D.C. Comics new superhero Black Adam (Dwayne Johnson) calls on the Egyptian gods for his
superpowers in “Black Adam.”
One sequence sees Black Adam in a stand-off with the Justice Society of America — Hawkman, Doctor Fate, Cyclone and Atom Smasher — in a street battle scene.
Weta FX stepped in for the first of many sequences to combine CG environments with practical ones. “Our CG environment was derived from two practical locations — the lower pit was partly built on a soundstage, and the second street level set was set up in a backlot location,” says Sheldon Stopsack, VFX supervisor. “We combined these sets and extended them into a fully digital environment, which allowed us to be flexible with our shot design.”
Facing Black Adam and his superior abilities, the Justice Society is forced to combine their powers. “Our motion team orchestrated many digital Doctor Fates that try to restrain Black Adam while Hawkman launches an attack,...
superpowers in “Black Adam.”
One sequence sees Black Adam in a stand-off with the Justice Society of America — Hawkman, Doctor Fate, Cyclone and Atom Smasher — in a street battle scene.
Weta FX stepped in for the first of many sequences to combine CG environments with practical ones. “Our CG environment was derived from two practical locations — the lower pit was partly built on a soundstage, and the second street level set was set up in a backlot location,” says Sheldon Stopsack, VFX supervisor. “We combined these sets and extended them into a fully digital environment, which allowed us to be flexible with our shot design.”
Facing Black Adam and his superior abilities, the Justice Society is forced to combine their powers. “Our motion team orchestrated many digital Doctor Fates that try to restrain Black Adam while Hawkman launches an attack,...
- 11/14/2022
- by Jazz Tangcay
- Variety Film + TV
Disney dominated the 18th annual Ves Awards with five nominations apiece for Jon Favreau’s frontrunner “The Lion King” and Robert Rodriguez’s surprising “Alita: Battle Angel” (acquired from Fox). Joining them for the top photo-real prize were the Disney-led “Avengers: Endgame” and “Star Wars: The Rise of Skywalker,” along with Ang Lee’s “Gemini Man”. The Ves Awards will be held January 29th at the Beverly Hilton Hotel.
Competing for supporting VFX were Martin Scorsese’s “The Irishman”, Sam Mendes’ “1917,” (which stitched together the World War I thriller as one continuous shot and offered various enhancements), James Mangold’s “Ford v Ferrari,” Todd Phillips’ “Joker,” and “The Aeronauts.”
In animation, Disney also fared well, with Pixar’s “Toy Story 4” (which grabbed five nominations) and “Frozen 2.” They were joined by Golden Globe nominee “Missing Link” from Laika, surprise nominee “Klaus” (the innovative 2D feature from Netflix and Spanish director Sergio Pablos), and,...
Competing for supporting VFX were Martin Scorsese’s “The Irishman”, Sam Mendes’ “1917,” (which stitched together the World War I thriller as one continuous shot and offered various enhancements), James Mangold’s “Ford v Ferrari,” Todd Phillips’ “Joker,” and “The Aeronauts.”
In animation, Disney also fared well, with Pixar’s “Toy Story 4” (which grabbed five nominations) and “Frozen 2.” They were joined by Golden Globe nominee “Missing Link” from Laika, surprise nominee “Klaus” (the innovative 2D feature from Netflix and Spanish director Sergio Pablos), and,...
- 1/7/2020
- by Bill Desowitz
- Indiewire
The Visual Effects Society has unveiled nominations for its 18th annual Ves Awards, which honor VFX work in film, animation, TV, commercials and video games. Winners will be revealed at a ceremony January 29 at the Beverly Hilton.
Disney’s CG redo of the The Lion King and 20th Century Fox’s Alita: Battle Angel lead all film nominees with five apiece, joining the top animated nominee Toy Story 4. In TV, Disney+’s Star Wars spinoff The Mandalorian and the final season of HBO’s epic Game of Thrones lead the field with six nominations each.
Along with naming winners in 25 categories, the group’s ceremony later this month includes honoring Martin Scorsese with the Ves Lifetime Achievement Award. The Ves Visionary Award will be given to Roland Emmerich, and the Ves Award for Creative Excellence will be presented to VFX supervisor Sheena Duggal.
Here’s the list of noms:...
Disney’s CG redo of the The Lion King and 20th Century Fox’s Alita: Battle Angel lead all film nominees with five apiece, joining the top animated nominee Toy Story 4. In TV, Disney+’s Star Wars spinoff The Mandalorian and the final season of HBO’s epic Game of Thrones lead the field with six nominations each.
Along with naming winners in 25 categories, the group’s ceremony later this month includes honoring Martin Scorsese with the Ves Lifetime Achievement Award. The Ves Visionary Award will be given to Roland Emmerich, and the Ves Award for Creative Excellence will be presented to VFX supervisor Sheena Duggal.
Here’s the list of noms:...
- 1/7/2020
- by Patrick Hipes
- Deadline Film + TV
The Mexican Academy of Arts and Cinematographic Sciences hosted the 61st edition of their Ariel Awards on Monday evening, where Alfonso Cuarón’s “Roma” and Alejandra Márquez Abella’s “The Good Girls” stood out among the winners.
Perhaps the most surprising thing about Cuarón’s “Roma” scooping best picture is that it’s only the second of his films to win an Ariel award, and the first to be nominated for best picture. In 1992 “Sólo con Tu Pareja” was nominated for best first work and screenplay, and won best original story. In 2001 he chose not to submit his Oscar-nominated classic “Y tu mamá también” in protest at the Academy’s voting practices.
By the end of the Monday evening however, “Roma” netted 10 prizes, including best director, supporting actress, photography, screenplay, editing, sound, art design, visual effects and special effects to go along with the best picture prize.
A festival darling over the past year,...
Perhaps the most surprising thing about Cuarón’s “Roma” scooping best picture is that it’s only the second of his films to win an Ariel award, and the first to be nominated for best picture. In 1992 “Sólo con Tu Pareja” was nominated for best first work and screenplay, and won best original story. In 2001 he chose not to submit his Oscar-nominated classic “Y tu mamá también” in protest at the Academy’s voting practices.
By the end of the Monday evening however, “Roma” netted 10 prizes, including best director, supporting actress, photography, screenplay, editing, sound, art design, visual effects and special effects to go along with the best picture prize.
A festival darling over the past year,...
- 6/25/2019
- by Jamie Lang
- Variety Film + TV
A bunch of sequels and a remake are vying for the Best Visual Effects Oscar this year, many of them from Disney, including Bill Condon’s live-action remake of Disney’s classic “Beauty and the Beast,” Marvel’s “Thor: Ragnarok” and Lucasfilm’s upcoming “Star Wars: The Last Jedi.”
Three Fox films offer stunning VFX: “War for the Planet of the Apes,” which advances its visual effects technology over the last Matt Reeves installment featuring Weta Digital’s astonishing array of digital apes led by performance capture master Andy Serkis as Caesar, could win Weta’s Joe Letteri (“Avatar,” “King Kong,” “The Lord of the Rings”) his fifth Oscar. Another visually sumptuous sequel is Denis Villeneuve’s “Blade Runner 2049.” And Guillermo del Toro’s “The Shape of Water” is also impressive.
Two Warner Bros. blockbusters, Christopher Nolan’s World War II epic “Dunkirk” and Patty Jenkins’ World War I superhero origin myth “Wonder Woman,...
Three Fox films offer stunning VFX: “War for the Planet of the Apes,” which advances its visual effects technology over the last Matt Reeves installment featuring Weta Digital’s astonishing array of digital apes led by performance capture master Andy Serkis as Caesar, could win Weta’s Joe Letteri (“Avatar,” “King Kong,” “The Lord of the Rings”) his fifth Oscar. Another visually sumptuous sequel is Denis Villeneuve’s “Blade Runner 2049.” And Guillermo del Toro’s “The Shape of Water” is also impressive.
Two Warner Bros. blockbusters, Christopher Nolan’s World War II epic “Dunkirk” and Patty Jenkins’ World War I superhero origin myth “Wonder Woman,...
- 11/18/2017
- by Anne Thompson
- Indiewire
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