“Harmony, harmony, harmony — no band, no nothing,” explains Charlie Thomas of the Drifters in director Brent Wilson’s Streetlight Harmonies, a new doc tracing the history of doo-wop (premiering tonight on VOD). Doo-wop could be swoony and romantic, playful and mischievous. It was the sweet-voiced sibling to the insouciant rock & roll being made at the same time, and genre classics like “I Only Have Eyes for You,” “In the Still of the Night,” “I Wonder Why,” “Speedoo,” and “Why Must Fools Fall in Love” remade the sound of syncopated pop...
- 3/31/2020
- by David Browne
- Rollingstone.com
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