Arvind Pratap’s “Mariam,” which has post production support from the Busan International Film Festival’s Asian Cinema Fund, tackles a range of social issues in India.
Millions of families from rural India move to the big cities in search of employment and “Mariam” follows one such migrant worker family. The breadwinner is Mariam, who has to look after her three daughters and also takes on an illegal surrogate pregnancy to earn for her family in Mumbai.
Pratap, who previously directed the acclaimed “The Reluctant Crime,” got the idea for the film from a newspaper article detailing changes in the Surrogacy Regulation Bill by the Indian Supreme Court, where single parents were excluded from surrogacy.
“At that moment, I thought about what will happen to the baby and surrogate mother if a couple get divorced during the pregnancy period. Whose responsibility will be the baby? That thought lingered for a...
Millions of families from rural India move to the big cities in search of employment and “Mariam” follows one such migrant worker family. The breadwinner is Mariam, who has to look after her three daughters and also takes on an illegal surrogate pregnancy to earn for her family in Mumbai.
Pratap, who previously directed the acclaimed “The Reluctant Crime,” got the idea for the film from a newspaper article detailing changes in the Surrogacy Regulation Bill by the Indian Supreme Court, where single parents were excluded from surrogacy.
“At that moment, I thought about what will happen to the baby and surrogate mother if a couple get divorced during the pregnancy period. Whose responsibility will be the baby? That thought lingered for a...
- 10/5/2022
- by Naman Ramachandran
- Variety Film + TV
Tony Leung Chiu-wai, the Hong Kong star of “In The Mood For Love” and Marvel’s “Shang-Chi and the Legend of the Ten Rings” has been named Asian Filmmaker of the Year by the Busan International Film Festival. Leung will collect his award at the festival’s opening ceremony on Oct. 5. 2022.
The festival will open with a screening of “Scent of Wind” by Hagi Mohaghegh. The Iranian director previously won the 2015 New Currents competition in Busan with his second feature “Immortal.”
The festival will close with “A Man,” from Japan’s Ishikawa Kei. The title premiered this week at the Venice film festival in the Orrizonti section.
Busan organizers said that the festival will play a total of 243 films (features and shorts) from 71 countries and territories. These include 89 world premieres and 13 international premieres.
After two years of disruptions the festival will operate largely normally. This includes a red carpet opening ceremony,...
The festival will open with a screening of “Scent of Wind” by Hagi Mohaghegh. The Iranian director previously won the 2015 New Currents competition in Busan with his second feature “Immortal.”
The festival will close with “A Man,” from Japan’s Ishikawa Kei. The title premiered this week at the Venice film festival in the Orrizonti section.
Busan organizers said that the festival will play a total of 243 films (features and shorts) from 71 countries and territories. These include 89 world premieres and 13 international premieres.
After two years of disruptions the festival will operate largely normally. This includes a red carpet opening ceremony,...
- 9/7/2022
- by Patrick Frater
- Variety Film + TV
Titles include the latest from award-winning filmmaker Jang Kunjae.
South Korea’s Asian Cinema Fund (Acf) has unveiled its first 13 recipients after a two-year hiatus, including the latest from award-winning Korean filmmaker Jang Kunjae.
The support programme, which is an initiative of the Busan International Film Festival (Biff), had been on hold throughout the Covid-19 pandemic and has now moved under the umbrella of the Asian Contents and Film Market (Acfm) with further measures to help support projects and filmmakers grow business and industry ties.
Organisers report a record number of submissions, with six Korean and seven Asian projects selected from 521 submissions.
South Korea’s Asian Cinema Fund (Acf) has unveiled its first 13 recipients after a two-year hiatus, including the latest from award-winning Korean filmmaker Jang Kunjae.
The support programme, which is an initiative of the Busan International Film Festival (Biff), had been on hold throughout the Covid-19 pandemic and has now moved under the umbrella of the Asian Contents and Film Market (Acfm) with further measures to help support projects and filmmakers grow business and industry ties.
Organisers report a record number of submissions, with six Korean and seven Asian projects selected from 521 submissions.
- 7/15/2022
- by Jean Noh
- ScreenDaily
Project Funding
The Asian Cinema Fund, a bursary scheme for film and documentary projects operated alongside the Busan International Film Festival, has announced six Korean recipients and seven hailing from elsewhere in Asia. The fund was put on hiatus during the two years of Covid, which also reduced the festival in size and turned the Asian Contents & Film Market into a virtual event. Three winners – “In the Land of Brothers,” by Raha Amirfazali, “Life I Stole,” by Putri Purnama Sugua and “Smart City,” by Rohin Raveendran – each receive KRW10 million for script development and are invited to participate in the Acfm’s Asian Project Market. Three films currently in post-production — “Birth,” by Yoo Jiyoung, “Juhee from 5 to 7,” by Jang Kunjae and “Mariam,” by Arvind Pratap — will receive in-kind support for digital intermediates, Dcp production, sound mixing and sub-titling, and are expected to premiere as finished works at the Busan festival.
The Asian Cinema Fund, a bursary scheme for film and documentary projects operated alongside the Busan International Film Festival, has announced six Korean recipients and seven hailing from elsewhere in Asia. The fund was put on hiatus during the two years of Covid, which also reduced the festival in size and turned the Asian Contents & Film Market into a virtual event. Three winners – “In the Land of Brothers,” by Raha Amirfazali, “Life I Stole,” by Putri Purnama Sugua and “Smart City,” by Rohin Raveendran – each receive KRW10 million for script development and are invited to participate in the Acfm’s Asian Project Market. Three films currently in post-production — “Birth,” by Yoo Jiyoung, “Juhee from 5 to 7,” by Jang Kunjae and “Mariam,” by Arvind Pratap — will receive in-kind support for digital intermediates, Dcp production, sound mixing and sub-titling, and are expected to premiere as finished works at the Busan festival.
- 7/15/2022
- by Patrick Frater
- Variety Film + TV
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