Here’s your daily dose of an indie film, web series, TV pilot, what-have-you in progress, as presented by the creators themselves. At the end of the week, you’ll have the chance to vote for your favorite.
In the meantime: Is this a project you’d want to see? Tell us in the comments.
[Blank] My Life
Logline: “[Blank] My Life” is a surreal, comedic webseries which follows Susan on her quest to find love and simultaneously not end her life.
Elevator Pitch:
In the second season of this acerbic, dreamy show, “[Blank] My Life,” Susan is more lost than ever and in a last ditch effort to find herself falls in love with a dull lawyer. Meanwhile, her best friend Brendan is applying to acting grad school to try to get the hell out of this dead-beat city called New York. In a vignette quest, the two of them encounter sexually woke baby-sitting charges,...
In the meantime: Is this a project you’d want to see? Tell us in the comments.
[Blank] My Life
Logline: “[Blank] My Life” is a surreal, comedic webseries which follows Susan on her quest to find love and simultaneously not end her life.
Elevator Pitch:
In the second season of this acerbic, dreamy show, “[Blank] My Life,” Susan is more lost than ever and in a last ditch effort to find herself falls in love with a dull lawyer. Meanwhile, her best friend Brendan is applying to acting grad school to try to get the hell out of this dead-beat city called New York. In a vignette quest, the two of them encounter sexually woke baby-sitting charges,...
- 10/19/2016
- by Steve Greene
- Indiewire
How to Get into Buildings Written by Trish Harnetiaux Directed by Katherine Brook New Georges at The Brick, Brooklyn, NY December 4-December 19, 2015
It may be reductive to say that Trish Harnetiaux's new postmodern comedy is about love and relationships, but it's the easiest way to begin. How to Get into Buildings is in some ways a play about itself, thick with meta-theatrical moments. In other ways, it is as if Samuel Beckett directed Magnolia. Harnetiaux cites her structural inspiration as exploded-view diagrams and their arrangement of parts in relationship but not in contact with each other, perhaps echoed in one character's predilection for bento boxes.
The main components of this particular diagram are two couples, one of which represents the discrete parts coming together, and the other those parts moving apart: Lucy Maserati (Kristine Haruna Lee) and Roger Sauvignon (Jacob A. Ware), and Daphne Pierre-Pont (Stephanie Weeks) and Nick...
It may be reductive to say that Trish Harnetiaux's new postmodern comedy is about love and relationships, but it's the easiest way to begin. How to Get into Buildings is in some ways a play about itself, thick with meta-theatrical moments. In other ways, it is as if Samuel Beckett directed Magnolia. Harnetiaux cites her structural inspiration as exploded-view diagrams and their arrangement of parts in relationship but not in contact with each other, perhaps echoed in one character's predilection for bento boxes.
The main components of this particular diagram are two couples, one of which represents the discrete parts coming together, and the other those parts moving apart: Lucy Maserati (Kristine Haruna Lee) and Roger Sauvignon (Jacob A. Ware), and Daphne Pierre-Pont (Stephanie Weeks) and Nick...
- 12/14/2015
- by Leah Richards
- www.culturecatch.com
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