The young stars of ABC Me comedy-action series Parent Up have been unveiled as production gets underway in Sydney.
The story follows Yu Na and Min Park, two siblings that crave more excitement in their lives but get more than they bargained for when they discover their once unremarkable parents are actually international spies and have disappeared in suspicious circumstances.
Newcomers Hannah Kim and Ocean Lim will star as Yu Na and Min, respectively, with Lulu Quirk, George Holahan-Cantwell, Alex Kis, and Eduard Geyl on board as their group of friends that unwittingly get caught up in the action.
Danny Kim, Julia Yon, and Nicholas Hope will also star.
Justine Flynn created the 10-part series, which she wrote with Tiffany Zehnal, Tristram Baumber, Michelle Lim Davidson, Melissa Lee Speyer, Undi Lee, David Park, Alice McCredie-Dando, Sophia Cheung, and Hyun Lee.
The series is produced by Angie Fielder and Polly Staniford of Aquarius Films,...
The story follows Yu Na and Min Park, two siblings that crave more excitement in their lives but get more than they bargained for when they discover their once unremarkable parents are actually international spies and have disappeared in suspicious circumstances.
Newcomers Hannah Kim and Ocean Lim will star as Yu Na and Min, respectively, with Lulu Quirk, George Holahan-Cantwell, Alex Kis, and Eduard Geyl on board as their group of friends that unwittingly get caught up in the action.
Danny Kim, Julia Yon, and Nicholas Hope will also star.
Justine Flynn created the 10-part series, which she wrote with Tiffany Zehnal, Tristram Baumber, Michelle Lim Davidson, Melissa Lee Speyer, Undi Lee, David Park, Alice McCredie-Dando, Sophia Cheung, and Hyun Lee.
The series is produced by Angie Fielder and Polly Staniford of Aquarius Films,...
- 4/7/2021
- by Sean Slatter
- IF.com.au
The ABC has commissioned two new live-action children’s series, Aquarius Films’ Parent Up and Fremantle Australia’s The Pm’s Daughter.
Both supported by Screen Australia, the series will go into production this year, joining MaveriX, Itch season 2 and Hardball season 2 on ABC Me’s narrative drama slate.
A comedy action series for 8-13 year olds, Parent Up is created and executive produced by Justine Flynn (The Unlisted). It follows Yu Na and Min Park, who want more excitement in their lives. However, they don’t realise just how crazy their lives will become when they discover their once unremarkable parents are actually international spies and have disappeared in suspicious circumstances.
Writing with Flynn are Michelle Lim Davidson, Andrew Lee, Tiffany Zehnal, Melissa Lee Speyer, Tristram Baumber, Sophia Chung, Hyun Lee, Alice McCredie-Dando and David Park.
Directors will include Nick Verso, Chase Lee, Hyun Lee, Darlene Johnson, Neil Sharma and Flynn.
Both supported by Screen Australia, the series will go into production this year, joining MaveriX, Itch season 2 and Hardball season 2 on ABC Me’s narrative drama slate.
A comedy action series for 8-13 year olds, Parent Up is created and executive produced by Justine Flynn (The Unlisted). It follows Yu Na and Min Park, who want more excitement in their lives. However, they don’t realise just how crazy their lives will become when they discover their once unremarkable parents are actually international spies and have disappeared in suspicious circumstances.
Writing with Flynn are Michelle Lim Davidson, Andrew Lee, Tiffany Zehnal, Melissa Lee Speyer, Tristram Baumber, Sophia Chung, Hyun Lee, Alice McCredie-Dando and David Park.
Directors will include Nick Verso, Chase Lee, Hyun Lee, Darlene Johnson, Neil Sharma and Flynn.
- 2/25/2021
- by Jackie Keast
- IF.com.au
Meg O’Connell.
Thanks to Screen Queensland’s Enterprise Funding, Meg O’Connell is adding two execs at her banner Unless Pictures to help drive her slate and grow the business.
One new hire is her frequent collaborator, producer Jackson Lapsley Scott. The other, yet to be chosen, will be a development producer.
The producer/creator/writer is teaming up again with writer Anna Barnes on vertical murder mystery series Apollo under the Snapchat and Screen Australia joint initiative.
O’Connell and Barnes were among the creatives behind the Ludo Studio/ABC iview comedy Content and the ABC’s Retrograde.
Set at an exclusive boarding school for children of the elite, Apollo will be a co-production between Unless Pictures and Kurt Royan and Dan Lake’s Orange Entertainment.
The plot revolves around the murder of the class president, which leads to a spate of killings. A student turned private detective investigates...
Thanks to Screen Queensland’s Enterprise Funding, Meg O’Connell is adding two execs at her banner Unless Pictures to help drive her slate and grow the business.
One new hire is her frequent collaborator, producer Jackson Lapsley Scott. The other, yet to be chosen, will be a development producer.
The producer/creator/writer is teaming up again with writer Anna Barnes on vertical murder mystery series Apollo under the Snapchat and Screen Australia joint initiative.
O’Connell and Barnes were among the creatives behind the Ludo Studio/ABC iview comedy Content and the ABC’s Retrograde.
Set at an exclusive boarding school for children of the elite, Apollo will be a co-production between Unless Pictures and Kurt Royan and Dan Lake’s Orange Entertainment.
The plot revolves around the murder of the class president, which leads to a spate of killings. A student turned private detective investigates...
- 8/31/2020
- by The IF Team
- IF.com.au
Rachel Okine.
Angie Fielder and Polly Staniford’s Aquarius Films has stepped up its feature film and TV drama development slate, collaborating with such creatives as Justine Flynn, Del Kathryn Barton and Huna Amweero, Clementine Ford, Anya Beyersdorf, Roger Monk and Rhys Graham.
The production company gained momentum after hiring former eOne and Hopscotch Features executive Rachel Okine in the newly created role of managing director.
Okine joined in March, just as the pandemic struck. After a pause when, she says, Aquarius’ focus on growth switched to survival mode, the development pace picked up.
The Unusual Suspects, a four-part crime caper for Sbs co-funded by Screen Australia starts pre-production next week. A whodunit set in the Filipino domestic worker community in Sydney’s Eastern Suburbs, it’s scripted by Jessica Redenbach, Roger Monk (Nowhere Boys) and Vonne Patiag (Halal Gurls).
Parent Up, a Korean/Australian kids spy comedy, is in...
Angie Fielder and Polly Staniford’s Aquarius Films has stepped up its feature film and TV drama development slate, collaborating with such creatives as Justine Flynn, Del Kathryn Barton and Huna Amweero, Clementine Ford, Anya Beyersdorf, Roger Monk and Rhys Graham.
The production company gained momentum after hiring former eOne and Hopscotch Features executive Rachel Okine in the newly created role of managing director.
Okine joined in March, just as the pandemic struck. After a pause when, she says, Aquarius’ focus on growth switched to survival mode, the development pace picked up.
The Unusual Suspects, a four-part crime caper for Sbs co-funded by Screen Australia starts pre-production next week. A whodunit set in the Filipino domestic worker community in Sydney’s Eastern Suburbs, it’s scripted by Jessica Redenbach, Roger Monk (Nowhere Boys) and Vonne Patiag (Halal Gurls).
Parent Up, a Korean/Australian kids spy comedy, is in...
- 8/6/2020
- by The IF Team
- IF.com.au
Meg O’Connell and Anna Barnes.
Writer Anna Barnes and director Meg O’Connell’s vertical murder mystery series Apollo has been selected for development under the Snapchat and Screen Australia initiative.
When the class president of an exclusive boarding school for the elite is is murdered, a former student turned private detective returns to investigate. Her only lead is that everyone at the school is obsessed with an astrology app called Apollo. Barnes and O’Connell are teaming up with producers Dan Lake and Jackson Scott, executive producers Justine Flynn (The Unlisted) and Kurt Royan (Slim & I), and story producer Beatrix Christian (Picnic at Hanging Rock).
Barnes and O’Connell are experienced in vertical production as two of creatives behind Ludo Studio/ABC iview comedy Content.
The team will receive $15,000 Aud of development funding and take part in workshops in May with the Snapchat development team based in Los Angeles.
Writer Anna Barnes and director Meg O’Connell’s vertical murder mystery series Apollo has been selected for development under the Snapchat and Screen Australia initiative.
When the class president of an exclusive boarding school for the elite is is murdered, a former student turned private detective returns to investigate. Her only lead is that everyone at the school is obsessed with an astrology app called Apollo. Barnes and O’Connell are teaming up with producers Dan Lake and Jackson Scott, executive producers Justine Flynn (The Unlisted) and Kurt Royan (Slim & I), and story producer Beatrix Christian (Picnic at Hanging Rock).
Barnes and O’Connell are experienced in vertical production as two of creatives behind Ludo Studio/ABC iview comedy Content.
The team will receive $15,000 Aud of development funding and take part in workshops in May with the Snapchat development team based in Los Angeles.
- 4/29/2020
- by jkeast
- IF.com.au
‘Stateless.’
The ABC’s 2020 programming slate unveiled today is packed with new documentaries and factual series – but there is a distinct air of déjà vu in the categories of drama and comedy.
No new commissions were announced in either genre, but that does not necessarily mean there will be fewer local dramas or comedies on screen next year, despite budget cutbacks.
Referring to the $84 million funding reduction over three years on top of cuts of $50 million a year since 2014, Michael Carrington, ABC director, entertainment and specialist, tells If: “To date, ABC management has found ongoing savings that will total about $17 million a year from next year.
“We’ve looked carefully at non-content related initiatives such as renegotiating third-party contracts. Management will also undertake reviews of our property portfolio and our acquisitions expenditure to assess where other savings may be made.
“It’s good progress but more needs to be done to meet our savings target.
The ABC’s 2020 programming slate unveiled today is packed with new documentaries and factual series – but there is a distinct air of déjà vu in the categories of drama and comedy.
No new commissions were announced in either genre, but that does not necessarily mean there will be fewer local dramas or comedies on screen next year, despite budget cutbacks.
Referring to the $84 million funding reduction over three years on top of cuts of $50 million a year since 2014, Michael Carrington, ABC director, entertainment and specialist, tells If: “To date, ABC management has found ongoing savings that will total about $17 million a year from next year.
“We’ve looked carefully at non-content related initiatives such as renegotiating third-party contracts. Management will also undertake reviews of our property portfolio and our acquisitions expenditure to assess where other savings may be made.
“It’s good progress but more needs to be done to meet our savings target.
- 11/7/2019
- by The IF Team
- IF.com.au
Goran Stolevski, Hannah Lehmann and Nina Oyama.
Twelve Aussie creatives are off to Los Angeles for Talent USA: La, a week-long program that involves meetings, workshops and networking opportunities.
Talent USA: La is an initiative of Screen Australia and the Australian Writers’ Guild, and participants were selected due to their existing international profile or having already attracted Us interest in their work.
Film Independent and Australians in Film USA (AiF) will assist setting up the program, and AiF are also providing financial assistance to Mentor La recipients to attend the Talent USA: La program.
“La is the epicentre of the English-speaking screen industry, so Talent USA is an opportunity for the Australian creators to understand how the Us system works and increase their visibility amongst core decision-makers,” said Screen Australia’s head of development Nerida Moore.
“The ultimate goal of the program is to empower these creators to do their best work back in Australia,...
Twelve Aussie creatives are off to Los Angeles for Talent USA: La, a week-long program that involves meetings, workshops and networking opportunities.
Talent USA: La is an initiative of Screen Australia and the Australian Writers’ Guild, and participants were selected due to their existing international profile or having already attracted Us interest in their work.
Film Independent and Australians in Film USA (AiF) will assist setting up the program, and AiF are also providing financial assistance to Mentor La recipients to attend the Talent USA: La program.
“La is the epicentre of the English-speaking screen industry, so Talent USA is an opportunity for the Australian creators to understand how the Us system works and increase their visibility amongst core decision-makers,” said Screen Australia’s head of development Nerida Moore.
“The ultimate goal of the program is to empower these creators to do their best work back in Australia,...
- 8/8/2019
- by jkeast
- IF.com.au
Libbie Doherty.
Confirmed as head of children’s production at the ABC earlier this month, Libbie Doherty is on the look-out for comedies and factual entertainment programs.
Overseeing a department of 65 people including 25 in Melbourne, she commissions around 380 hours of content annually across ABC Kids and ABC Me as well as overseeing ABC Kids Listen, children’s digital products and third party social media.
Her budget for the fiscal year starting July 1 is unchanged, despite the $84 million funding cut over the next three years. “Our broad commissioning strategy is to present the best of Australian content and the best from the rest of the world,” she tells If in one of her first interviews since her appointment, after acting in the role for a year.
“We are always in the market for comedy. The Inbestigators is self-contained and won’t go to a second season so we definitely have room for comedies.
Confirmed as head of children’s production at the ABC earlier this month, Libbie Doherty is on the look-out for comedies and factual entertainment programs.
Overseeing a department of 65 people including 25 in Melbourne, she commissions around 380 hours of content annually across ABC Kids and ABC Me as well as overseeing ABC Kids Listen, children’s digital products and third party social media.
Her budget for the fiscal year starting July 1 is unchanged, despite the $84 million funding cut over the next three years. “Our broad commissioning strategy is to present the best of Australian content and the best from the rest of the world,” she tells If in one of her first interviews since her appointment, after acting in the role for a year.
“We are always in the market for comedy. The Inbestigators is self-contained and won’t go to a second season so we definitely have room for comedies.
- 6/27/2019
- by The IF Team
- IF.com.au
Tristram Baumber.
Tristram Baumber studied English and creative writing at the University of Wollongong with the aim of making a living as a screenwriter.
That was 20 years ago. Since then his life and career have taken several twists and turns – but he is now reaping the rewards of persistence and determination.
“It took me a long time to get good at writing,” he tells If. The turning point came in March 2017 when Aquarius Films’ Polly Staniford and Angie Fielder hired him as an in-house writer.
He had been working with the producers on several projects including a rom-com feature and they were able to put him on staff thanks to a grant from Screen Australia’s Enterprise People program.
For the next two years he worked on multiple projects including the second season of Matt Okine’s Stan sitcom The Other Guy and The Unlisted, an action sci-fi thriller created...
Tristram Baumber studied English and creative writing at the University of Wollongong with the aim of making a living as a screenwriter.
That was 20 years ago. Since then his life and career have taken several twists and turns – but he is now reaping the rewards of persistence and determination.
“It took me a long time to get good at writing,” he tells If. The turning point came in March 2017 when Aquarius Films’ Polly Staniford and Angie Fielder hired him as an in-house writer.
He had been working with the producers on several projects including a rom-com feature and they were able to put him on staff thanks to a grant from Screen Australia’s Enterprise People program.
For the next two years he worked on multiple projects including the second season of Matt Okine’s Stan sitcom The Other Guy and The Unlisted, an action sci-fi thriller created...
- 6/24/2019
- by The IF Team
- IF.com.au
Timothy Lee on location in ‘Mystery Road.’
After serving as a script editor on three seasons of House Husbands and writing episodes of Rush and Serangoon Road, Timothy Lee’s career has gone up a couple of gears.
Lee, who graduated from Aftrs in 2006, modestly credits his progression in part to the talent drain which has resulted in numerous Aussie writers plying their trade in the Us and the UK.
“That has created opportunities for the next generation of writers,” says Lee, who got his start as a script assistant/researcher on Rescue Special Ops after securing an Australian Writers’ Guild internship with Southern Star, mentored by Sarah Smith.
That led to writing episodes of the Nine Network drama and the fourth season of Network Ten’s cop show Rush. Working on Playmaker Media’s House Husbands, he reflects, “was good for my craft but not so good for my profile.
After serving as a script editor on three seasons of House Husbands and writing episodes of Rush and Serangoon Road, Timothy Lee’s career has gone up a couple of gears.
Lee, who graduated from Aftrs in 2006, modestly credits his progression in part to the talent drain which has resulted in numerous Aussie writers plying their trade in the Us and the UK.
“That has created opportunities for the next generation of writers,” says Lee, who got his start as a script assistant/researcher on Rescue Special Ops after securing an Australian Writers’ Guild internship with Southern Star, mentored by Sarah Smith.
That led to writing episodes of the Nine Network drama and the fourth season of Network Ten’s cop show Rush. Working on Playmaker Media’s House Husbands, he reflects, “was good for my craft but not so good for my profile.
- 5/13/2019
- by The IF Team
- IF.com.au
Nicholas Verso (l) and Samuel Ireland on the ‘Itch’ set (Photo credit: David Dare Parker).
Nicholas Verso has worked with children so often since his 2016 debut feature Boys in the Trees the writer-director says it’s a blessing whenever an adult appears on set.
Not that he is complaining: Verso has relished nurturing young talent in Matchbox Pictures’ Nowhere Boys, Magpie Pictures’ Grace Beside Me, Aquarius Films’ The Unlisted and the ABC Me-commissioned action-adventure Itch.
However he looks forward to getting into adult territory with horror movie The Ice Cream Man, The Lairdbalor adapted from Kathleen Kaufman’s dark fantasy novel, and psychological thriller Sleep to Dream.
In addition he is developing with producer Joanna Werner Crazy Fun Park, a TV series set in an abandoned amusement park populated by the corpses of kids who died there. That isn’t as dark as it sounds, he explains, observing: “It’s...
Nicholas Verso has worked with children so often since his 2016 debut feature Boys in the Trees the writer-director says it’s a blessing whenever an adult appears on set.
Not that he is complaining: Verso has relished nurturing young talent in Matchbox Pictures’ Nowhere Boys, Magpie Pictures’ Grace Beside Me, Aquarius Films’ The Unlisted and the ABC Me-commissioned action-adventure Itch.
However he looks forward to getting into adult territory with horror movie The Ice Cream Man, The Lairdbalor adapted from Kathleen Kaufman’s dark fantasy novel, and psychological thriller Sleep to Dream.
In addition he is developing with producer Joanna Werner Crazy Fun Park, a TV series set in an abandoned amusement park populated by the corpses of kids who died there. That isn’t as dark as it sounds, he explains, observing: “It’s...
- 4/15/2019
- by The IF Team
- IF.com.au
‘The Unlisted.’
Netflix has acquired global rights outside Australia to The Unlisted, an action sci-fi thriller which follows two 13-year-old identical twins who team up with a group of underground vigilante to stop a powerful corporation from imposing control over the world’s youth.
Aquarius Films’ Angie Fielder and Polly Staniford are producing the 15-part half-hour series created by Justine Flynn, who is serving as executive producer and directs two episodes.
The ABC commissioned the series last year with funding from Screen Australia and Create Nsw. Toronto-based Sinking Ship Entertainment brokered the deal with Netflix, which becomes co-commissioner.
Discovered by casting director Kirsty McGregor, Ved and Vrund Rao play the twins, Dru and Kal, alongside Miah Madden and Abigail Adriano.
Rhys Graham, Nick Verso, Lucy Gaffy, Neil Sharma and Rebecca O’Brien directed the other episodes. The writers include Mithila Gupta, Timothy Lee, Tristram Baumber, Jane Allen and Greg Waters.
Netflix has acquired global rights outside Australia to The Unlisted, an action sci-fi thriller which follows two 13-year-old identical twins who team up with a group of underground vigilante to stop a powerful corporation from imposing control over the world’s youth.
Aquarius Films’ Angie Fielder and Polly Staniford are producing the 15-part half-hour series created by Justine Flynn, who is serving as executive producer and directs two episodes.
The ABC commissioned the series last year with funding from Screen Australia and Create Nsw. Toronto-based Sinking Ship Entertainment brokered the deal with Netflix, which becomes co-commissioner.
Discovered by casting director Kirsty McGregor, Ved and Vrund Rao play the twins, Dru and Kal, alongside Miah Madden and Abigail Adriano.
Rhys Graham, Nick Verso, Lucy Gaffy, Neil Sharma and Rebecca O’Brien directed the other episodes. The writers include Mithila Gupta, Timothy Lee, Tristram Baumber, Jane Allen and Greg Waters.
- 4/3/2019
- by The IF Team
- IF.com.au
Mithila Gupta.
After screenwriter Mithila Gupta began her career in the Neighbours writers’ room in 2010, she often found she was the “only brown person” in the room.
Nine years on, Gupta is a torch-bearer for diversity in her craft, with an impressive resume that includes Winners & Losers, Playing for Keeps, Network 10’s upcoming Five Bedrooms and the ABC’s The Heights.
“We’re taking the right steps,” Mithila tells If. “The biggest challenge is having more people of colour in the writers’ room. This isn’t just ticking boxes, it is getting authentic voices who can provide a fresh perspective. Diversity is personal to me; it is emotional.”
The Indian-born writer who came to Australian when she was three hails the formation last year of the Australian Writers Guild’s diversity and inclusion advisory committee as a big breakthrough. She is serving on the committee alongside Niki Aken, Kodie Bedford,...
After screenwriter Mithila Gupta began her career in the Neighbours writers’ room in 2010, she often found she was the “only brown person” in the room.
Nine years on, Gupta is a torch-bearer for diversity in her craft, with an impressive resume that includes Winners & Losers, Playing for Keeps, Network 10’s upcoming Five Bedrooms and the ABC’s The Heights.
“We’re taking the right steps,” Mithila tells If. “The biggest challenge is having more people of colour in the writers’ room. This isn’t just ticking boxes, it is getting authentic voices who can provide a fresh perspective. Diversity is personal to me; it is emotional.”
The Indian-born writer who came to Australian when she was three hails the formation last year of the Australian Writers Guild’s diversity and inclusion advisory committee as a big breakthrough. She is serving on the committee alongside Niki Aken, Kodie Bedford,...
- 1/28/2019
- by The IF Team
- IF.com.au
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.