s George Harrison doc, as well as Cannes titles like Pina, The Artist, Footnote, Le Havre and We Need To Talk About Kevin. Check out the line-up below.
Telluride, Co (September 1, 2011) – Telluride Film Festival (September 2-5, 2011), presented by the National Film Preserve, announces its program for the 38th Telluride Film Festival. Featuring diverse programming from around the globe,...
- 9/1/2011
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
By Sean O’Connell
Hollywoodnews.com: Updated: The full Telluride program has been posted at the bottom of this story!
It has begun. Now that Venice has opened, and with 98% of Hollywood heading to the mountains for the 38th Telluride Film Festival, the 2011 awards season officially is underway.
Telluride begins screenings on Friday, Sept. 2, and runs through Monday, Sept. 5. After that, the focus shifts to Toronto, which launches Thursday, Sept. 8. It’s about the get extremely busy in our Awards Alley … but we start with Telluride titles.
While screenings are kept under wraps until the fest begins, those arrive at the fest today began tweeting the official selections. What will audience members be seeing?
How about Alexander Payne’s “The Descendants,” which will screen in conjunction with a George Clooney tribute (though Clooney’s own “Ides of March” isn’t mentioned, unless it is a surprise screening), according to InContention...
Hollywoodnews.com: Updated: The full Telluride program has been posted at the bottom of this story!
It has begun. Now that Venice has opened, and with 98% of Hollywood heading to the mountains for the 38th Telluride Film Festival, the 2011 awards season officially is underway.
Telluride begins screenings on Friday, Sept. 2, and runs through Monday, Sept. 5. After that, the focus shifts to Toronto, which launches Thursday, Sept. 8. It’s about the get extremely busy in our Awards Alley … but we start with Telluride titles.
While screenings are kept under wraps until the fest begins, those arrive at the fest today began tweeting the official selections. What will audience members be seeing?
How about Alexander Payne’s “The Descendants,” which will screen in conjunction with a George Clooney tribute (though Clooney’s own “Ides of March” isn’t mentioned, unless it is a surprise screening), according to InContention...
- 9/1/2011
- by Sean O'Connell
- Hollywoodnews.com
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