Agnieszka Holland’s filmography will be celebrated this June thanks to the Museum of the Moving Image and the Polish Cultural Institute New York.
MoMI will host a retrospective featuring nine of Holland’s most beloved films leading up to the release of her latest “Green Border.” The nine features include highlights “Europa Europa” on and “The Secret Garden,” which both will screen in 35mm with Holland in attendance on June 20 and 21.
The retrospective will take place from June 7 through 21 and serve as a toast to Holland’s “undimmed ability to depict historical trauma and human struggle with sensitivity and compassion” across her 60 years in filmmaking, per the official press statement.
The retrospective will feature her initial work made in Poland, including “Provincial Actors,” “Fever,” and “A Woman Alone,” along with Holland’s 1990s art house features “Europa Europa” and “The Secret Garden,” and depictions of present-day political resistance like “Spoor” and “In Darkness.
MoMI will host a retrospective featuring nine of Holland’s most beloved films leading up to the release of her latest “Green Border.” The nine features include highlights “Europa Europa” on and “The Secret Garden,” which both will screen in 35mm with Holland in attendance on June 20 and 21.
The retrospective will take place from June 7 through 21 and serve as a toast to Holland’s “undimmed ability to depict historical trauma and human struggle with sensitivity and compassion” across her 60 years in filmmaking, per the official press statement.
The retrospective will feature her initial work made in Poland, including “Provincial Actors,” “Fever,” and “A Woman Alone,” along with Holland’s 1990s art house features “Europa Europa” and “The Secret Garden,” and depictions of present-day political resistance like “Spoor” and “In Darkness.
- 5/28/2024
- by Samantha Bergeson
- Indiewire
The 36th European Film Awards took place in Berlin on Saturday, honoring the best cinema to emerge from Europe in 2023. The nominations, which were selected by the European Film Academy, were heavy on arthouse hits that emerged from the Cannes Film Festival including Justine Triet’s “Anatomy of a Fall,” Aki Kaurismäki’s “Fallen Leaves,” and Jonathan Glazer’s “The Zone of Interest.” The results played out similarly to those from Cannes, with Triet’s Palme d’Or-winner taking the top prize of Best European Film.
“Anatomy of a Fall” additionally won the European Director award for Triet, who also shared the European Screenwriter award with Arthur Harari. Sandra Hüller was nominated twice in the European Actress category for her performances in “Anatomy of a Fall” and “The Zone of Interest,” ultimately winning for the former.
The results mirrored those of the 2022 European Film Awards, when “Triangle of Sadness” followed...
“Anatomy of a Fall” additionally won the European Director award for Triet, who also shared the European Screenwriter award with Arthur Harari. Sandra Hüller was nominated twice in the European Actress category for her performances in “Anatomy of a Fall” and “The Zone of Interest,” ultimately winning for the former.
The results mirrored those of the 2022 European Film Awards, when “Triangle of Sadness” followed...
- 12/9/2023
- by Christian Zilko
- Indiewire
French director Justine Triet’s Cannes Palme d’Or winning film Anatomy Of A Fall swept the awards at 36th European Film Awards in Berlin this evening, winning Best European Film, Director, Screenplay (with Arthur Harari) and actress for Sandra Hüller.
There was a strong selection this year with other films and directors leading the nominations including Aki Kaurismäki with Fallen Leaves, Agnieszka Holland with Green Border, Matteo Garrone with Me Captain, Jonathan Glazer with The Zone Of Interest.
The European Films Awards haul for Anatomy Of A Fall will likely ramp up growing Academy Awards buzz around the film and its star Sandra Hüller.
“I can’t say whether it will happen or not but yes… now we are in the race and we will continue the campaign in the U.S. and we’re totally involved, let’s see,” Triet said in an press conference after the ceremony.
There was a strong selection this year with other films and directors leading the nominations including Aki Kaurismäki with Fallen Leaves, Agnieszka Holland with Green Border, Matteo Garrone with Me Captain, Jonathan Glazer with The Zone Of Interest.
The European Films Awards haul for Anatomy Of A Fall will likely ramp up growing Academy Awards buzz around the film and its star Sandra Hüller.
“I can’t say whether it will happen or not but yes… now we are in the race and we will continue the campaign in the U.S. and we’re totally involved, let’s see,” Triet said in an press conference after the ceremony.
- 12/9/2023
- by Melanie Goodfellow
- Deadline Film + TV
Justine Triet’s courtroom drama “Anatomy of a Fall” triumphed at the 36th European Film Awards, taking statuettes for best film, director, screenwriter and actress at the ceremony, which took place Saturday in Berlin. It had been previously announced that it had won the best editing prize as well.
“Anatomy of a Fall” won the Palme d’Or at Cannes, and recently took the screenplay and international feature awards at the Gothams, but was not selected to represent France in the international feature film category of the Oscars. Despite that setback, Triet said the film would still compete for other categories at the Oscars. “Now we are in the race, of course. We continue down that road,” she said at a press conference following the ceremony in Berlin.
Triet, who co-wrote the screenplay with Arthur Harari, said that they had written it for Sandra Hüller, winner of the best actress award.
“Anatomy of a Fall” won the Palme d’Or at Cannes, and recently took the screenplay and international feature awards at the Gothams, but was not selected to represent France in the international feature film category of the Oscars. Despite that setback, Triet said the film would still compete for other categories at the Oscars. “Now we are in the race, of course. We continue down that road,” she said at a press conference following the ceremony in Berlin.
Triet, who co-wrote the screenplay with Arthur Harari, said that they had written it for Sandra Hüller, winner of the best actress award.
- 12/9/2023
- by Leo Barraclough
- Variety Film + TV
The ceremony kicks off live from Berlin today (December 9) at 19:30 Cet.
The European Film Awards is taking place in Berlin tonight (December 9), and Screen will be revealing the winners live from the ceremony, kicking off at 19:30 Cet.
German actor Britta Steffenhagen is hosting the awards, which will take place at the Arena Berlin.
Screen will be live-streaming the ceremony below, or you can refresh the page and scroll down to read the winners as they are announced.
Three of the best European film nominees world premiered at Cannes. Justine Triet’s Palme d’Or winner Anatomy Of A Fall...
The European Film Awards is taking place in Berlin tonight (December 9), and Screen will be revealing the winners live from the ceremony, kicking off at 19:30 Cet.
German actor Britta Steffenhagen is hosting the awards, which will take place at the Arena Berlin.
Screen will be live-streaming the ceremony below, or you can refresh the page and scroll down to read the winners as they are announced.
Three of the best European film nominees world premiered at Cannes. Justine Triet’s Palme d’Or winner Anatomy Of A Fall...
- 12/9/2023
- by Mona Tabbara
- ScreenDaily
“Green Border,” Agnieszka Holland’s Venice Special Jury Prize-winning refugee drama, has been acquired by Kino Lorber in the U.S. (“Scrapper”) and Modern Films in the U.K. (“Drive My Car”).
An empathetic tale of migrants caught in Europe’s refugee crisis, “Green Border” has earned widespread critical acclaim, winning several prizes at Venice and playing at key North American festivals such as Toronto, New York Film Festival and AFI Fest. Most recently, “Green Border” was nominated for three European Film Awards, including best film.
Kino Lorber has acquired North American distribution rights and is planning a theatrical release in 2024, followed by a home video, educational and digital rollout on all major platforms. Modern Films, meanwhile, has snapped up U.K. rights and will also back “Green Border” for the European Film Awards and the BAFTAs.
The film explores the injustice and terror perpetrated at the Polish-Belarusian border from the perspective of refugees,...
An empathetic tale of migrants caught in Europe’s refugee crisis, “Green Border” has earned widespread critical acclaim, winning several prizes at Venice and playing at key North American festivals such as Toronto, New York Film Festival and AFI Fest. Most recently, “Green Border” was nominated for three European Film Awards, including best film.
Kino Lorber has acquired North American distribution rights and is planning a theatrical release in 2024, followed by a home video, educational and digital rollout on all major platforms. Modern Films, meanwhile, has snapped up U.K. rights and will also back “Green Border” for the European Film Awards and the BAFTAs.
The film explores the injustice and terror perpetrated at the Polish-Belarusian border from the perspective of refugees,...
- 11/21/2023
- by Elsa Keslassy
- Variety Film + TV
Five European films dominate the nominations.
The European Film Academy has revealed the nominees for the main categories of the European Film Awards which take place in Berlin on December 9.
The Academy has shortlisted five of the highest profile films to come out of Europe this year for its best European film category, with the directors of the five films also all nominated in the best European director category. The five films also dominate the acting and screenwriting categories.
Three of the best European film nominees world premiered at Cannes. Justine Triet’s Palme d’Or winner Anatomy Of A Fall...
The European Film Academy has revealed the nominees for the main categories of the European Film Awards which take place in Berlin on December 9.
The Academy has shortlisted five of the highest profile films to come out of Europe this year for its best European film category, with the directors of the five films also all nominated in the best European director category. The five films also dominate the acting and screenwriting categories.
Three of the best European film nominees world premiered at Cannes. Justine Triet’s Palme d’Or winner Anatomy Of A Fall...
- 11/7/2023
- by Tim Dams
- ScreenDaily
Finnish filmmaker Aki Kaurismäki’s Fallen Leaves and UK director Jonathan Glazer The Zone Of Interest lead the nominations in the main categories of the 36th European Film Awards which will take place in Berlin on December 9.
The dramas are nominated in all five key categories of Best European Film, Director, Screenwriter as well as Best Actress and Actor. (Click on film titles for Deadline reviews and interviews)
Both films world premiered in Competition at Cannes this year, with The Zone Of Interest winning the Grand Prix and Fallen Leaves clinching the Jury Prize. They are representing the UK and Finland respectively in the Best International Feature Film Oscar race.
French director Justine Triet’s Cannes Palme d’Or winner Anatomy Of A Fall follows with four nominations in all the categories except for best actor, while Poland’s Agnieszka Holland’s Green Border, which won the Venice Special Jury Prize,...
The dramas are nominated in all five key categories of Best European Film, Director, Screenwriter as well as Best Actress and Actor. (Click on film titles for Deadline reviews and interviews)
Both films world premiered in Competition at Cannes this year, with The Zone Of Interest winning the Grand Prix and Fallen Leaves clinching the Jury Prize. They are representing the UK and Finland respectively in the Best International Feature Film Oscar race.
French director Justine Triet’s Cannes Palme d’Or winner Anatomy Of A Fall follows with four nominations in all the categories except for best actor, while Poland’s Agnieszka Holland’s Green Border, which won the Venice Special Jury Prize,...
- 11/7/2023
- by Melanie Goodfellow
- Deadline Film + TV
Five European films dominate the nominations for this year’s Awards
The European Film Academy has revealed the nominees for the main categories of the European Film Awards which take place in Berlin on November 9.
The Academy has shortlisted five of the highest profile films to come out of European this year for its best European film category, with the directors of the five films also all nominated in the best European director category. The five films also dominate the acting and screenwriting categories.
Three of the best European film nominees world premiered at Cannes. Justine Triet’s Palme d...
The European Film Academy has revealed the nominees for the main categories of the European Film Awards which take place in Berlin on November 9.
The Academy has shortlisted five of the highest profile films to come out of European this year for its best European film category, with the directors of the five films also all nominated in the best European director category. The five films also dominate the acting and screenwriting categories.
Three of the best European film nominees world premiered at Cannes. Justine Triet’s Palme d...
- 11/7/2023
- by Tim Dams
- ScreenDaily
Jonathan Glazer’s harrowing Holocaust drama The Zone of Interest leads the nominations for this year’s European Film Awards (EFAs), picking up five nominations, including for best film and best director, in nominations announced via video on Tuesday.
Zone of Interest, the U.K. official entry for the 2024 Oscars in the best international feature category, also scored Efa nominations for best screenwriter, for Glazer, and best actress and best actor noms for leads Sandra Hüller and Christian Friedel.
Hüller will be competing against herself in the best actress category, having picked up a second Efa nom for her starring role in Justine Triet’s courtroom drama Anatomy of a Fall. The Palme d’Or winner recieved four Efa noms, including for best European Film, best director for Triet and best screenplay for Triet and co-writer Arthur Harari.
Other best European film nominees include Matteo Garrone’s refugee drama Io Capitano from Italy,...
Zone of Interest, the U.K. official entry for the 2024 Oscars in the best international feature category, also scored Efa nominations for best screenwriter, for Glazer, and best actress and best actor noms for leads Sandra Hüller and Christian Friedel.
Hüller will be competing against herself in the best actress category, having picked up a second Efa nom for her starring role in Justine Triet’s courtroom drama Anatomy of a Fall. The Palme d’Or winner recieved four Efa noms, including for best European Film, best director for Triet and best screenplay for Triet and co-writer Arthur Harari.
Other best European film nominees include Matteo Garrone’s refugee drama Io Capitano from Italy,...
- 11/7/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Jonathan Glazer’s “The Zone of Interest” and Aki Kaurismäki’s “Fallen Leaves” led the European Film Awards race after nominations for the major categories were revealed Tuesday.
The films were nominated in all five major categories – European film, director, screenwriter, actor and actress.
Justine Triet’s “Anatomy of a Fall” was close behind with four nominations – film, director, screenwriter and actress.
All three films were prizewinners at Cannes: “The Zone of Interest” took the festival’s Grand Prize, “Fallen Leaves” won the Jury Prize, and “Anatomy of a Fall” was the Palme d’Or winner.
Agnieszka Holland’s “Green Border,” the Special Jury Prize winner at Venice, took three nominations – film, director and screenwriter.
“Me Captain,” Venice’s best director winner, and “The Teachers’ Lounge” each nabbed two nominations.
“Afire,” “Blackbird Blackbird Blackberry,” “How to Have Sex,” “La Chimera” and “The Promised Land” took one nomination each in major categories.
The films were nominated in all five major categories – European film, director, screenwriter, actor and actress.
Justine Triet’s “Anatomy of a Fall” was close behind with four nominations – film, director, screenwriter and actress.
All three films were prizewinners at Cannes: “The Zone of Interest” took the festival’s Grand Prize, “Fallen Leaves” won the Jury Prize, and “Anatomy of a Fall” was the Palme d’Or winner.
Agnieszka Holland’s “Green Border,” the Special Jury Prize winner at Venice, took three nominations – film, director and screenwriter.
“Me Captain,” Venice’s best director winner, and “The Teachers’ Lounge” each nabbed two nominations.
“Afire,” “Blackbird Blackbird Blackberry,” “How to Have Sex,” “La Chimera” and “The Promised Land” took one nomination each in major categories.
- 11/7/2023
- by Leo Barraclough
- Variety Film + TV
The medium is the message in Agnieszka Holland’s Green Border, a piece of political cinema so freshly ripped from the headlines that you can still feel the jagged edges. Holland shot the film, which chronicles the wide ripple effects of a 2021 surge of asylum seekers along the Polish-Belarusian border, in just 23 days in March of this year and had it ready for fall festivals mere months later. In the end, her sense of propulsive, incandescent outrage is both the project’s reason for existence and its strongest attribute.
Holland, directing in collaboration with Kamila Tarabura and Katarzyna Warzecha, resists the impulse for urgency to trump all aesthetic considerations. Green Border moves beyond documentary-style realism as a shorthand for authenticity, and it’s at its most gut-wrenching when Tomek Naumiuk’s agile camerawork captures bodies in frequent, frightening motion, as well as the illusory sense of security that those bodies feel in moments of rest.
Holland, directing in collaboration with Kamila Tarabura and Katarzyna Warzecha, resists the impulse for urgency to trump all aesthetic considerations. Green Border moves beyond documentary-style realism as a shorthand for authenticity, and it’s at its most gut-wrenching when Tomek Naumiuk’s agile camerawork captures bodies in frequent, frightening motion, as well as the illusory sense of security that those bodies feel in moments of rest.
- 10/9/2023
- by Marshall Shaffer
- Slant Magazine
Before the New York Film Festival premiere of her latest opus, Green Border, legendary director Agnieszka Holland wished everyone a good screening: “I would tell you to enjoy the film, but that would not be appropriate.”
It was an apt warning for the harrowing, exquisite film that unfolded. Green Border focuses on the treatment of migrants trying to cross from Belarus to Poland so they can find asylum in the European Union. As a result, Holland is now on the shit list of nearly every high-ranking Polish politician, from the president to the Minister of Science and Higher Education. What a shame they’re so blinded by their station that they can’t even appreciate magnificent works of art. Green Border is a riveting, finely crafted, deeply human accounting of the atrocities we make permissible in the name of nationalism.
The film is told in several parts that focus on...
It was an apt warning for the harrowing, exquisite film that unfolded. Green Border focuses on the treatment of migrants trying to cross from Belarus to Poland so they can find asylum in the European Union. As a result, Holland is now on the shit list of nearly every high-ranking Polish politician, from the president to the Minister of Science and Higher Education. What a shame they’re so blinded by their station that they can’t even appreciate magnificent works of art. Green Border is a riveting, finely crafted, deeply human accounting of the atrocities we make permissible in the name of nationalism.
The film is told in several parts that focus on...
- 10/9/2023
- by Lena Wilson
- The Film Stage
Three decades ago, just a few years after the fall of the Berlin Wall ushered in a new era of hope and promise in Europe, Polish filmmaker Agnieszka Holland made the historical drama “Europa, Europa,” which follows the harrowing ordeal of a Jewish teenager who goes to impossible lengths to survive the Holocaust. The title, says Holland, was meant to express “the duality of the European tradition: Europe of our aspirations, the cradle of culture and civilization, the rule of law and democracy, human rights, equality and fraternity, but on the other hand, Europe as the cradle of the worst crimes against humanity, selfishness and hatred.”
Throughout her career, the three-time Academy Award nominee has found inspiration in “the great and tragic subjects of the 20th century,” powered by the conviction that “history is relevant, that what happened is relevant,” Holland tells Variety. Her latest film, “Green Border,” which has...
Throughout her career, the three-time Academy Award nominee has found inspiration in “the great and tragic subjects of the 20th century,” powered by the conviction that “history is relevant, that what happened is relevant,” Holland tells Variety. Her latest film, “Green Border,” which has...
- 9/8/2023
- by Christopher Vourlias
- Variety Film + TV
While you’re still in the vice-like grip of its multilevel narrative it may not feel like it, but a film like Agnieszka Holland’s bruisingly powerful new refugee drama ultimately comes from a place of optimism. It is optimistic to expect and to nurture a reaction of potentially motivating outrage, when you portray the brutality of which human individuals, at the behest of human institutions, are capable. It is optimistic to believe that, faced with extraordinary cruelty, a viewer’s ordinary decency will be compelled to rise and rebel. “Green Border” is a heart-in-mouth thriller set on the Polish-Belarusian border that wraps its social critique in the razor wire of punchy, intelligent cinematic craft in order to elicit precisely such emotions. If we can feel the horror, perhaps there is hope.
It is 2021 and a Syrian family are fleeing Isis and their ravaged hometown of Harasta on an airplane bound for Belarus.
It is 2021 and a Syrian family are fleeing Isis and their ravaged hometown of Harasta on an airplane bound for Belarus.
- 9/5/2023
- by Jessica Kiang
- Variety Film + TV
As if to come to the aid of her national cinema after the debacle that was Roman Polanski’s The Palace, Poland’s Agnieszka Holland, soon to turn 75, restores some of her homeland’s cultural dignity with a devastating exposé that angrily, and quite brilliantly, questions its humanity and political integrity. At 144 minutes, and in black and white, it is not exactly a Trojan horse, and its moral rigor does not come with a spoonful of sugar. But Green Border earns every second of that running time, and with a focus and energy that belies its director’s age. Awards-wise, this may prove to be the international feature to beat.
It begins in October 2021 with Chapter 1: The Family, in which a Syrian couple, Bashir and Amina, their three children and their grandfather are traveling on a plane from Turkey to Belarus. Their mood is upbeat; they are planning to go from Belarus to Poland,...
It begins in October 2021 with Chapter 1: The Family, in which a Syrian couple, Bashir and Amina, their three children and their grandfather are traveling on a plane from Turkey to Belarus. Their mood is upbeat; they are planning to go from Belarus to Poland,...
- 9/5/2023
- by Damon Wise
- Deadline Film + TV
Academy Award nominee Agnieszka Holland follows the harrowing ordeal of a refugee family trapped on the margins of the E.U. in “Green Border,” a gripping drama from the prolific Polish director that plays in competition at the Venice Film Festival.
The film is set in the treacherous and swampy forests that make up the so-called “green border” between Belarus and Poland and focuses on the humanitarian catastrophe that unfolded when Belarus’ president, Alexander Lukashenko, opened the country’s doors to migrants in a cynical political gambit to flood the E.U. with refugees.
Told in chapters from alternating points of view, it tells the story of a family of Syrian refugees, an English teacher from Afghanistan, a young Polish border guard and a group of activists whose lives collide in the border zone, a bleak no-man’s land where Polish and Belarusian guards operate with brutal impunity.
The screenplay — written by Holland,...
The film is set in the treacherous and swampy forests that make up the so-called “green border” between Belarus and Poland and focuses on the humanitarian catastrophe that unfolded when Belarus’ president, Alexander Lukashenko, opened the country’s doors to migrants in a cynical political gambit to flood the E.U. with refugees.
Told in chapters from alternating points of view, it tells the story of a family of Syrian refugees, an English teacher from Afghanistan, a young Polish border guard and a group of activists whose lives collide in the border zone, a bleak no-man’s land where Polish and Belarusian guards operate with brutal impunity.
The screenplay — written by Holland,...
- 9/4/2023
- by Christopher Vourlias
- Variety Film + TV
Berlin-based sales agency Films Boutique has closed multiple territory deals on Agnieszka Holland’s “The Green Border,” which just completed principal photography in Poland.
The film has been sold to Condor (France), September Films (Benelux), Movies Inspired (Italy), Leopardo Filmes (Portugal), McF Megacom (former Yugoslavia), Kino Swiat (Poland) and Aqs (Czech Rep./Slovakia).
“The Green Border” tells the story of a family of Syrian refugees, a solitary English teacher from Afghanistan and a young border guard, all of whom meet on the Polish-Belarusian border during the most recent humanitarian crisis triggered by Belarus’ president Alexander Lukashenko, who opened the country’s doors to migrants as a back door to enter the EU.
The screenplay, penned by Holland, Gabriela Łazarkiewicz-Sieczko and Maciej Pisuk, is inspired by real events. Research for the film included hundreds of hours of document analysis, interviews with refugees, border guards, borderland residents, activists and experts.
A co-production between Poland,...
The film has been sold to Condor (France), September Films (Benelux), Movies Inspired (Italy), Leopardo Filmes (Portugal), McF Megacom (former Yugoslavia), Kino Swiat (Poland) and Aqs (Czech Rep./Slovakia).
“The Green Border” tells the story of a family of Syrian refugees, a solitary English teacher from Afghanistan and a young border guard, all of whom meet on the Polish-Belarusian border during the most recent humanitarian crisis triggered by Belarus’ president Alexander Lukashenko, who opened the country’s doors to migrants as a back door to enter the EU.
The screenplay, penned by Holland, Gabriela Łazarkiewicz-Sieczko and Maciej Pisuk, is inspired by real events. Research for the film included hundreds of hours of document analysis, interviews with refugees, border guards, borderland residents, activists and experts.
A co-production between Poland,...
- 5/18/2023
- by Leo Barraclough and Elsa Keslassy
- Variety Film + TV
Rolling off a successful collaboration on “Charlatan,” Films Boutique has boarded Agnieszka Holland’s next film “The Green Border,” which just completed principal photography in Poland.
Now in post production, “The Green Border” tells the fateful story of a family of Syrian refugees, a solitary English teacher from Afghanistan and a young border guard, all of whom meet on the Polish-Belarusian border during the most recent humanitarian crisis triggered by President Lukaschenko opening doors to migrants in Belarus as a back door to enter the EU.
The screenplay, penned by Holland, Gabriela Łazarkiewicz-Sieczko and Maciej Pisuk, is inspired by real events. Research for the film included hundreds of hours of document analysis, interviews with refugees, border guards, borderland residents, activists and experts.
A co-production between Poland, France, Belgium and the Czech Republic, “The Green Border” is produced by Marcin Wierzchosławski (Metro Films), Fred Bernstein (Astute Films) and Holland. Co-producers are Maria Blicharska,...
Now in post production, “The Green Border” tells the fateful story of a family of Syrian refugees, a solitary English teacher from Afghanistan and a young border guard, all of whom meet on the Polish-Belarusian border during the most recent humanitarian crisis triggered by President Lukaschenko opening doors to migrants in Belarus as a back door to enter the EU.
The screenplay, penned by Holland, Gabriela Łazarkiewicz-Sieczko and Maciej Pisuk, is inspired by real events. Research for the film included hundreds of hours of document analysis, interviews with refugees, border guards, borderland residents, activists and experts.
A co-production between Poland, France, Belgium and the Czech Republic, “The Green Border” is produced by Marcin Wierzchosławski (Metro Films), Fred Bernstein (Astute Films) and Holland. Co-producers are Maria Blicharska,...
- 5/10/2023
- by Elsa Keslassy
- Variety Film + TV
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