Exclusive: Kaley Cuoco, Tom Pelphrey, Briana Cuoco, Midori Francis, Rebecca Mozo and Justin Chatwin are set to star in the play Love Kills, a special event that will see all proceeds going towards IATSE members who have been impacted by the strikes.
Based on the one-act plays by Don Nigro, the event will run November 15-18 at the Colony Theater in Burbank.
Kevin Kittle is directing with Cara Christian producing. Justin Huen will be the technical director, with Dana Schwartz serving as stage manager.
The plays explore all the ways that “love can be deadly,” and they are shared like campfire ghost stories; full of suspense and atmosphere, infused with humor and a few winks at the audience. As with most of Nigro’s plays, they are a celebration of storytelling, and hopefully a reminder of the simple magic that can be created with a writer, a couple actors, a few stools,...
Based on the one-act plays by Don Nigro, the event will run November 15-18 at the Colony Theater in Burbank.
Kevin Kittle is directing with Cara Christian producing. Justin Huen will be the technical director, with Dana Schwartz serving as stage manager.
The plays explore all the ways that “love can be deadly,” and they are shared like campfire ghost stories; full of suspense and atmosphere, infused with humor and a few winks at the audience. As with most of Nigro’s plays, they are a celebration of storytelling, and hopefully a reminder of the simple magic that can be created with a writer, a couple actors, a few stools,...
- 10/10/2023
- by Justin Kroll
- Deadline Film + TV
Maybe you can’t go home again, though onstage that’s invariably what everyone does. Rufus (Corey Brill) left his forsaken hometown outside Scranton, Pa., to pursue his PhD in classics, while brother Jamie (Nate Mooney) remained behind to manage a donut shop and renovate their inherited old house by the titular lake. Jamie moons unrequitedly over his coworker Mary (Rebecca Mozo), who's feeling trapped after a failed engagement and caring for her traumatized and maladjusted combat veteran brother Danny (Brian Slaten). Ostensibly, Rufus has returned less to socialize with his roots than to find a retreat to thrash out the fraught
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- 4/24/2014
- by Myron Meisel
- The Hollywood Reporter - Movie News
Dana Delany, star of "Body of Proof," will star in the world premiere of "House of Cards" creator Beau Willimon's "The Parisian Woman" at South Coast Repertory in Costa Mesa, the theater announced Friday. "The Parisian Woman," will be directed by Pam MacKinnon ("Who's Afraid of Virginia Woolf," "Clybourne Park") and will also feature Steve Culp, Linda Gehringer and Rebecca Mozo. It will run April 14 to May 4 on Scr's Julianne Argyros Stage. Also read: Frederick Weller, Josh Hamilton Join Cast of Neil Labute Play 'Reasons to Be Happy' (Exclusive) Like...
- 3/9/2013
- by Lisa Fung
- The Wrap
Jeff Favreproduction: A Beautiful View, Son of Semele Theatre; Robots vs. Fake Robots, Powerhouse Theatre; Shipwrecked! An Entertainment, Geffen Playhouse.Playwriting: David Largman Murray, Robots vs. Fake Robots.Direction: Don Boughton, A Beautiful View; John Doyle, Sweeney Todd, the Demon Barber of Fleet Street, Center Theatre Group, Ahmanson Theatre; Tiger Reel, Cartoon, Art/Works Theatre; Elise Robertson, The Women, Circus Theatricals.Music Direction: Sarah Travis, Sweeney Todd, the Demon Barber of Fleet Street. Scenic Design: Simon Higlett, The School of Night, Center Theatre Group, Mark Taper Forum; Christine Jones, Spring Awakening, Center Theatre Group, Ahmanson Theatre; Anthony Ward, My Fair Lady, Center Theatre Group, Ahmanson Theatre.Lighting Design: Russell H. Champa, The School of Night; Richard Jones, Sweeney Todd, the Demon Barber of Fleet Street.Costume Design: Anthony Ward, My Fair Lady.Sound Design: Dan Moses Schreier, Sweeney Todd, the Demon Barber of Fleet Street.Perfomance In A (Primarily) Straight Play:Gregory Itzin,...
- 3/11/2009
- backstage.com
Microangelo Entertainment
Gender confusion is taken to the next, angst-ridden level in Zerophilia, a quirky romantic dramedy about a young-adult male who develops a rare biological condition that triggers a highly unusual metamorphosis.
Although writer-director Martin Curland deserves full points for originality -- not to mention avoiding those broadly sophomoric or campy sci-fi pitfalls that could have easily gone with the territory -- the admittedly thought-provoking results fail to make the full-blown transition from curious concept to substantial theatrical proposition.
In the end, the film, which opened Friday in New York this weekend and expands to Los Angeles and elsewhere Nov. 3, feels more like an episode of The O.C. with a chromosomal imbalance.
Taylor Handley does thoughtful, committed work as Luke, a sexually inexperienced college student who "catches" the bizarre genetic virus after an anonymous one-night stand in a camper with a British woman (voiced -- talk about your weird science -- by Kelly LeBrock).
While other hapless dudes might have run the risk of contracting the usual communicable diseases, poor Luke finds himself stricken with something that no dose of penicillin could cure: The encounter has set off a genetic condition that has begun to transform his body, both anatomically and emotionally, into that of the opposite sex.
Understandably concerned, Luke's best buddy Keenan (Dustin Seavey) tracks down a zerophiliac expert, the decidedly loopy Dr. Sydney Catchadourian (Gina Bellman, who memorably played the part of the decidedly loopy Jane on the original British version of Coupling), who, for personal reasons, pushes him to go all the way and make the final transformation from Luke to Luca (Marieh Delfino).
To add to Luke/Luca's confusion, in addition to finding himself attracted to the down-to-earth Michelle (Rebecca Mozo), his burgeoning female side is also starting to develop a thing for her brooding mechanic brother, Max (Kyle Schmid).
Curland's script has some interesting, gender-blending observations to make about love and sexual attraction, but the low-budget production, while effectively cast and nicely shot (by Graham Futerfas), would have benefited from a more assured directorial hand -- one that might have been willing to venture away from those primetime small-screen confines and find the courage to play out some of the subject matter's inherently darker convictions.
Gender confusion is taken to the next, angst-ridden level in Zerophilia, a quirky romantic dramedy about a young-adult male who develops a rare biological condition that triggers a highly unusual metamorphosis.
Although writer-director Martin Curland deserves full points for originality -- not to mention avoiding those broadly sophomoric or campy sci-fi pitfalls that could have easily gone with the territory -- the admittedly thought-provoking results fail to make the full-blown transition from curious concept to substantial theatrical proposition.
In the end, the film, which opened Friday in New York this weekend and expands to Los Angeles and elsewhere Nov. 3, feels more like an episode of The O.C. with a chromosomal imbalance.
Taylor Handley does thoughtful, committed work as Luke, a sexually inexperienced college student who "catches" the bizarre genetic virus after an anonymous one-night stand in a camper with a British woman (voiced -- talk about your weird science -- by Kelly LeBrock).
While other hapless dudes might have run the risk of contracting the usual communicable diseases, poor Luke finds himself stricken with something that no dose of penicillin could cure: The encounter has set off a genetic condition that has begun to transform his body, both anatomically and emotionally, into that of the opposite sex.
Understandably concerned, Luke's best buddy Keenan (Dustin Seavey) tracks down a zerophiliac expert, the decidedly loopy Dr. Sydney Catchadourian (Gina Bellman, who memorably played the part of the decidedly loopy Jane on the original British version of Coupling), who, for personal reasons, pushes him to go all the way and make the final transformation from Luke to Luca (Marieh Delfino).
To add to Luke/Luca's confusion, in addition to finding himself attracted to the down-to-earth Michelle (Rebecca Mozo), his burgeoning female side is also starting to develop a thing for her brooding mechanic brother, Max (Kyle Schmid).
Curland's script has some interesting, gender-blending observations to make about love and sexual attraction, but the low-budget production, while effectively cast and nicely shot (by Graham Futerfas), would have benefited from a more assured directorial hand -- one that might have been willing to venture away from those primetime small-screen confines and find the courage to play out some of the subject matter's inherently darker convictions.
- 10/17/2006
- The Hollywood Reporter - Movie News
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