When California State University Northridge’s head of film production Nate Thomas came to visit one of his first students, Paul Hunter, on the set of the new David Oyelowo-starring Apple TV Plus series “Government Cheese,” the Northridge alum and show co-creator could be heard boasting about his time in the program.
After learning to tell stories at Csun, Hunter spun a renowned career directing music videos for Beyonce and U2, among others, into helming Bacardi spots with Michael B. Jordan and Cannes Golden Lion-winning campaigns for Nike. Much of that has been through PrettyBird, a Hollywood commercial house he co-founded and uses in part to help foster and launch the careers of other underrepresented voices. “It all started at Northridge,” Thomas says. “We do filmmaking not just for the privileged. We make it for all people who have a story to tell.”
Since 2016, the Hispanic-serving institution’s film...
After learning to tell stories at Csun, Hunter spun a renowned career directing music videos for Beyonce and U2, among others, into helming Bacardi spots with Michael B. Jordan and Cannes Golden Lion-winning campaigns for Nike. Much of that has been through PrettyBird, a Hollywood commercial house he co-founded and uses in part to help foster and launch the careers of other underrepresented voices. “It all started at Northridge,” Thomas says. “We do filmmaking not just for the privileged. We make it for all people who have a story to tell.”
Since 2016, the Hispanic-serving institution’s film...
- 4/25/2024
- by Abbey White
- Variety Film + TV
Ten documentary projects from eight countries have been selected as grantees of Project: Hatched, a Chicken & Egg Pictures program designed to support directors as they develop and launch strategic impact campaigns.
Many of the selected projects had prestigious premieres at film festivals, including Sundance and IDFA. But despite the high-profile debuts, the dismal docu marketplace has forced filmmakers to figure out various alternative distribution models. Project: Hatched funding can help filmmakers ensure an impact campaign around a project that in all likelihood took years to make. Even films such as this year’s Project: Hatched grantee title “Pay or Die,” which was acquired by MTV Documentary Films, are in need of funding for an impact campaign.
Each of the 10 selected film will receive $30,000, which will go towards completion funding and impact campaigns. This is the first year that the grant’s criteria were expanded to include international projects. Additionally, this...
Many of the selected projects had prestigious premieres at film festivals, including Sundance and IDFA. But despite the high-profile debuts, the dismal docu marketplace has forced filmmakers to figure out various alternative distribution models. Project: Hatched funding can help filmmakers ensure an impact campaign around a project that in all likelihood took years to make. Even films such as this year’s Project: Hatched grantee title “Pay or Die,” which was acquired by MTV Documentary Films, are in need of funding for an impact campaign.
Each of the 10 selected film will receive $30,000, which will go towards completion funding and impact campaigns. This is the first year that the grant’s criteria were expanded to include international projects. Additionally, this...
- 8/17/2023
- by Addie Morfoot
- Variety Film + TV
Everything Everywhere All at Once won big at this year’s Independent Spirit Awards, taking home seven awards out of eight nominations. The only award it didn’t win was, interestingly enough, one it did win, as Ke Huy Quan beat Jamie Lee Curtis in the Best Supporting Performance category.
Here are the winners of winners of the 38th Independent Spirit Awards:
Movies:
Best Feature:
Bones and All
Everything Everywhere All At Once
Our Father, The Devil
Tár
Women Talking
Best Director:
Todd Field, Tár
Kogonada, After Yang
Daniel Kwan, Daniel Scheinert, Everything Everywhere All at Once
Sarah Polley, Women Talking
Halina Reijn, Bodies Bodies Bodies
Best First Feature:
Aftersun
Emily the Criminal
The Inspection
Murina
Palm Trees and Power Lines
Best Lead Performance:
Cate Blanchett, Tár
Dale Dickey, A Love Song
Mia Goth, Pearl
Regina Hall, Honk for Jesus. Save Your Soul.
Paul Mescal, Aftersun
Aubrey Plaza, Emily the Criminal
Jeremy Pope,...
Here are the winners of winners of the 38th Independent Spirit Awards:
Movies:
Best Feature:
Bones and All
Everything Everywhere All At Once
Our Father, The Devil
Tár
Women Talking
Best Director:
Todd Field, Tár
Kogonada, After Yang
Daniel Kwan, Daniel Scheinert, Everything Everywhere All at Once
Sarah Polley, Women Talking
Halina Reijn, Bodies Bodies Bodies
Best First Feature:
Aftersun
Emily the Criminal
The Inspection
Murina
Palm Trees and Power Lines
Best Lead Performance:
Cate Blanchett, Tár
Dale Dickey, A Love Song
Mia Goth, Pearl
Regina Hall, Honk for Jesus. Save Your Soul.
Paul Mescal, Aftersun
Aubrey Plaza, Emily the Criminal
Jeremy Pope,...
- 3/5/2023
- by Mathew Plale
- JoBlo.com
The blue carpet has been rolled up, and now we know who are the 2023 Independent Spirit Awards winners. The list of nominees recognized the best among films made for under $30 million in 2023 — that’s an increase from the previous budget cap, in recognition of ever-increasing production costs.
“Everything Everywhere All at Once” earned pretty much a clean sweep: winning all seven of the categories in which it was nominated, including Best Feature, and seven of its eight nominees winning overall — Ke Huy Quan and Jamie Lee Curtis were competing against each other in one category, Supporting Performance, with the former winning.
Yes, the 38th edition of the awards put on by Film Independent have made a change previously adopted by the Gotham Awards: to have gender-neutral performance categories. That means Cate Blanchett was not just competing against Michelle Yeoh for Best Lead Performance (who ultimately won), but also Paul Mescal...
“Everything Everywhere All at Once” earned pretty much a clean sweep: winning all seven of the categories in which it was nominated, including Best Feature, and seven of its eight nominees winning overall — Ke Huy Quan and Jamie Lee Curtis were competing against each other in one category, Supporting Performance, with the former winning.
Yes, the 38th edition of the awards put on by Film Independent have made a change previously adopted by the Gotham Awards: to have gender-neutral performance categories. That means Cate Blanchett was not just competing against Michelle Yeoh for Best Lead Performance (who ultimately won), but also Paul Mescal...
- 3/5/2023
- by Christian Blauvelt
- Indiewire
“All That Breathes,” a documentary about two brothers who run a refuge for birds that have been injured by the pollution in New Dehli, has been named the best nonfiction film of 2022 at the 16th annual Cinema Eye Honors ceremony, which took place on Thursday night at the Museum of the Moving Image in Astoria, Queens, New York.
“All That Breathes” previously won the top award at the International Documentary Association’s IDA Documentary Awards, the other major award devoted to nonfiction film. It is also on the 15-film shortlist for the Academy Award for Best Documentary Feature.
Laura Poitras won the award for directing for “All the Beauty and the Bloodshed,” while “Navalny” won the award for production.
Also Read:
‘All That Breathes’ Director Shaunak Sen on Breaking Nature Doc Clichés While Filming Hospitalized Birds
In the craft categories, a distinctive feature of the Cinema Eye Honors, the immersive...
“All That Breathes” previously won the top award at the International Documentary Association’s IDA Documentary Awards, the other major award devoted to nonfiction film. It is also on the 15-film shortlist for the Academy Award for Best Documentary Feature.
Laura Poitras won the award for directing for “All the Beauty and the Bloodshed,” while “Navalny” won the award for production.
Also Read:
‘All That Breathes’ Director Shaunak Sen on Breaking Nature Doc Clichés While Filming Hospitalized Birds
In the craft categories, a distinctive feature of the Cinema Eye Honors, the immersive...
- 1/13/2023
- by Steve Pond
- The Wrap
For years HBO Documentary Films, under the stewardship of Sheila Nevins, dominated the Oscars, racking up nominations and wins left and right. But since her departure in 2018 it has faced an Oscar dry spell, at least in the documentary feature category. All that could change this year, in a major way.
HBO Documentary Films has roared into awards season with perhaps the strongest slate of contenders of any distributor, beginning with Oscar favorite All That Breathes (with theatrical partners Sideshow and Submarine Deluxe). Shaunak Sen’s lyrical film about two brothers in Delhi, India who rescue and rehabilitate injured birds of prey won the Grand Jury Prize for World Cinema Documentary at Sundance and followed that up by winning the L’Œil d’or prize for documentary at Cannes. All That Breathes has kept the momentum going, taking top honors at the IDA Documentary Awards on Saturday and a nomination from the Cinema Eye Honors.
HBO Documentary Films has roared into awards season with perhaps the strongest slate of contenders of any distributor, beginning with Oscar favorite All That Breathes (with theatrical partners Sideshow and Submarine Deluxe). Shaunak Sen’s lyrical film about two brothers in Delhi, India who rescue and rehabilitate injured birds of prey won the Grand Jury Prize for World Cinema Documentary at Sundance and followed that up by winning the L’Œil d’or prize for documentary at Cannes. All That Breathes has kept the momentum going, taking top honors at the IDA Documentary Awards on Saturday and a nomination from the Cinema Eye Honors.
- 12/11/2022
- by Matthew Carey
- Deadline Film + TV
This year's Film Independent Spirit Awards – the 38th — announced their nominations. And it's shaping up to potentially be a very good ceremony for Everything Everywhere All At Once, TÁR, Women Talking and more.
The awards will be handed out on 4 March, though other details are in flux: broadcast for the last few years on us cable channel IFC, the ceremony's organisers are currently looking for a new TV home. Still, the celebration of indie movies will go ahead as planned.
And while the Indie Spirits don't tend to be a huge Oscar indicator, we'd expect at least a few of the nominees to also show up on the Academy Awards nominations list, to be announced on 24 January.
Check out the full Indie Spirit nomination list below…
Best Feature
Bones And All
Everything Everywhere All At Once
Our Father, The Devil
TÁR
Women Talking
Best First Feature
Aftersun
Emily The Criminal...
The awards will be handed out on 4 March, though other details are in flux: broadcast for the last few years on us cable channel IFC, the ceremony's organisers are currently looking for a new TV home. Still, the celebration of indie movies will go ahead as planned.
And while the Indie Spirits don't tend to be a huge Oscar indicator, we'd expect at least a few of the nominees to also show up on the Academy Awards nominations list, to be announced on 24 January.
Check out the full Indie Spirit nomination list below…
Best Feature
Bones And All
Everything Everywhere All At Once
Our Father, The Devil
TÁR
Women Talking
Best First Feature
Aftersun
Emily The Criminal...
- 11/22/2022
- by James White
- Empire - Movies
The 2023 Film Independent Spirit Award nominations were unveiled on Tuesday, November 22, crowning the past year’s top achievements in indie film. The awards ceremony is over three months away — it takes place March 4 in Santa Monica — but these films now gain traction in the months ahead on the road to the Oscars and other awards. This year’s crop of nominees were revealed by presenters Taylour Paige and Raúl Castillo (a nominee for Best Supporting Male for 2018’s “We the Animals”). This year’s television nominees will be revealed later on December 13.
“Everything Everywhere All at Once” leads the nominees with nods in eight categories, with “TÁR” close behind with seven nominations, including Best Feature, Best Lead Performance, Best Supporting Performance, Best Screenplay, and Best Director.
In a first for Film Independent, this year’s awards shifted to gender-neutral acting categories in lead and supporting across film and television. Other...
“Everything Everywhere All at Once” leads the nominees with nods in eight categories, with “TÁR” close behind with seven nominations, including Best Feature, Best Lead Performance, Best Supporting Performance, Best Screenplay, and Best Director.
In a first for Film Independent, this year’s awards shifted to gender-neutral acting categories in lead and supporting across film and television. Other...
- 11/22/2022
- by Ryan Lattanzio
- Indiewire
We now have a clear picture of where the Oscar race for Best Documentary Feature is headed. With Friday’s announcement of the International Documentary Association‘s (IDA) nominations, all four of the major nonfiction precursors have now weighed in. Cinema Eye Honors (Ceh) announced their nominees on November 10, Doc NYC gave us their annual shortlist on October 18, and the Critics’ Choice Documentary Awards (Ccda) presented their slate on October 17. Only two films were recognized for top honors by all four of those groups: Sara Dosa‘s “Fire of Love” and Daniel Roher‘s “Navalny.”
Before we get into the full state of this year’s race, let’s understand why these four groups are so important. First off, in the last five years only one film — “The Mole Agent” (2020)– was nominated for the Academy Award without recognition from at least one of these groups first. Of the other 24 nominated films,...
Before we get into the full state of this year’s race, let’s understand why these four groups are so important. First off, in the last five years only one film — “The Mole Agent” (2020)– was nominated for the Academy Award without recognition from at least one of these groups first. Of the other 24 nominated films,...
- 11/13/2022
- by John Benutty
- Gold Derby
Representation in the arts matters, and for young, up and coming stars representing a minority, it’s important and powerful to be recognised, and vitally, to be seen. BAFTA seemingly agree – and are spotlighting talent from in-front of and behind the lens from across the UK & US, in their annual initiative titled BAFTA Breakthrough, with alumni consisting of the likes of Tom Holland, Florence Pugh, Letitia Wright & Jessie Buckley.
This year we had the pleasure to speak to two of the breakthroughs, in British actress Rose Ayling-Ellis, as well as American actor Brandon Perea, who made his name with a role in Jordan Peele’s Nope. We spoke about their thoughts on being named a Breakthrough star, and what it means for them personally and for their respective careers. We also look back on projects been, such as Eastenders for Ayling-Ellis, and Nope for Perea, and look ahead to the future,...
This year we had the pleasure to speak to two of the breakthroughs, in British actress Rose Ayling-Ellis, as well as American actor Brandon Perea, who made his name with a role in Jordan Peele’s Nope. We spoke about their thoughts on being named a Breakthrough star, and what it means for them personally and for their respective careers. We also look back on projects been, such as Eastenders for Ayling-Ellis, and Nope for Perea, and look ahead to the future,...
- 11/11/2022
- by Stefan Pape
- HeyUGuys.co.uk
The Cinema Eye Honors (Ceh) nominations announced on November 10 raise the profile of some of this year’s hottest contenders in the Oscar race for Best Documentary Feature. Sara Dosa’s “Fire of Love” and Alex Pritz’ “The Territory” reaped a leading seven bids apiece, tying the record for most Cinema Eye nominations in a single year.
“The Territory” is up for the top prize, Best Nonfiction Feature, plus Debut, Production, Cinematography, Original Score, Sound Design, and the Audience Choice Prize. Dosa is one of the five women nominated for Direction this year. Her film “Fire of Love” is also nominated in the top category, Editing, Original Score, Sound Design, Visual Design, and the Audience Choice Prize.
The other four films nominated for Best Nonfiction Feature are “All That Breathes” by Shaunak Sen, “All the Beauty and the Bloodshed” by Laura Poitras, “Navalny” by Daniel Roher, and “A Night of Knowing Nothing” by Payal Kapadia.
“The Territory” is up for the top prize, Best Nonfiction Feature, plus Debut, Production, Cinematography, Original Score, Sound Design, and the Audience Choice Prize. Dosa is one of the five women nominated for Direction this year. Her film “Fire of Love” is also nominated in the top category, Editing, Original Score, Sound Design, Visual Design, and the Audience Choice Prize.
The other four films nominated for Best Nonfiction Feature are “All That Breathes” by Shaunak Sen, “All the Beauty and the Bloodshed” by Laura Poitras, “Navalny” by Daniel Roher, and “A Night of Knowing Nothing” by Payal Kapadia.
- 11/11/2022
- by John Benutty
- Gold Derby
The Cinema Eye Honors has announced the full slate of nominees for its 16th Annual Awards Ceremony meant to recognize outstanding artistry and craft in nonfiction filmmaking.
Two National Geographic films — Sara Dosa’s “Fire of Love” and Alex Pritz’s “The Territory”— not only led all nominees with seven nominations (including Outstanding Nonfiction Feature for both), but tied the record for most nominations in a single year. Next in line is the Cannes-winning feature, “All That Breathes,” directed by Shaunak Sen, which got six nominations. The Laura Poitras-directed documentary “All the Beauty and the Bloodshed” and Payal Kapadia’s “A Night of Knowing Nothing” followed with four nominations.
This year’s awards mark the first time in Cinema Eye history that five women were nominated for Outstanding Direction, with “Beba” director Rebeca Huntt and “Descendant” filmmaker Margaret Brown joining Sara Dosa, Payal Kapadia, Laura Poitras, and Shaunak Sen in the category.
Two National Geographic films — Sara Dosa’s “Fire of Love” and Alex Pritz’s “The Territory”— not only led all nominees with seven nominations (including Outstanding Nonfiction Feature for both), but tied the record for most nominations in a single year. Next in line is the Cannes-winning feature, “All That Breathes,” directed by Shaunak Sen, which got six nominations. The Laura Poitras-directed documentary “All the Beauty and the Bloodshed” and Payal Kapadia’s “A Night of Knowing Nothing” followed with four nominations.
This year’s awards mark the first time in Cinema Eye history that five women were nominated for Outstanding Direction, with “Beba” director Rebeca Huntt and “Descendant” filmmaker Margaret Brown joining Sara Dosa, Payal Kapadia, Laura Poitras, and Shaunak Sen in the category.
- 11/10/2022
- by Marcus Jones
- Indiewire
“Fire of Love” and “The Territory” led all films in nominations for the 16th annual Cinema Eye Honors, awards that were established in 2007 to honor all aspects of nonfiction filmmaking.
“Fire of Love” is a documentary from Sara Dosa about scientists Katia and Maurice Krafft, set against the volcanoes they spent much of their lives studying; “The Territory” is director Alex Pritz’s look at an indigenous Brazilian tribe threatened by deforestation. Both films received seven nominations, tying the record for the most Cinema Eye noms in a single year.
Shaunak Sen’s “All That Breathes” received six nominations, while Laura Poitras’ “All the Beauty and the Bloodshed” and Payal Kapadia’s “A Night of Knowing Nothing” each received four.
In the Outstanding Nonfiction Feature category, those five films were joined by Daniel Roher’s “Navalny.”
Also Read:
‘Fire of Love,’ ‘Good Night Oppy’ Lead Critics Choice Documentary Awards Nominations...
“Fire of Love” is a documentary from Sara Dosa about scientists Katia and Maurice Krafft, set against the volcanoes they spent much of their lives studying; “The Territory” is director Alex Pritz’s look at an indigenous Brazilian tribe threatened by deforestation. Both films received seven nominations, tying the record for the most Cinema Eye noms in a single year.
Shaunak Sen’s “All That Breathes” received six nominations, while Laura Poitras’ “All the Beauty and the Bloodshed” and Payal Kapadia’s “A Night of Knowing Nothing” each received four.
In the Outstanding Nonfiction Feature category, those five films were joined by Daniel Roher’s “Navalny.”
Also Read:
‘Fire of Love,’ ‘Good Night Oppy’ Lead Critics Choice Documentary Awards Nominations...
- 11/10/2022
- by Steve Pond
- The Wrap
The Oscar prospects for Fire of Love, The Territory, and All That Breathes got a significant boost today with the announcement of the nominations for the 16th Annual Cinema Eye Honors.
Sara Dosa’s Fire of Love and Alex Pritz’s The Territory tied with a leading seven nominations apiece, while All That Breathes, from director Shaunak Sen, was recognized in half a dozen categories. Fellow Oscar contenders All the Beauty and the Bloodshed — the Venice Golden Lion winner directed by Laura Poitras — and Payal Kapadia’s A Night of Knowing Nothing earned four nominations apiece.
In the marquee category of Outstanding Nonfiction Feature, six films will go head to head at the Cinema Eye Honors: All That Breathes; All the Beauty and the Bloodshed; Fire of Love; Navalny — Daniel Roher’s documentary on Russian opposition leader Alexei Navalny; A Night of Knowing Nothing, and The Territory [see the full list of nominees below].
Pritz, making his...
Sara Dosa’s Fire of Love and Alex Pritz’s The Territory tied with a leading seven nominations apiece, while All That Breathes, from director Shaunak Sen, was recognized in half a dozen categories. Fellow Oscar contenders All the Beauty and the Bloodshed — the Venice Golden Lion winner directed by Laura Poitras — and Payal Kapadia’s A Night of Knowing Nothing earned four nominations apiece.
In the marquee category of Outstanding Nonfiction Feature, six films will go head to head at the Cinema Eye Honors: All That Breathes; All the Beauty and the Bloodshed; Fire of Love; Navalny — Daniel Roher’s documentary on Russian opposition leader Alexei Navalny; A Night of Knowing Nothing, and The Territory [see the full list of nominees below].
Pritz, making his...
- 11/10/2022
- by Matthew Carey
- Deadline Film + TV
Click here to read the full article.
Fire of Love and The Territory landed a field-leading seven mentions, including best feature, in the Cinema Eye Honors nominations, which were announced Thursday.
The Ceh organization, which celebrates nonfiction work on screens big and small, also nominated All That Breathes (six noms), All the Beauty and the Bloodshed (four noms), Navalny (three noms) and A Night of Knowing Nothing (four noms) for its top honor.
Meanwhile, in the directing category, an unprecedented five of the six nominees are women: Laura Poitras (All the Beauty and the Bloodshed), Rebecca Huntt (Beba), Margaret Brown (Descendant), Sara Dosa (Fire of Love) and Payal Kapadia (A Night of Knowing Nothing). The sixth nominee is Shaunak Sen (All That Breathes).
Poitras, with her noms for feature and direction, ties Steve James for the most Ceh noms of all time, with 13.
Alex Pritz has the most individual noms this year,...
Fire of Love and The Territory landed a field-leading seven mentions, including best feature, in the Cinema Eye Honors nominations, which were announced Thursday.
The Ceh organization, which celebrates nonfiction work on screens big and small, also nominated All That Breathes (six noms), All the Beauty and the Bloodshed (four noms), Navalny (three noms) and A Night of Knowing Nothing (four noms) for its top honor.
Meanwhile, in the directing category, an unprecedented five of the six nominees are women: Laura Poitras (All the Beauty and the Bloodshed), Rebecca Huntt (Beba), Margaret Brown (Descendant), Sara Dosa (Fire of Love) and Payal Kapadia (A Night of Knowing Nothing). The sixth nominee is Shaunak Sen (All That Breathes).
Poitras, with her noms for feature and direction, ties Steve James for the most Ceh noms of all time, with 13.
Alex Pritz has the most individual noms this year,...
- 11/10/2022
- by Scott Feinberg
- The Hollywood Reporter - Movie News
BAFTA has unveiled the 33 creatives across two continents who have been selected for the organization’s talent initiative BAFTA Breakthrough 2022.
Selected from the worlds of film, games and TV by an experienced jury, participants are set to receive professional development support including coaching, mentoring and networking opportunities with BAFTA’s vast range of members from the creative industries.
The 2022 UK jury was chaired by Ade Rawcliffe (group director of diversity and inclusion at ITV), and included Fiona Lamptey (director of features at Netflix), performer Marianne Jean-Baptiste, BBC Comedy commissioning editor Emma Lawson, casting director Lauren Evans, and Breakthrough alumnae Ruth Madeley and Charu Desodt. The U.S. jury was chaired by actor Nyasha Hatendi, and included the actors Jodi Balfour and Bianca Lawson, cinematographer Ava Berkofsky, TV executive producer and showrunner Ari Katcher, director, writer and producer Stephanie Laing and Netflix Studio exec Racheline Benveniste.
The Breakthroughs include creatives from...
Selected from the worlds of film, games and TV by an experienced jury, participants are set to receive professional development support including coaching, mentoring and networking opportunities with BAFTA’s vast range of members from the creative industries.
The 2022 UK jury was chaired by Ade Rawcliffe (group director of diversity and inclusion at ITV), and included Fiona Lamptey (director of features at Netflix), performer Marianne Jean-Baptiste, BBC Comedy commissioning editor Emma Lawson, casting director Lauren Evans, and Breakthrough alumnae Ruth Madeley and Charu Desodt. The U.S. jury was chaired by actor Nyasha Hatendi, and included the actors Jodi Balfour and Bianca Lawson, cinematographer Ava Berkofsky, TV executive producer and showrunner Ari Katcher, director, writer and producer Stephanie Laing and Netflix Studio exec Racheline Benveniste.
The Breakthroughs include creatives from...
- 11/10/2022
- by K.J. Yossman
- Variety Film + TV
Click here to read the full article.
The British Academy has unveiled the latest crop of participants the U.S. and U.K. that will take part in its annual Breakthrough program, aimed at supporting emerging talent across film, TV and video games.
The 32-strong list of names — 20 from the U.K. and 12 from the U.S. — includes an impressive ensemble of creatives, such as Nope breakout Brandon Perea and Sex Education director Runyararo Mapfumo, who were selected by an international jury that included Oscar-winning actress Marianne Jean-Baptiste, Ramy co-creator Ari Katcher and Swan Song and Alex Rider actor Nyasha Hatendi.
Backed by Netflix for the last two years (the streamer’s head of U.K. features Fiona Lamptey is also on the jury), the BAFTA Breakthrough program first launched in the U.K. in 2013 before expanding to China in 2019 and the U.S. and India in 2020. It sees each...
The British Academy has unveiled the latest crop of participants the U.S. and U.K. that will take part in its annual Breakthrough program, aimed at supporting emerging talent across film, TV and video games.
The 32-strong list of names — 20 from the U.K. and 12 from the U.S. — includes an impressive ensemble of creatives, such as Nope breakout Brandon Perea and Sex Education director Runyararo Mapfumo, who were selected by an international jury that included Oscar-winning actress Marianne Jean-Baptiste, Ramy co-creator Ari Katcher and Swan Song and Alex Rider actor Nyasha Hatendi.
Backed by Netflix for the last two years (the streamer’s head of U.K. features Fiona Lamptey is also on the jury), the BAFTA Breakthrough program first launched in the U.K. in 2013 before expanding to China in 2019 and the U.S. and India in 2020. It sees each...
- 11/10/2022
- by Alex Ritman
- The Hollywood Reporter - Movie News
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
All Quiet on the Western Front (Edward Berger)
Though All Quiet on the Western Front aims to show the brute ugliness of war, it has the DNA of a Hollywood movie, and as such seeks to also valorize death and tragedy as a spiritual sacrifice. Its most morally dubious but cinematically appreciative quality is that it’s entertaining to watch. Battles orchestrate violence in ways very similar to the famous beach-storming sequence of Saving Private Ryan. Sweeping tracking shots of soldiers stampeding across a vast canvas of dirt and hills look stunning on a huge screen; too bad this is going straight to Netflix. – Soham G. (full review)
Where to Stream: Netflix
Argentina, 1985 (Santiago Mitre)
During the early morning of March 24, 1976, a...
All Quiet on the Western Front (Edward Berger)
Though All Quiet on the Western Front aims to show the brute ugliness of war, it has the DNA of a Hollywood movie, and as such seeks to also valorize death and tragedy as a spiritual sacrifice. Its most morally dubious but cinematically appreciative quality is that it’s entertaining to watch. Battles orchestrate violence in ways very similar to the famous beach-storming sequence of Saving Private Ryan. Sweeping tracking shots of soldiers stampeding across a vast canvas of dirt and hills look stunning on a huge screen; too bad this is going straight to Netflix. – Soham G. (full review)
Where to Stream: Netflix
Argentina, 1985 (Santiago Mitre)
During the early morning of March 24, 1976, a...
- 10/28/2022
- by Jordan Raup
- The Film Stage
Vladimir Putin may prefer that people forget about imprisoned Russian opposition leader Alexei Navalny, but the Cinema Eye Honors isn’t.
The awards show dedicated to the art and craft of documentary film today announced its 2023 Unforgettables list of the most memorable subjects of nonfiction films this year, and Navalny’s name was front and center. The story of the lawyer and anti-corruption crusader, who was almost killed in a Kremlin poisoning plot in 2020, is told in the award-winning film Navalny, directed by Daniel Roher.
Joining Navalny on the Unforgettables list is another political leader — Gabby Giffords, the former Congresswoman from Arizona who was severely injured in an assassination attempt in 2011. Her difficult road to recovery and return to activism is told in Gabby Giffords Won’t Back Down, directed by Betsy West and Julie Cohen.
Artist Nan Goldin
Nan Goldin, the artist at the center of the Laura Poitras...
The awards show dedicated to the art and craft of documentary film today announced its 2023 Unforgettables list of the most memorable subjects of nonfiction films this year, and Navalny’s name was front and center. The story of the lawyer and anti-corruption crusader, who was almost killed in a Kremlin poisoning plot in 2020, is told in the award-winning film Navalny, directed by Daniel Roher.
Joining Navalny on the Unforgettables list is another political leader — Gabby Giffords, the former Congresswoman from Arizona who was severely injured in an assassination attempt in 2011. Her difficult road to recovery and return to activism is told in Gabby Giffords Won’t Back Down, directed by Betsy West and Julie Cohen.
Artist Nan Goldin
Nan Goldin, the artist at the center of the Laura Poitras...
- 10/26/2022
- by Matthew Carey
- Deadline Film + TV
Laura Poitras’s documentary All the Beauty and the Bloodshed appears to be on more solid ground as a possible Oscar frontrunner, after the release of Doc NYC’s influential shortlist of the year’s top nonfiction films.
Atbatb made the Doc NYC cut of 15 feature films Tuesday, a day after it missed out on a nomination as Best Documentary Feature for the Critics’ Choice Documentary Awards (Poitras did earn a Best Director nomination and her film was nominated as Best Political Documentary by the critics group).
All the Beauty and the Bloodshed, about artist Nan Goldin and her indefatigable campaign against the Sackler family of Oxycontin ignominy, last month became only the second documentary to win the top prize in Venice. Joining the film on the Doc NYC shortlist is Fire of Love, the National Geographic documentary that has earned more than 1.5 million in worldwide release. It tells the...
Atbatb made the Doc NYC cut of 15 feature films Tuesday, a day after it missed out on a nomination as Best Documentary Feature for the Critics’ Choice Documentary Awards (Poitras did earn a Best Director nomination and her film was nominated as Best Political Documentary by the critics group).
All the Beauty and the Bloodshed, about artist Nan Goldin and her indefatigable campaign against the Sackler family of Oxycontin ignominy, last month became only the second documentary to win the top prize in Venice. Joining the film on the Doc NYC shortlist is Fire of Love, the National Geographic documentary that has earned more than 1.5 million in worldwide release. It tells the...
- 10/19/2022
- by Matthew Carey
- Deadline Film + TV
Doc NYC, America’s largest documentary festival, announced the titles of its annual Short List: Features program on October 18. The Short List represents a selection of films the festival’s programming team considers to be among the year’s top contenders for the Oscar for Best Documentary Feature.
Launched in 2012, the Doc NYC Short List: Features selection has included the eventual Oscar winner nine of the last 10 times, including last year’s champ “Summer of Soul.” The festival also boasts that they screened 44 of the last 50 Oscar-nominated features and in 2021 screened 11 of the 15 films that were named to the academy’s pre-nominees shortlist.
Among this year’s selection is a documentary everyone is watching closely, “All the Beauty and the Bloodshed” by Oscar winner for “Citizenfour” Laura Poitras. That film became only the second documentary to ever win the Golden Lion at the Venice International Film Festival and then screened...
Launched in 2012, the Doc NYC Short List: Features selection has included the eventual Oscar winner nine of the last 10 times, including last year’s champ “Summer of Soul.” The festival also boasts that they screened 44 of the last 50 Oscar-nominated features and in 2021 screened 11 of the 15 films that were named to the academy’s pre-nominees shortlist.
Among this year’s selection is a documentary everyone is watching closely, “All the Beauty and the Bloodshed” by Oscar winner for “Citizenfour” Laura Poitras. That film became only the second documentary to ever win the Golden Lion at the Venice International Film Festival and then screened...
- 10/18/2022
- by John Benutty
- Gold Derby
The International Documentary Association (IDA) has announced the full program for its annual screening series, including the 10 films that have been chosen for its Awards Campaign Access Initiative (Acai).
The program will open with Netflix’s “Descendant,” a film produced by the Obamas’ company Higher Ground Productions. The documentary sees director Margaret Brown return to her hometown of Mobile, Alabama to document the search for The Clotilda, the last known ship to arrive in the United States, illegally carrying enslaved Africans, and the ramifications its discovery has on the community.
What will follow is a showcase of 43 feature-length documentary films that are eligible for consideration for the upcoming Academy Awards; 20 films will be screened both in-person and online, and 35 will be available for virtual viewing only.
The films selected for the Acai, a program meant to support independent filmmakers from historically excluded communities currently pursuing a film awards campaign, are:
Beba | Dir.
The program will open with Netflix’s “Descendant,” a film produced by the Obamas’ company Higher Ground Productions. The documentary sees director Margaret Brown return to her hometown of Mobile, Alabama to document the search for The Clotilda, the last known ship to arrive in the United States, illegally carrying enslaved Africans, and the ramifications its discovery has on the community.
What will follow is a showcase of 43 feature-length documentary films that are eligible for consideration for the upcoming Academy Awards; 20 films will be screened both in-person and online, and 35 will be available for virtual viewing only.
The films selected for the Acai, a program meant to support independent filmmakers from historically excluded communities currently pursuing a film awards campaign, are:
Beba | Dir.
- 8/30/2022
- by Marcus Jones
- Indiewire
New films from Werner Herzog, Laura Poitras, Cristian Mungiu and Jerzy Skolimowski have been added to the lineup of the 2022 Toronto International film Festival, TIFF organizers announced on Wednesday.
The new films are in the TIFF Docs and Contemporary World Cinema sections and together will make up almost 75 additions to the lineup of the festival, which will run from Sept. 8-18.
The TIFF Docs section will open with the world premiere of Sacha Jenkins’ “Louis Armstrong’s Black & Blues.” Other films in the section include Herzog’s “Theatre of Thought,” which examines new research into the brain; Poitras’ “All the Beauty and the Bloodshed,” about artist Nan Goldin and her campaign to get museums to reject the patronage of the Purdue Pharma-owning Sackler family; and “In Her Hands,” Tamana Ayazi and Marcel Mettelsiefen’s film about Zarifa Ghafari, the youngest woman mayor in Afghanistan as the Taliban returned to power in that country.
The new films are in the TIFF Docs and Contemporary World Cinema sections and together will make up almost 75 additions to the lineup of the festival, which will run from Sept. 8-18.
The TIFF Docs section will open with the world premiere of Sacha Jenkins’ “Louis Armstrong’s Black & Blues.” Other films in the section include Herzog’s “Theatre of Thought,” which examines new research into the brain; Poitras’ “All the Beauty and the Bloodshed,” about artist Nan Goldin and her campaign to get museums to reject the patronage of the Purdue Pharma-owning Sackler family; and “In Her Hands,” Tamana Ayazi and Marcel Mettelsiefen’s film about Zarifa Ghafari, the youngest woman mayor in Afghanistan as the Taliban returned to power in that country.
- 8/17/2022
- by Steve Pond
- The Wrap
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
All My Friends Hate Me (Andrew Gaynord)
Pete (Tom Stourton) hasn’t seen his university mates in years. Ten years to be exact. It happens. Life happens. We reach adulthood, mature, and set goals for ourselves that the people who were closest to us during that formidable period simply cannot follow—their own ambitions lie upon different forks in the road. So resentment shouldn’t factor in. Nor should jealousy. Yet Pete can’t help wondering about both. A little voice in the back of his head wonders if a decade was too long to pretend things could pick up where they left off. Would their very posh upbringing think he abandoned them to work with refugees? Do they think he thinks...
All My Friends Hate Me (Andrew Gaynord)
Pete (Tom Stourton) hasn’t seen his university mates in years. Ten years to be exact. It happens. Life happens. We reach adulthood, mature, and set goals for ourselves that the people who were closest to us during that formidable period simply cannot follow—their own ambitions lie upon different forks in the road. So resentment shouldn’t factor in. Nor should jealousy. Yet Pete can’t help wondering about both. A little voice in the back of his head wonders if a decade was too long to pretend things could pick up where they left off. Would their very posh upbringing think he abandoned them to work with refugees? Do they think he thinks...
- 7/29/2022
- by Jordan Raup
- The Film Stage
Acclaimed on the festival circuit and enjoying a summer sleeper release as only Neon can mount, the hypnotic portrait “Beba” takes no prisoners and leaves no casualties in its director’s searching portrait of her own NYC-born, Afro-Latina roots.
Filmmaker Rebeca Huntt, in an exclusive conversation hosted here by IndieWire, sat down with “The Wolfpack” and “Betty” filmmaker Crystal Moselle to discuss the groundbreaking debut feature. The film follows Huntt as she undertakes an unflinching exploration of her own identity through the format of a cinematic memoir. Reflecting on her childhood and adolescence in New York City as the daughter of a Dominican father and Venezuelan mother, Huntt investigates the historical, societal, and generational trauma she’s inherited and ponders how those ancient wounds have shaped her, while simultaneously considering the universal truths that connect us all as humans.
Throughout the movie, Huntt searches for a way to forge her...
Filmmaker Rebeca Huntt, in an exclusive conversation hosted here by IndieWire, sat down with “The Wolfpack” and “Betty” filmmaker Crystal Moselle to discuss the groundbreaking debut feature. The film follows Huntt as she undertakes an unflinching exploration of her own identity through the format of a cinematic memoir. Reflecting on her childhood and adolescence in New York City as the daughter of a Dominican father and Venezuelan mother, Huntt investigates the historical, societal, and generational trauma she’s inherited and ponders how those ancient wounds have shaped her, while simultaneously considering the universal truths that connect us all as humans.
Throughout the movie, Huntt searches for a way to forge her...
- 7/9/2022
- by IndieWire Staff
- Indiewire
Writer-director-subject Rebeca Huntt worries aloud whether her family will ever speak to her again after watching her feature debut Beba. It’s a real concern: not only because of how intimate and uncensored this introspective look at her life and ancestry proves, but because they have a history of verbally and emotionally shutting themselves off from each other. Her brother and father haven’t spoken in over a decade. Her brother isn’t seen or heard from during the film, beyond still photographs. The depiction of her parents makes it seem they aren’t on great terms, either, despite continuing to live together in their rent-controlled Central Park West one-bedroom apartment. None of these truths or assumptions are judgments, though. They’re merely facts Huntt has been forced to confront.
I use the word “confront” because this is an active part of her life. She hasn’t endured these details or overcome them.
I use the word “confront” because this is an active part of her life. She hasn’t endured these details or overcome them.
- 6/24/2022
- by Jared Mobarak
- The Film Stage
Conceptually “Beba” is a welcome departure from the usual void of Afro-Latinx women’s voices on screen. Turning the lens on herself in ways in which we rarely see women of color do, first-time feature filmmaker Rebeca “Beba” Huntt exhibits a vulnerability that is incredibly brave.
It’s never easy for anyone to offer themselves for public inspection, even when personal expression is the key. So what unfolds in “Beba” is wrought with contradictions, as well as portraits that Huntt probably did not intend to paint.
Identity is at the crux of the real-life drama. As one of three children of a Dominican father and Venezuelan mother, both immigrants, Huntt uses this cinematic memoir to try to reconcile her life as a product of multiple childhood realities that includes growing up othered. Even though Huntt describes herself as Afro-Latina and is centered in it, her childhood growing up in Central...
It’s never easy for anyone to offer themselves for public inspection, even when personal expression is the key. So what unfolds in “Beba” is wrought with contradictions, as well as portraits that Huntt probably did not intend to paint.
Identity is at the crux of the real-life drama. As one of three children of a Dominican father and Venezuelan mother, both immigrants, Huntt uses this cinematic memoir to try to reconcile her life as a product of multiple childhood realities that includes growing up othered. Even though Huntt describes herself as Afro-Latina and is centered in it, her childhood growing up in Central...
- 6/24/2022
- by Ronda Racha Penrice
- The Wrap
During the lead-up to the release of Rebeca Huntt’s first feature, Beba, a raw documentary portrait of the artist as a young Afro-Latina filmmaker on a path towards self-acceptance and discovery, the filmmaker and Dp Sophie Stieglitz led a one-day workshop on 16mm production at the cinema arts organization Mono No Aware. Presented by Neon (Beba’s distributor) and Ghetto Film School, six women of color filmmakers were invited to take place and attended “an intimate discussion around personal filmmaking” led by Huntt before being sent outside to the streets of Brooklyn with a roll of film and a Bolex camera. […]
The post Beba Director Rebeca Huntt and Dp Sophie Stieglitz Lead Neon and Ghetto Film School Sponsored 16mm Workshop first appeared on Filmmaker Magazine.
The post Beba Director Rebeca Huntt and Dp Sophie Stieglitz Lead Neon and Ghetto Film School Sponsored 16mm Workshop first appeared on Filmmaker Magazine.
- 6/23/2022
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
During the lead-up to the release of Rebeca Huntt’s first feature, Beba, a raw documentary portrait of the artist as a young Afro-Latina filmmaker on a path towards self-acceptance and discovery, the filmmaker and Dp Sophie Stieglitz led a one-day workshop on 16mm production at the cinema arts organization Mono No Aware. Presented by Neon (Beba’s distributor) and Ghetto Film School, six women of color filmmakers were invited to take place and attended “an intimate discussion around personal filmmaking” led by Huntt before being sent outside to the streets of Brooklyn with a roll of film and a Bolex camera. […]
The post Beba Director Rebeca Huntt and Dp Sophie Stieglitz Lead Neon and Ghetto Film School Sponsored 16mm Workshop first appeared on Filmmaker Magazine.
The post Beba Director Rebeca Huntt and Dp Sophie Stieglitz Lead Neon and Ghetto Film School Sponsored 16mm Workshop first appeared on Filmmaker Magazine.
- 6/23/2022
- by Scott Macaulay
- Filmmaker Magazine - Blog
The long-awaited return of beloved auteurs, new discoveries, decades-in-the-works passion projects, festival winners, and beyond are among June’s major offerings. Check out our picks for what to see below.
15. Watcher (Chloe Okuno; June 3)
Slipping back into a genre she knows well, Maika Monroe leads Chloe Okuno’s Watcher, a slow-burn thriller with a sense of paranoia seeping into every frame. Jake Kring-Schreifels said in his Sundance review, “Ever since It Follows, the 2014 horror movie about a spectral grim reaper stalking a teenage girl, Maika Monroe has become her generation’s avatar of fear and paranoia. Throughout her filmography, she boasts an inner world of melancholy that begins in a delicate register and then multiplies into a feverish anguish the farther her characters tumble down their own rabbit holes. It’s the kind of psychological spiraling that gives oxygen to director Chloe Okuno’s feature debut, Watcher, a chamber piece...
15. Watcher (Chloe Okuno; June 3)
Slipping back into a genre she knows well, Maika Monroe leads Chloe Okuno’s Watcher, a slow-burn thriller with a sense of paranoia seeping into every frame. Jake Kring-Schreifels said in his Sundance review, “Ever since It Follows, the 2014 horror movie about a spectral grim reaper stalking a teenage girl, Maika Monroe has become her generation’s avatar of fear and paranoia. Throughout her filmography, she boasts an inner world of melancholy that begins in a delicate register and then multiplies into a feverish anguish the farther her characters tumble down their own rabbit holes. It’s the kind of psychological spiraling that gives oxygen to director Chloe Okuno’s feature debut, Watcher, a chamber piece...
- 6/1/2022
- by Jordan Raup
- The Film Stage
"Every one of us inherits the curses of our ancestors." Neon has unveiled the trailer for Beba, an acclaimed documentary film made by Rebeca Huntt, also known as "Beba". This first premiered at the 2021 Toronto Film Festival last fall, and it will open in theaters this summer. Beba is a poetic, raw and ruthless coming of age tale, in which a young NYC born and bred Afro-Latina stares down historical, societal, and generational trauma with unflinching courage. Weaving together music, 16mm film, poetry, and interview footage, Huntt traces her life's journey from her family home to the mountains of South America, where she spent youthful summers, then onto the campus where she formed pivotal friendships and began to discover her authentic voice. As Huntt reaches adulthood, intense racial & political unrest mounts, leaving her searching for a way to forge her own creative path and to find her place in the world.
- 5/12/2022
- by Alex Billington
- firstshowing.net
Films do not exist just for entertainment. As a classroom, cinema can offer true learning experiences that change viewers for the better. A particular genre of film with the potential for empathy is documentaries. While still films at home or in a theater, a veil of fiction vanishes. What occurs on-screen during a documentary is something that has, is, or will happen in reality. Merging documentation and personal storytelling is the directorial debut of Rebeca Huntt with “Beba.” After its premiere at the 2021 Toronto International Film Festival, the first trailer for the documentary has arrived.
Continue reading ‘Beba’ Trailer: Rebeca “Beba” Huntt Offers An Unflinching Exploration of Her Own Identity at The Playlist.
Continue reading ‘Beba’ Trailer: Rebeca “Beba” Huntt Offers An Unflinching Exploration of Her Own Identity at The Playlist.
- 5/12/2022
- by Noah Thompson
- The Playlist
After premiering at the 2021 Toronto International Film Festival, Rebeca Huntt’s feature directorial debut, the documentary “Beba,” is now bound for a movie theater near you. Acclaimed on the festival circuit and poised for a summer sleeper release as only Neon can mount, this hypnotic portrait takes no prisoners and leaves no casualties in its director’s searching portrait of her own NYC-born, Afro-Latina roots.
The film will next screen at the Tribeca Film Festival before its nationwide opening, and follows Huntt as she undertakes an unflinching exploration of her own identity through the format of a cinematic memoir. Reflecting on her childhood and adolescence in New York City as the daughter of a Dominican father and Venezuelan mother, Huntt investigates the historical, societal, and generational trauma she’s inherited and ponders how those ancient wounds have shaped her, while simultaneously considering the universal truths that connect us all as humans.
The film will next screen at the Tribeca Film Festival before its nationwide opening, and follows Huntt as she undertakes an unflinching exploration of her own identity through the format of a cinematic memoir. Reflecting on her childhood and adolescence in New York City as the daughter of a Dominican father and Venezuelan mother, Huntt investigates the historical, societal, and generational trauma she’s inherited and ponders how those ancient wounds have shaped her, while simultaneously considering the universal truths that connect us all as humans.
- 5/12/2022
- by Ryan Lattanzio
- Indiewire
The Miami Film Festival returns this year with a hybrid event that includes nine premieres from March 4-13 in the Florida city. The festival had previously announced that “The Good Boss” would open the event while “Plaza Catedral” would be the closer. In total, 120 films from more than 35 countries will unspool next month.
The festival, organized by Miami Dade College, will bestow its Precious Gems Awards on Ramin Bahrani (“The White Tiger”) and Ryusuke Hamaguchi (“Drive My Car”), while Dp Ari Wegner and composer Cristobal Tapia de Veer will receive the Art of Light Awards.
“The collective spirit of joy and gratitude that we felt from patrons and filmmakers at last year’s shared in-person theatrical screenings strengthened the always mighty creative heart of Miami Film Festival,” said executive director Jaie Laplante. “As we take all necessary precautions to ensure the continued safety of our patrons, we look forward to...
The festival, organized by Miami Dade College, will bestow its Precious Gems Awards on Ramin Bahrani (“The White Tiger”) and Ryusuke Hamaguchi (“Drive My Car”), while Dp Ari Wegner and composer Cristobal Tapia de Veer will receive the Art of Light Awards.
“The collective spirit of joy and gratitude that we felt from patrons and filmmakers at last year’s shared in-person theatrical screenings strengthened the always mighty creative heart of Miami Film Festival,” said executive director Jaie Laplante. “As we take all necessary precautions to ensure the continued safety of our patrons, we look forward to...
- 2/1/2022
- by Shalini Dore
- Variety Film + TV
PoetBerlinale have announced the first 62 titles selected for the 72nd edition of their festival, set to take place physically from February 10 — 20.FORUMAfterwater (Dane Komljen)Poet (Darezhan Omirbayev)The Middle AgesEurope (Philip Scheffner)A Flower in the Mouth (Éric Baudelaire)Memoryland (Kim Quy Bui)My Two Voices (Lina Rodriguez)Nuclear Family (Erin Wilkerson, Travis Wilkerson)Super Natural (Jorge Jácome)The United States of America (James Benning)Forum EXPANDEDDragon Tooth (Rafael Castanheira Parrode)Home When You Return (Carl Elsaesser)Jail Bird in a Peacock Chair (James Gregory Atkinson)Sol in the Dark (Mawena Yehouessi)vs (Lydia Nsiah)PANORAMATalking About the Weather (Annika Pinske)The Apartment with Two Women (Kim Se-in)Brainwashed: Sex-Camera-Power (Nina Menkes)Swing Ride (Chiara Bellosi)Dreaming WallsKlondike (Maryna Er Gorbach)A Love Song (Max Walker-Silverman)Myanmar Diaries (The Myanmar Film Collective)Into My Name (Nicolò Bassetti)Nelly & Nadine (Magnus Gertten)We, Students! (Rafiki Fariala)Until Tomorrow (Ali Asgari...
- 12/15/2021
- MUBI
The 2022 Berlin International Film Festival has revealed its first titles, including seven films that have been invited to the Berlinale Special program. You can see the full list of confirmed films below.
Those seven include Peter Flinth’s Against The Ice, starring Nikolaj Coster-Waldau, Joe Cole, Heida Reed and Charles Dance, and Laurent Larivière’s About Joan, starring Isabelle Huppert, which both play as Berlinale Special Galas.
The Panorama program has unveiled 13 titles, with Generation confirming eight features, and further films set for Forum and Forum Expanded.
The Panorama strand includes Myanmar Diaries, a doc/feature hybrid from the Myanmar Film Collective that highlights violence suffered by Burmese citizens.
“The pandemic has created distances – not only between people but also the way we see the world. Amongst the 2022 selection are films shot during the pandemic, reflecting on how it feels to be disconnected from others. It is with this first...
Those seven include Peter Flinth’s Against The Ice, starring Nikolaj Coster-Waldau, Joe Cole, Heida Reed and Charles Dance, and Laurent Larivière’s About Joan, starring Isabelle Huppert, which both play as Berlinale Special Galas.
The Panorama program has unveiled 13 titles, with Generation confirming eight features, and further films set for Forum and Forum Expanded.
The Panorama strand includes Myanmar Diaries, a doc/feature hybrid from the Myanmar Film Collective that highlights violence suffered by Burmese citizens.
“The pandemic has created distances – not only between people but also the way we see the world. Amongst the 2022 selection are films shot during the pandemic, reflecting on how it feels to be disconnected from others. It is with this first...
- 12/15/2021
- by Tom Grater
- Deadline Film + TV
The Berlin Film Festival has revealed several titles across various programs for the 2022 edition of the festival.
Women directors account for seven of the 13 titles revealed so far in the Panorama section, including U.S. filmmaker Nina Menkes’ “Brainwashed: Sex-Camera-Power,” emerging German director Annika Pinske’s debut feature “Alle reden übers Wetter” (“Talking About the Weather”), and Maryna Er Gorbach’s Ukrainian war drama “Klondike.”
“The films confirmed so far herald a contemporary, unsparing but also conciliatory cinema in the 2022 Panorama,” said section head Michael Stütz.
Seven films have been unveiled for the festival’s Berlinale Special gala strand, including Peter Flinth’s “Against the Ice,” starring Nikolaj Coster-Waldau, Laurent Larivière’s “About Joan,” featuring Isabelle Huppert, and Sanjay Leela Bhansali’s “Gangubai Kathiawadi,” with Alia Bhatt.
“The pandemic has created distances – not only between people but also the way we see the world. Amongst the 2022 selection are films shot during the pandemic,...
Women directors account for seven of the 13 titles revealed so far in the Panorama section, including U.S. filmmaker Nina Menkes’ “Brainwashed: Sex-Camera-Power,” emerging German director Annika Pinske’s debut feature “Alle reden übers Wetter” (“Talking About the Weather”), and Maryna Er Gorbach’s Ukrainian war drama “Klondike.”
“The films confirmed so far herald a contemporary, unsparing but also conciliatory cinema in the 2022 Panorama,” said section head Michael Stütz.
Seven films have been unveiled for the festival’s Berlinale Special gala strand, including Peter Flinth’s “Against the Ice,” starring Nikolaj Coster-Waldau, Laurent Larivière’s “About Joan,” featuring Isabelle Huppert, and Sanjay Leela Bhansali’s “Gangubai Kathiawadi,” with Alia Bhatt.
“The pandemic has created distances – not only between people but also the way we see the world. Amongst the 2022 selection are films shot during the pandemic,...
- 12/15/2021
- by Naman Ramachandran
- Variety Film + TV
Jason Wald has joined Neon as VP Acquisitions and Production, reporting to Jeff Deutchman, EVP Acquisitions and Production.
Wald will assist the team in curating the studio’s slate as it continues to ramp up production.
Wald previously served as Director of Acquisitions at Searchlight Pictures, identifying and acquiring features for the label’s theatrical slate and Hulu Originals lineup. He had moved across from Hulu, where he served as Senior Content Acquisition Manager, spending more four years as part of the company’s inaugural film team.
At Hulu, Wald oversaw the company’s Independent Film licensing partnerships and strategy and helped with the launch of Hulu Original Films, where he was involved in picking up such movies as Palm Springs, Boss Level, Bad Hair, False Positive, Big Time Adolescence, Little Monsters, the upcoming reboot of Hellraiser and the Oscar-nominated The United States vs. Billie Holiday, as well as Hulu...
Wald will assist the team in curating the studio’s slate as it continues to ramp up production.
Wald previously served as Director of Acquisitions at Searchlight Pictures, identifying and acquiring features for the label’s theatrical slate and Hulu Originals lineup. He had moved across from Hulu, where he served as Senior Content Acquisition Manager, spending more four years as part of the company’s inaugural film team.
At Hulu, Wald oversaw the company’s Independent Film licensing partnerships and strategy and helped with the launch of Hulu Original Films, where he was involved in picking up such movies as Palm Springs, Boss Level, Bad Hair, False Positive, Big Time Adolescence, Little Monsters, the upcoming reboot of Hellraiser and the Oscar-nominated The United States vs. Billie Holiday, as well as Hulu...
- 11/1/2021
- by Anthony D'Alessandro
- Deadline Film + TV
Jason Wald has joined indie film studio Neon as vice president of acquisitions and production.
Wald joins the Oscar-winning shop from Searchlight Pictures. He will report to Jeff Deutchman, executive vice president of acquisitions and production. The company, behind hits like “Parasite” and “I, Tonya,” is seeking to ramp up original production in addition to curating its ongoing slate.
At Searchlight, Wald served as director of acquisitions. There he identified films for theatrical release and for streaming, via Searchlight’s output arrangement with Hulu. Prior to that, he was a member of the inaugural film team at Hulu Originals in the role of senior content acquisitions manager.
He was involved with fielding titles like “Palm Springs,” “Boss Level,” “Bad Hair,” “False Positive,” “Big Time Adolescence,” “Little Monsters” and the awards player “The United States vs. Billie Holiday.” In his early years, Wald worked at the indie engine Radius-twc, where Neon...
Wald joins the Oscar-winning shop from Searchlight Pictures. He will report to Jeff Deutchman, executive vice president of acquisitions and production. The company, behind hits like “Parasite” and “I, Tonya,” is seeking to ramp up original production in addition to curating its ongoing slate.
At Searchlight, Wald served as director of acquisitions. There he identified films for theatrical release and for streaming, via Searchlight’s output arrangement with Hulu. Prior to that, he was a member of the inaugural film team at Hulu Originals in the role of senior content acquisitions manager.
He was involved with fielding titles like “Palm Springs,” “Boss Level,” “Bad Hair,” “False Positive,” “Big Time Adolescence,” “Little Monsters” and the awards player “The United States vs. Billie Holiday.” In his early years, Wald worked at the indie engine Radius-twc, where Neon...
- 11/1/2021
- by Matt Donnelly
- Variety Film + TV
Neon has acquired worldwide rights to “Beba,” the first film from New York Afro-Latina artist Rebeca Huntt. The documentary-memoir had its world premiere at the Toronto Film Festival, where it was hailed for its “originality, inventiveness and the urgency of Huntt’s voice,” Neon said in a statement.
The film, which weaves together music, 16mm film, poetry and interviews, will get a 2022 release from Neon. The daughter of a Dominican father and Venezuelan mother, Huntt, whose nickname is “Beba,” reflects on her childhood and adolescence in New York City while investigating the historical, societal and generational trauma she has inherited. Throughout the film, she searches for a way to forge her own creative path amidst racial and political unrest.
“Poetic, powerful and profound, ‘Beba’ is a courageous, deeply human self-portrait of an Afro-Latina artist hungry for knowledge and yearning for connection,” Neon said.
Huntt wrote and directed “Beba,” and produced with Sofia Geld.
The film, which weaves together music, 16mm film, poetry and interviews, will get a 2022 release from Neon. The daughter of a Dominican father and Venezuelan mother, Huntt, whose nickname is “Beba,” reflects on her childhood and adolescence in New York City while investigating the historical, societal and generational trauma she has inherited. Throughout the film, she searches for a way to forge her own creative path amidst racial and political unrest.
“Poetic, powerful and profound, ‘Beba’ is a courageous, deeply human self-portrait of an Afro-Latina artist hungry for knowledge and yearning for connection,” Neon said.
Huntt wrote and directed “Beba,” and produced with Sofia Geld.
- 10/2/2021
- by Pat Saperstein
- Variety Film + TV
Rebeca Huntt reflects on identity and upbringing.
Neon has picked up worldwide rights from UTA Independent Film Group to recent TIFF world premiere Beba by New York Afro-Latina artist Rebeca Huntt.
‘Beba’: Toronto Review
The distributor plans a 2022 release on the feature, which weaves together music, 16mm film, poetry, and interview footage as writer-director “Beba” explores her identity and reflects on her childhood and adolescence in New York City as the daughter of a Dominican father and Venezuelan mother.
Huntt produced with Sofia Geld. Petra Costa, Alyse Ardell Spiegel, Alessandra Orofino, Joy Bryant and Inuka Bacote-Capiga are executive producers.
Neon has picked up worldwide rights from UTA Independent Film Group to recent TIFF world premiere Beba by New York Afro-Latina artist Rebeca Huntt.
‘Beba’: Toronto Review
The distributor plans a 2022 release on the feature, which weaves together music, 16mm film, poetry, and interview footage as writer-director “Beba” explores her identity and reflects on her childhood and adolescence in New York City as the daughter of a Dominican father and Venezuelan mother.
Huntt produced with Sofia Geld. Petra Costa, Alyse Ardell Spiegel, Alessandra Orofino, Joy Bryant and Inuka Bacote-Capiga are executive producers.
- 10/1/2021
- by Jeremy Kay
- ScreenDaily
Neon has acquired worldwide rights to Beba, the debut film by New York Afro-Latina artist Rebeca Huntt that recently made its world premiere at the Toronto Film Festival, earning rave reviews. The 16mm feature of poetry and interview footage will debut in 2022.
Huntt undertakes an unflinching exploration of her own identity in the coming-of-age documentary/cinematic memoir. Reflecting on her childhood and adolescence in New York City as the daughter of a Dominican father and Venezuelan mother, she investigates the historical, societal and generational trauma she’s inherited and ponders how those ancient wounds have shaped her, while simultaneously considering the universal truths that connect us all as humans. Huntt searches for a way to forge her own creative path amid a landscape of intense racial and political unrest as an Afro-Latina artist hungry for knowledge and yearning for connection.
Huntt wrote and direct and produced with Sofia Geld. Oscar nominee Petra Costa,...
Huntt undertakes an unflinching exploration of her own identity in the coming-of-age documentary/cinematic memoir. Reflecting on her childhood and adolescence in New York City as the daughter of a Dominican father and Venezuelan mother, she investigates the historical, societal and generational trauma she’s inherited and ponders how those ancient wounds have shaped her, while simultaneously considering the universal truths that connect us all as humans. Huntt searches for a way to forge her own creative path amid a landscape of intense racial and political unrest as an Afro-Latina artist hungry for knowledge and yearning for connection.
Huntt wrote and direct and produced with Sofia Geld. Oscar nominee Petra Costa,...
- 10/1/2021
- by Anthony D'Alessandro
- Deadline Film + TV
Neon has nabbed the worldwide rights to Beba, the debut film by New York Afro-Latina artist Rebeca Huntt.
The documentary about the director’s family bowed at the Toronto Film Festival and will receive a 2022 commercial release. Beba weaves together music, 16mm film, poetry and interview footage as Huntt explores her own identity via the emotional family memoir.
Reflecting on her childhood and adolescence in New York City as the daughter of a Dominican father and Venezuelan mother, Huntt investigates the historical, societal and generational trauma she’s inherited and ponders how those ancient wounds have shaped her, while simultaneously considering the universal ...
The documentary about the director’s family bowed at the Toronto Film Festival and will receive a 2022 commercial release. Beba weaves together music, 16mm film, poetry and interview footage as Huntt explores her own identity via the emotional family memoir.
Reflecting on her childhood and adolescence in New York City as the daughter of a Dominican father and Venezuelan mother, Huntt investigates the historical, societal and generational trauma she’s inherited and ponders how those ancient wounds have shaped her, while simultaneously considering the universal ...
- 10/1/2021
- The Hollywood Reporter - Film + TV
Neon has nabbed the worldwide rights to Beba, the debut film by New York Afro-Latina artist Rebeca Huntt.
The documentary about the director’s family bowed at the Toronto Film Festival and will receive a 2022 commercial release. Beba weaves together music, 16mm film, poetry and interview footage as Huntt explores her own identity via the emotional family memoir.
Reflecting on her childhood and adolescence in New York City as the daughter of a Dominican father and Venezuelan mother, Huntt investigates the historical, societal and generational trauma she’s inherited and ponders how those ancient wounds have shaped her, while simultaneously considering the universal ...
The documentary about the director’s family bowed at the Toronto Film Festival and will receive a 2022 commercial release. Beba weaves together music, 16mm film, poetry and interview footage as Huntt explores her own identity via the emotional family memoir.
Reflecting on her childhood and adolescence in New York City as the daughter of a Dominican father and Venezuelan mother, Huntt investigates the historical, societal and generational trauma she’s inherited and ponders how those ancient wounds have shaped her, while simultaneously considering the universal ...
- 10/1/2021
- The Hollywood Reporter - Movie News
Rebeca Huntt demands attention the moment Beba, her debut documentary premiering at TIFF, begins. “You are now entering my universe,” she says. “I am the lens, the subject, the authority.” How powerful it is to hear a Black woman claim these words and declare her presence in this way. The implications of this statement — its assertion of strength and admission of vulnerability — hum throughout this absorbing experimental documentary about a young woman’s journey to find herself.
The self, like its close cousin identity, are tricky subjects to explore earnestly in the age of the internet and unrelenting ...
The self, like its close cousin identity, are tricky subjects to explore earnestly in the age of the internet and unrelenting ...
- 9/14/2021
- The Hollywood Reporter - Movie News
Rebeca Huntt demands attention the moment Beba, her debut documentary premiering at TIFF, begins. “You are now entering my universe,” she says. “I am the lens, the subject, the authority.” How powerful it is to hear a Black woman claim these words and declare her presence in this way. The implications of this statement — its assertion of strength and admission of vulnerability — hum throughout this absorbing experimental documentary about a young woman’s journey to find herself.
The self, like its close cousin identity, are tricky subjects to explore earnestly in the age of the internet and unrelenting ...
The self, like its close cousin identity, are tricky subjects to explore earnestly in the age of the internet and unrelenting ...
- 9/14/2021
- The Hollywood Reporter - Film + TV
Everyone knows someone like Rebeca Huntt. A born-and-bred New Yorker, she came of age in a one-bedroom apartment on the Upper West Side, her family’s pride and joy. Now well into her twenties, she’s figuring out her priorities as an artist and her place in the world. She loves her parents even if they sometimes push her buttons, she couldn’t be closer with her big sister, and she’d die without her crew of friends.
Continue reading ‘Beba’: Rebeca Huntt’s Earnest Documentary Struggles With Perspective [TIFF Review] at The Playlist.
Continue reading ‘Beba’: Rebeca Huntt’s Earnest Documentary Struggles With Perspective [TIFF Review] at The Playlist.
- 9/12/2021
- by Charles Bramesco
- The Playlist
The Toronto International Film Festival kicks off Thursday and promises to be more sparsely attended than previous iterations which packed the Canadian city with leading lights of Hollywood, power-players and star-gazers. It’s a painful concession to the complexities of international travel during Covid, which is keeping many filmmakers, stars, studio executives and sales agents from making the trip across the border.
But that won’t stop the dealmaking that’s been a staple of past festivals from taking place. Last year, a digital TIFF still hosted mega-sales for Halle Berry’s “Bruised” and “Malcolm & Marie” with Zendaya and John David Washington. The 2021 gathering should be no different with new projects on offer from Naomi Watts, Helen Mirren, Jessica Chastain and plenty of other A-list talent. Let the deals begin!
The Survivor
Director: Barry Levinson
Cast: Ben Foster, Danny DeVito, Vicky Krieps, Billy Magnussen, Peter Sarsgaard
Sales Agent: Endeavor...
But that won’t stop the dealmaking that’s been a staple of past festivals from taking place. Last year, a digital TIFF still hosted mega-sales for Halle Berry’s “Bruised” and “Malcolm & Marie” with Zendaya and John David Washington. The 2021 gathering should be no different with new projects on offer from Naomi Watts, Helen Mirren, Jessica Chastain and plenty of other A-list talent. Let the deals begin!
The Survivor
Director: Barry Levinson
Cast: Ben Foster, Danny DeVito, Vicky Krieps, Billy Magnussen, Peter Sarsgaard
Sales Agent: Endeavor...
- 9/9/2021
- by Brent Lang and Matt Donnelly
- Variety Film + TV
This year’s fall festival season features a tapestry of in-person, virtual, and hybrid programming from Telluride, Venice, TIFF, and NYFF. One throughline: many of the most anticipated premieres — from “Dune” to “The Power of the Dog” — are arriving to festivals with distribution in hand.
Though the festivals have pared down the size of their lineups amid the pandemic, there’s still plenty for buyers to choose from, from discovery titles to those with bankable elements. Gastón Duprat and Mariano Cohn’s “Official Competition” features Antonio Banderas and Penélope Cruz in a rare appearance on screen together; it still has North American rights available ahead of its Venice premiere. In “Lakewood,” Phillip Noyce directs Naomi Watts as a mother racing to her child during an active-shooter incident, it premieres at TIFF. And “Beba,” a personal documentary from first-time feature director Rebeca Huntt, is catching early buzz as a potential TIFF breakout.
Though the festivals have pared down the size of their lineups amid the pandemic, there’s still plenty for buyers to choose from, from discovery titles to those with bankable elements. Gastón Duprat and Mariano Cohn’s “Official Competition” features Antonio Banderas and Penélope Cruz in a rare appearance on screen together; it still has North American rights available ahead of its Venice premiere. In “Lakewood,” Phillip Noyce directs Naomi Watts as a mother racing to her child during an active-shooter incident, it premieres at TIFF. And “Beba,” a personal documentary from first-time feature director Rebeca Huntt, is catching early buzz as a potential TIFF breakout.
- 9/2/2021
- by Chris Lindahl
- Indiewire
While the majority of 2020’s film festivals opted for virtual or hybrid affairs — and some were even cancelled, as was the case for both Cannes and Telluride — this year sees the world creeping, quite cautiously, back into seeming normalcy. Cannes went off without a hitch (albeit in an un-traditional July slot), while both Venice and Telluride are gearing up for in-person editions in the coming days. The Toronto International Film Festival and the New York Film Festival are both going ahead with hybrid events that will likely offer less virtual options for audiences than they did last year, with NYFF even announcing that it would not screen any films on a virtual platform, though some other events will be available that way.
So, no, this year’s packed fall festival season doesn’t look quite the same as it did even two years ago, but 2021 promises to feel more like old times than 2020 ever did.
So, no, this year’s packed fall festival season doesn’t look quite the same as it did even two years ago, but 2021 promises to feel more like old times than 2020 ever did.
- 8/27/2021
- by Kate Erbland, David Ehrlich and Eric Kohn
- Indiewire
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