Orlando Bloom wanted to push himself for his Peacock docuseries “Orlando Bloom: To the Edge” — but that also meant those along for the shoot were stretching the limits of what they thought themselves capable of, too. After all, how are you going to capture footage of Bloom wingsuiting if you’re not up there with him?
“I was in the plane for most of his jumps, and I’d try to get intimate and close,” cinematographer Doug Glover told IndieWire. (Glover worked on the first two episodes and Gareth Leah did the third.) “You can really see his mental focus. I was able to get a few feet from him, and the first time he jumps with the wingsuit, just watching his facial expressions as he prepares… He’s very calm and quiet, and then he gets very fired up. And then figuring out how to shoot that with the...
“I was in the plane for most of his jumps, and I’d try to get intimate and close,” cinematographer Doug Glover told IndieWire. (Glover worked on the first two episodes and Gareth Leah did the third.) “You can really see his mental focus. I was able to get a few feet from him, and the first time he jumps with the wingsuit, just watching his facial expressions as he prepares… He’s very calm and quiet, and then he gets very fired up. And then figuring out how to shoot that with the...
- 4/19/2024
- by Mark Peikert
- Indiewire
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