We are living with a generation that is increasingly obsessed with multiverses and the fluid concept of time, so it was only genius for Kazuaki Kiriya to hop on the bandwagon and deliver his rumored ‘final piece of work', set in Japan of the near future. Working with concepts along the veins of his previous apocalyptic “Casshern (2004)”, the director known for his outlandish ideas, takes us on a time-bending journey of samurais, nuclear attacks, and magical grimoires.
From the End of the World is screening at Japan Cuts
As the great expanse of earth gives way to a bleak forest fire, a child suddenly appears and finds herself in the fray of death and destruction in Edo Japan. Everything is a picture of charcoal-blackness but the blood that flows around her is a sea of striking red (expertly manipulated by cinematographer Chigi Kanbe). Color then returns as the picture transitions to the modern world.
From the End of the World is screening at Japan Cuts
As the great expanse of earth gives way to a bleak forest fire, a child suddenly appears and finds herself in the fray of death and destruction in Edo Japan. Everything is a picture of charcoal-blackness but the blood that flows around her is a sea of striking red (expertly manipulated by cinematographer Chigi Kanbe). Color then returns as the picture transitions to the modern world.
- 8/1/2023
- by Leon Overee
- AsianMoviePulse
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