Exclusive: Former A3 agents Katt Riley and Nick Beldoch have joined the Lit department at Independent Artist Group, Deadline has learned. Just two of over 25 agents Iag has recruited over the past 18 months, they’ll be reunited at the agency with former colleague Fatmata Kamara, who was hired as a talent agent earlier this month.
“In an ever-changing landscape, we are thrilled to welcome Katt and Nick as colleagues whose tireless advocacy for their clients immediately adds strength and depth to what we are building in the Lit department at Iag,” said Lindsay Howard Parker and Adam Kanter, to whom they respectively report. “We have long admired Katt’s tenacity and ability to nurture the careers of her talented writer & director clients while Nick will represent his own emerging clients and serve as an invaluable enhancement on multiple client teams.”
Over the last three years at A3, Riley was responsible...
“In an ever-changing landscape, we are thrilled to welcome Katt and Nick as colleagues whose tireless advocacy for their clients immediately adds strength and depth to what we are building in the Lit department at Iag,” said Lindsay Howard Parker and Adam Kanter, to whom they respectively report. “We have long admired Katt’s tenacity and ability to nurture the careers of her talented writer & director clients while Nick will represent his own emerging clients and serve as an invaluable enhancement on multiple client teams.”
Over the last three years at A3, Riley was responsible...
- 3/21/2024
- by Matt Grobar
- Deadline Film + TV
Exclusive: Innovative Artists is beefing up its literary division with the addition of veteran agents Andy Patman, Martin Spencer and Martin To. The trio recently got on the market following the shutdown of A3 where they helped reestablish a literary division, with Patman serving as head of Television Content.
This is the third consecutive agency where Patman, Spencer and To will be working together following stints at Paradigm and A3, which they all joined in 2020. Bringing their roster of clients, they will be based at Innovative’ Los Angeles office. They join agents Jim Stein, Michael Pio, Joe Arciniega, Susan Sussman, Emily Cameron, and Ethan More in Innovative’s literary department.
“It was a rare opportunity to find an existing team of agents who not only share a history of collaboration and teamwork, but whose work ethos and culture mesh perfectly with our company’s philosophy and aspirations. We are thrilled...
This is the third consecutive agency where Patman, Spencer and To will be working together following stints at Paradigm and A3, which they all joined in 2020. Bringing their roster of clients, they will be based at Innovative’ Los Angeles office. They join agents Jim Stein, Michael Pio, Joe Arciniega, Susan Sussman, Emily Cameron, and Ethan More in Innovative’s literary department.
“It was a rare opportunity to find an existing team of agents who not only share a history of collaboration and teamwork, but whose work ethos and culture mesh perfectly with our company’s philosophy and aspirations. We are thrilled...
- 3/20/2024
- by Nellie Andreeva and Denise Petski
- Deadline Film + TV
A series adaptation of Tj Middleton’s quirky English novel Cliffhanger is in the works at Fox.
The network is developing a one-hour drama series adaptation of the book, which was first published in 2008, with Melissa Byer and Treena Hancock, who have worked as co-exec producers on series including CSI, The Gifted and Chicago Med.
The book follows Al Greenwood, a maverick taxi driver, who pootles around the British countryside in Dorset and decides to kill his wife.
However, the series will gender swap the main character and will follow the exploits of rideshare driver Audrey Greenwood, who emerges from the pandemic with a startling realization: she never wants to see her husband Al’s face again.
So, one dark and stormy night, fueled by rage and tequila, she tries to kill him. But when things don’t go exactly as she planned, Audrey finds herself embroiled in a twisty...
The network is developing a one-hour drama series adaptation of the book, which was first published in 2008, with Melissa Byer and Treena Hancock, who have worked as co-exec producers on series including CSI, The Gifted and Chicago Med.
The book follows Al Greenwood, a maverick taxi driver, who pootles around the British countryside in Dorset and decides to kill his wife.
However, the series will gender swap the main character and will follow the exploits of rideshare driver Audrey Greenwood, who emerges from the pandemic with a startling realization: she never wants to see her husband Al’s face again.
So, one dark and stormy night, fueled by rage and tequila, she tries to kill him. But when things don’t go exactly as she planned, Audrey finds herself embroiled in a twisty...
- 12/14/2021
- by Peter White
- Deadline Film + TV
Peabody has added six more members to its West Coast board of directors, including Lorrie Bartlett, co-head of talent, ICM; Channing Dungey, chairman, Warner Bros. Television Group; Alix Jaffe, executive VP of television, Village Roadshow Entertainment Group; Tilane Jones, president of Array; Charles D. King, founder and CEO of Macro; and Josh Sapan, president and CEO of AMC Networks.
The board of directors, separate from the board of jurors that decide the annual Peabody Awards, is made up of “prominent executives from leading media companies and networks,” the organization said. “The board provides expert counsel and stewardship, and advances Peabody’s commitment to outstanding and transformative storytelling.”
The board was first launched in 2015 to support the Peabody organization, which is based at the Grady College of Journalism and Mass Communication at the University of Georgia. It’s comprised of an East Coast and West Coast arm.
“We’re extremely proud...
The board of directors, separate from the board of jurors that decide the annual Peabody Awards, is made up of “prominent executives from leading media companies and networks,” the organization said. “The board provides expert counsel and stewardship, and advances Peabody’s commitment to outstanding and transformative storytelling.”
The board was first launched in 2015 to support the Peabody organization, which is based at the Grady College of Journalism and Mass Communication at the University of Georgia. It’s comprised of an East Coast and West Coast arm.
“We’re extremely proud...
- 5/26/2021
- by Michael Schneider
- Variety Film + TV
A3 Artists Agency has hired Doug Fronk as Partner and Head of Television Literary.
“We underscored our commitment to writers when we signed the WGA code of conduct and continue to do so as we expand our literary divisions,” said A3 President Brian Cho. “Doug brings to the table a wealth of knowledge and experience representing top-tier clients and packaging numerous television shows. He is a key addition as he reunites with former colleagues, including Adam Kanter, Andy Patman, and Valarie Phillips, who are leading A3’s literary efforts.”
Fronk moves to A3 from Paradigm where he spent the last 19 years. He started at Paradigm in 2002 as an assistant in the television literary department and worked his way up to co-head of the department in 2017. Throughout his tenure there, Fronk packaged numerous television shows including black-ish, Cobra Kai and Punky Brewster, and sold series such as the upcoming Disney+ series...
“We underscored our commitment to writers when we signed the WGA code of conduct and continue to do so as we expand our literary divisions,” said A3 President Brian Cho. “Doug brings to the table a wealth of knowledge and experience representing top-tier clients and packaging numerous television shows. He is a key addition as he reunites with former colleagues, including Adam Kanter, Andy Patman, and Valarie Phillips, who are leading A3’s literary efforts.”
Fronk moves to A3 from Paradigm where he spent the last 19 years. He started at Paradigm in 2002 as an assistant in the television literary department and worked his way up to co-head of the department in 2017. Throughout his tenure there, Fronk packaged numerous television shows including black-ish, Cobra Kai and Punky Brewster, and sold series such as the upcoming Disney+ series...
- 1/6/2021
- by Denise Petski
- Deadline Film + TV
A3 Artists Agency has hired Doug Fronk as partner and head of television literary at the Hollywood talent and literary agency.
Fronk arrives at A3 from Paradigm where he worked for 19 years and became co-head of the TV literary department in 2017. He joins fellow former Paradigm execs Andy Patman and Adam Kanter, who were earlier tapped to launch a literary division at A3, and Valarie Phillips, who recently became a partner and co-head of the agency’s motion pictures literary division.
A3 president Brian Cho said Fronk joining the agency underscores its commitment to writers after signing the WGA ...
Fronk arrives at A3 from Paradigm where he worked for 19 years and became co-head of the TV literary department in 2017. He joins fellow former Paradigm execs Andy Patman and Adam Kanter, who were earlier tapped to launch a literary division at A3, and Valarie Phillips, who recently became a partner and co-head of the agency’s motion pictures literary division.
A3 president Brian Cho said Fronk joining the agency underscores its commitment to writers after signing the WGA ...
A3 Artists Agency has hired Doug Fronk as partner and head of television literary at the Hollywood talent and literary agency.
Fronk arrives at A3 from Paradigm where he worked for 19 years and became co-head of the TV literary department in 2017. He joins fellow former Paradigm execs Andy Patman and Adam Kanter, who were earlier tapped to launch a literary division at A3, and Valarie Phillips, who recently became a partner and co-head of the agency’s motion pictures literary division.
A3 president Brian Cho said Fronk joining the agency underscores its commitment to writers after signing the WGA ...
Fronk arrives at A3 from Paradigm where he worked for 19 years and became co-head of the TV literary department in 2017. He joins fellow former Paradigm execs Andy Patman and Adam Kanter, who were earlier tapped to launch a literary division at A3, and Valarie Phillips, who recently became a partner and co-head of the agency’s motion pictures literary division.
A3 president Brian Cho said Fronk joining the agency underscores its commitment to writers after signing the WGA ...
A3 Artists Agency has hired veteran agent Valarie Phillips as partner and co-head of the firm’s Motion Pictures Literary Division.
Phillips will co-run the Motion Pictures Literary Division alongside Adam Kanter who was named Partner and Co-Head of Motion Pictures earlier this summer when he was hired together with A3’s new Partner and Co-Head of the Television Literary Division, Andy Patman.
In addition, A3 Artists has tapped Martin Spencer as Agent in the Motion Pictures Literary Division, and Antoni Kaczmarek and Kasey Muraszko as Agents in the Television Literary Division.
Phillips, Spencer, Kaczmarek and Muraszko will be based out of Los Angeles.
“Since signing the WGA code of conduct nearly a year ago, A3 has remained committed to building a world-class literary team that reflects the philosophy of the agency: putting the client first,” said A3 CEO Robert Attermann in a statement today. “From the rebranding and to launching and revamping of divisions,...
Phillips will co-run the Motion Pictures Literary Division alongside Adam Kanter who was named Partner and Co-Head of Motion Pictures earlier this summer when he was hired together with A3’s new Partner and Co-Head of the Television Literary Division, Andy Patman.
In addition, A3 Artists has tapped Martin Spencer as Agent in the Motion Pictures Literary Division, and Antoni Kaczmarek and Kasey Muraszko as Agents in the Television Literary Division.
Phillips, Spencer, Kaczmarek and Muraszko will be based out of Los Angeles.
“Since signing the WGA code of conduct nearly a year ago, A3 has remained committed to building a world-class literary team that reflects the philosophy of the agency: putting the client first,” said A3 CEO Robert Attermann in a statement today. “From the rebranding and to launching and revamping of divisions,...
- 9/16/2020
- by Anthony D'Alessandro
- Deadline Film + TV
Exclusive: Kenny Ortega, the prolific director, choreographer and producer known for the Disney Channel’s High School Musical franchise, has signed with A3 Artists Agency.
This marks the second highest-profile long-time Paradigm lit client to sign with A3, which last month brought in four former Paradigm agents to reestablish a literary division, led by Andy Patman and Adam Kanter, Co-Heads of Television Content and Motion Pictures, respectively. He joins Desperate Housewives and Women Who Kill creator Marc Cherry who moved to A3 earlier this month.
Ortega earned a Primetime Emmy for choreography and a DGA Award for his work on High School Musical. High School Musical 2 drew over 17 million viewers when it premiered on Disney Channel, making it the most watched program in cable telecast history. He also is executive producer for the film’s soundtracks. Disney’s High School Musical 3, which made the leap from television to the big screen,...
This marks the second highest-profile long-time Paradigm lit client to sign with A3, which last month brought in four former Paradigm agents to reestablish a literary division, led by Andy Patman and Adam Kanter, Co-Heads of Television Content and Motion Pictures, respectively. He joins Desperate Housewives and Women Who Kill creator Marc Cherry who moved to A3 earlier this month.
Ortega earned a Primetime Emmy for choreography and a DGA Award for his work on High School Musical. High School Musical 2 drew over 17 million viewers when it premiered on Disney Channel, making it the most watched program in cable telecast history. He also is executive producer for the film’s soundtracks. Disney’s High School Musical 3, which made the leap from television to the big screen,...
- 8/11/2020
- by Nellie Andreeva
- Deadline Film + TV
Desperate Housewives and Women Who Kill creator Marc Cherry has signed with A3 Artists Agency. This marks the highest-profile showrunner signing for A3, which last month brought in four former Paradigm agents to reestablish a literary division, led by Andy Patman and Adam Kanter, Co-Heads of Television Content and Motion Pictures, respectively.
Cherry was one of Patman’s longtime clients at Paradigm who is now following him to the new agency. Patman has been guiding Cherry’s career for about two decades and sold Cherry’s breakout series, Desperate Housewives, to ABC.
Cherry executive produced and ran Desperate Housewives for its eight-season run, which earned 7 Emmys, 3 Golden Globes, as well as 33 additional awards. Cherry also was the creator, exec producer and showrunner of Lifetime’s Devious Maids, inspired by the telenovela Ellas son la Alegría del Hogar.
Cherry is currently executive producing and running his latest series, CBS All Access’ anthology Why Women Kill,...
Cherry was one of Patman’s longtime clients at Paradigm who is now following him to the new agency. Patman has been guiding Cherry’s career for about two decades and sold Cherry’s breakout series, Desperate Housewives, to ABC.
Cherry executive produced and ran Desperate Housewives for its eight-season run, which earned 7 Emmys, 3 Golden Globes, as well as 33 additional awards. Cherry also was the creator, exec producer and showrunner of Lifetime’s Devious Maids, inspired by the telenovela Ellas son la Alegría del Hogar.
Cherry is currently executive producing and running his latest series, CBS All Access’ anthology Why Women Kill,...
- 8/4/2020
- by Nellie Andreeva
- Deadline Film + TV
Prolific TV creators/showrunners Michelle and Robert King have signed with UTA. The duo and their production banner, King Size Productions, helmed by Liz Glotzer, will be represented by the agency in all areas.
The Kings are changing agencies after many years at Paradigm. The duo came into play when their longtime lead agent, Andy Patman, last month left Paradigm to co-head the lit department of A3 Agency, where he was joined by three other former Paradigm lit agents. UTA is currently the only Big 4 agency to represent writers after recently signing an agreement with the WGA.
Michelle and Robert King have been creative collaborators for over 20 years and married for over 30 years. Currently under an overall deal at their longtime studio home CBS TV Studios, they are the creators, executive producers and showrunners of The Good Fight, which launched CBS All Access’ original scripted slate and is one of...
The Kings are changing agencies after many years at Paradigm. The duo came into play when their longtime lead agent, Andy Patman, last month left Paradigm to co-head the lit department of A3 Agency, where he was joined by three other former Paradigm lit agents. UTA is currently the only Big 4 agency to represent writers after recently signing an agreement with the WGA.
Michelle and Robert King have been creative collaborators for over 20 years and married for over 30 years. Currently under an overall deal at their longtime studio home CBS TV Studios, they are the creators, executive producers and showrunners of The Good Fight, which launched CBS All Access’ original scripted slate and is one of...
- 8/3/2020
- by Nellie Andreeva
- Deadline Film + TV
A3 Artists Agency has hired industry veterans Andy Patman and Adam Kanter as partners in an effort to build its literary division and grow the company.
Patman has been hired as co-head of television content and Kanter has become co-head of motion pictures.
Patman spent more than 20 years at Paradigm, where he sold “Desperate Housewives” to ABC and represented William Broyles, Marc Cherry, David Henry Hwang, Robert and Michelle King, and Kenny Ortega.
Kanter spent 24 years at CAA before joining Paradigm in 2014 in the motion picture literary department. He was let go in March as part of layoffs that hit more than 100 Paradigm employees amid fallout from the Covid-19 pandemic. Kanter had been involved with “The Bourne Identity” franchise, “Mr. and Mrs. Smith,” “Rescue Me” and “Suits” and has represented Malcolm D. Lee, Pete Segal, Joe Johnston, Walt Becker, Carl Franklin, and Amy Heckerling.
The agency re-branded itself in March as A3 Artists,...
Patman has been hired as co-head of television content and Kanter has become co-head of motion pictures.
Patman spent more than 20 years at Paradigm, where he sold “Desperate Housewives” to ABC and represented William Broyles, Marc Cherry, David Henry Hwang, Robert and Michelle King, and Kenny Ortega.
Kanter spent 24 years at CAA before joining Paradigm in 2014 in the motion picture literary department. He was let go in March as part of layoffs that hit more than 100 Paradigm employees amid fallout from the Covid-19 pandemic. Kanter had been involved with “The Bourne Identity” franchise, “Mr. and Mrs. Smith,” “Rescue Me” and “Suits” and has represented Malcolm D. Lee, Pete Segal, Joe Johnston, Walt Becker, Carl Franklin, and Amy Heckerling.
The agency re-branded itself in March as A3 Artists,...
- 7/6/2020
- by Dave McNary
- Variety Film + TV
A3 Artists Agency has brought in four former Paradigm agents to reestablish a literary division. Veterans Andy Patman and Adam Kanter have come on board as A3 partners and Co-Head of Television Content and Motion Pictures, respectively. They are being joined by fellow former Paradigm agents Katt Riley and Martin To on the lit team, with plans to hire more agents, coordinators and assistants while many talent agencies have been contracting in the face of the coronavirus-related Hollywood production shutdown.
That includes Paradigm, which in late March instituted temporary layoffs for 250 employees. The list included Kanter, Riley and To, sources said, while Patman left Paradigm last week, I hear.
Meanwhile, A3 chairman Adam Bold said that he and the rest of the agency’s leadership, CEO Robert Attermann and President Brian Cho, who acquired and subsequently rebranded Abrams Artists Agency, took time during the pandemic to “step back and analyze...
That includes Paradigm, which in late March instituted temporary layoffs for 250 employees. The list included Kanter, Riley and To, sources said, while Patman left Paradigm last week, I hear.
Meanwhile, A3 chairman Adam Bold said that he and the rest of the agency’s leadership, CEO Robert Attermann and President Brian Cho, who acquired and subsequently rebranded Abrams Artists Agency, took time during the pandemic to “step back and analyze...
- 7/6/2020
- by Nellie Andreeva
- Deadline Film + TV
Paradigm has hired Sally Willcox to oversee its media rights department, The Hollywood Reporter has learned.
"Sally excels at discovering and developing intellectual property," co-head of motion picture literary Adam Kanter and co-head of television literary Andy Patman said Tuesday in a joint statement. "It is her passion to find inspiring opportunities for her clients, making her the perfect person to drive and expand our media rights division."
Willcox comes from Tobey Maguire's production company, Material Pictures, where she oversaw acquisition and TV and film development. Before that she was at CAA, where she helped realize ...
"Sally excels at discovering and developing intellectual property," co-head of motion picture literary Adam Kanter and co-head of television literary Andy Patman said Tuesday in a joint statement. "It is her passion to find inspiring opportunities for her clients, making her the perfect person to drive and expand our media rights division."
Willcox comes from Tobey Maguire's production company, Material Pictures, where she oversaw acquisition and TV and film development. Before that she was at CAA, where she helped realize ...
- 10/9/2018
- The Hollywood Reporter - Movie News
Paradigm has hired Sally Willcox to oversee its media rights department, The Hollywood Reporter has learned.
"Sally excels at discovering and developing intellectual property," co-head of motion picture literary Adam Kanter and co-head of television literary Andy Patman said Tuesday in a joint statement. "It is her passion to find inspiring opportunities for her clients, making her the perfect person to drive and expand our media rights division."
Willcox comes from Tobey Maguire's production company, Material Pictures, where she oversaw acquisition and TV and film development. Before that she was at CAA, where she helped realize ...
"Sally excels at discovering and developing intellectual property," co-head of motion picture literary Adam Kanter and co-head of television literary Andy Patman said Tuesday in a joint statement. "It is her passion to find inspiring opportunities for her clients, making her the perfect person to drive and expand our media rights division."
Willcox comes from Tobey Maguire's production company, Material Pictures, where she oversaw acquisition and TV and film development. Before that she was at CAA, where she helped realize ...
- 10/9/2018
- The Hollywood Reporter - Film + TV
Sally Willcox, the longtime CAA literary agent who most recently oversaw acquisition and development at Tobey Maguire’s Material, has landed at Paradigm, the agency said Tuesday. She will oversee media rights and be based at the agency’s Beverly Hills headquarters.
“Sally excels at discovering and developing intellectual property and it is her passion to find inspiring opportunities for her clients, making her the perfect person to drive and expand our media rights division,” said Adam Kanter, co-head of Motion Picture Literary, and Andy Patman, co-head of Television Literary, in a release announcing the news.
Willcox spent 27 years at CAA, repping authors, journalists, publishers and publications along with screenwriters and writer-directors including Michael Cunningham, Dave Eggers, Laura Hillenbrand, William Nicholson and Steven Knight. She made deals on projects that became major films, like The Hurt Locker, Waiting to Exhale, Adaptation, The Joy Luck Club, Seabiscuit, Where the Wild Things Are,...
“Sally excels at discovering and developing intellectual property and it is her passion to find inspiring opportunities for her clients, making her the perfect person to drive and expand our media rights division,” said Adam Kanter, co-head of Motion Picture Literary, and Andy Patman, co-head of Television Literary, in a release announcing the news.
Willcox spent 27 years at CAA, repping authors, journalists, publishers and publications along with screenwriters and writer-directors including Michael Cunningham, Dave Eggers, Laura Hillenbrand, William Nicholson and Steven Knight. She made deals on projects that became major films, like The Hurt Locker, Waiting to Exhale, Adaptation, The Joy Luck Club, Seabiscuit, Where the Wild Things Are,...
- 10/9/2018
- by Patrick Hipes
- Deadline Film + TV
Television agent Pierre Brogan has joined Paradigm Talent Agency.
Brogan will focus on unscripted television, specifically to lead the representation of creators, talent and producers and to develop packaging strategies for series aimed at network, cable and Ott. Brogan will be based in Beverly Hills and report to Doug Fronk and Andy Patman, co-heads of the TV Literary department.
“Pierre brings exceptional experience, knowledge and relationships to our television team, and we look forward to working together to expand his incredible track record for finding and nurturing great talent and programming in the unscripted space,” said Fronk and Patman.
Brogan has spent the last 20 years in Los Angeles as a TV packaging agent representing and working with such clients as Eva Longoria, Adam Levine, Renegade 83, Firecracker Films, Big Coat Media, National Geographic Studios and more. He was most recently the head of New Business Development at Topspin Content. Prior to that,...
Brogan will focus on unscripted television, specifically to lead the representation of creators, talent and producers and to develop packaging strategies for series aimed at network, cable and Ott. Brogan will be based in Beverly Hills and report to Doug Fronk and Andy Patman, co-heads of the TV Literary department.
“Pierre brings exceptional experience, knowledge and relationships to our television team, and we look forward to working together to expand his incredible track record for finding and nurturing great talent and programming in the unscripted space,” said Fronk and Patman.
Brogan has spent the last 20 years in Los Angeles as a TV packaging agent representing and working with such clients as Eva Longoria, Adam Levine, Renegade 83, Firecracker Films, Big Coat Media, National Geographic Studios and more. He was most recently the head of New Business Development at Topspin Content. Prior to that,...
- 6/14/2018
- by Justin Kroll
- Variety Film + TV
Pierre Brogan is coming full circle. The veteran TV agent and former Topspin exec has rejoined Paradigm Talent Agency, where he started his career two decades ago.
Based in the Beverly Hills office, Brogan will focus on unscripted television — specifically to lead the representation of creators, talent and producers and to develop packaging strategies for series aimed at network, cable and Ott.
“Pierre brings exceptional experience, knowledge and relationships to our television team, and we look forward to working together to expand his incredible track record for finding and nurturing great talent and programming in the unscripted space,” said Doug Fronk and Andy Patman, Co-Heads of Paradigm’s TV Literary department, to whom he will report.
Brogan has spent the past 20 years as a TV packaging agent in Los Angeles, representing and working with such clients as Eva Longoria, Adam Levine, Renegade 83, Firecracker Films, Big Coat Media, National Geographic Studios and more.
Based in the Beverly Hills office, Brogan will focus on unscripted television — specifically to lead the representation of creators, talent and producers and to develop packaging strategies for series aimed at network, cable and Ott.
“Pierre brings exceptional experience, knowledge and relationships to our television team, and we look forward to working together to expand his incredible track record for finding and nurturing great talent and programming in the unscripted space,” said Doug Fronk and Andy Patman, Co-Heads of Paradigm’s TV Literary department, to whom he will report.
Brogan has spent the past 20 years as a TV packaging agent in Los Angeles, representing and working with such clients as Eva Longoria, Adam Levine, Renegade 83, Firecracker Films, Big Coat Media, National Geographic Studios and more.
- 6/14/2018
- by Erik Pedersen
- Deadline Film + TV
Nothing feels as good as coming home.
Pierre Brogan is joining Paradigm Talent Agency, Co-Heads of the TV Literary department Doug Fronk and Andy Patman said Thursday. It’s the agency where Brogan started his career two decades ago.
Brogan will report to Fronk and Patman in Beverly Hills, and will lead representation on creators, talent and producers of unscripted television.
Also Read: Netflix Extends Deal to Stream 'Anthony Bourdain: Parts Unknown'
“I began my agenting career with Paradigm, and I’m thrilled to return and help drive their unscripted efforts,” Brogan said in a statement. “Paradigm has grown in scope and scale but always with integrity and high standards set for themselves in representing their clients. I couldn’t be happier to return to the company that gave me my start.”
“Pierre brings exceptional experience, knowledge and relationships to our television team, and we look forward to...
Pierre Brogan is joining Paradigm Talent Agency, Co-Heads of the TV Literary department Doug Fronk and Andy Patman said Thursday. It’s the agency where Brogan started his career two decades ago.
Brogan will report to Fronk and Patman in Beverly Hills, and will lead representation on creators, talent and producers of unscripted television.
Also Read: Netflix Extends Deal to Stream 'Anthony Bourdain: Parts Unknown'
“I began my agenting career with Paradigm, and I’m thrilled to return and help drive their unscripted efforts,” Brogan said in a statement. “Paradigm has grown in scope and scale but always with integrity and high standards set for themselves in representing their clients. I couldn’t be happier to return to the company that gave me my start.”
“Pierre brings exceptional experience, knowledge and relationships to our television team, and we look forward to...
- 6/14/2018
- by Ashley Boucher
- The Wrap
Paradigm has hired Pierre Brogan to lead representation and packaging efforts in the unscripted series space, The Hollywood Reporter has learned.
"Pierre brings exceptional experience, knowledge and relationships to our television team," said TV literary co-heads Doug Fronk and Andy Patman, to whom Brogan will report, in a statement. "We look forward to working together to expand his incredible track record for finding and nurturing great talent and programming in the unscripted space."
Brogan, who will be based in the agency's Beverly Hills office, actually began his career in Paradigm's nonscripted TV department. He's ...
"Pierre brings exceptional experience, knowledge and relationships to our television team," said TV literary co-heads Doug Fronk and Andy Patman, to whom Brogan will report, in a statement. "We look forward to working together to expand his incredible track record for finding and nurturing great talent and programming in the unscripted space."
Brogan, who will be based in the agency's Beverly Hills office, actually began his career in Paradigm's nonscripted TV department. He's ...
- 6/14/2018
- The Hollywood Reporter - Film + TV
This year’s Blood List has named the 13 best genre scripts around town, and in its sixth year the annual screenplay contest is expanding its scope to include hot books, TV pilots, and young scribes ripe for signing. Taking top honors in 2014 is sci-fi thriller Bird Box from The Thing and Final Destination 5 scribe Eric Heisserer, an apocalyptic tale of a woman trying to lead her children to safety – all three blindfolded – after monsters descend on earth that turn people insane on sight. Universal set Heisserer to adapt the manuscript from Josh Malerman in 2013 for Mama helmer Andy Muschietti. Previous Blood List alumni include Black Swan, Stoker, Warm Bodies, and the upcoming Blumhouse thriller The Boy Next Door.
Like the Black List naming the top unproduced screenplays circulating around Hollywood, the genre-focused Blood List taps exec votes to determine each year’s best unmade horror, sci-fi, and thriller scripts.
Like the Black List naming the top unproduced screenplays circulating around Hollywood, the genre-focused Blood List taps exec votes to determine each year’s best unmade horror, sci-fi, and thriller scripts.
- 10/31/2014
- by Jen Yamato
- Deadline
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