Matteo Garrone’s Oscar-nominated drama “Io Capitano,” about the odyssey of two young African men who decide to leave Dakar to reach Europe, and Paola Cortellesi’s feminist dramedy “There’s Still Tomorrow” were both the big winners at Italy’s 69th David di Donatello Awards.
“Io Capitano” won Davids for best picture, director, producers, editor, and cinematographer, among other prizes, while “Still Tomorrow,” which is about the plight of an abused housewife in post-war Rome and had 19 nominations scored six statuettes, including best directorial debut, actress, non supporting actress, screenplay, and audience award.
“Still Tomorrow,” which marks the directorial debut of popular Italian actor Paola Cortellesi, who also stars, is shot in black-and-white and riffs on Italy’s neorealist past, albeit with a contemporary female empowerment angle.
“I made this debut at the brink of menopause,” Cortellesi, who is 50, said while accepting the statuette for best debuting director. “I hope...
“Io Capitano” won Davids for best picture, director, producers, editor, and cinematographer, among other prizes, while “Still Tomorrow,” which is about the plight of an abused housewife in post-war Rome and had 19 nominations scored six statuettes, including best directorial debut, actress, non supporting actress, screenplay, and audience award.
“Still Tomorrow,” which marks the directorial debut of popular Italian actor Paola Cortellesi, who also stars, is shot in black-and-white and riffs on Italy’s neorealist past, albeit with a contemporary female empowerment angle.
“I made this debut at the brink of menopause,” Cortellesi, who is 50, said while accepting the statuette for best debuting director. “I hope...
- 5/3/2024
- by Nick Vivarelli
- Variety Film + TV
Solid, stately and — like the collapsing Papal States of the Italian Peninsula in the late 1800s — just a little too tradition-bound for its own good, Marco Bellocchio’s “Kidnapped,” based on a 19th-century case of religious abduction, opens with an eavesdrop. Anna (Aurora Camatti), the Catholic servant to the Jewish Mortara family of Bologna, pauses on the stairs after a tryst and spies her employers, Momolo Mortara (Fausto Russo Alesi) and his wife Marianna (Barbara Ronchi), murmuring a blessing in Hebrew over their newborn baby boy. It is not clear yet why the sight should make her stop in her tracks, but over the course of over two sedate but mostly absorbing hours, the veteran director follows its repercussions with a singleminded, narrow dedication that sits strangely at odds with the film’s immaculately expansive production design.
Six years later, the Mortara family has itself expanded greatly. The boy, Edgardo...
Six years later, the Mortara family has itself expanded greatly. The boy, Edgardo...
- 5/23/2023
- by Jessica Kiang
- Variety Film + TV
Shooting has begun in Roccabianca in the province of Parma, Italy, on Marco Bellocchio’s new film, “La Conversione” (The Conversion), inspired by the story of Edgardo Mortara, the Jewish child who in 1858 was removed from his family to be raised as a Catholic in the custody of Pope Pius IX. Bellocchio is pictured, above, on set in Roccabianca this week.
“La Conversione” stars Paolo Pierobon, Barbara Ronchi, Fausto Russo Alesi, Filippo Timi, Fabrizio Gifuni, Enea Sala, playing Mortara as a child, and Leonardo Maltese, playing Mortara as an older boy.
The film is an IBCmovie and Kavac Film production with Rai Cinema, with the support of the Emilia Romagna region and its film commission, in co-production with Ad Vitam Production in France, and Match Factory Productions in Germany. It is produced by Beppe Caschetto and Simone Gattoni.
The screenplay is by Bellocchio and Susanna Nicchiarelli, with the collaboration of Edoardo Albinati and Daniela Ceselli,...
“La Conversione” stars Paolo Pierobon, Barbara Ronchi, Fausto Russo Alesi, Filippo Timi, Fabrizio Gifuni, Enea Sala, playing Mortara as a child, and Leonardo Maltese, playing Mortara as an older boy.
The film is an IBCmovie and Kavac Film production with Rai Cinema, with the support of the Emilia Romagna region and its film commission, in co-production with Ad Vitam Production in France, and Match Factory Productions in Germany. It is produced by Beppe Caschetto and Simone Gattoni.
The screenplay is by Bellocchio and Susanna Nicchiarelli, with the collaboration of Edoardo Albinati and Daniela Ceselli,...
- 7/1/2022
- by Leo Barraclough
- Variety Film + TV
Marco Bellocchio with Pierfrancesco Favino on The Traitor (Il Traditore): “The whole world is really tied together by the moon.”
Marco Bellocchio’s The Traitor (Il Traditore), co-written with Valia Santella, Ludovica Rampoldi, Francesco Piccolo, and Francesco La Licata, shot by Vladan Radovic is a film of breathtaking beauty with costumes by Daria Calvelli. Pierfrancesco Favino gives a career-defining performance in his portrayal of real-life Mafia boss Tommaso Buscetta.
Judge Falcone (Fausto Russo Alesi) with Tommaso Buscetta (Pierfrancesco Favino)
There is nothing alluring about the lifestyle of his family, when Marco Bellocchio takes it on, because the director never lets us forget the threat of violence, lurking around every corner, in every scene. A count-up warns of assassinations to come and music soothes and heightens, in a way only Bellocchio knows how to combine.
Buscetta, after his extradition from exile in Brazil in the Eighties, and the murderous rampage by rivalling factions of.
Marco Bellocchio’s The Traitor (Il Traditore), co-written with Valia Santella, Ludovica Rampoldi, Francesco Piccolo, and Francesco La Licata, shot by Vladan Radovic is a film of breathtaking beauty with costumes by Daria Calvelli. Pierfrancesco Favino gives a career-defining performance in his portrayal of real-life Mafia boss Tommaso Buscetta.
Judge Falcone (Fausto Russo Alesi) with Tommaso Buscetta (Pierfrancesco Favino)
There is nothing alluring about the lifestyle of his family, when Marco Bellocchio takes it on, because the director never lets us forget the threat of violence, lurking around every corner, in every scene. A count-up warns of assassinations to come and music soothes and heightens, in a way only Bellocchio knows how to combine.
Buscetta, after his extradition from exile in Brazil in the Eighties, and the murderous rampage by rivalling factions of.
- 1/17/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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