The full Cannes Film Festival competition jury has been revealed.
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
- 4/29/2024
- by Ellise Shafer
- Variety Film + TV
Reviews will have to wait till the Cannes Film Festival kicks off on May 14, but it’s not too early for a critic to weigh in on this year’s lineup — or how it looks on paper, at least, and what the selection might say about the state of things.
At the top of the press conference, festival director Thierry Frémaux noted that last year would be a tough edition to top. The two big winners of the 2023 competition, “Anatomy of a Fall” and “Zone of Interest,” went on to score Oscar best picture nominations, alongside Martin Scorsese’s “Killers of the Flower Moon.” The festival made strides toward gender parity, with nearly a third of the films in competition directed by women. And to complicate matters, Hollywood has since been hit by two production-stopping guild strikes, delaying films the studios might have sent to Cannes.
Judging by the titles unveiled today,...
At the top of the press conference, festival director Thierry Frémaux noted that last year would be a tough edition to top. The two big winners of the 2023 competition, “Anatomy of a Fall” and “Zone of Interest,” went on to score Oscar best picture nominations, alongside Martin Scorsese’s “Killers of the Flower Moon.” The festival made strides toward gender parity, with nearly a third of the films in competition directed by women. And to complicate matters, Hollywood has since been hit by two production-stopping guild strikes, delaying films the studios might have sent to Cannes.
Judging by the titles unveiled today,...
- 4/12/2024
- by Peter Debruge
- Variety Film + TV
Russian filmmaker Kirill Serebrennikov returns to Cannes once again this year with Limonov: The Ballad starring Ben Whishaw, for which we can share a first-look image from above.
The film’s synopsis reads: A revolutionary militant, a thug, an underground writer, a butler to a millionaire in Manhattan. But also a switchblade-waving poet, a lover of beautiful women, a warmonger, a political agitator, and a novelist who wrote of his greatness. Eduard Limonov’s life story is a journey through Russia, America, and Europe during the second half of the 20th century.
The film was written by Pawel Pawlikowski, Ben Hopkins, and Serebrennikov, based on the novel ‘Limonov’ by Emmanuel Carrère, published in the US by Macmillan Publishers and in France by Pol.
Producers are Mario Gianani and Lorenzo Gangarossa for Wildside, a Fremantle Company, Dimitri Rassam for Chapter 2, a Mediawan Company, Ilya Stewart for Hype Studios and coproduced by...
The film’s synopsis reads: A revolutionary militant, a thug, an underground writer, a butler to a millionaire in Manhattan. But also a switchblade-waving poet, a lover of beautiful women, a warmonger, a political agitator, and a novelist who wrote of his greatness. Eduard Limonov’s life story is a journey through Russia, America, and Europe during the second half of the 20th century.
The film was written by Pawel Pawlikowski, Ben Hopkins, and Serebrennikov, based on the novel ‘Limonov’ by Emmanuel Carrère, published in the US by Macmillan Publishers and in France by Pol.
Producers are Mario Gianani and Lorenzo Gangarossa for Wildside, a Fremantle Company, Dimitri Rassam for Chapter 2, a Mediawan Company, Ilya Stewart for Hype Studios and coproduced by...
- 4/11/2024
- by Zac Ntim
- Deadline Film + TV
Female directors are thin on the ground – plus ça change – but the lineup promises intriguing new films from modern day masters, as well as some unknown hot potatoes
• Donald Trump biopic and new films by Yorgos Lanthimos and Andrea Arnold to premiere at Cannes
The new Cannes selection has been unveiled in one of the most tense and fraught geopolitical situations for years, giving even more of a frisson to the traditional rune-reading activity of scrutinising the festival’s list, and scrutinising cinema itself, for contemporary meaning. There is a very prominent Russian director in competition, Kirill Serebrennikov, with his film Limonov: The Ballad, starring Ben Whishaw as Russian opposition leader and poet Eduard Limonov, based on the novel by the veteran French author and public intellectual Emmanuel Carrère. Of course, the point is that Serebrennikov is a notable anti-government figure.
As far as the Gaza situation goes, there is...
• Donald Trump biopic and new films by Yorgos Lanthimos and Andrea Arnold to premiere at Cannes
The new Cannes selection has been unveiled in one of the most tense and fraught geopolitical situations for years, giving even more of a frisson to the traditional rune-reading activity of scrutinising the festival’s list, and scrutinising cinema itself, for contemporary meaning. There is a very prominent Russian director in competition, Kirill Serebrennikov, with his film Limonov: The Ballad, starring Ben Whishaw as Russian opposition leader and poet Eduard Limonov, based on the novel by the veteran French author and public intellectual Emmanuel Carrère. Of course, the point is that Serebrennikov is a notable anti-government figure.
As far as the Gaza situation goes, there is...
- 4/11/2024
- by Peter Bradshaw
- The Guardian - Film News
Acclaimed auteurs Francis Ford Coppola, Yorgos Lanthimos, Paolo Sorrentino and Andrea Arnold are among the filmmakers set to compete for the coveted Palme d’Or at the 77th Cannes Film Festival.
A total of 19 features were revealed today (April 11) that will play in Competition at the festival, set to run May 14-25.
Rarely a festival to veer far from familiar names, the Competition line-up is dominated by directors who have been selected multiple times for Cannes.
They include US filmmaker Coppola with sci-fi epic Megalopolis, which stars Adam Driver and is set in a future version of New York City following a disaster.
A total of 19 features were revealed today (April 11) that will play in Competition at the festival, set to run May 14-25.
Rarely a festival to veer far from familiar names, the Competition line-up is dominated by directors who have been selected multiple times for Cannes.
They include US filmmaker Coppola with sci-fi epic Megalopolis, which stars Adam Driver and is set in a future version of New York City following a disaster.
- 4/11/2024
- ScreenDaily
As expected, the Cannes Film Festival line-up is pretty spectacular with new films from Yorgos Lanthimos, Andrea Arnold and David Cronenberg heading to the fest.
As the days are getting longer and there’s a tiny bit more sunshine in between the showers of rain, that can only mean one thing. The Cannes Film Festival is almost upon us.
Of course, us peasants rarely get to go, but it is fun to read the reactions from the glitzy world premieres as the stars gather in the picturesque town of Cannes.
And this year’s festival line-up is a doozy. We already knew George Miller was heading to the Croisette with Furiosa, Francis Ford Coppola is bringing Megalopolis and Kevin Costner will be premiering his new film, too, but there’s a whole heap of great filmmakers heading out to the beach with their films.
The highlights include Yorgos Lanthimos’ Kinds Of Kindness,...
As the days are getting longer and there’s a tiny bit more sunshine in between the showers of rain, that can only mean one thing. The Cannes Film Festival is almost upon us.
Of course, us peasants rarely get to go, but it is fun to read the reactions from the glitzy world premieres as the stars gather in the picturesque town of Cannes.
And this year’s festival line-up is a doozy. We already knew George Miller was heading to the Croisette with Furiosa, Francis Ford Coppola is bringing Megalopolis and Kevin Costner will be premiering his new film, too, but there’s a whole heap of great filmmakers heading out to the beach with their films.
The highlights include Yorgos Lanthimos’ Kinds Of Kindness,...
- 4/11/2024
- by Maria Lattila
- Film Stories
Sovereign is proud to announce that award-winning Mexican director Amat Escalante’s powerful thriller Lost In The Night received its UK premiere at the 2023 BFI London Film Festival, as part of the ‘Thrill’ section, and now the film is available to rent/buy on Amazon Prime Video in the UK.
From acclaimed Mexican director Amat Escalante, following Heli, for which he won Best Director at Cannes in 2013, and The Untamed, which won him the Best Director prize at Venice in 2016, comes Lost In The Night, a taut, engrossing thriller that blends traditional elements of Latin American cinema with astute social commentary on Mexican society and contemporary influencer culture.
The film, which premiered at Cannes this year, stars Juan Daniel García Treviño (Narcos México), and Latin American influencer superstar Ester Expósito, who has 27 million followers, and features a superb score by Stranger Things composers Kyle Dixon and Michael Stein.
The film...
From acclaimed Mexican director Amat Escalante, following Heli, for which he won Best Director at Cannes in 2013, and The Untamed, which won him the Best Director prize at Venice in 2016, comes Lost In The Night, a taut, engrossing thriller that blends traditional elements of Latin American cinema with astute social commentary on Mexican society and contemporary influencer culture.
The film, which premiered at Cannes this year, stars Juan Daniel García Treviño (Narcos México), and Latin American influencer superstar Ester Expósito, who has 27 million followers, and features a superb score by Stranger Things composers Kyle Dixon and Michael Stein.
The film...
- 4/11/2024
- by Peter 'Witchfinder' Hopkins
- Horror Asylum
Descubre las películas que estarán en Cannes 2024: una lista completa de todas las secciones.
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
- 4/11/2024
- by Marta Medina
- mundoCine
The Official Selection for the 77th Cannes Film Festival was revealed Thursday, with 19 movies in Competition (see full lists below).
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
- 4/11/2024
- by Zac Ntim
- Deadline Film + TV
Ahead of a festival kicking off in just about a month, Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate, have unveiled the selection of the 77th edition of the Cannes Film Festival.
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
- 4/11/2024
- by Jordan Raup
- The Film Stage
Ali Abbasi’s Donald Trump drama The Apprentice, Anora, the latest from The Florida Project and Red Rocket director Sean Baker, and Andrea Arnold’s Bird, starring Barry Keoghan and Franz Rogowski, are among the highlights of this year’s Cannes Film Festival competition.
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
- 4/11/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
In what looks to be another robust year in the making, the 77th edition of the Cannes Film Festival will bring together several iconic filmmakers, including Francis Ford Coppola with “Megalopolis” starring Adam Driver, George Miller with “Furiosa” starring Anya Taylor-Joy, as well as George Lucas who will be feted with an honorary Palme d’Or. Kevin Costner will also be on hand with the first installment of his Western epic “Horizon, an American Saga.”
Some of the high-profile films in the pipeline for this year’s competition include Yorgos Lanthimos’ “Kinds of Kindness,” a stylized three-part story set in the present that reunites the “Poor Things” helmer with Emma Stone and Willem Dafoe; Paul Schrader’s “Oh, Canada” with Richard Gere, based on a novel by the late Russell Banks (“Affliction”); Jacques Audiard’s musical melodrama “Emilia Perez” starring Zoe Saldana and Selena Gomez; Paolo Sorrentino’s “Parthenope” with...
Some of the high-profile films in the pipeline for this year’s competition include Yorgos Lanthimos’ “Kinds of Kindness,” a stylized three-part story set in the present that reunites the “Poor Things” helmer with Emma Stone and Willem Dafoe; Paul Schrader’s “Oh, Canada” with Richard Gere, based on a novel by the late Russell Banks (“Affliction”); Jacques Audiard’s musical melodrama “Emilia Perez” starring Zoe Saldana and Selena Gomez; Paolo Sorrentino’s “Parthenope” with...
- 4/11/2024
- by Elsa Keslassy, Ellise Shafer, Alex Ritman and Peter Debruge
- Variety Film + TV
Oscar contenders and Berlin prize-winners will be among the European films represented by visiting companies to FilMart that are making use of the European Film Promotion umbrella stand within the annual Hong Kong market.
In total, 29 European film sales companies are making the trip, including more than a dozen from France under the Unifrance banner. Prominent rights brokers include Charades, Goodfellas, Fandango and Filmax.
“Efp has built up the European brand at Hong Kong for many years through setting up a prominent umbrella. The aim was always to prominently flag our mission as being the one-stop shop for the European industry and European films,” said Efp executive Susanne Davis. “And we’re happily surprised that so many of them are taking advantage.”
The 29 companies are collectively representing over 140 new European titles, including Oscar contender “Anatomy of a Fall,” represented by MK2 Films, while “Four Daughters” is handled by the Party Film Sales.
In total, 29 European film sales companies are making the trip, including more than a dozen from France under the Unifrance banner. Prominent rights brokers include Charades, Goodfellas, Fandango and Filmax.
“Efp has built up the European brand at Hong Kong for many years through setting up a prominent umbrella. The aim was always to prominently flag our mission as being the one-stop shop for the European industry and European films,” said Efp executive Susanne Davis. “And we’re happily surprised that so many of them are taking advantage.”
The 29 companies are collectively representing over 140 new European titles, including Oscar contender “Anatomy of a Fall,” represented by MK2 Films, while “Four Daughters” is handled by the Party Film Sales.
- 3/10/2024
- by Patrick Frater
- Variety Film + TV
At last year’s Cannes Film Festival, Leonardo DiCaprio, Harrison Ford and Scarlett Johansson hit the red carpet to premiere their latest big movies. But Hollywood may have a much lighter presence at the 2024 edition of one of the world’s most notable film festivals.
The culprit is the combination of last year’s actors and writers strikes, which created production delays, as well as a tough economy that’s leading studios to tighten the purse-strings. But there will still be stars on the Croisette, in addition to “Barbie” director Greta Gerwig, who will be presiding over the jury.
Based on intelligence from industry insiders on both sides of the Atlantic, the upcoming edition will have a larger emphasis on European auteurs, along the lines of Justine Triet’s “Anatomy of a Fall” and Jonathan Glazer’s “The Zone of Interest,” which were each nominated for five Oscars.
While the...
The culprit is the combination of last year’s actors and writers strikes, which created production delays, as well as a tough economy that’s leading studios to tighten the purse-strings. But there will still be stars on the Croisette, in addition to “Barbie” director Greta Gerwig, who will be presiding over the jury.
Based on intelligence from industry insiders on both sides of the Atlantic, the upcoming edition will have a larger emphasis on European auteurs, along the lines of Justine Triet’s “Anatomy of a Fall” and Jonathan Glazer’s “The Zone of Interest,” which were each nominated for five Oscars.
While the...
- 3/4/2024
- by Elsa Keslassy
- Variety Film + TV
Fremantle has appointed new heads for its Italian labels The Apartment and Wildside and has agreed a co-production deal with their former CEOs Lorenzo Mieli and Mario Gianani.
Film and TV producer Annamaria Morelli becomes CEO of The Apartment while former Sky Italia exec Sonia Rovai has been named CEO of Wildside.
Their appointments follow the recent departures of The Apartment’s Lorenzo Mieli and Wildside’s Mario Gianani from the Fremantle-owned companies.
Mieli and Gianani are launching a new company together, full details of which will be announced in the near future. Fremantle has signed a co-production agreement with...
Film and TV producer Annamaria Morelli becomes CEO of The Apartment while former Sky Italia exec Sonia Rovai has been named CEO of Wildside.
Their appointments follow the recent departures of The Apartment’s Lorenzo Mieli and Wildside’s Mario Gianani from the Fremantle-owned companies.
Mieli and Gianani are launching a new company together, full details of which will be announced in the near future. Fremantle has signed a co-production agreement with...
- 2/29/2024
- ScreenDaily
Fremantle has appointed new bosses for its Italian production subsidiaries The Apartment and Wildside but will continue to work with outgoing CEOs Lorenzo Mieli and Mario Gianani.
Fremantle on Thursday announced that Annamaria Morelli will be taking over as CEO of The Apartment and Sonia Rovai as CEO of Wildside. Fremantle said both companies will continue to have editorial autonomy while coordinating with Fremantle on an organizational basis, and will continue to work with the same talents, Italian and international, going forward.
“Annamaria Morelli and Sonia Rovai have vision, experience and passion. I am so happy to welcome them to The Apartment and Wildside, two labels that have attracted some of the best talent, both Italian and international,” said Andrea Scrosati, group COO and CEO, continental Europe at Fremantle. “We are and will continue to be the place creatives want to call home. A place where you can express your...
Fremantle on Thursday announced that Annamaria Morelli will be taking over as CEO of The Apartment and Sonia Rovai as CEO of Wildside. Fremantle said both companies will continue to have editorial autonomy while coordinating with Fremantle on an organizational basis, and will continue to work with the same talents, Italian and international, going forward.
“Annamaria Morelli and Sonia Rovai have vision, experience and passion. I am so happy to welcome them to The Apartment and Wildside, two labels that have attracted some of the best talent, both Italian and international,” said Andrea Scrosati, group COO and CEO, continental Europe at Fremantle. “We are and will continue to be the place creatives want to call home. A place where you can express your...
- 2/29/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Well-established Italian producers Mario Gianani and Lorenzo Mieli — who left their Fremantle-owned banners, Wildside and The Apartment, respectively, earlier this year — are returning to the growing TV and film powerhouse with their new scripted outfit.
The duo — who co-founded “The Young Pope” and “My Brilliant Friend” production house Wildside in 2009 before Mieli exited to set up The Apartment, which was behind the recent hit “Priscilla” — are yet to reveal details of their new company. But the pair have now signed a co-production deal with Fremantle that will see them collaborate on several projects.
Among those in production and post-production from the two producers are Paolo Sorrentino’s latest film, Kirill Serebrennikov’s “Limonov -The Ballad,” “Queer” by Luca Guadagnino starring Daniel Craig, the new film by Gabriele Mainetti, “Maria” by Pablo Larraín starring Angelina Jolie, plus the TV series “M. The Son of the Century” by Joe Wright and “Il Mostro” by Stefano Sollima.
The duo — who co-founded “The Young Pope” and “My Brilliant Friend” production house Wildside in 2009 before Mieli exited to set up The Apartment, which was behind the recent hit “Priscilla” — are yet to reveal details of their new company. But the pair have now signed a co-production deal with Fremantle that will see them collaborate on several projects.
Among those in production and post-production from the two producers are Paolo Sorrentino’s latest film, Kirill Serebrennikov’s “Limonov -The Ballad,” “Queer” by Luca Guadagnino starring Daniel Craig, the new film by Gabriele Mainetti, “Maria” by Pablo Larraín starring Angelina Jolie, plus the TV series “M. The Son of the Century” by Joe Wright and “Il Mostro” by Stefano Sollima.
- 2/29/2024
- by Alex Ritman
- Variety Film + TV
Following their departures as CEOs of Fremantle’s Wildside and The Apartment, Mario Gianani and Lorenzo Mieli have struck a co-production deal with their old employer Fremantle on several projects as they unveil their new company.
More details about the new company, whose name was not revealed today, will be “announced in the near future.”
Gianani and Mieli departed Fremantle in mid-January.
The Fremantle pact will lead to a new film from Paolo Sorrentino, Limonov – The Ballad, by Kirill Serebrennikov; Queer from Luca Guadagnino and starring Daniel Craig; a new film by Gabriele Mainetti, Maria by Pablo Larraín starring Angelina Jolie; and the TV series M. The Son of the Century by Joe Wright and Il Mostro by Stefano Sollima.
Fremantle continues to operate Wildside and The Apartment with new leadership in place.
Andrea Scrosati, Group COO and CEO, Continental Europe, Fremantle said: “I am really happy to continue collaborating...
More details about the new company, whose name was not revealed today, will be “announced in the near future.”
Gianani and Mieli departed Fremantle in mid-January.
The Fremantle pact will lead to a new film from Paolo Sorrentino, Limonov – The Ballad, by Kirill Serebrennikov; Queer from Luca Guadagnino and starring Daniel Craig; a new film by Gabriele Mainetti, Maria by Pablo Larraín starring Angelina Jolie; and the TV series M. The Son of the Century by Joe Wright and Il Mostro by Stefano Sollima.
Fremantle continues to operate Wildside and The Apartment with new leadership in place.
Andrea Scrosati, Group COO and CEO, Continental Europe, Fremantle said: “I am really happy to continue collaborating...
- 2/29/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Michael Winterbottom’s drama centres on the romance between a British police officer and a socialist Zionist writer but puts history-telling over emotion
Working with co-writers Laurence Coriat and Paul Viragh, Michael Winterbottom hits a clear, confident stride with a robustly well made, if emotionally flavourless historical drama set during the British mandate in what was then Palestine. It is a film that speaks in a complex way to the current Gaza debate, contending that Zionism has anti-colonialism and anti-imperialism in its 20th-century manifestation: a rage against the British masters. But the implication is that it learned habits of ruthlessness from these very people.
The film is based on the true story of Shoshana Borochov, a socialist Zionist writer who came with her Ukrainian family to Tel Aviv as a child in the 1920s and grew up to have a long-term romantic relationship with a British police officer called Thomas Wilkin,...
Working with co-writers Laurence Coriat and Paul Viragh, Michael Winterbottom hits a clear, confident stride with a robustly well made, if emotionally flavourless historical drama set during the British mandate in what was then Palestine. It is a film that speaks in a complex way to the current Gaza debate, contending that Zionism has anti-colonialism and anti-imperialism in its 20th-century manifestation: a rage against the British masters. But the implication is that it learned habits of ruthlessness from these very people.
The film is based on the true story of Shoshana Borochov, a socialist Zionist writer who came with her Ukrainian family to Tel Aviv as a child in the 1920s and grew up to have a long-term romantic relationship with a British police officer called Thomas Wilkin,...
- 2/21/2024
- by Peter Bradshaw
- The Guardian - Film News
Lorenzo Mieli and Mario Gianani are exiting their Fremantle-owned Italian production companies.
The pair are among Italy’s most well known TV and film producers, but their exits have been confirmed, with their next moves not yet official. They may team together to launch their own indie together, reports say.
A Fremantle spokesperson said the super-indie would look to work with Mieli and Gianani “in a different structure” in the future.
The Hollywood Reporter Italy, which revealed the news towards the end of 2023, reported the pair are planning their own production company, but neither could be contacted for comment before press time.
Fremantle confirmed it remains the 100% owner of both indies and new leadership to be announced in due course.
Gianani’s Wildside makes features such as There’s Still Tomorrow and Finally Dawn and TV shows including Disney+ original The Good Mothers, while Mieli’s company, The Apartment, made...
The pair are among Italy’s most well known TV and film producers, but their exits have been confirmed, with their next moves not yet official. They may team together to launch their own indie together, reports say.
A Fremantle spokesperson said the super-indie would look to work with Mieli and Gianani “in a different structure” in the future.
The Hollywood Reporter Italy, which revealed the news towards the end of 2023, reported the pair are planning their own production company, but neither could be contacted for comment before press time.
Fremantle confirmed it remains the 100% owner of both indies and new leadership to be announced in due course.
Gianani’s Wildside makes features such as There’s Still Tomorrow and Finally Dawn and TV shows including Disney+ original The Good Mothers, while Mieli’s company, The Apartment, made...
- 1/19/2024
- by Jesse Whittock
- Deadline Film + TV
One of the phenomena to emerge from the last few years of increasing female representation in cinema has been an exploration of the roles played by women married to great men, often uncovering significant contributions to that greatness, or at least equally interesting personalities. Whilst this might seem to be another contribution to that process, it’s doing something slightly different. Antonina Miliukova is not the sort of subject to whom cinema normally pays much heed. What records remain of her life – including what were most probably her memoirs – suggest, instead, a damaged and vulnerable person with a fragile grip on reality.
Kirill Serebrennikov’s drama sticks closely to this interpretation. “I’m not some mad person,” she begins, having invited the composer, her sometimes music instructor, to her lonely room. In the same conversation, however, she switches from discussing her dowry to saying that she may kill herself without even drawing.
Kirill Serebrennikov’s drama sticks closely to this interpretation. “I’m not some mad person,” she begins, having invited the composer, her sometimes music instructor, to her lonely room. In the same conversation, however, she switches from discussing her dowry to saying that she may kill herself without even drawing.
- 12/29/2023
- by Jennie Kermode
- eyeforfilm.co.uk
Warner Bros.’ “Wonka” enjoyed a barnstorming second weekend at the U.K. and Ireland box office with £6.3 million ($8.09 million), according to numbers released by Comscore.
After two weekends at the top, the Timothée Chalamet starrer now has a mighty total of £18.4 million. In the process, the film staved off the challenge of Anime Ltd’s “Godzilla Minus One,” which debuted in second place with £816,891. That total was enough to make “Godzilla Minus One” the highest-grossing Japanese live-action film in U.K. and Ireland box office history.
In third place, in its fifth weekend, Lionsgate’s “The Hunger Games: The Ballad Of Songbirds And Snakes” collected £612,656 for a total of £15.8 million.
In fourth place, in its fourth weekend, Disney’s “Wish” earned £587,619 for a total of £6.6 million. Rounding off the top five was Sony’s “Napoleon” with £499,388 in its fourth weekend for a total of £12.4 million.
Warner Bros.’ “Saltburn” continued displaying...
After two weekends at the top, the Timothée Chalamet starrer now has a mighty total of £18.4 million. In the process, the film staved off the challenge of Anime Ltd’s “Godzilla Minus One,” which debuted in second place with £816,891. That total was enough to make “Godzilla Minus One” the highest-grossing Japanese live-action film in U.K. and Ireland box office history.
In third place, in its fifth weekend, Lionsgate’s “The Hunger Games: The Ballad Of Songbirds And Snakes” collected £612,656 for a total of £15.8 million.
In fourth place, in its fourth weekend, Disney’s “Wish” earned £587,619 for a total of £6.6 million. Rounding off the top five was Sony’s “Napoleon” with £499,388 in its fourth weekend for a total of £12.4 million.
Warner Bros.’ “Saltburn” continued displaying...
- 12/19/2023
- by Naman Ramachandran
- Variety Film + TV
Kirill Serebrennikov, the celebrated Russian playwright and director whose last three films competed at Cannes, is set to create and direct a sensual, gothic TV adaptation of “The Phantom of the Opera,” Gaston Leroux’s 19th century novel.
Serebrennikov’s TV debut, the subversive six-part miniseries will be shot in English and is being produced by Aude Albano at Pathé, in association with Ilya Stewart at Hype Studios. The latter has collaborated with Serebrennikov on his critically acclaimed movies, including “Leto,” “Petrov’s Flu” and “Tchaikovsky’s Wife,” all of which have played at Cannes.
Described as a “riveting psychological thriller with horrific undertones” by the production team, the story of “The Phantom of the Opera” revolves around an up-and-coming artist, Christine Daaé, who becomes the obsession of a disfigured musical genius, a monster haunting the Paris Opera House. Known as the Phantom of the Opera, the maleficent figure is a controlling,...
Serebrennikov’s TV debut, the subversive six-part miniseries will be shot in English and is being produced by Aude Albano at Pathé, in association with Ilya Stewart at Hype Studios. The latter has collaborated with Serebrennikov on his critically acclaimed movies, including “Leto,” “Petrov’s Flu” and “Tchaikovsky’s Wife,” all of which have played at Cannes.
Described as a “riveting psychological thriller with horrific undertones” by the production team, the story of “The Phantom of the Opera” revolves around an up-and-coming artist, Christine Daaé, who becomes the obsession of a disfigured musical genius, a monster haunting the Paris Opera House. Known as the Phantom of the Opera, the maleficent figure is a controlling,...
- 9/6/2023
- by Elsa Keslassy
- Variety Film + TV
”It’s all about enthusiam, stubborness and determination,” he says.
Aged 85, Roger Gibson is preparing for his final edition as artistic director of the Chichester International Film Festival. He has built it into one of the UK’s leading regional film festivals since launching it in 1992.
Over the years guests travelling to the south of England festival have included Alec Guinness, Stephen Poliakoff, Kathleen Turner, Ken Russell, Mike Leigh and Ralph Fiennes. This year’s guest list is equally impressive: the festival has programmed retrospectives of work by Cate Blanchett and Hugh Bonneville, and both actors are set to attend,...
Aged 85, Roger Gibson is preparing for his final edition as artistic director of the Chichester International Film Festival. He has built it into one of the UK’s leading regional film festivals since launching it in 1992.
Over the years guests travelling to the south of England festival have included Alec Guinness, Stephen Poliakoff, Kathleen Turner, Ken Russell, Mike Leigh and Ralph Fiennes. This year’s guest list is equally impressive: the festival has programmed retrospectives of work by Cate Blanchett and Hugh Bonneville, and both actors are set to attend,...
- 8/1/2023
- by Tim Dams
- ScreenDaily
Kinology has come on board the highly anticipated next film of Russian filmmaker Kirill Serebrennikov, “The Disappearance of Josef Mengele,” based on Olivier Guez’s bestselling novel. Kinology is at Cannes to present the project to buyers.
Set to start shooting in a few weeks, the film is being produced by Charles Gillibert at CG Cinema (“Annette”) and Ilya Stewart at Hype Studios (“Tchaikovsky’s Wife”), Felix von Boem at Lupa Films, Arte France Cinéma, Mélanie Biessy with Scala Films, Forma Pro Films and Cimarron coproduce the film with Piano. Bac Films does French distribution and Dcm german distribution.
It stars August Diehl as Mengele, the notorious Nazi doctor who found refuge in South America at the end of WWII and was never captured. Mengele died in Brazil in 1979 without having been judged for his crimes. The movie will focus on Mengele’s fugitive years in South America, and will be...
Set to start shooting in a few weeks, the film is being produced by Charles Gillibert at CG Cinema (“Annette”) and Ilya Stewart at Hype Studios (“Tchaikovsky’s Wife”), Felix von Boem at Lupa Films, Arte France Cinéma, Mélanie Biessy with Scala Films, Forma Pro Films and Cimarron coproduce the film with Piano. Bac Films does French distribution and Dcm german distribution.
It stars August Diehl as Mengele, the notorious Nazi doctor who found refuge in South America at the end of WWII and was never captured. Mengele died in Brazil in 1979 without having been judged for his crimes. The movie will focus on Mengele’s fugitive years in South America, and will be...
- 5/18/2023
- by Elsa Keslassy
- Variety Film + TV
BAFTA-winning “Sex Education” star Aimee Lou Wood and Oscar-nominee Matt Dillon (“Crash”) have been tapped to star as Anna and Fyodor Dostoyevsky in “The Gambler Wife,” a dark comedy about one of world literature’s most towering figures, by two-time Berlinale prize winner Małgorzata Szumowska.
“The Gambler Wife” follows the Russian novelist and his much younger, pregnant wife, Anna, as they travel to Switzerland for their honeymoon. Anna tolerates her husband’s gambling addiction, which will serve as inspiration for his burgeoning literary career. However, Fyodor’s compulsive roulette playing continues to cause problems for the couple until they are forced to return to a Russia that is not quite as they remember.
“This dark comedy explores the patriarchal, nationalistic Russian identity which keeps on waging war between the West and the East, which is as relevant today as it was two hundred years ago,” said Szumowska.
Pic is produced...
“The Gambler Wife” follows the Russian novelist and his much younger, pregnant wife, Anna, as they travel to Switzerland for their honeymoon. Anna tolerates her husband’s gambling addiction, which will serve as inspiration for his burgeoning literary career. However, Fyodor’s compulsive roulette playing continues to cause problems for the couple until they are forced to return to a Russia that is not quite as they remember.
“This dark comedy explores the patriarchal, nationalistic Russian identity which keeps on waging war between the West and the East, which is as relevant today as it was two hundred years ago,” said Szumowska.
Pic is produced...
- 5/18/2023
- by Christopher Vourlias
- Variety Film + TV
The selection also includes projects from Kirill Serebrennikov and Agnieszka Holland
David Cronenberg’s The Shrouds is among 32 projects to receive a share of €8.3m in Eurimages’ latest round of co-production funding.
Cronenberg’s new feature, a co-production between Canada and France, received €500,000 – the largest amount awarded in this round of funding. Vincent Cassel plays a widower who creates a device that allows you to connect with the dead. Diane Kruger and Guy Pearce also star in the thriller.
Scroll down for full list of titles
The only other project to also receive €500,000 was Adrià Garcia’s animation The Treasure Of Barracuda,...
David Cronenberg’s The Shrouds is among 32 projects to receive a share of €8.3m in Eurimages’ latest round of co-production funding.
Cronenberg’s new feature, a co-production between Canada and France, received €500,000 – the largest amount awarded in this round of funding. Vincent Cassel plays a widower who creates a device that allows you to connect with the dead. Diane Kruger and Guy Pearce also star in the thriller.
Scroll down for full list of titles
The only other project to also receive €500,000 was Adrià Garcia’s animation The Treasure Of Barracuda,...
- 4/3/2023
- by Ellie Calnan
- ScreenDaily
The Eurimages Project Evaluation Session of 2023 have just been announced and among the 32 supported films we have some veteran filmmakers in David Cronenberg (The Shrouds), Agnieszka Holland (The Green Border) and Kirill Serebrennikov (Disappearance aka La disparition) landing some significant coin amounts. Also grabbing some noteworthy sums of euros are filmmakers Burhan Qurbani (No Beast So Fierce), Jonathan Millet (Lives of Hamid), Nóra Lakos (I Accidentally Wrote a Book) and Scandi helmers Jeanette Nordahl (Connections) and Fanny Ovesen (Laura). Here is the entire list which includes docus and animated films:
A Light at Midday – Elena Manrique (Spain) – €300 000
Aïcha – Mehdi Barsaoui (Tunisia) – €150 000
Bestiaries, Herbaria, Lapidaries – Martina Parenti, Massimo D’Anolfi (Italy) – €80 000 Documentary
Blood and Mud – Jean-Gabriel Leynaud (France) – €140 000 Documentary
Catane – Ioana Mischie (Romania) – €150 000
Connections – Jeanette Nordahl (Denmark) – €302 000
Disappearance – Kirill Serebrennikov (Russia) – €350 000
DJ Ahmet – Georgi Unkovski (North Macedonia) – €160 000
Dreaming of Lions – Paolo Marinou-Blanco (Portugal) – €150 000
Filipinas – Leonor Noivo (Portugal) – €74 500 Documentary
Flow – Gints Zilbalodis (Latvia...
A Light at Midday – Elena Manrique (Spain) – €300 000
Aïcha – Mehdi Barsaoui (Tunisia) – €150 000
Bestiaries, Herbaria, Lapidaries – Martina Parenti, Massimo D’Anolfi (Italy) – €80 000 Documentary
Blood and Mud – Jean-Gabriel Leynaud (France) – €140 000 Documentary
Catane – Ioana Mischie (Romania) – €150 000
Connections – Jeanette Nordahl (Denmark) – €302 000
Disappearance – Kirill Serebrennikov (Russia) – €350 000
DJ Ahmet – Georgi Unkovski (North Macedonia) – €160 000
Dreaming of Lions – Paolo Marinou-Blanco (Portugal) – €150 000
Filipinas – Leonor Noivo (Portugal) – €74 500 Documentary
Flow – Gints Zilbalodis (Latvia...
- 4/3/2023
- by Eric Lavallée
- IONCINEMA.com
Because a list is never done and because we were inspired to dig that bit further, we have a few more updates on potential Cannes contenders this year.
Below is Part Two of our selection of movies we hear are in the conversation. You can read about our first wave of potentials here, including Scorsese, Indiana Jones 5 and Johnny Depp’s comeback movie.
Related Story From ‘Killers Of The Flower Moon’ & ‘Indiana Jones’ To ‘Jeanne Du Barry’ & ‘The Old Oak’: 32 Movies From Across The Globe That Could Light Up The Cannes Film Festival Related Story International Insider: Cannes Contenders; London's Time To Shine; Danish Diversity Debate; ITV Finances; Ken Loach Union Row Related Story Ruben Östlund Set As 2023 Cannes Film Festival Jury President
Among anticipated films it has become clear to us in recent days are unlikely to debut are Kirill Serebrennikov’s Limonov, Sean Durkin’s Iron Claw,...
Below is Part Two of our selection of movies we hear are in the conversation. You can read about our first wave of potentials here, including Scorsese, Indiana Jones 5 and Johnny Depp’s comeback movie.
Related Story From ‘Killers Of The Flower Moon’ & ‘Indiana Jones’ To ‘Jeanne Du Barry’ & ‘The Old Oak’: 32 Movies From Across The Globe That Could Light Up The Cannes Film Festival Related Story International Insider: Cannes Contenders; London's Time To Shine; Danish Diversity Debate; ITV Finances; Ken Loach Union Row Related Story Ruben Östlund Set As 2023 Cannes Film Festival Jury President
Among anticipated films it has become clear to us in recent days are unlikely to debut are Kirill Serebrennikov’s Limonov, Sean Durkin’s Iron Claw,...
- 3/6/2023
- by Andreas Wiseman, Melanie Goodfellow and Zac Ntim
- Deadline Film + TV
First-time writer-director Malika Musaeva is set to make history at this year’s Berlin International Film Festival, where her female-centered coming-of-age drama “The Cage is Looking for a Bird” is the first Chechen-language film ever selected by the venerable German fest.
Musaeva’s debut, which world premieres Feb. 22 in the festival’s competitive Encounters section, focuses on a group of Chechen women living in a remote rural village, where they must defend their freedom and the right to live their own lives.
At the film’s heart is a friendship between two teenage girls, played by first-time actors Khadizha Bataeva and Madina Akkieva. On the precipice of adulthood, the duo seeks refuge in each other as they navigate difficult decisions about their futures.
“The Cage is Looking for a Bird” is produced by Hype Studios, the recently launched outfit of producer Ilya Stewart, whose upcoming slate includes new features from...
Musaeva’s debut, which world premieres Feb. 22 in the festival’s competitive Encounters section, focuses on a group of Chechen women living in a remote rural village, where they must defend their freedom and the right to live their own lives.
At the film’s heart is a friendship between two teenage girls, played by first-time actors Khadizha Bataeva and Madina Akkieva. On the precipice of adulthood, the duo seeks refuge in each other as they navigate difficult decisions about their futures.
“The Cage is Looking for a Bird” is produced by Hype Studios, the recently launched outfit of producer Ilya Stewart, whose upcoming slate includes new features from...
- 2/21/2023
- by Christopher Vourlias
- Variety Film + TV
The exiled Russian producer is in Berlin with Encounters title ’The Cage Is Looking For A Bird’.
Berlin-based Russian director Kirill Serebrennikov’s The Disappearance, set to star August Diehl as Josef Mengele, will shoot in South America this summer, confirmed Ilya Stewart, the film’s exiled Russia producer of Hype Studios, at the European Film Market this weekend.
The director will move straight onto it after the completion of his latest feature, Limonov. A sales agent is likely to be announced in time for Cannes. Diehl will play the Nazi war criminal during the years he hid out in Brazil.
Berlin-based Russian director Kirill Serebrennikov’s The Disappearance, set to star August Diehl as Josef Mengele, will shoot in South America this summer, confirmed Ilya Stewart, the film’s exiled Russia producer of Hype Studios, at the European Film Market this weekend.
The director will move straight onto it after the completion of his latest feature, Limonov. A sales agent is likely to be announced in time for Cannes. Diehl will play the Nazi war criminal during the years he hid out in Brazil.
- 2/20/2023
- by Geoffrey Macnab
- ScreenDaily
As we do every year, after we’ve unveiled our massive top list for the upcoming year (check out our Top 200) we like to shake the magic eight ball and peer into the future and what we find are likes of Jacques Audiard, Kantemir Balagov, Audrey Diwan, Fabrice Du Welz, Valeska Grisebach, Payal Kapadia, Dea Kulumbegashvili, Joshua Oppenheimer, Lynne Ramsay and Kirill Serebrennikov.
…...
…...
- 1/30/2023
- by Nicholas Bell
- IONCINEMA.com
Paris-based international sales and production company Totem Films have boarded debutant Malika Musaeva’s “The Cage is Looking for a Bird,” which will receive its world premiere in the Encounters strand of the upcoming Berlin Film Festival.
The film focuses on a group of Chechen women living in a remote rural village and their struggles to defend their right for freedom and the choice to live their own lives. At the centre is a friendship between two teenage girls, on the verge of adulthood, who seek refuge in each other as they navigate decisions around their future.
Musaeva was born in Grozny, Chechnya, in 1992. During the Second Chechen War in 1999 her family fled and lived in Ingushetia and Ukraine, before settling in Germany. In 2003 her family returned to Russia and lived in Nalchik, Kabardino-Balkaria. In 2010, she enrolled in the Kabardino-Balkarian State University and studied under the acclaimed film director Aleksandr Sokurov.
The film focuses on a group of Chechen women living in a remote rural village and their struggles to defend their right for freedom and the choice to live their own lives. At the centre is a friendship between two teenage girls, on the verge of adulthood, who seek refuge in each other as they navigate decisions around their future.
Musaeva was born in Grozny, Chechnya, in 1992. During the Second Chechen War in 1999 her family fled and lived in Ingushetia and Ukraine, before settling in Germany. In 2003 her family returned to Russia and lived in Nalchik, Kabardino-Balkaria. In 2010, she enrolled in the Kabardino-Balkarian State University and studied under the acclaimed film director Aleksandr Sokurov.
- 1/30/2023
- by Christopher Vourlias and Naman Ramachandran
- Variety Film + TV
Deal is first time French studio has opened the financing of its films to private investors
French studio Pathé has partnered with financier and producer Logical Pictures for a three-year co-production and co-financing deal via new fund Logical Content Ventures.
The fund will raise finance from private investors and contribute to the budgets of all films produced and acquired by Pathé between 2022 and 2024 with the aim to join forces for 20 upcoming titles.
It is the first time Pathé has opened the financing of its films to private investors and comes as the studio continues to invest in bigger-budget films for wide theatrical release.
French studio Pathé has partnered with financier and producer Logical Pictures for a three-year co-production and co-financing deal via new fund Logical Content Ventures.
The fund will raise finance from private investors and contribute to the budgets of all films produced and acquired by Pathé between 2022 and 2024 with the aim to join forces for 20 upcoming titles.
It is the first time Pathé has opened the financing of its films to private investors and comes as the studio continues to invest in bigger-budget films for wide theatrical release.
- 1/26/2023
- by Rebecca Leffler
- ScreenDaily
French studio Pathé and film and TV financier and producer Logical Pictures have announced a three-year co-production and co-financing deal.
The operation involving Logical Content Ventures, a new fund operated by Logical Pictures, will see Pathé open up the financing of its films to private investors for the first time in its history.
Under the deal with Pathé, Logical Content Ventures will contribute to the financing of all films produced and acquired by Pathé between 2022 and 2024.
The aim is to co-finance and co-produce more than 20 pictures together with the first projects being released as soon as Spring 2023.
The first films included in the agreement are Dany Boon’s Life for Real (Pathé – 26Db Productions), Just Philippot’s environmental thriller Acid (Pathé – Bonne Pioche), starring Canet and Laetitia Dosch, and Kirill Serebrennikov’s English feature debut Limonov: the Ballad of Eddie (Pathé – Chapter 2 – Wildside – Fremantle) starring Ben Whishaw.
The move comes...
The operation involving Logical Content Ventures, a new fund operated by Logical Pictures, will see Pathé open up the financing of its films to private investors for the first time in its history.
Under the deal with Pathé, Logical Content Ventures will contribute to the financing of all films produced and acquired by Pathé between 2022 and 2024.
The aim is to co-finance and co-produce more than 20 pictures together with the first projects being released as soon as Spring 2023.
The first films included in the agreement are Dany Boon’s Life for Real (Pathé – 26Db Productions), Just Philippot’s environmental thriller Acid (Pathé – Bonne Pioche), starring Canet and Laetitia Dosch, and Kirill Serebrennikov’s English feature debut Limonov: the Ballad of Eddie (Pathé – Chapter 2 – Wildside – Fremantle) starring Ben Whishaw.
The move comes...
- 1/26/2023
- by Melanie Goodfellow
- Deadline Film + TV
Pathé has signed a three-year co-production and co-financing deal with Logical Pictures to strengthen its ambitious film production strategy.
The family-owned company operates France’s leading multiplex chain and runs one of the country’s most successful film studios. 2023 looks to be Pathé’s biggest year in a while with three major French releases: Guillaume Canet’s “Asterix & Obelix: The Middle Kingdom” and Martin Bourboulon’s two-part epic saga “The Three Musketeers.” Both based on cult franchises, “Asterix & Obelix: The Middle Kingdom” and “The Three Musketeers” are budgeted in the 70 million range (about seven times more than the high bracket of a medium-size film in France). This is just the beginning of a new era for Pathé, which will need financial munitions to limit risks and continue delivering these splashy films on a regular basis for years to come.
Through the partnership, Pathé will be able to tap...
The family-owned company operates France’s leading multiplex chain and runs one of the country’s most successful film studios. 2023 looks to be Pathé’s biggest year in a while with three major French releases: Guillaume Canet’s “Asterix & Obelix: The Middle Kingdom” and Martin Bourboulon’s two-part epic saga “The Three Musketeers.” Both based on cult franchises, “Asterix & Obelix: The Middle Kingdom” and “The Three Musketeers” are budgeted in the 70 million range (about seven times more than the high bracket of a medium-size film in France). This is just the beginning of a new era for Pathé, which will need financial munitions to limit risks and continue delivering these splashy films on a regular basis for years to come.
Through the partnership, Pathé will be able to tap...
- 1/26/2023
- by Elsa Keslassy
- Variety Film + TV
Limonov: The Ballad of Eddie
The critic elite in Cannes might not have been big (we were) on his Tchaikovsky’s Wife, but Kirill Serebrennikov is in beast mode despite having to had to pack up bags mid shoot due to the complications of the war. Limonov: The Ballad of Eddie is in the can and has the great Ben Whishaw toplining. Viktoria Miroshnichenko from Beanpole fame his playing his wife Elena. Co-written by Pawel Pawlikowski (who was originally set to make this his film), production was split into two last year. Limonov: The Ballad of Eddie producers include Ilya Stewart, Wildside’s Mario Gianani and Lorenzo Gangarossa, Chapter 2’s Dimitri Rassam.…...
The critic elite in Cannes might not have been big (we were) on his Tchaikovsky’s Wife, but Kirill Serebrennikov is in beast mode despite having to had to pack up bags mid shoot due to the complications of the war. Limonov: The Ballad of Eddie is in the can and has the great Ben Whishaw toplining. Viktoria Miroshnichenko from Beanpole fame his playing his wife Elena. Co-written by Pawel Pawlikowski (who was originally set to make this his film), production was split into two last year. Limonov: The Ballad of Eddie producers include Ilya Stewart, Wildside’s Mario Gianani and Lorenzo Gangarossa, Chapter 2’s Dimitri Rassam.…...
- 1/18/2023
- by Eric Lavallée
- IONCINEMA.com
Les Films du Losange has boarded “Un silence,” the new thought-provoking film by Belgian filmmaker Joachim Lafosse (“The Restless”) starring Daniel Auteuil and Emmanuelle Devos. The company has unveiled an exclusive first still of the timely drama on the eve of the Unifrance Rendez-Vous market in Paris which kicks off this week.
The plot remains enigmatic but Les Films du Losange said it will revolve around Astrid (Devos), the wife of an acclaimed lawyer (Auteuil). Silenced for 25 years, her family balance suddenly collapses when her children initiate their search for justice.
Auteuil and Devos are among France’s best known actors. Auteuil previously won Cesar and BAFTA awards. His credits include “La belle époque” by Nicolas Bedos, and “Hidden” by Michael Haneke, while Devos, who also won a Cesar award, previously starred in Jacques Audiard’s “Read My Lips” and Arnaud Desplechin’s movies including “A Christmas tale” and “Kings & Queen.
The plot remains enigmatic but Les Films du Losange said it will revolve around Astrid (Devos), the wife of an acclaimed lawyer (Auteuil). Silenced for 25 years, her family balance suddenly collapses when her children initiate their search for justice.
Auteuil and Devos are among France’s best known actors. Auteuil previously won Cesar and BAFTA awards. His credits include “La belle époque” by Nicolas Bedos, and “Hidden” by Michael Haneke, while Devos, who also won a Cesar award, previously starred in Jacques Audiard’s “Read My Lips” and Arnaud Desplechin’s movies including “A Christmas tale” and “Kings & Queen.
- 1/10/2023
- by Elsa Keslassy
- Variety Film + TV
A long-gestating project that was perhaps put on hold while Kirill Serebrennikov was fighting to not have to rot in a Russian jail, production on The Disappearance will commence right after next year’s Cannes. Variety reports that August Diehl will take on the role of the real-life filth Josef Mengele aka the Angel of Death. CG Cinema’s Charles Gillibert and long-time producer Ilya Stewart from Hype Studios are backing the project.
Tchaikovsky’s Wife (read review) premiered in Cannes this summer and its currently playing on the film fest circuit while the just completed Limonov is expected to drop at next year’s Cannes Film Festival — so Serebrennikov will be part of the world cinema conversation this entire half decade.…...
Tchaikovsky’s Wife (read review) premiered in Cannes this summer and its currently playing on the film fest circuit while the just completed Limonov is expected to drop at next year’s Cannes Film Festival — so Serebrennikov will be part of the world cinema conversation this entire half decade.…...
- 10/18/2022
- by Eric Lavallée
- IONCINEMA.com
August Diehl (“A Hidden Life”) is set to star in Russian filmmaker Kirill Serebrennikov‘s film adaptation of the best-selling French novel “The Disappearance of Josef Mengele” which will start shooting in early June.
Produced by Charles Gillibert at CG Cinema (“Annette”) and Ilya Stewart at Hype Studios (“Tchaikovsky’s Wife”), the film will star Diehl as Mengele, the notorious Nazi doctor who found refuge in South America at the end of WWII and was never captured. He died in Brazil in 1979 without having been judged for his crimes. The novel, penned by Olivier Guez, won the prestigious Renaudot Prize in 2017 in France and was published in more than 30 countries.
The long-gestating project will mark Serebrennikov‘s follow up to his upcoming movie “Limonov,” as well as “Tchaikovsky’s Wife” and “Leto,” both of which competed at the Cannes Film Festival in 2022 and 2018.
A popular German actor, Diehl previously worked...
Produced by Charles Gillibert at CG Cinema (“Annette”) and Ilya Stewart at Hype Studios (“Tchaikovsky’s Wife”), the film will star Diehl as Mengele, the notorious Nazi doctor who found refuge in South America at the end of WWII and was never captured. He died in Brazil in 1979 without having been judged for his crimes. The novel, penned by Olivier Guez, won the prestigious Renaudot Prize in 2017 in France and was published in more than 30 countries.
The long-gestating project will mark Serebrennikov‘s follow up to his upcoming movie “Limonov,” as well as “Tchaikovsky’s Wife” and “Leto,” both of which competed at the Cannes Film Festival in 2022 and 2018.
A popular German actor, Diehl previously worked...
- 10/18/2022
- by Elsa Keslassy
- Variety Film + TV
Exclusive: Maria Mashkova (McMafia) and Dimiter Marinov (Green Book) have joined the upcoming fourth season of Apple TV+’s space drama series For All Mankind in key recurring roles.
Created by Ronald D. Moore, Matt Wolpert and Ben Nedivi, For All Mankind explores what would have happened if the global space race had never ended. The series presents an aspirational world where NASA astronauts, engineers and their families find themselves in the center of extraordinary events seen through the prism of an alternate history timeline — a world in which the Ussr beats the US to the moon.
The third season shifted the action to the early ’90s with a race to a new planetary frontier: Mars. The Red Planet became the new front in the Space Race not only for the U.S. and the Soviet Union, but also an unexpected new entrant with a lot to prove and even more at stake.
Created by Ronald D. Moore, Matt Wolpert and Ben Nedivi, For All Mankind explores what would have happened if the global space race had never ended. The series presents an aspirational world where NASA astronauts, engineers and their families find themselves in the center of extraordinary events seen through the prism of an alternate history timeline — a world in which the Ussr beats the US to the moon.
The third season shifted the action to the early ’90s with a race to a new planetary frontier: Mars. The Red Planet became the new front in the Space Race not only for the U.S. and the Soviet Union, but also an unexpected new entrant with a lot to prove and even more at stake.
- 10/11/2022
- by Denise Petski
- Deadline Film + TV
Laura Mora’s “The Kings of the World” was named Best Film at the Zurich Film Festival Saturday.
The jury, led by Asghar Farhadi and featuring Clio Barnard, Daniel Dreifuss, Petra Volpe and Piodor Gustafsson, was taken with the coming-of-age drama about young friends living on the streets of Medellín, one that has triumphed at San Sebastian as well. Film Factory Entertainment handles sales.
“I am so happy the jury voted for it. I am convinced this film will stand the test of time,” artistic director Christian Jungen told Variety.
“It shows that film can be an art form, but it also provides social criticism on the situation in Colombia. Where poor, regular people can’t easily access their rights.”
Mora got the idea for the story while casting her feature debut “Killing Jesus,” she told Variety back in August.
“More than 90 boys we interviewed all shared a terrible feeling of exclusion,...
The jury, led by Asghar Farhadi and featuring Clio Barnard, Daniel Dreifuss, Petra Volpe and Piodor Gustafsson, was taken with the coming-of-age drama about young friends living on the streets of Medellín, one that has triumphed at San Sebastian as well. Film Factory Entertainment handles sales.
“I am so happy the jury voted for it. I am convinced this film will stand the test of time,” artistic director Christian Jungen told Variety.
“It shows that film can be an art form, but it also provides social criticism on the situation in Colombia. Where poor, regular people can’t easily access their rights.”
Mora got the idea for the story while casting her feature debut “Killing Jesus,” she told Variety back in August.
“More than 90 boys we interviewed all shared a terrible feeling of exclusion,...
- 10/1/2022
- by Marta Balaga
- Variety Film + TV
Russia’s relationship with the world began to deteriorate after it invaded Ukraine in February — and the film industry was no exception.
This week, the country announced that it wouldn’t submit a film to the Best International Feature category for the 95th Oscars ceremony. Russia’s own Oscar committee said the decision was a surprise and resigned, but the decision didn’t come out of nowhere. For months, Russia’s presence at major film events has been a contentious subject.
In early March, festivals ranging from Cannes to Venice banned Russian delegations from their gatherings; on the 94th Oscars broadcast later that month, the Academy brought out Ukrainian-born Mila Kunis to condemn the war. The country wasn’t exactly welcome in Hollywood, at least not on its own terms.
Within its borders, Russia sows confusion more than solidarity and the latest announcement falls in line with that. Pavel Chukhray,...
This week, the country announced that it wouldn’t submit a film to the Best International Feature category for the 95th Oscars ceremony. Russia’s own Oscar committee said the decision was a surprise and resigned, but the decision didn’t come out of nowhere. For months, Russia’s presence at major film events has been a contentious subject.
In early March, festivals ranging from Cannes to Venice banned Russian delegations from their gatherings; on the 94th Oscars broadcast later that month, the Academy brought out Ukrainian-born Mila Kunis to condemn the war. The country wasn’t exactly welcome in Hollywood, at least not on its own terms.
Within its borders, Russia sows confusion more than solidarity and the latest announcement falls in line with that. Pavel Chukhray,...
- 9/27/2022
- by Eric Kohn
- Indiewire
Russia has opted not to submit a film in the Best International Feature category at the 95th Oscars. The decision, revealed late Monday night, was made by the Russian Film Academy and comes as the country’s ties with the west have deteriorated amid Russia’s invasion of Ukraine.
A statement reads, “The presidium of the Russian Film Academy has decided not to nominate any Russian films for the 2022 Academy Awards.”
In the wake of the announcement, Chairman of the Russian Oscar selection committee, Pavel Chukhray, resigned in protest. According to state news agency Tass, Chukhray called the decision “illegal” and said it was made without consultation. He told Tass, “They did not even consider it necessary to notify of such a decision,” and added that director Nikolai Dostal is also leaving.
Another member of the Russian Oscar Committee, Alexei Uchitel, has called for a meeting with the Film Academy.
A statement reads, “The presidium of the Russian Film Academy has decided not to nominate any Russian films for the 2022 Academy Awards.”
In the wake of the announcement, Chairman of the Russian Oscar selection committee, Pavel Chukhray, resigned in protest. According to state news agency Tass, Chukhray called the decision “illegal” and said it was made without consultation. He told Tass, “They did not even consider it necessary to notify of such a decision,” and added that director Nikolai Dostal is also leaving.
Another member of the Russian Oscar Committee, Alexei Uchitel, has called for a meeting with the Film Academy.
- 9/27/2022
- by Nancy Tartaglione
- Deadline Film + TV
The chairman of Russia’s Oscar committee resigned in protest.
Russia will not submit an entry for the Oscars’ best international feature category this year.
In a statement released by the Russian Academy on Monday (September 26), and reported by Afp, it said: “The presidium of the Film Academy of Russia has decided not to nominate a national film for the Oscars award of the American Academy of Motion Picture Arts and Sciences in 2022.”
Pavel Chukhray, the chairman of Russia’s Oscar committee, resigned today (September 27) in protest over the boycott.
In a letter published by state news agency Tass, he...
Russia will not submit an entry for the Oscars’ best international feature category this year.
In a statement released by the Russian Academy on Monday (September 26), and reported by Afp, it said: “The presidium of the Film Academy of Russia has decided not to nominate a national film for the Oscars award of the American Academy of Motion Picture Arts and Sciences in 2022.”
Pavel Chukhray, the chairman of Russia’s Oscar committee, resigned today (September 27) in protest over the boycott.
In a letter published by state news agency Tass, he...
- 9/27/2022
- by Ellie Calnan
- ScreenDaily
Updated– Russia will not be sending an official Oscar candidate for the upcoming international feature film race, Variety has confirmed.
The news, which was reported by the news outlet Afp, was announced by the Russian film academy on Monday evening (Sept. 27). Several members of Russia’s Oscar committee, including its president Pavel Tchoukhraï, have resigned to protest the decision of the Russian film academy.
Tchoukhraï issued a letter, unveiled by veteran journalist Larisa Malyukova, in which he blamed the Russian film academy for taking an “unilateral decision over the head of the committee” and said it was both “unfair and illegal.” Joel Chapron, an expert on the Russian film industry who is based in Paris, said Tchoukhraï had been followed by several other member of the committee who have now resigned, including Nikolaï Dostal, Sergey Selyanov, Vladimir Kott and Andrey Zvyagintsev, who is currently living in Paris.
The decision of...
The news, which was reported by the news outlet Afp, was announced by the Russian film academy on Monday evening (Sept. 27). Several members of Russia’s Oscar committee, including its president Pavel Tchoukhraï, have resigned to protest the decision of the Russian film academy.
Tchoukhraï issued a letter, unveiled by veteran journalist Larisa Malyukova, in which he blamed the Russian film academy for taking an “unilateral decision over the head of the committee” and said it was both “unfair and illegal.” Joel Chapron, an expert on the Russian film industry who is based in Paris, said Tchoukhraï had been followed by several other member of the committee who have now resigned, including Nikolaï Dostal, Sergey Selyanov, Vladimir Kott and Andrey Zvyagintsev, who is currently living in Paris.
The decision of...
- 9/27/2022
- by Elsa Keslassy
- Variety Film + TV
The challenge and opportunity of transatlantic production was the subject of a session at the Zurich Summit this morning, with the panel comprising Bert Hamelinck, head of films and global MD at Belgian-u.S. film and TV group Caviar, CAA Media Finance’s Benjamin Kramer, Elysian Film Group CEO Danny Perkins and Hype Studios founder Ilya Stewart.
Russian producer Stewart is riding high with latest production Sanctuary, which this week sold to Neon label Super for the US. The genre film, starring Margaret Qualley and Christopher Abbott, is an example of a US-European collaboration.
“Sanctuary started out with Rumble Films in the U.S. We came aboard with French sales firm Charades, putting together pre-sales and equity. It was a relatively low-budget and a great festival premiere was essential.”
The movie world-premiered at Toronto, where it earned strong reviews (it currently holds a 93 “fresh” rating on Rotten Tomatoes).
Stewart acknowledged...
Russian producer Stewart is riding high with latest production Sanctuary, which this week sold to Neon label Super for the US. The genre film, starring Margaret Qualley and Christopher Abbott, is an example of a US-European collaboration.
“Sanctuary started out with Rumble Films in the U.S. We came aboard with French sales firm Charades, putting together pre-sales and equity. It was a relatively low-budget and a great festival premiere was essential.”
The movie world-premiered at Toronto, where it earned strong reviews (it currently holds a 93 “fresh” rating on Rotten Tomatoes).
Stewart acknowledged...
- 9/24/2022
- by Andreas Wiseman
- Deadline Film + TV
Delirium Tremens: Serebrennikov Maddens with Post-Soviet Magical Realism
Historically, Russian cinema (and literature) always tends to go for broke. Challenging narratives, endless characters, and opulent production designs are usually par for the course, meant to wash over one as a visceral experience the first time so one can go back and start puzzling together the formidable mechanisms packed into every sequence. Such is the case with the ninth feature from Kirill Serebrennikov, Petrov’s Flu, based on a cult novel by Alexey Salnikov (and which the director has already directed a stage production of). Maddening but not nonsensical, it’s an aggressive jolt of an immersive experience.…...
Historically, Russian cinema (and literature) always tends to go for broke. Challenging narratives, endless characters, and opulent production designs are usually par for the course, meant to wash over one as a visceral experience the first time so one can go back and start puzzling together the formidable mechanisms packed into every sequence. Such is the case with the ninth feature from Kirill Serebrennikov, Petrov’s Flu, based on a cult novel by Alexey Salnikov (and which the director has already directed a stage production of). Maddening but not nonsensical, it’s an aggressive jolt of an immersive experience.…...
- 9/22/2022
- by Nicholas Bell
- IONCINEMA.com
The Kazakh village Karatas is terrorized by a criminal boss called Poshaev (Yerzhanov’s regular Daniyar Alshinov), a muscular no-neck tug who is allergic to the slightest rebellion against his way of doing business. As a self-proclaimed ruler of the area, surrounded by a group of armed, merciless killers tasked with punishing anyone who dares to question his unwritten laws, he is bigger than life and as unpredictable as the weather conditions in the Kazakh steppe.
Goliath is screening at Venice International Film Festival
Set in a dramatic landscape with naked mountains and open grassland, “Goliath” is a modern western with nasty cowboys and fearful locals, whose options to survive are reduced to fleeing, or doing what they are told – a set of rules never logical enough to end well. Heads roll or get blown off, but make no mistake thinking you will get what’s going on better than characters in the fim,...
Goliath is screening at Venice International Film Festival
Set in a dramatic landscape with naked mountains and open grassland, “Goliath” is a modern western with nasty cowboys and fearful locals, whose options to survive are reduced to fleeing, or doing what they are told – a set of rules never logical enough to end well. Heads roll or get blown off, but make no mistake thinking you will get what’s going on better than characters in the fim,...
- 9/12/2022
- by Marina D. Richter
- AsianMoviePulse
Last year Andrea Scrosati – who is group COO and continental Europe CEO of Fremantle – was at Venice with two films. This year Fremantle’s got six pics launching from the Lido, three of them in competition, which is a larger contingent than any of the U.S. studios or streamers.
Fremantle’s business model, which involves a cluster of companies mostly across Europe that they either fully own or are majority investors in, has been bearing fruit on their film side. Their output has grown “from 8 to 32 delivered movies in two years,” Scrosati says.
And the multi-pronged company’s Venice lineup – which includes Luca Guadagnino’s “Bones and All,” Emanuele Crialese’s “L’Immensità,” and Joanna Hogg’s “The Eternal Daughter” – is a reflection of that.
Scrosati spoke to Variety in Venice about his vision for how Fremantle is spawning a wide range of films from its organic agglomeration of companies.
Fremantle’s business model, which involves a cluster of companies mostly across Europe that they either fully own or are majority investors in, has been bearing fruit on their film side. Their output has grown “from 8 to 32 delivered movies in two years,” Scrosati says.
And the multi-pronged company’s Venice lineup – which includes Luca Guadagnino’s “Bones and All,” Emanuele Crialese’s “L’Immensità,” and Joanna Hogg’s “The Eternal Daughter” – is a reflection of that.
Scrosati spoke to Variety in Venice about his vision for how Fremantle is spawning a wide range of films from its organic agglomeration of companies.
- 9/5/2022
- by Nick Vivarelli
- Variety Film + TV
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