Nestled in the verdant Swiss Alps, on the shore of Lake Maggiore near the Italian border, Locarno is a beautiful setting for one of Europe’s preeminent summer film festivals. While most screenings take place in the sleek, modernist cinemas that are dotted around the small town, each evening also has at least one open-air projection in the central square, bolstering the impact of the festival’s more high-profile titles by presenting them amid rustic cobbles, gorgeous mountain scenery, and several centuries of history.
Holding an international showcase like this in such a breathtaking place also serves to underline some of the interesting contradictions and alternately jarring and fruitful clashes that a legacy film festival can create, which were never more apparent than at this year’s edition. Case in point, the Monday-night screening of Luc Jacquet’s Antarctica Calling, which was prefaced by a pre-screening award presentation that was interrupted by environmental activists.
Holding an international showcase like this in such a breathtaking place also serves to underline some of the interesting contradictions and alternately jarring and fruitful clashes that a legacy film festival can create, which were never more apparent than at this year’s edition. Case in point, the Monday-night screening of Luc Jacquet’s Antarctica Calling, which was prefaced by a pre-screening award presentation that was interrupted by environmental activists.
- 8/16/2023
- by David Robb
- Slant Magazine
Javier Krause, one of Argentina’s key sales agents and co-founder of Kaflims Argentina, has crossed the Atlantic and started Kafilms Suisse, a new Swiss production company where he is taking the reins to create new content for international audiences, including two new Italian co-productions which Krause has announced in exclusivity with Variety.
Joined by Maurizio and Manuel Tedesco of Italy’s Baires Produzioni, backers of Filmax-sold “Tomorrow’s a New Day” from Simone Spada and WWI drama “Il destino degli uomini,” Kafilms will co-produce “The Eye of the Rabbit” from debut feature filmmakers Valentina and Francesca Bertuzzi and “L’Arminuta,” – currently in production – written by Monica Zapelli in collaboration with the author of the eponymous novel on which the film is based, Donatella di Pietrantonio.
“The Eye of the Rabbit” turns on Liz, the eldest daughter of a middle-class Roman family who discovers a mysterious hole that, night after night,...
Joined by Maurizio and Manuel Tedesco of Italy’s Baires Produzioni, backers of Filmax-sold “Tomorrow’s a New Day” from Simone Spada and WWI drama “Il destino degli uomini,” Kafilms will co-produce “The Eye of the Rabbit” from debut feature filmmakers Valentina and Francesca Bertuzzi and “L’Arminuta,” – currently in production – written by Monica Zapelli in collaboration with the author of the eponymous novel on which the film is based, Donatella di Pietrantonio.
“The Eye of the Rabbit” turns on Liz, the eldest daughter of a middle-class Roman family who discovers a mysterious hole that, night after night,...
- 12/1/2020
- by Jamie Lang
- Variety Film + TV
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