Exclusive: Robbie Fairchild, a Broadway lead and former New York City Ballet principal dancer, will star in the stage version of Michel Hazanavicius’ 2011 Oscar-winning movie The Artist, set in the 1920s when movies found their voice with the advent of talking pictures.
Fairchild received a Tony Award nomination for An American In Paris, another show based on a celebrated movie when it premiered on Broadway in 2015. Two years later, he helped launch that show in the West End.
In The Artist, he will play Silent Era matinee idol George Valentin, who finds his career torn away from him when the talkies arrive.
The part won French actor Jean Dujardin the Best Actor Oscar.
The Artist, co-written for the theater by Drew McOnie and playwright and screenwriter Lindsey Ferrentino, will have its world premiere at the Theatre Royal Plymouth from May 11 to May...
Fairchild received a Tony Award nomination for An American In Paris, another show based on a celebrated movie when it premiered on Broadway in 2015. Two years later, he helped launch that show in the West End.
In The Artist, he will play Silent Era matinee idol George Valentin, who finds his career torn away from him when the talkies arrive.
The part won French actor Jean Dujardin the Best Actor Oscar.
The Artist, co-written for the theater by Drew McOnie and playwright and screenwriter Lindsey Ferrentino, will have its world premiere at the Theatre Royal Plymouth from May 11 to May...
- 9/28/2023
- by Baz Bamigboye
- Deadline Film + TV
Exclusive: Choreographer and director Drew McOnie (Greatest Days) is developing a stage version of Michel Hazanavicius’s 2011 Oscar-winning film The Artist about a Hollywood silent screen star whose career is upended with the advent of talking pictures.
McOnie told Deadline that he is co-writing the theater adaptation with playwright and screenwriter Lindsey Ferrentino (Amy and the Orphans). He will direct and choreograph the show, something he has wanted to do since first watching the film.
A series of workshops being held in London late next January and early February will determine how the show will progress. It’s hoped that the production will be ready to open late 2023, though McOnie insisted that “we won’t get locked into a trajectory” until he and his collaborators are happy with the show’s developement.
Hazanavicius’s film was an homage, shot in black and white, to Hollywood’s first golden age. Jean Dujardin...
McOnie told Deadline that he is co-writing the theater adaptation with playwright and screenwriter Lindsey Ferrentino (Amy and the Orphans). He will direct and choreograph the show, something he has wanted to do since first watching the film.
A series of workshops being held in London late next January and early February will determine how the show will progress. It’s hoped that the production will be ready to open late 2023, though McOnie insisted that “we won’t get locked into a trajectory” until he and his collaborators are happy with the show’s developement.
Hazanavicius’s film was an homage, shot in black and white, to Hollywood’s first golden age. Jean Dujardin...
- 11/17/2022
- by Baz Bamigboye
- Deadline Film + TV
Exclusive: Take That heart-throbs Gary Barlow, Howard Donald and Mark Owen are gearing up to conquer Cannes on Wednesday, the first time they’ve visited during the film festival. Let’s Pray that the sun will Shine and it will be their Greatest Day.
Fans of the (now middle-aged) boy band will know that Pray, Shine and Greatest Day are amongst the group’s biggest hits. It seems as if they wrote A Million Love Songs (that’s another one) that have stood the test of time since they formed over three decades ago.
The three remaining members of the band – Robbie Williams and Jason Orange do their own thing – will kick up their trendy trainers on the Majestic Pier to launch the exuberant promo for film Greatest Days, about a Take That -inspired 1990s boy band and the lives of five 16 year old girls who are obsessed with them.
Fans of the (now middle-aged) boy band will know that Pray, Shine and Greatest Day are amongst the group’s biggest hits. It seems as if they wrote A Million Love Songs (that’s another one) that have stood the test of time since they formed over three decades ago.
The three remaining members of the band – Robbie Williams and Jason Orange do their own thing – will kick up their trendy trainers on the Majestic Pier to launch the exuberant promo for film Greatest Days, about a Take That -inspired 1990s boy band and the lives of five 16 year old girls who are obsessed with them.
- 5/16/2022
- by Baz Bamigboye
- Deadline Film + TV
Festival titles ‘Happening’ and ‘Playground’ are also new this week.
It is a fairly quiet week for openers at the UK-Ireland box office, with Lionsgate’s The Unbearable Weight Of Massive Talent the widest release, opening at 563 locations, and the chief contender for making a dent in the top five.
The action comedy sees Nicolas Cage – who is also a producer on the feature – play a fictionalised version of himself, with the actor teaming up with the CIA stop a Cage superfan who may also be the dangerous head of a cartel. Tom Gormican directs, and has co-written the screenplay with Kevin Etten.
It is a fairly quiet week for openers at the UK-Ireland box office, with Lionsgate’s The Unbearable Weight Of Massive Talent the widest release, opening at 563 locations, and the chief contender for making a dent in the top five.
The action comedy sees Nicolas Cage – who is also a producer on the feature – play a fictionalised version of himself, with the actor teaming up with the CIA stop a Cage superfan who may also be the dangerous head of a cartel. Tom Gormican directs, and has co-written the screenplay with Kevin Etten.
- 4/22/2022
- by Mona Tabbara
- ScreenDaily
Exclusive: Relight My Fire! It required a little Patience but Take That movie Greatest Days, which will star Aisling Bea, has set its cast and financiers ahead of shoot next month. The question now is: Could It Be Magic?
Cast confirmed for the feel-good UK comedy-musical includes comedian and 2020 BAFTA winner Bea (This Way Up), Alice Lowe (Black Mirror), Amaka Okafor (The Responder), Jayde Adams (Serious Black Jumper), Marc Wootton (Nativity), Lara McDonnell (Belfast), Jessie Mae Alonzo (Little Joe), Nandi Hudson (Army of Thieves), Carragon Guest and Eliza Dobson.
The film’s boy band, modeled on Take That, will comprise newcomers Aaron Bryan, Dalvin Cory, Joshua Jung, Mark Samaras and Mervin Noronha.
Bron Releasing has boarded worldwide sales on the project, which heralds from Danny Perkins’ Elysian Film Group. Filming is set to get underway next month on location in London, Lancashire (Clitheroe) and Athens.
Karl Spoerri and Viviana Vezzani...
Cast confirmed for the feel-good UK comedy-musical includes comedian and 2020 BAFTA winner Bea (This Way Up), Alice Lowe (Black Mirror), Amaka Okafor (The Responder), Jayde Adams (Serious Black Jumper), Marc Wootton (Nativity), Lara McDonnell (Belfast), Jessie Mae Alonzo (Little Joe), Nandi Hudson (Army of Thieves), Carragon Guest and Eliza Dobson.
The film’s boy band, modeled on Take That, will comprise newcomers Aaron Bryan, Dalvin Cory, Joshua Jung, Mark Samaras and Mervin Noronha.
Bron Releasing has boarded worldwide sales on the project, which heralds from Danny Perkins’ Elysian Film Group. Filming is set to get underway next month on location in London, Lancashire (Clitheroe) and Athens.
Karl Spoerri and Viviana Vezzani...
- 3/24/2022
- by Andreas Wiseman
- Deadline Film + TV
Exclusive: Ruth Wilson (The Affair), Cush Jumbo (The Good Fight), and Rosamund Pike (Gone Girl) are in negotiations to star in Greatest Days, the film adaptation of the hit stage musical The Band, about record-breaking UK pop group Take That.
Sierra/Affinity has come on board to handle international sales on the film and will be introducing it for the first time at this week’s Cannes virtual market. Domestic rights of the film are being handled by CAA Media Finance.
Inspired by the songs of Take That, one of the world’s biggest pop acts, the feel-good film has been developed with the support of Universal Music Group so will include a number of Take That songs. The story focuses on five schoolgirls who have the night of their lives at a concert from their favorite boy band. 25 years later their lives have changed in a myriad of ways...
Sierra/Affinity has come on board to handle international sales on the film and will be introducing it for the first time at this week’s Cannes virtual market. Domestic rights of the film are being handled by CAA Media Finance.
Inspired by the songs of Take That, one of the world’s biggest pop acts, the feel-good film has been developed with the support of Universal Music Group so will include a number of Take That songs. The story focuses on five schoolgirls who have the night of their lives at a concert from their favorite boy band. 25 years later their lives have changed in a myriad of ways...
- 6/23/2020
- by Andreas Wiseman
- Deadline Film + TV
Take That movie musical Greatest Days is set to be the first production for Danny Perkins’ UK producer-distributor Elysian Film Group.
The film, which has been developed with Universal Music Group, is based on UK stage musical The Band which featured songs from the hit UK boy-band, whose members have included Robbie Williams and Gary Barlow. Tim Firth (Kinky Boots) is adapting his stage play. Coky Giedroyc (How To Build A Girl) is attached to direct.
The project is said to have buy-in from Take That and talks are underway for the group to record an original song. Hits set to be included in the film include Patience, Back For Good, A Million Love Songs, Shine, Relight My Fire and Could It Be Magic.
The film will focus on five 16-year-old schoolgirls from the north-west of England in 1992 who are obsessed with a fictional boy band, whose songs are the Take That hits.
The film, which has been developed with Universal Music Group, is based on UK stage musical The Band which featured songs from the hit UK boy-band, whose members have included Robbie Williams and Gary Barlow. Tim Firth (Kinky Boots) is adapting his stage play. Coky Giedroyc (How To Build A Girl) is attached to direct.
The project is said to have buy-in from Take That and talks are underway for the group to record an original song. Hits set to be included in the film include Patience, Back For Good, A Million Love Songs, Shine, Relight My Fire and Could It Be Magic.
The film will focus on five 16-year-old schoolgirls from the north-west of England in 1992 who are obsessed with a fictional boy band, whose songs are the Take That hits.
- 4/29/2020
- by Andreas Wiseman
- Deadline Film + TV
Two of Broadway’s more imposing figures are calling it quits: King Kong and The Cher Show have posted closing notices, the latest exits in the annual post-Tony culling.
Each production will play its final performance on Sunday, Aug. 18.
Though Cher star Stephanie J. Block and costume designer Bob Mackie won Tony Awards at the ceremony June 9, the wins apparently didn’t translate into a big enough box office boost to keep the beat going on. For the week ending June 23 – a prime week for the post-Tony b.o. benefits to make themselves known – The Cher Show grossed $858,578, about 58% of its potential at the Neil Simon Theatre.
Written by Rick Elice, directed by Jason Moore and starring Block, Teal Wicks and Micaela Diamond as Cher at various points in her life, the jukebox bio-musical opened Dec. 3, 2018, to mixed reviews, with most critics praising Block even when less than dazzled with the glitzy rest.
Each production will play its final performance on Sunday, Aug. 18.
Though Cher star Stephanie J. Block and costume designer Bob Mackie won Tony Awards at the ceremony June 9, the wins apparently didn’t translate into a big enough box office boost to keep the beat going on. For the week ending June 23 – a prime week for the post-Tony b.o. benefits to make themselves known – The Cher Show grossed $858,578, about 58% of its potential at the Neil Simon Theatre.
Written by Rick Elice, directed by Jason Moore and starring Block, Teal Wicks and Micaela Diamond as Cher at various points in her life, the jukebox bio-musical opened Dec. 3, 2018, to mixed reviews, with most critics praising Block even when less than dazzled with the glitzy rest.
- 6/26/2019
- by Greg Evans
- Deadline Film + TV
The Ferryman, Network, To Kill A Mockingbird and What The Constitution Means To Me are among the Broadway and Off Broadway productions taking nominations in this year’s New York Drama League Awards.
The 2019 nominees were announced today in the categories of Outstanding Production of a Play, Outstanding Revival of a Play, Outstanding Production of a Musical, Outstanding Revival of a Musical, and the Distinguished Performance Award. The roster was read this morning by the current stars of Broadway’s Waitress, Shoshana Bean and Jeremy Jordan at Sardi’s Restaurant.
The 85th Annual Drama League Awards will be held on Friday, May 17.
Here is the complete list of nominees:
Outstanding Production Of A Broadway Or Off-broadway Play
Collective Rage: A Play in Five Betties
by Jen Silverman
Directed by Mike Donahue
McC Theater
Dance Nation
Written by Clare Barron
Directed by Lee Sunday Evans
Playwrights Horizons
Fairview
Written by Jackie Sibblies...
The 2019 nominees were announced today in the categories of Outstanding Production of a Play, Outstanding Revival of a Play, Outstanding Production of a Musical, Outstanding Revival of a Musical, and the Distinguished Performance Award. The roster was read this morning by the current stars of Broadway’s Waitress, Shoshana Bean and Jeremy Jordan at Sardi’s Restaurant.
The 85th Annual Drama League Awards will be held on Friday, May 17.
Here is the complete list of nominees:
Outstanding Production Of A Broadway Or Off-broadway Play
Collective Rage: A Play in Five Betties
by Jen Silverman
Directed by Mike Donahue
McC Theater
Dance Nation
Written by Clare Barron
Directed by Lee Sunday Evans
Playwrights Horizons
Fairview
Written by Jackie Sibblies...
- 4/17/2019
- by Greg Evans
- Deadline Film + TV
When Broadway’s King Kong opened earlier this month, critics did their best to one-up Beauty on how to kill a Beast. Big, hairy gloom might have settled over the cast following the show’s Nov. 8 opening, particularly after the publication of a New York Times pan that was unorthodox, if not downright bizarre. In place of a traditional review, Times critics Ben Brantley and Jesse Green published their back and forth conversation, taking turns lobbing brickbats. (“Ugh,” said Green; “aaaaaaaaargh,” responded Brantley)
Escaping the crossfire was Eric William Morris, the talented and appealing actor who plays Carl Denham, the 1930s-era New York movie director who heads off to Skull Island, along with unknown actress Ann Darrow (Christiani Pitts) in search of the legendary gorilla. Morris turns in a fine performance as Denham, playfully manipulating audience perceptions. Is he a hero? A scoundrel? Or worse?
Familiar to theater-goers and TV watchers alike,...
Escaping the crossfire was Eric William Morris, the talented and appealing actor who plays Carl Denham, the 1930s-era New York movie director who heads off to Skull Island, along with unknown actress Ann Darrow (Christiani Pitts) in search of the legendary gorilla. Morris turns in a fine performance as Denham, playfully manipulating audience perceptions. Is he a hero? A scoundrel? Or worse?
Familiar to theater-goers and TV watchers alike,...
- 11/30/2018
- by Greg Evans
- Deadline Film + TV
Update, with video Eighth wonder of the world? King Kong probably isn’t even the eighth wonder of Broadway – those kids in The Ferryman aren’t giving up their spots anytime soon – but the big ape does provide some roaring good thrills.
Picking over Hollywood’s Depression Era beauty-and-the-beast tale for what still works and ditching what doesn’t – the casting of the African American Christiani Pitts as Ann Darrow swiftly does away with the freighted Fay Wray blonde beauty ideal – director Drew McOnie has captured a wildly impressive 1.2-ton puppet, even if the musical surrounding it is considerably less memorable.
So let’s cut to the chase. The monkey in this reported $35 million production is amazing, a 20-foot-tall hybrid of animatronics, puppetry and human performance. Fifteen puppeteers, mostly onstage, work the beast with ropes, poles and pulleys – a show in themselves as they slide down cables like ninjas. Each...
Picking over Hollywood’s Depression Era beauty-and-the-beast tale for what still works and ditching what doesn’t – the casting of the African American Christiani Pitts as Ann Darrow swiftly does away with the freighted Fay Wray blonde beauty ideal – director Drew McOnie has captured a wildly impressive 1.2-ton puppet, even if the musical surrounding it is considerably less memorable.
So let’s cut to the chase. The monkey in this reported $35 million production is amazing, a 20-foot-tall hybrid of animatronics, puppetry and human performance. Fifteen puppeteers, mostly onstage, work the beast with ropes, poles and pulleys – a show in themselves as they slide down cables like ninjas. Each...
- 11/9/2018
- by Greg Evans
- Deadline Film + TV
Broadway’s mighty King Kong is taking Halloween afternoon off. Producers announced today that the October 31 matinee has been canceled to allow for “final adjustments” prior to the November 8 opening.
The opening night and the press dates beginning this weekend are unchanged and will not be impacted by the canceled matinee.
“Because of the scale of the production, we couldn’t have an out-of-town tryout before coming to Broadway,” said lead producers Carmen Pavlovic and Roy Furman. “We scheduled a reduced performance schedule during previews so we could keep working on the show while it played in the Broadway Theatre.”
The Kong character is realized through an elaborate mix of robotics, puppetry and stagecraft. The producers said Kong is “in great shape mechanically and the cast is ready.”
“After years in development, we are now in the homestretch with King Kong on Broadway and we want to support [director] Drew McOnie...
The opening night and the press dates beginning this weekend are unchanged and will not be impacted by the canceled matinee.
“Because of the scale of the production, we couldn’t have an out-of-town tryout before coming to Broadway,” said lead producers Carmen Pavlovic and Roy Furman. “We scheduled a reduced performance schedule during previews so we could keep working on the show while it played in the Broadway Theatre.”
The Kong character is realized through an elaborate mix of robotics, puppetry and stagecraft. The producers said Kong is “in great shape mechanically and the cast is ready.”
“After years in development, we are now in the homestretch with King Kong on Broadway and we want to support [director] Drew McOnie...
- 10/29/2018
- by Greg Evans
- Deadline Film + TV
A new Broadway season is gearing up, and there are currently three productions of musicals (all new) set to open this fall. Could we be seeing any of them contend at next year’s Tony Awards? Below, we recap the plot of each musical as well as the awards history of its author, cast and creative types and the opening and (where applicable) closing dates.
“King Kong” (previews begin October 5; opens November 8)
In this musical adaptation of Merian C. Cooper and Ernest B. Schoedsack’s classic 1933 film of the same name, an ambitious young actress and a maverick filmmaker voyage from the bustling streets of 1930s New York to an uncharted island to capture the greatest wonder the world has ever seen. At the center of this 21st-century reimagining: a 2,000-pound, 20-story gorilla, and the woman who risks everything to help him.
With a book by Tony-winning playwright Jack Thorne...
“King Kong” (previews begin October 5; opens November 8)
In this musical adaptation of Merian C. Cooper and Ernest B. Schoedsack’s classic 1933 film of the same name, an ambitious young actress and a maverick filmmaker voyage from the bustling streets of 1930s New York to an uncharted island to capture the greatest wonder the world has ever seen. At the center of this 21st-century reimagining: a 2,000-pound, 20-story gorilla, and the woman who risks everything to help him.
With a book by Tony-winning playwright Jack Thorne...
- 9/27/2018
- by Jeffrey Kare
- Gold Derby
Broadway’s beast is offering a peek at its beauty: Check out the photo below of King Kong‘s Christiani Pitts, seen in costume and with the big ape for the first time.
Pitts (A Bronx Tale) plays Ann Darrow, the character made famous by Fay Wray in the 1933 film (and later played by Jessica Lange and Naomi Watts on the big screen). Written by Jack Thorne with a score by Marius de Vries and songs by Eddie Perfect, King Kong is directed and choreographed by Drew McOnie.
King Kong begins previews at the Broadway Theatre on Friday, October 5, with an opening on Thursday, November 8.
Kong, a 20-foot-tall, 2,000-pound mix of animatronics and puppetry, is designed by Sonny Tilders. Check out the behind-the-scenes video above for a good look at the creature.
Co-starring with Pitts are Eric William Morris as Carl Denham, and Erik Lochtefeld as Lumpy. The musical is...
Pitts (A Bronx Tale) plays Ann Darrow, the character made famous by Fay Wray in the 1933 film (and later played by Jessica Lange and Naomi Watts on the big screen). Written by Jack Thorne with a score by Marius de Vries and songs by Eddie Perfect, King Kong is directed and choreographed by Drew McOnie.
King Kong begins previews at the Broadway Theatre on Friday, October 5, with an opening on Thursday, November 8.
Kong, a 20-foot-tall, 2,000-pound mix of animatronics and puppetry, is designed by Sonny Tilders. Check out the behind-the-scenes video above for a good look at the creature.
Co-starring with Pitts are Eric William Morris as Carl Denham, and Erik Lochtefeld as Lumpy. The musical is...
- 9/24/2018
- by Greg Evans
- Deadline Film + TV
Jacob Burns Film Center to Host Special Screening of King Kong Before It Comes to Broadway This Fall
This August 21, the Jacob Burns Film Center Pleasantville, NY will be screening the original 1933 classic King Kong before it comes alive on Broadway this fall. Following the screening will be a QampA with the Musical Creative Team, including Olivier Award-winning director amp choreographer Drew McOnie, Helpmann Award-winning set amp projection designer Peter England, Helpmann Award-winning creature designer Sonny Tilders and lead producer amp Global Creatures CEO Carmen Pavlovic, the discussion will be moderated by four-time Tony-winning Broadway producer Dori Berinstein.
- 8/8/2018
- by TV News Desk
- BroadwayWorld.com
Chicago – As a wee lad, I would often go into my parent’s record collection. One day, out of the blue, that brown double album with the gold embossed angels appeared, like a gift from the divine. “Jesus Christ Superstar” began as a record album “rock opera” in 1970, evolved to a Broadway show and film, and then was interpreted through a myriad of stage revivals over the years. The latest is an exciting piece of stagecraft at the Lyric Opera of Chicago. The show has a various evening/matinee run through May 20th, 2018. Click here for more details, including ticket information.
Play Rating: 5.0/5.0
In a sense, “Jcs” cannot miss, because at its core is the instantly memorable songs by composer Andrew Lloyd Webber and lyricist Tim Rice. From the opening power chords to “Heaven on Their Minds,” “What’s the Buzz,” “Pilate’s Dream,” “I Don’t Know How to Love Him,...
Play Rating: 5.0/5.0
In a sense, “Jcs” cannot miss, because at its core is the instantly memorable songs by composer Andrew Lloyd Webber and lyricist Tim Rice. From the opening power chords to “Heaven on Their Minds,” “What’s the Buzz,” “Pilate’s Dream,” “I Don’t Know How to Love Him,...
- 5/1/2018
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Though no relation to NBC’s highly-rated Easter special, Jesus Christ Superstar is heading to North American theaters next year. The touring production hails from London, where it won the 2017 Olivier Award for Best Musical Revival.
Directed by Timothy Sheader and with choreography by Drew McOnie, the North American production of Tim Rice and Andrew Lloyd Webber’s iconic musical was announced today by Stephen Gabriel, president of Work Light Productions. The tour is set for Fall 2019.
Casting and dates have not been announced. Plans are for the production to hit more than 50 North American markets.
“Superstar speaks to both theater audiences and concert music fans,” said Gabriel. “This production pays tribute to the historic 1971 Billboard Album of the Year while creating a modern, theatrical world that is uniquely fresh and inspiring.”
Staged at London’s Regent’s Park Open Air Theatre, the production sold out two consecutive engagements in...
Directed by Timothy Sheader and with choreography by Drew McOnie, the North American production of Tim Rice and Andrew Lloyd Webber’s iconic musical was announced today by Stephen Gabriel, president of Work Light Productions. The tour is set for Fall 2019.
Casting and dates have not been announced. Plans are for the production to hit more than 50 North American markets.
“Superstar speaks to both theater audiences and concert music fans,” said Gabriel. “This production pays tribute to the historic 1971 Billboard Album of the Year while creating a modern, theatrical world that is uniquely fresh and inspiring.”
Staged at London’s Regent’s Park Open Air Theatre, the production sold out two consecutive engagements in...
- 4/5/2018
- by Greg Evans
- Deadline Film + TV
On Broadway and beyond, a curtain can rise as quickly as it can fall; a star can be swapped as easily as Bernie Telsey can say, “That’s enough.” Theater is the beating heart of New York show business and, if you want to make it here, it’s crucial you’re up to date on incoming projects, latest castings, and other industry news. Don’t worry, Broadway baby, Backstage has your back. Every week, we’re rounding up the can’t-miss stories no thespian should live without, so you can focus on important matters like hitting your high F. Curtain up and light those lights! “Kong” is coming.After much speculation, “King Kong” has officially gotten the Broadway greenlight. Based on the 1932 novel, this adaptation will be written by Jack Thorne, directed by Drew McOnie, and feature a score by Marius de Vries, with songs by Eddie Perfect. It...
- 11/9/2017
- backstage.com
“King Kong” is coming, and you have a chance to get in before he wreaks havoc on Broadway. Tara Rubin is currently casting for a pre-Broadway developmental lab for the highly anticipated “King Kong” musical. The team will hold Equity Chorus Calls in New York City on Oct. 13 and 17, seeking male and female singers ages 20–39, and dancers aged 18 or older. Additionally, Equity Principal Auditions will be held on Oct. 12 for the leading roles of Ann (female aged 20–29), and Carl (27–39). The tuner, an adaptation of the iconic film, will feature a score by Marius de Vries and Eddie Perfect, and a book by Jack Thorne. Drew McOnie is helming as director. The lab itself will run Nov. 27–Dec. 17 in New York City. The team is currently aiming for a fall 2018 bow on Broadway, with rehearsals beginning in the summer. Performers will be hired under an Equity Developmental Lab Contract, paying $1,000/week.
- 9/29/2017
- backstage.com
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