Glasgow Film Festival 2024 (GFF24) saw an increase in cinema admissions and industry attendance, with director Allison Gardner describing the 20th edition as “a perfect reflection of everything Glasgow Film Festival stands for: cinema for all”.
GFF24 ran from February 26 to March 9, with cinema admissions increasing to 34,817, a 4% rise from GFF23. Industry attendance was up by 56%, with 650 delegates visiting from across the globe, and over 3,000 admissions to its industry focus events.
2020 remains Gff’s record-breaking year for audience levels, with 43,147 cinema admissions.
Icelandic football film The Home Game received the audience award, the festival’s only award, while Danish actor and...
GFF24 ran from February 26 to March 9, with cinema admissions increasing to 34,817, a 4% rise from GFF23. Industry attendance was up by 56%, with 650 delegates visiting from across the globe, and over 3,000 admissions to its industry focus events.
2020 remains Gff’s record-breaking year for audience levels, with 43,147 cinema admissions.
Icelandic football film The Home Game received the audience award, the festival’s only award, while Danish actor and...
- 3/21/2024
- ScreenDaily
Icelandic football filmThe Home Game won the Glasgow Film Festival audience award which was presented as the 20th edition drew to a close in the Scottish city last night (March 10).
Smari Gunn and Logi Sigursveinsson’s documentary about plucky underdogs Reynir Fc’s bid for cup glory scored the highest audience score in the award’s 10-year history.
Based in the Icelandic village of Hellissandur, with a population of 369, Reynir Fc was re-formed in 2020 with a ragtag bunch of locals including a 15-year-old schoolboy rapper, 40-something in goal and the somewhat controversial inclusion of a former Iceland women’s team player.
Smari Gunn and Logi Sigursveinsson’s documentary about plucky underdogs Reynir Fc’s bid for cup glory scored the highest audience score in the award’s 10-year history.
Based in the Icelandic village of Hellissandur, with a population of 369, Reynir Fc was re-formed in 2020 with a ragtag bunch of locals including a 15-year-old schoolboy rapper, 40-something in goal and the somewhat controversial inclusion of a former Iceland women’s team player.
- 3/11/2024
- ScreenDaily
Rose Glass’s romantic thriller Loves Lives Bleeding is set to open the 20th edition of Glasgow Film Festival (Gff) on February 28.
The UK filmmaker’s follow-up to Saint Maud stars Kristen Stewart as a gym owner who falls for a bodybuilder with criminal connections. The A24 feature will receive its UK premiere at Glasgow following its debut at Sundance earlier this month.
John Archer’s documentary Janey, about Scottish stand-up comedian Janey Godley as she embarks on her final tour following a terminal cancer diagnosis, will close the festival on March 10.
Gff has secured eight world premieres (see below...
The UK filmmaker’s follow-up to Saint Maud stars Kristen Stewart as a gym owner who falls for a bodybuilder with criminal connections. The A24 feature will receive its UK premiere at Glasgow following its debut at Sundance earlier this month.
John Archer’s documentary Janey, about Scottish stand-up comedian Janey Godley as she embarks on her final tour following a terminal cancer diagnosis, will close the festival on March 10.
Gff has secured eight world premieres (see below...
- 1/24/2024
- ScreenDaily
Speakers and mentors taking part include BFI Filmmaking Fund director Mia Bays and Bafta chair Sara Putt.
Reclaim The Frame, the UK’s gender equality in cinema charity, has set the filmmakers from across the UK who will take part in the eighth edition of professional development programme, Filmonomics, with BFI Filmmaking Fund director Mia Bays and Bafta chair Sara Putt among the mentors and speakers offering their support.
Among the 18 filmmakers taking part for this edition are director Jessica Bishopp, who has had documentary shorts premiere in BFI London Film Festival and SXSW; Bafta Scotland-nominated producer and founder of Lothian Films,...
Reclaim The Frame, the UK’s gender equality in cinema charity, has set the filmmakers from across the UK who will take part in the eighth edition of professional development programme, Filmonomics, with BFI Filmmaking Fund director Mia Bays and Bafta chair Sara Putt among the mentors and speakers offering their support.
Among the 18 filmmakers taking part for this edition are director Jessica Bishopp, who has had documentary shorts premiere in BFI London Film Festival and SXSW; Bafta Scotland-nominated producer and founder of Lothian Films,...
- 12/8/2023
- by Mona Tabbara
- ScreenDaily
Now heading into its 20th year the Glasgow Film Festival releases details on its special events and a retrospective programme.
GFF24 special events will see the return of Victor Fleming’s classic, The Wizard of Oz, and Female Trouble which celebrates its 50th anniversary.
In recent years special events have included screenings of The Blair Witch Project in a forest as well as Indiana Jones: Raiders of the Lost Ark in Glasgow’s Kelvingrove Art Gallery and Museum.
The retrospective programme will show titles from each anniversary of Glasgow Film’s (Gft) history. These free screenings each morning will include Young Frankenstein, Wuthering Heights and The Godfather Part II to name but a few.
It is also confirmed that Czech cinema will be the County Focus where the festival will screen a number of premieres including crime thriller Mr and Mrs Stodola, dystopian sci-fi Restore Point and the UK premiere...
GFF24 special events will see the return of Victor Fleming’s classic, The Wizard of Oz, and Female Trouble which celebrates its 50th anniversary.
In recent years special events have included screenings of The Blair Witch Project in a forest as well as Indiana Jones: Raiders of the Lost Ark in Glasgow’s Kelvingrove Art Gallery and Museum.
The retrospective programme will show titles from each anniversary of Glasgow Film’s (Gft) history. These free screenings each morning will include Young Frankenstein, Wuthering Heights and The Godfather Part II to name but a few.
It is also confirmed that Czech cinema will be the County Focus where the festival will screen a number of premieres including crime thriller Mr and Mrs Stodola, dystopian sci-fi Restore Point and the UK premiere...
- 12/7/2023
- by Thomas Alexander
- HeyUGuys.co.uk
2024 marks the 20th edition of the festival.
Glasgow Film Festival (Gff) has set the first titles and events for its upcoming 20th edition, that will run from February 28 to March 10, 2024, as well as the team with which Allison Gardner will programme the festival, after her long-standing co-director Allan Hunter stepped down following the 2023 edition.
This year’s country in focus will be Czechia, also known as Czech Republic, under the banner ’Czech, please!’
Titles include Is There Any Place For Me, Please? a debut feature documentary and UK premiere from Jarmila Štuková, that showcases an intimate portrayal of one woman...
Glasgow Film Festival (Gff) has set the first titles and events for its upcoming 20th edition, that will run from February 28 to March 10, 2024, as well as the team with which Allison Gardner will programme the festival, after her long-standing co-director Allan Hunter stepped down following the 2023 edition.
This year’s country in focus will be Czechia, also known as Czech Republic, under the banner ’Czech, please!’
Titles include Is There Any Place For Me, Please? a debut feature documentary and UK premiere from Jarmila Štuková, that showcases an intimate portrayal of one woman...
- 12/7/2023
- by Mona Tabbara
- ScreenDaily
“The arthouse audience has changed and become younger, more ephemeral, more adventurous.”
Experiential events are vital to keep audiences coming to arthouse cinemas, according to a selection of arthouse exhibition heads spanning the UK, USA, Poland and the United Arab Emirates.
“Releases aren’t working for us,” said Butheina Kazim, founder of Dubai’s Cinema Akil, the first arthouse cinema in the Gulf region. “We really have to rely heavily on ‘eventising’ every release. We’ve just increased the number of special focus weeks and retrospectives tremendously since we reopened [post-pandemic], because that’s the only thing that creates a certain urgency.
Experiential events are vital to keep audiences coming to arthouse cinemas, according to a selection of arthouse exhibition heads spanning the UK, USA, Poland and the United Arab Emirates.
“Releases aren’t working for us,” said Butheina Kazim, founder of Dubai’s Cinema Akil, the first arthouse cinema in the Gulf region. “We really have to rely heavily on ‘eventising’ every release. We’ve just increased the number of special focus weeks and retrospectives tremendously since we reopened [post-pandemic], because that’s the only thing that creates a certain urgency.
- 5/20/2023
- by Mona Tabbara
- ScreenDaily
BFI’s Ben Luxford and Ama Ampadu; Glasgow Film CEO Allison Gardner; and Quiddity Films’ Emily Morgan are on today’s line-up.
Ben Luxford, the British Film Institute’s head of UK audiences, will lead a discussion on how to encourage audiences back to arthouse cinemas around the world at a panel taking place today as part of the UK Pavilion industry programme in Cannes.
The UK Pavilion runs from May 18 to May 23, and is based at the Cannes Marché International Village.
“As an industry we are all still talking about post-pandemic recovery,” said Luxford, ”taking heart from release schedules...
Ben Luxford, the British Film Institute’s head of UK audiences, will lead a discussion on how to encourage audiences back to arthouse cinemas around the world at a panel taking place today as part of the UK Pavilion industry programme in Cannes.
The UK Pavilion runs from May 18 to May 23, and is based at the Cannes Marché International Village.
“As an industry we are all still talking about post-pandemic recovery,” said Luxford, ”taking heart from release schedules...
- 5/19/2023
- by Mona Tabbara
- ScreenDaily
BFI’s Ben Luxford and Ama Ampadu; Glasgow Film CEO Allison Gardner; and Quiddity Films’ Emily Morgan are on today’s line-up.
The British Film Institute’s head of UK audiences Ben Luxford will be leading a discussion on how to encourage audiences back to arthouse cinemas around the world at a panel taking place today as part of the UK Pavilion industry programme in Cannes.
The UK Pavilion runs from May 18 to May 23, and is based at the Cannes Marché International Village.
“As an industry we are all still talking about post-pandemic recovery,” said Luxford, ”taking heart from release...
The British Film Institute’s head of UK audiences Ben Luxford will be leading a discussion on how to encourage audiences back to arthouse cinemas around the world at a panel taking place today as part of the UK Pavilion industry programme in Cannes.
The UK Pavilion runs from May 18 to May 23, and is based at the Cannes Marché International Village.
“As an industry we are all still talking about post-pandemic recovery,” said Luxford, ”taking heart from release...
- 5/19/2023
- by Mona Tabbara
- ScreenDaily
Revised BFI Filmmaking Fund and UK tax credits system up for discussion in UK Pavilion events programme.
The British Film Institute (BFI) has named its roster of speakers taking part in this year’s series of events hosted at the UK Pavilion in Cannes, including talent talks from official selection filmmakers such as How To Have Sex director Molly Manning Walker, The Old Oak producer Rebecca O’Brien and The Settlers producer Emily Morgan, plus industry figures such as the BFI’s Mia Bays and We Are Parable’s Anthony Andrews.
Conversations will explore developing talent, co-production, film financing, the UK...
The British Film Institute (BFI) has named its roster of speakers taking part in this year’s series of events hosted at the UK Pavilion in Cannes, including talent talks from official selection filmmakers such as How To Have Sex director Molly Manning Walker, The Old Oak producer Rebecca O’Brien and The Settlers producer Emily Morgan, plus industry figures such as the BFI’s Mia Bays and We Are Parable’s Anthony Andrews.
Conversations will explore developing talent, co-production, film financing, the UK...
- 5/12/2023
- by Mona Tabbara
- ScreenDaily
Revised BFI Filmmaking Fund and UK tax credits system up for discussion in UK Pavilion events programme.
The British Film Institute (BFI) has named its roster of speakers taking part in this year’s series of events hosted at the UK Pavilion in Cannes, including talent talks from official selection filmmakers such as How To Have Sex director Molly Manning Walker, The Old Oak producer Rebecca O’Brien and The Settlers producer Emily Morgan, plus industry figures such as the BFI’s Mia Bays and We Are Parable’s Anthony Andrews.
Conversations will explore developing talent, co-production, film financing, the UK...
The British Film Institute (BFI) has named its roster of speakers taking part in this year’s series of events hosted at the UK Pavilion in Cannes, including talent talks from official selection filmmakers such as How To Have Sex director Molly Manning Walker, The Old Oak producer Rebecca O’Brien and The Settlers producer Emily Morgan, plus industry figures such as the BFI’s Mia Bays and We Are Parable’s Anthony Andrews.
Conversations will explore developing talent, co-production, film financing, the UK...
- 5/12/2023
- by Mona Tabbara
- ScreenDaily
Recently, there has been a consistent tide of well crafted and highly regarded films coming out of Spain. “Alcarràs,” “The Beasts,” “Lullaby,” “La Maternal,” “Prison 77,” to name just the five that the Spanish Academy Goyas singled out in early February.
This level of quality, over a short period, is getting noticed internationally. Last week the Glasgow Film Festival, Scotland’s largest, shone a light on eight films in its Viva el Cine Español program. A cultural moment is a strange beast, hard to fathom, but there are strong signals that Spanish Film is having one.
In addition to the aforementioned five, Glasgow added Andrea Bagney’s debut “Ramona,” “Wild Flowers,” from Jaime Rosales, another debut with Elena López Riera’s “The Water,” and a Penelope Cruz starrer, in Juan Diego Botto’s “On The Fringe.”
Glasgow’s Festival co-director Allison Gardner told Variety: “We seem to be seeing films...
This level of quality, over a short period, is getting noticed internationally. Last week the Glasgow Film Festival, Scotland’s largest, shone a light on eight films in its Viva el Cine Español program. A cultural moment is a strange beast, hard to fathom, but there are strong signals that Spanish Film is having one.
In addition to the aforementioned five, Glasgow added Andrea Bagney’s debut “Ramona,” “Wild Flowers,” from Jaime Rosales, another debut with Elena López Riera’s “The Water,” and a Penelope Cruz starrer, in Juan Diego Botto’s “On The Fringe.”
Glasgow’s Festival co-director Allison Gardner told Variety: “We seem to be seeing films...
- 3/16/2023
- by Callum McLennan
- Variety Film + TV
The industry presence saw a return to pre-pandemic levels.
Glasgow Film Festival (Gff) has reported a 25% increase in cinema admissions for this year’s edition, which ran from March 1-12, compared to the hybrid 2022 edition, while the in-person industry presence has bounced back to pre-pandemic levels.
In total, 33,667 people attended 295 Gff film screenings and events over 12 days, including sell-out screenings of the opening night gala, Adura ONashile’s Girl, closing night film, Nida Manzoor’s Polite Society and Under The Skin with a live soundtrack from BBC Scottish Symphony Orchestra.
This figure doesn’t quite match up to the record...
Glasgow Film Festival (Gff) has reported a 25% increase in cinema admissions for this year’s edition, which ran from March 1-12, compared to the hybrid 2022 edition, while the in-person industry presence has bounced back to pre-pandemic levels.
In total, 33,667 people attended 295 Gff film screenings and events over 12 days, including sell-out screenings of the opening night gala, Adura ONashile’s Girl, closing night film, Nida Manzoor’s Polite Society and Under The Skin with a live soundtrack from BBC Scottish Symphony Orchestra.
This figure doesn’t quite match up to the record...
- 3/16/2023
- by Mona Tabbara
- ScreenDaily
Glasgow Film Festival ran from March 1-12, screening 123 features.
A joy-filled Glasgow Film Festival (Gff) drew to a close last night (March 12) with the UK premiere of Nida Manzoor’s Polite Society, while Riceboy Sleeps scooped the festival’s only prize, the audience award, in what co-director Allan Hunter described as the “tightest” voting race in Gff’s audience award history.
Riceboy Sleeps is directed by Anthony Shim, and premiered at Toronto last year. It follows a South Korean family’s attempts to adapt to a new life in Canada, produced by Shim, Rebecca Steele and Bryan Demore. The family...
A joy-filled Glasgow Film Festival (Gff) drew to a close last night (March 12) with the UK premiere of Nida Manzoor’s Polite Society, while Riceboy Sleeps scooped the festival’s only prize, the audience award, in what co-director Allan Hunter described as the “tightest” voting race in Gff’s audience award history.
Riceboy Sleeps is directed by Anthony Shim, and premiered at Toronto last year. It follows a South Korean family’s attempts to adapt to a new life in Canada, produced by Shim, Rebecca Steele and Bryan Demore. The family...
- 3/13/2023
- by Mona Tabbara
- ScreenDaily
Glasgow Film Festival ran from March 1-12, screening 123 features.
A joy-filled Glasgow Film Festival (Gff) drew to a close last night (March 12) with the UK premiere of Nida Manzoor’s Polite Society, while Riceboy Sleeps scooped the festival’s only prize, the audience award, in what co-director Allan Hunter described as the “tightest” voting race in Gff’s audience award history.
Riceboy Sleeps is directed by Anthony Shim, and premiered at Toronto last year. It follows a South Korean family’s attempts to adapt to a new life in Canada, produced by Shim, Rebecca Steele and Bryan Demore. The family...
A joy-filled Glasgow Film Festival (Gff) drew to a close last night (March 12) with the UK premiere of Nida Manzoor’s Polite Society, while Riceboy Sleeps scooped the festival’s only prize, the audience award, in what co-director Allan Hunter described as the “tightest” voting race in Gff’s audience award history.
Riceboy Sleeps is directed by Anthony Shim, and premiered at Toronto last year. It follows a South Korean family’s attempts to adapt to a new life in Canada, produced by Shim, Rebecca Steele and Bryan Demore. The family...
- 3/13/2023
- by Mona Tabbara
- ScreenDaily
The agreement allows the streamer to access BBFC support and tools in adapting its ratings for UK audiences.
Amazon Prime Video has signed an agreement with the British Board of Film Classification (BBFC) to help provide UK-specific ratings for all its films and series.
The agreement allows the streamer to access BBFC support and tools when adapting its ratings for UK audiences.
The aim is for Prime Video to move towards the in-house productions of ratings that follow BBFC guidelines.
It follows a similar agreement between the BBFC and Netflix in 2019 which saw a phased approach in the streamer providing UK ratings for its content.
Amazon Prime Video has signed an agreement with the British Board of Film Classification (BBFC) to help provide UK-specific ratings for all its films and series.
The agreement allows the streamer to access BBFC support and tools when adapting its ratings for UK audiences.
The aim is for Prime Video to move towards the in-house productions of ratings that follow BBFC guidelines.
It follows a similar agreement between the BBFC and Netflix in 2019 which saw a phased approach in the streamer providing UK ratings for its content.
- 3/7/2023
- by Ellie Calnan
- ScreenDaily
A theatrical release is planned to coincide with the UK’s Black History Month in October of this year.
Feature documentary Cassius X: Becoming Ali, directed by US filmmaker Muta’Ali, has been picked up for distribution in the UK and Ireland by Cosmic Cat, ahead of its world premiere next week (March 9) at the Glasgow Film Festival.
A theatrical release is planned to coincide with the UK’s Black History Month in October of this year.
It is produced by Glasgow -based Two Rivers Media in association with Paramount Media Networks and MTV Entertainment Studios and has backing from Screen Scotland.
Feature documentary Cassius X: Becoming Ali, directed by US filmmaker Muta’Ali, has been picked up for distribution in the UK and Ireland by Cosmic Cat, ahead of its world premiere next week (March 9) at the Glasgow Film Festival.
A theatrical release is planned to coincide with the UK’s Black History Month in October of this year.
It is produced by Glasgow -based Two Rivers Media in association with Paramount Media Networks and MTV Entertainment Studios and has backing from Screen Scotland.
- 3/2/2023
- by Mona Tabbara
- ScreenDaily
North East Screen was previously known as Nothern Film and Media
UK film and TV producer David Parfitt has been named as the chair of North East Screen, the agency dedicated to the development and championing of the screen sectors in the north east of England, previously known as Northern Film and Media.
He takes over from TV executive Tom Gutteridge, who has held posts at Mentorn and Fremantle.
“Following record investment in the screen industry in the North East region with a £25m commitment from the BBC, a new partnership with 12 local authorities and three combined authorities bringing £11.4m...
UK film and TV producer David Parfitt has been named as the chair of North East Screen, the agency dedicated to the development and championing of the screen sectors in the north east of England, previously known as Northern Film and Media.
He takes over from TV executive Tom Gutteridge, who has held posts at Mentorn and Fremantle.
“Following record investment in the screen industry in the North East region with a £25m commitment from the BBC, a new partnership with 12 local authorities and three combined authorities bringing £11.4m...
- 3/2/2023
- by Mona Tabbara
- ScreenDaily
Pumfrey has spearheaded the charity’s focus on mental health support.
Alex Pumfrey is stepping down as CEO of the UK’s Film and TV Charity after six years.
Pumfrey will stay in the role until the end of May when an interim CEO will be announced. The charity is also recruiting the next chair of trustees, with applications to open next week.
Pumfrey was previously chief operating officer at Digital UK before joining the charity in 2017.
During her tenure, Pumfrey led the charge on the charity’s focus on mental health – driven by the annual Looking Glass survey’s...
Alex Pumfrey is stepping down as CEO of the UK’s Film and TV Charity after six years.
Pumfrey will stay in the role until the end of May when an interim CEO will be announced. The charity is also recruiting the next chair of trustees, with applications to open next week.
Pumfrey was previously chief operating officer at Digital UK before joining the charity in 2017.
During her tenure, Pumfrey led the charge on the charity’s focus on mental health – driven by the annual Looking Glass survey’s...
- 3/2/2023
- by Ellie Calnan
- ScreenDaily
It is the directorial debut of Jonathan Eckersley, first assistant director on ‘The Railway Children Return’ and ‘Somewhere Boy’.
Production has wrapped in Wales on thriller The Stoic, the directorial debut of Jonathan Eckersley, that stars Boiling Point and Snatch actor Jason Flemyng.
Eckersley was the first assistant director on titles including The Railway Children Return and TV series such as His Dark Materials, Somewhere Boy and Line Of Duty.
The feature film was shot in Mold in north Wales and Glossop in Derbyshire, and sees Flemyng star alongside Bruce Payne as the leaders of a ruthless set of mercenaries...
Production has wrapped in Wales on thriller The Stoic, the directorial debut of Jonathan Eckersley, that stars Boiling Point and Snatch actor Jason Flemyng.
Eckersley was the first assistant director on titles including The Railway Children Return and TV series such as His Dark Materials, Somewhere Boy and Line Of Duty.
The feature film was shot in Mold in north Wales and Glossop in Derbyshire, and sees Flemyng star alongside Bruce Payne as the leaders of a ruthless set of mercenaries...
- 3/2/2023
- by Mona Tabbara
- ScreenDaily
The upcoming edition with be Hunter’s last.
Glasgow Film Festival (Gff) has set the first titles for its 2023 edition (March 1-12), as well as confirming that the upcoming edition will be festival co-director Allan Hunter’s last.
The 19th edition’s country focus will be Spain. The strand, titled ‘2023 Country Focus: Viva el cine español!’, will include Venice premiere On The Fringe. The social-realist drama is the directorial debut of The Suicide Squad actor Juan Diego Botto, and stars Penélope Cruz and Luis Tosar.
Also playing will be Spanish filmmaker Alberto Rodríguez’s Prison 77, which was the opening night film at San Sebastian.
Glasgow Film Festival (Gff) has set the first titles for its 2023 edition (March 1-12), as well as confirming that the upcoming edition will be festival co-director Allan Hunter’s last.
The 19th edition’s country focus will be Spain. The strand, titled ‘2023 Country Focus: Viva el cine español!’, will include Venice premiere On The Fringe. The social-realist drama is the directorial debut of The Suicide Squad actor Juan Diego Botto, and stars Penélope Cruz and Luis Tosar.
Also playing will be Spanish filmmaker Alberto Rodríguez’s Prison 77, which was the opening night film at San Sebastian.
- 10/24/2022
- by Mona Tabbara
- ScreenDaily
Filmmaker Mark Cousins, Glasgow Film Festival co-director Allison Gardner and Ken Loach’s Sixteen Films expressed their sadness.
The industry has reacted with shock at the news announced yesterday (October 6) that Edinburgh International Film Festival (Eiff), Filmhouse Cinema in Edinburgh and Belmont Filmhouse in Aberdeen are to “cease trading immediately” as parent charity, Centre for the Moving Image (Cmi), enters administration.
It is understood that 102 staff will be made redundant with immediate effect. A total of 107 staff were employed across all four of the Cmi’s businesses. Five staff have been kept on to assist with the administration process.
Cmi...
The industry has reacted with shock at the news announced yesterday (October 6) that Edinburgh International Film Festival (Eiff), Filmhouse Cinema in Edinburgh and Belmont Filmhouse in Aberdeen are to “cease trading immediately” as parent charity, Centre for the Moving Image (Cmi), enters administration.
It is understood that 102 staff will be made redundant with immediate effect. A total of 107 staff were employed across all four of the Cmi’s businesses. Five staff have been kept on to assist with the administration process.
Cmi...
- 10/7/2022
- by Mona Tabbara
- ScreenDaily
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