Filmmaking team Jesse Moss and Amanda McBaine follow-up their 2020 documentary Boys State, naturally, with Girls State, making its Sundance debut in the festival’s Premieres category. Much like their previous film, Girls State follows a diverse group of teenage girls across the state of Missouri who engage in a week-long immersive project that requires them to collectively construct a government from the ground up, which this time includes building a judicial branch on both local and state levels. With the project unfolding as Roe v. Wade threatens to be overturned, the girls also ruminate on how real-world legislature could infringe […]
The post “Crafting Stories With My Head and My Heart”: Editor Amy Foote on Girls State first appeared on Filmmaker Magazine.
The post “Crafting Stories With My Head and My Heart”: Editor Amy Foote on Girls State first appeared on Filmmaker Magazine.
- 1/18/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Filmmaking team Jesse Moss and Amanda McBaine follow-up their 2020 documentary Boys State, naturally, with Girls State, making its Sundance debut in the festival’s Premieres category. Much like their previous film, Girls State follows a diverse group of teenage girls across the state of Missouri who engage in a week-long immersive project that requires them to collectively construct a government from the ground up, which this time includes building a judicial branch on both local and state levels. With the project unfolding as Roe v. Wade threatens to be overturned, the girls also ruminate on how real-world legislature could infringe […]
The post “Crafting Stories With My Head and My Heart”: Editor Amy Foote on Girls State first appeared on Filmmaker Magazine.
The post “Crafting Stories With My Head and My Heart”: Editor Amy Foote on Girls State first appeared on Filmmaker Magazine.
- 1/18/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Subjects include a journalist in Siberia and a family of Puerto Rican women.
Film Independent has named the six projects and seven filmmakers selected for its annual Documentary Lab programme, designed to give creative feedback to filmmakers in post-production on feature length documentaries.
Director Alina Simone and producer Kirstine Barfod join the programme with their film Black Snow, about a homemaker turned journalist in Siberia who becomes the target of a government disinformation campaign.
Chris Coats will participate with Flamingo Camp, about the queer and trans community at the off-grid squatter town known as Slab City and the effect on...
Film Independent has named the six projects and seven filmmakers selected for its annual Documentary Lab programme, designed to give creative feedback to filmmakers in post-production on feature length documentaries.
Director Alina Simone and producer Kirstine Barfod join the programme with their film Black Snow, about a homemaker turned journalist in Siberia who becomes the target of a government disinformation campaign.
Chris Coats will participate with Flamingo Camp, about the queer and trans community at the off-grid squatter town known as Slab City and the effect on...
- 5/24/2023
- by John Hazelton
- ScreenDaily
Like a peckish panda let loose in a showroom for bamboo patio furniture, the modern audience’s craving for true-life stories is seemingly insatiable. And like said ursine gnawing greedily on a flavorful teakwood club chair, nonfiction has been steadily gobbling up narrative filmmaking, with almost every major news item of the last 40 years being dutifully reimagined as a prestige limited series. And sure, projects like HBO’s Love and Death or Hulu’s The Dropout can help fill the void abdicated by the mid-budget studio drama, but where does that leave actual documentary movies—or documentary filmmakers for that matter?
While there’s certainly not an overabundance of industry support out there for emerging nonfiction filmmakers, there is at the very least the Film Independent Documentary Lab. And today, we’re thrilled to welcome seven new Fellows and six new projects to the 2023 Doc Lab cohort. “Documentary filmmakers remain...
While there’s certainly not an overabundance of industry support out there for emerging nonfiction filmmakers, there is at the very least the Film Independent Documentary Lab. And today, we’re thrilled to welcome seven new Fellows and six new projects to the 2023 Doc Lab cohort. “Documentary filmmakers remain...
- 5/24/2023
- by Matt Warren
- Film Independent News & More
Exclusive: Film Independent on Wednesday named the filmmakers and projects selected for its 12th annual Documentary Lab, rolling out a list that includes Alina Simone & Kirstine Barfod (Black Snow), Chris Coats (Flamingo Camp), Sisa Bueno, Gabriela Díaz Arp (Matininó), Amanda Erickson (She Cried That Day) and Adina Luo (You Have the Floor).
The nonprofit behind the Independent Spirit Awards also announced Black Snow‘s Simone as the recipient of its latest Cayton-Goldrich Family Foundation Fellowship, an unrestricted $10,000 cash grant awarded to a Jewish filmmaker participating in one of its Artist Development Programs.
An intensive program providing creative feedback to filmmakers who are currently in post-production on feature-length docs, The Lab also advances their careers by introducing them to mentors, advisors and guest speakers who can advise on both the craft and business of documentary filmmaking. Chris Shellen (Mickey: The Story of a Mouse) and Ivete Lucas...
The nonprofit behind the Independent Spirit Awards also announced Black Snow‘s Simone as the recipient of its latest Cayton-Goldrich Family Foundation Fellowship, an unrestricted $10,000 cash grant awarded to a Jewish filmmaker participating in one of its Artist Development Programs.
An intensive program providing creative feedback to filmmakers who are currently in post-production on feature-length docs, The Lab also advances their careers by introducing them to mentors, advisors and guest speakers who can advise on both the craft and business of documentary filmmaking. Chris Shellen (Mickey: The Story of a Mouse) and Ivete Lucas...
- 5/24/2023
- by Matt Grobar
- Deadline Film + TV
Ace Eddies: ‘Top Gun: Maverick,’ ‘Everything Everywhere’ win over Oscar rivals for Best Film Editing
“Top Gun: Maverick” got a big boost in its bid for Best Editing at the Oscars with a win at the Ace Golden Eddie Awards on March 5. It prevailed in the drama race at these awards bestowed by American Cinema Editors over two of its Oscar rivals –“Elvis” and “Tár ” — as well as “All Quiet on the Western Front” and “The Woman King.”
Another of the Oscar nominees, “Everything Everywhere All at Once ” won the comedy/musical category over the fifth Oscar contender, “The Banshees of Inisherin,” plus “Glass Onion: A Knives Out Mystery”, “The Menu” and “Triangle of Sadness.”
Since 1990, the film that came up with one of the ACEs went on to win the top prize at the Academy Awards 18 times, including the 2020 winner for best drama editing, “Parasite.” And in 10 of the 14 years when the Ace barometer was wrong, at least one of the Eddie champs was a contender for Best Picture.
Another of the Oscar nominees, “Everything Everywhere All at Once ” won the comedy/musical category over the fifth Oscar contender, “The Banshees of Inisherin,” plus “Glass Onion: A Knives Out Mystery”, “The Menu” and “Triangle of Sadness.”
Since 1990, the film that came up with one of the ACEs went on to win the top prize at the Academy Awards 18 times, including the 2020 winner for best drama editing, “Parasite.” And in 10 of the 14 years when the Ace barometer was wrong, at least one of the Eddie champs was a contender for Best Picture.
- 3/6/2023
- by Paul Sheehan
- Gold Derby
American Cinema Editors announced winners in 14 categories March 5 during the 73rd annual Ace Eddie Awards. And all five Oscar nominees were included among the nominations — though spread out between two categories.
Historically, the Eddie winner for theatrical drama has also won the Academy Award 13 of 22 times‚ but not in the last three years. Whether or not that streak will hold remains murky since Oscar nominees “Top Gun: Maverick” and “Everything Everywhere All at Once” both took home trophies.
“The Woman King” director Gina Prince-Bythewood received the Golden Eddie Filmmaker of the Year Award, while film editors Lynne Willingham and Don Zimmerman received Career Achievement Awards.
Other winners included awards season faves “Guillermo del Toro’s Pinocchio,” “Fire of Love,” and “The Bear.” See the complete list of winners, marked in bold, below.
Best Edited Feature Film (Dramatic)
“All Quiet on the Western Front” – Sven Budelmann, Bfs
“Elvis” – Matt Villa, Ace Ase,...
Historically, the Eddie winner for theatrical drama has also won the Academy Award 13 of 22 times‚ but not in the last three years. Whether or not that streak will hold remains murky since Oscar nominees “Top Gun: Maverick” and “Everything Everywhere All at Once” both took home trophies.
“The Woman King” director Gina Prince-Bythewood received the Golden Eddie Filmmaker of the Year Award, while film editors Lynne Willingham and Don Zimmerman received Career Achievement Awards.
Other winners included awards season faves “Guillermo del Toro’s Pinocchio,” “Fire of Love,” and “The Bear.” See the complete list of winners, marked in bold, below.
Best Edited Feature Film (Dramatic)
“All Quiet on the Western Front” – Sven Budelmann, Bfs
“Elvis” – Matt Villa, Ace Ase,...
- 3/6/2023
- by Mark Peikert
- Indiewire
American Cinema Editors handed out its 73rd Eddie Awards on Sunday, with Top Gun: Maverick editor Eddie Hamilton and Everything Everywhere All at Once editor Paul Rogers collecting trophies for best edited dramatic feature and comedy feature, respectively.
Everything Everywhere – which won the BAFTA in film editing – and Top Gun: Maverick, along with Eddie nominees Jonathan Redmond and Matt Villa for Elvis, Monika Willi for Tár and Mikkel E.G. Nielsen for The Banshees of Inisherin are nominated for the Oscar in film editing.
Everything Everywhere’s Rogers thanked mentors, friends and family, including the Daniels, remembering cutting the movie during lockdown. He also urged diversity, saying, “We can choose what stories we get to tell.” Hamilton wasn’t in attendance and colleagues accepted, reading thanks to those including Tom Cruise and Chris McQuarrie.
Also on Sunday at UCLA’s Royce Hall, Ken Schretzmann and Holly Klein collected the animated feature prize,...
Everything Everywhere – which won the BAFTA in film editing – and Top Gun: Maverick, along with Eddie nominees Jonathan Redmond and Matt Villa for Elvis, Monika Willi for Tár and Mikkel E.G. Nielsen for The Banshees of Inisherin are nominated for the Oscar in film editing.
Everything Everywhere’s Rogers thanked mentors, friends and family, including the Daniels, remembering cutting the movie during lockdown. He also urged diversity, saying, “We can choose what stories we get to tell.” Hamilton wasn’t in attendance and colleagues accepted, reading thanks to those including Tom Cruise and Chris McQuarrie.
Also on Sunday at UCLA’s Royce Hall, Ken Schretzmann and Holly Klein collected the animated feature prize,...
- 3/6/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Before Nan Goldin was the subject of Laura Poitras’ documentary “All the Beauty and the Bloodshed,” Poitras first learned about her when she was studying filmmaking in San Francisco and saw a copy of “The Ballad of Sexual Dependency.” “I had a roommate who was a photographer, so she had one of the early editions and it was just mind-blowing. The intimacy, the rawness, the capturing of relationships and sexuality and the differences between genders,” she tells Gold Derby during our recent webchat (watch the exclusive video interview above).
When she actually got to experience Goldin’s art in-person, it became another incredible event for her. “It’s like she created this whole new visual storytelling, language and relationship. These were people she was friends and lovers with.”
See dozens of interviews with 2023 Oscar contenders
“All the Beauty and the Bloodshed” explores Goldin’s life and work as a visual...
When she actually got to experience Goldin’s art in-person, it became another incredible event for her. “It’s like she created this whole new visual storytelling, language and relationship. These were people she was friends and lovers with.”
See dozens of interviews with 2023 Oscar contenders
“All the Beauty and the Bloodshed” explores Goldin’s life and work as a visual...
- 3/1/2023
- by Charles Bright
- Gold Derby
The nominations for the 2023 Ace Eddie Awards announced on Wednesday (Feb. 1) include our Oscar frontrunner for Best Film Editing, “Top Gun: Maverick,” along with the other four films contending in that race: “The Banshees of Inisherin,” “Elvis,” “Everything Everywhere All at Once” and “Tar.”
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals.
“Elvis,” “Tar” and “Top Gun: Maverick,” contend here in the drama race, which is rounded out by “All Quiet on the Western Front” and “The Woman King.”
Facing off against “The Banshees of Inisherin” and “Everything Everywhere All at Once” on the comedy side are “Glass Onion: A Knives Out Mystery,” “The Menu” and “Triangle of Sadness.”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two, with five nominees for each of drama and comedy/musical. Over the past 30 years,...
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals.
“Elvis,” “Tar” and “Top Gun: Maverick,” contend here in the drama race, which is rounded out by “All Quiet on the Western Front” and “The Woman King.”
Facing off against “The Banshees of Inisherin” and “Everything Everywhere All at Once” on the comedy side are “Glass Onion: A Knives Out Mystery,” “The Menu” and “Triangle of Sadness.”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two, with five nominees for each of drama and comedy/musical. Over the past 30 years,...
- 2/1/2023
- by Paul Sheehan
- Gold Derby
The American Cinema Editors group has revealed the nominees for the 2023 Eddie Awards, which will be handed out March 5 at UCLA’s Royce Hall.
The live-action theatrical feature competition has two categories, drama and comedy. The nominees in the category of best edited dramatic feature are Sven Budelmann for All Quiet on the Western Front, Matt Villa and Jonathan Redmond for Elvis, Monika Willi for Tár, Eddie Hamilton for Top Gun: Maverick and Terilyn A. Shropshire for The Woman King. Nominees for best edited comedic feature are Mikkel E.G. Nielsen for The Banshees of Inisherin, Paul Rogers for Everything Everywhere All at Once, Bob Ducsay for Glass Onion: A Knives Out Mystery, Christopher Tellefsen for The Menu and Ruben Östlund and Mikel Cee Karlsson for Triangle of Sadness.
With her nomination for The Woman King, Shropshire becomes the second Black woman to be nominated for an Eddie in the dramatic feature category.
The live-action theatrical feature competition has two categories, drama and comedy. The nominees in the category of best edited dramatic feature are Sven Budelmann for All Quiet on the Western Front, Matt Villa and Jonathan Redmond for Elvis, Monika Willi for Tár, Eddie Hamilton for Top Gun: Maverick and Terilyn A. Shropshire for The Woman King. Nominees for best edited comedic feature are Mikkel E.G. Nielsen for The Banshees of Inisherin, Paul Rogers for Everything Everywhere All at Once, Bob Ducsay for Glass Onion: A Knives Out Mystery, Christopher Tellefsen for The Menu and Ruben Östlund and Mikel Cee Karlsson for Triangle of Sadness.
With her nomination for The Woman King, Shropshire becomes the second Black woman to be nominated for an Eddie in the dramatic feature category.
- 2/1/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
The American Cinema Editors (Ace) has nominated “Tár,” “All Quiet on the Western Front,” “Elvis, “Top Gun: Maverick” and “The Woman King” in the category of feature film drama for the 73rd annual Ace Eddie Awards.
“The Banshees of Inisherin,” “Everything Everywhere All at Once,” “Glass Onion: A Knives Out Mystery,” “The Menu” and “Triangle of Sadness” all received nominations in the best edited comedic feature category.
The TV nominees include “The Bear,” “Severance” and “The White Lotus.”
Since 1961, only 12 women have won in the best-edited drama feature category. This year, there are two women who made the cut: Terilyn Shropshire for “The Woman King” and Monika Willi for “Tár.” Willi also earned an Oscar nomination for her work.
As previously announced, the Ace Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievements in the art and business of film, will be presented to Gina Prince-Bythewood...
“The Banshees of Inisherin,” “Everything Everywhere All at Once,” “Glass Onion: A Knives Out Mystery,” “The Menu” and “Triangle of Sadness” all received nominations in the best edited comedic feature category.
The TV nominees include “The Bear,” “Severance” and “The White Lotus.”
Since 1961, only 12 women have won in the best-edited drama feature category. This year, there are two women who made the cut: Terilyn Shropshire for “The Woman King” and Monika Willi for “Tár.” Willi also earned an Oscar nomination for her work.
As previously announced, the Ace Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievements in the art and business of film, will be presented to Gina Prince-Bythewood...
- 2/1/2023
- by Jazz Tangcay
- Variety Film + TV
American Cinemas Editors has cut together the nominees for its 73rd annual Ace Eddie Awards, which will be handed out next month. See the list for all 14 categories below.
Vying for the marquee prize of Best Edited Feature Film prize are the editors behind All Quiet on the Western Front, Elvis, Tár, Top Gun: Maverick and The Woman King. The Comedy Theatrical race will be among The Banshees of Inisherin, Everything Everywhere All at Once, Glass Onion: A Knives Out Mystery, The Menu and Triangle of Sadness.
Related Story Gina Prince-Bythewood Set For Golden Eddie At 73rd Ace Eddie Awards, Editors Lynne Willingham & Don Zimmerman To Receive Career Achievement Honors Related Story Ace Eddie Awards 2023 Date Set; Timeline Revised – Update Related Story American Cinema Editors Condemns Oscars' Pre-Taped Category Revamp, Calls For Future Demonstration Of "Fairness And Inclusiveness"
Since the turn of the 21st century, the Eddie...
Vying for the marquee prize of Best Edited Feature Film prize are the editors behind All Quiet on the Western Front, Elvis, Tár, Top Gun: Maverick and The Woman King. The Comedy Theatrical race will be among The Banshees of Inisherin, Everything Everywhere All at Once, Glass Onion: A Knives Out Mystery, The Menu and Triangle of Sadness.
Related Story Gina Prince-Bythewood Set For Golden Eddie At 73rd Ace Eddie Awards, Editors Lynne Willingham & Don Zimmerman To Receive Career Achievement Honors Related Story Ace Eddie Awards 2023 Date Set; Timeline Revised – Update Related Story American Cinema Editors Condemns Oscars' Pre-Taped Category Revamp, Calls For Future Demonstration Of "Fairness And Inclusiveness"
Since the turn of the 21st century, the Eddie...
- 2/1/2023
- by Erik Pedersen
- Deadline Film + TV
In the early days of filming “All the Beauty and the Bloodshed,” nonfiction filmmaker Laura Poitras didn’t have a clear grasp on what the shape of her latest documentary would be, but she was clear what her portrait of famed artist and activist Nan Goldin wouldn’t be.
“We weren’t gonna make a biography,” Poitras told IndieWire’s Filmmaker Toolkit podcast. “One thing I try to do as a filmmaker is to not hear the story that people repeat about their life over and over. We all do that. We all tell a story and we go into a kind of a mode of repeating, but how could it feel in the present in a really meaningful way.”
While Poitras filmed Goldin risking her career by challenging global art institutions to cut ties with the Sackler family — major philanthropic donors who fueled the opioid epidemic through the manufacturing...
“We weren’t gonna make a biography,” Poitras told IndieWire’s Filmmaker Toolkit podcast. “One thing I try to do as a filmmaker is to not hear the story that people repeat about their life over and over. We all do that. We all tell a story and we go into a kind of a mode of repeating, but how could it feel in the present in a really meaningful way.”
While Poitras filmed Goldin risking her career by challenging global art institutions to cut ties with the Sackler family — major philanthropic donors who fueled the opioid epidemic through the manufacturing...
- 12/16/2022
- by Chris O'Falt
- Indiewire
The Cinema Eye Honors has announced the full slate of nominees for its 16th Annual Awards Ceremony meant to recognize outstanding artistry and craft in nonfiction filmmaking.
Two National Geographic films — Sara Dosa’s “Fire of Love” and Alex Pritz’s “The Territory”— not only led all nominees with seven nominations (including Outstanding Nonfiction Feature for both), but tied the record for most nominations in a single year. Next in line is the Cannes-winning feature, “All That Breathes,” directed by Shaunak Sen, which got six nominations. The Laura Poitras-directed documentary “All the Beauty and the Bloodshed” and Payal Kapadia’s “A Night of Knowing Nothing” followed with four nominations.
This year’s awards mark the first time in Cinema Eye history that five women were nominated for Outstanding Direction, with “Beba” director Rebeca Huntt and “Descendant” filmmaker Margaret Brown joining Sara Dosa, Payal Kapadia, Laura Poitras, and Shaunak Sen in the category.
Two National Geographic films — Sara Dosa’s “Fire of Love” and Alex Pritz’s “The Territory”— not only led all nominees with seven nominations (including Outstanding Nonfiction Feature for both), but tied the record for most nominations in a single year. Next in line is the Cannes-winning feature, “All That Breathes,” directed by Shaunak Sen, which got six nominations. The Laura Poitras-directed documentary “All the Beauty and the Bloodshed” and Payal Kapadia’s “A Night of Knowing Nothing” followed with four nominations.
This year’s awards mark the first time in Cinema Eye history that five women were nominated for Outstanding Direction, with “Beba” director Rebeca Huntt and “Descendant” filmmaker Margaret Brown joining Sara Dosa, Payal Kapadia, Laura Poitras, and Shaunak Sen in the category.
- 11/10/2022
- by Marcus Jones
- Indiewire
“Fire of Love” and “The Territory” led all films in nominations for the 16th annual Cinema Eye Honors, awards that were established in 2007 to honor all aspects of nonfiction filmmaking.
“Fire of Love” is a documentary from Sara Dosa about scientists Katia and Maurice Krafft, set against the volcanoes they spent much of their lives studying; “The Territory” is director Alex Pritz’s look at an indigenous Brazilian tribe threatened by deforestation. Both films received seven nominations, tying the record for the most Cinema Eye noms in a single year.
Shaunak Sen’s “All That Breathes” received six nominations, while Laura Poitras’ “All the Beauty and the Bloodshed” and Payal Kapadia’s “A Night of Knowing Nothing” each received four.
In the Outstanding Nonfiction Feature category, those five films were joined by Daniel Roher’s “Navalny.”
Also Read:
‘Fire of Love,’ ‘Good Night Oppy’ Lead Critics Choice Documentary Awards Nominations...
“Fire of Love” is a documentary from Sara Dosa about scientists Katia and Maurice Krafft, set against the volcanoes they spent much of their lives studying; “The Territory” is director Alex Pritz’s look at an indigenous Brazilian tribe threatened by deforestation. Both films received seven nominations, tying the record for the most Cinema Eye noms in a single year.
Shaunak Sen’s “All That Breathes” received six nominations, while Laura Poitras’ “All the Beauty and the Bloodshed” and Payal Kapadia’s “A Night of Knowing Nothing” each received four.
In the Outstanding Nonfiction Feature category, those five films were joined by Daniel Roher’s “Navalny.”
Also Read:
‘Fire of Love,’ ‘Good Night Oppy’ Lead Critics Choice Documentary Awards Nominations...
- 11/10/2022
- by Steve Pond
- The Wrap
The Oscar prospects for Fire of Love, The Territory, and All That Breathes got a significant boost today with the announcement of the nominations for the 16th Annual Cinema Eye Honors.
Sara Dosa’s Fire of Love and Alex Pritz’s The Territory tied with a leading seven nominations apiece, while All That Breathes, from director Shaunak Sen, was recognized in half a dozen categories. Fellow Oscar contenders All the Beauty and the Bloodshed — the Venice Golden Lion winner directed by Laura Poitras — and Payal Kapadia’s A Night of Knowing Nothing earned four nominations apiece.
In the marquee category of Outstanding Nonfiction Feature, six films will go head to head at the Cinema Eye Honors: All That Breathes; All the Beauty and the Bloodshed; Fire of Love; Navalny — Daniel Roher’s documentary on Russian opposition leader Alexei Navalny; A Night of Knowing Nothing, and The Territory [see the full list of nominees below].
Pritz, making his...
Sara Dosa’s Fire of Love and Alex Pritz’s The Territory tied with a leading seven nominations apiece, while All That Breathes, from director Shaunak Sen, was recognized in half a dozen categories. Fellow Oscar contenders All the Beauty and the Bloodshed — the Venice Golden Lion winner directed by Laura Poitras — and Payal Kapadia’s A Night of Knowing Nothing earned four nominations apiece.
In the marquee category of Outstanding Nonfiction Feature, six films will go head to head at the Cinema Eye Honors: All That Breathes; All the Beauty and the Bloodshed; Fire of Love; Navalny — Daniel Roher’s documentary on Russian opposition leader Alexei Navalny; A Night of Knowing Nothing, and The Territory [see the full list of nominees below].
Pritz, making his...
- 11/10/2022
- by Matthew Carey
- Deadline Film + TV
Click here to read the full article.
Fire of Love and The Territory landed a field-leading seven mentions, including best feature, in the Cinema Eye Honors nominations, which were announced Thursday.
The Ceh organization, which celebrates nonfiction work on screens big and small, also nominated All That Breathes (six noms), All the Beauty and the Bloodshed (four noms), Navalny (three noms) and A Night of Knowing Nothing (four noms) for its top honor.
Meanwhile, in the directing category, an unprecedented five of the six nominees are women: Laura Poitras (All the Beauty and the Bloodshed), Rebecca Huntt (Beba), Margaret Brown (Descendant), Sara Dosa (Fire of Love) and Payal Kapadia (A Night of Knowing Nothing). The sixth nominee is Shaunak Sen (All That Breathes).
Poitras, with her noms for feature and direction, ties Steve James for the most Ceh noms of all time, with 13.
Alex Pritz has the most individual noms this year,...
Fire of Love and The Territory landed a field-leading seven mentions, including best feature, in the Cinema Eye Honors nominations, which were announced Thursday.
The Ceh organization, which celebrates nonfiction work on screens big and small, also nominated All That Breathes (six noms), All the Beauty and the Bloodshed (four noms), Navalny (three noms) and A Night of Knowing Nothing (four noms) for its top honor.
Meanwhile, in the directing category, an unprecedented five of the six nominees are women: Laura Poitras (All the Beauty and the Bloodshed), Rebecca Huntt (Beba), Margaret Brown (Descendant), Sara Dosa (Fire of Love) and Payal Kapadia (A Night of Knowing Nothing). The sixth nominee is Shaunak Sen (All That Breathes).
Poitras, with her noms for feature and direction, ties Steve James for the most Ceh noms of all time, with 13.
Alex Pritz has the most individual noms this year,...
- 11/10/2022
- by Scott Feinberg
- The Hollywood Reporter - Movie News
More than her urgently and perceptively topical subject matter, American documentarian Laura Poitras has a habit, and penchant, not solely for making work about the right things, but in being there as they’re occurring, standing in the center of them unafraid. It’s not a documentary filmmaking language where you can carefully compose, refocus, and reframe a shot; it’s “start rolling and go,” and maybe hide it under your arm in case there’s some brute who might smash your camera and its Sd card. You can call this predominantly a journalistic skill: there she was in June 2013, flanked by the Guardian‘s Glenn Greenwald (now did his story turn elsewhere) and Ewen MacAskill, before legendary Nsa whistleblower Edward Snowden in her documentary Citizenfour—a vital audiovisual documenter of contemporary radical US history.
Turning even further towards domestic affairs—after 2017’s Risk couldn’t quite find the necessary...
Turning even further towards domestic affairs—after 2017’s Risk couldn’t quite find the necessary...
- 9/7/2022
- by David Katz
- The Film Stage
PBS dominated the documentary portion of this year’s News and Documentary Emmys, landing ten awards overall — including three for “Pov,” two for “Independent Lens” and two for “Frontline,” which are three of the public broadcaster’s long-running, signature series.
Netflix followed with four wins, then Showtime with three. The documentary Emmys were awarded on Wednesday by the National Academy of Television Arts and Sciences, the second of two individual ceremonies; categories honoring TV news were handed out on Tuesday.
“Tonight, we celebrate these documentary professionals who in the unprecedented year of 2020 delivered the insightful, clear, factual and timely filmmaking necessary to make sense of the tumultuous times that we live in,” said Adam Sharp, President & CEO, NATAS.
Ozy CEO Carlos Watson had originally signed on to host the documentary ceremony, but bowed out earlier this week following a New York Times article chronicling questionable claims and practices inside his company.
Netflix followed with four wins, then Showtime with three. The documentary Emmys were awarded on Wednesday by the National Academy of Television Arts and Sciences, the second of two individual ceremonies; categories honoring TV news were handed out on Tuesday.
“Tonight, we celebrate these documentary professionals who in the unprecedented year of 2020 delivered the insightful, clear, factual and timely filmmaking necessary to make sense of the tumultuous times that we live in,” said Adam Sharp, President & CEO, NATAS.
Ozy CEO Carlos Watson had originally signed on to host the documentary ceremony, but bowed out earlier this week following a New York Times article chronicling questionable claims and practices inside his company.
- 9/30/2021
- by Michael Schneider
- Variety Film + TV
The life and career of Dr. Anthony Fauci, America’s top infectious disease expert, is the subject of an upcoming feature from National Geographic Documentary Films, the production company announced Monday.
The film simply titled “Fauci” is directed by Emmy winners John Hoffman and Janet Tobias (“Unseen Enemy”). The movie is also produced by Dan Cogan (“Icarus”) and Liz Garbus and Story Syndicate.
“Fauci” gives a look at the professional career of Dr. Fauci up through his experience in the Covid-19 pandemic. Some of those interviewed for the film will include President George W. Bush, Bill Gates and Bono.
Dubbed “America’s Doctor” by The New Yorker, Dr. Fauci has become America’s most unlikely cultural icon, with his signature blend of scientific acumen and candor in the face of Covid-19. He’s been spoofed by Brad Pitt on “SNL” and memorialized by Fauci fans who’ve put his face...
The film simply titled “Fauci” is directed by Emmy winners John Hoffman and Janet Tobias (“Unseen Enemy”). The movie is also produced by Dan Cogan (“Icarus”) and Liz Garbus and Story Syndicate.
“Fauci” gives a look at the professional career of Dr. Fauci up through his experience in the Covid-19 pandemic. Some of those interviewed for the film will include President George W. Bush, Bill Gates and Bono.
Dubbed “America’s Doctor” by The New Yorker, Dr. Fauci has become America’s most unlikely cultural icon, with his signature blend of scientific acumen and candor in the face of Covid-19. He’s been spoofed by Brad Pitt on “SNL” and memorialized by Fauci fans who’ve put his face...
- 2/1/2021
- by Brian Welk
- The Wrap
To get to the center of the story of documentary “Father Soldier Son,” about a single dad raising two boys while fighting in Afghanistan, editor Amy Foote locked herself in a bubble for two months poring over 10 years of footage.
Journalists-turned-filmmakers Catrin Einhorn and Leslye Davis make their feature debut with the doc, now streaming on Netflix. In 2010, Einhorn produced the New York Times documentary short “A Year at War,” in which reporter James Dao follows a regiment of soldiers being deployed to Afghanistan. Among them was single dad Brian Eisch, a platoon sergeant and third-generation soldier. Fascinated by his story, she went to Wisconsin, where Eisch’s sons, 12-year-old Isaac and 7-year-old Joey, had moved when Eisch went off to war, to live with his older brother, Sean. “And that’s how it started,” Einhorn says.
Foote — whose diverse work on documentaries include Staples Singers celebration “Mavis,” History Channel...
Journalists-turned-filmmakers Catrin Einhorn and Leslye Davis make their feature debut with the doc, now streaming on Netflix. In 2010, Einhorn produced the New York Times documentary short “A Year at War,” in which reporter James Dao follows a regiment of soldiers being deployed to Afghanistan. Among them was single dad Brian Eisch, a platoon sergeant and third-generation soldier. Fascinated by his story, she went to Wisconsin, where Eisch’s sons, 12-year-old Isaac and 7-year-old Joey, had moved when Eisch went off to war, to live with his older brother, Sean. “And that’s how it started,” Einhorn says.
Foote — whose diverse work on documentaries include Staples Singers celebration “Mavis,” History Channel...
- 7/21/2020
- by Jazz Tangcay
- Variety Film + TV
Chicago – “The show must go on … “ That became the rallying cry of the 2020 Tribeca Film Festival, which was physically postponed because of the Covid pandemic (it was originally scheduled from April 15-26). Despite that unexpected turn, the Festival went online, named juries and awarded honors to films on April 29th.
The top prizes went to “The Half of It,” directed by Alice Wu (Best U.S. Narrative), “The Hater,” directed by Jan Komasa (Best International Narrative) and “Socks on Fire,” directed by Bo McGuire (Best Documentary).
Best U.S. Narrative Feature is ‘The Half of It,’ directed by Alice Wu
Photo credit: Tribeca Film Festival
Awards were distributed in the following feature film competition categories – U.S. Narrative, International Narrative, Documentary, New Narrative Director, and the Nora Ephron Prize, honoring a woman writer or director. Awards were also given in the short film categories – Narrative, Documentary, Student Visionary and Animation.
The top prizes went to “The Half of It,” directed by Alice Wu (Best U.S. Narrative), “The Hater,” directed by Jan Komasa (Best International Narrative) and “Socks on Fire,” directed by Bo McGuire (Best Documentary).
Best U.S. Narrative Feature is ‘The Half of It,’ directed by Alice Wu
Photo credit: Tribeca Film Festival
Awards were distributed in the following feature film competition categories – U.S. Narrative, International Narrative, Documentary, New Narrative Director, and the Nora Ephron Prize, honoring a woman writer or director. Awards were also given in the short film categories – Narrative, Documentary, Student Visionary and Animation.
- 4/30/2020
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
This evening, Tribeca Film Festival revealed the Jury-selected winning titles from the 19th annual confab, which was forced to postpone its originally scheduled April gathering in response to the global health crisis. Top honors went to Alice Wu’s Netflix coming-of-age dramedy The Half of It, which picked up The Founders Award for Best U.S. Narrative Feature, while The Hater was named Best International Narrative Feature, and Socks On Fire nabbed Best Documentary Feature.
In addition, Best U.S narrative feature screenplay went to Anna Kerrigan for Cowboys, a film that also earned a best actor nod for its star Steve Zahn. Assol Abdullina was awarded best actress for her performance in Materna. Also announced were the winners in the shorts program.
Soon after announcing the delay of its 2020 edition, Tribeca Enterprises and Tribeca Film Festival Co-Founder and CEO Jane Rosenthal told Deadline that the org was looking into...
In addition, Best U.S narrative feature screenplay went to Anna Kerrigan for Cowboys, a film that also earned a best actor nod for its star Steve Zahn. Assol Abdullina was awarded best actress for her performance in Materna. Also announced were the winners in the shorts program.
Soon after announcing the delay of its 2020 edition, Tribeca Enterprises and Tribeca Film Festival Co-Founder and CEO Jane Rosenthal told Deadline that the org was looking into...
- 4/29/2020
- by Amanda N'Duka
- Deadline Film + TV
“The Half of It,” a coming-of-age drama written and directed by Alice Wu, and actors Steve Zahn and Assol Abdullina were among the winners of the 2020 Tribeca Film Festival’s slate of juried awards.
“The Half of It,” which will be released on Netflix on May 1, follows a shy, straight-a student named Ellie Chu who makes some extra money by writing papers for her high school peers. She reluctantly agrees to write a love letter for a lovesick jock to his crush, a girl Ellie also secretly loves. All three students go on a journey of complicated friendship and self-discovery in the drama-comedy film.
The Polish film “The Hater” by Jan Komasa won for best international narrative feature and “Socks on Fire” directed by Bo McGuire won for best documentary feature.
Due to the coronavirus pandemic halting most in-person award shows, this year’s Tribeca winners were announced on Instagram.
“The Half of It,” which will be released on Netflix on May 1, follows a shy, straight-a student named Ellie Chu who makes some extra money by writing papers for her high school peers. She reluctantly agrees to write a love letter for a lovesick jock to his crush, a girl Ellie also secretly loves. All three students go on a journey of complicated friendship and self-discovery in the drama-comedy film.
The Polish film “The Hater” by Jan Komasa won for best international narrative feature and “Socks on Fire” directed by Bo McGuire won for best documentary feature.
Due to the coronavirus pandemic halting most in-person award shows, this year’s Tribeca winners were announced on Instagram.
- 4/29/2020
- by Jordan Moreau
- Variety Film + TV
Though it postponed its annual in-person gathering, the Tribeca Film Festival on Wednesday handed out awards for the 2020 juried competition. Top narrative and nonfiction honors went to two queer films, Alice Wu’s coming-of-age tale “The Half of It” and Bo McGuire’s hybrid documentary “Socks on Fire,” while Jan Komasa’s “The Hater” won Best International Narrative Feature. Other winners include “Cowboys,” “Materna,” “Kokoloko,” and “Asia.”
In mid-March, festival organizers postponed the festival just weeks before it was set to bow in New York City. In the interim, some programming for the 19th annual festival was made available online, while its brass still hopes to hold a traditional festival in the coming months.
“We are fortunate that technology allowed for our jury to come together this year to honor our filmmakers,” said Tribeca co-founder and CEO Jane Rosenthal in an official statement. “Despite not being able to be together physically,...
In mid-March, festival organizers postponed the festival just weeks before it was set to bow in New York City. In the interim, some programming for the 19th annual festival was made available online, while its brass still hopes to hold a traditional festival in the coming months.
“We are fortunate that technology allowed for our jury to come together this year to honor our filmmakers,” said Tribeca co-founder and CEO Jane Rosenthal in an official statement. “Despite not being able to be together physically,...
- 4/29/2020
- by Chris Lindahl
- Indiewire
The original title for “Exit Music,” changed at the eleventh hour ahead of its world premiere in Hot Docs, was “How Do You Feel About Dying,” and you can see why the switch was made: “Dying” is not, as a rule, a word that packs ’em into the aisles. Yet that initial question, which can be banal or bluntly confrontational depending on the tone in which it is asked, encapsulates the blend of frankness and delicacy that distinguishes Cameron Mullenneaux’s wrenching documentary study of a young cystic fibrosis patient’s final months.
28-year-old Ethan Rice drily answers it himself in the film’s opening minutes: “I feel sad,” he says with ironic languor, poking fun at the one-dimensional solemnity with which stories like his are usually told. The sadness goes without saying, but he feels much else besides: anger, exhaustion and impatience, with bursts of amusement and creative inspiration in between.
28-year-old Ethan Rice drily answers it himself in the film’s opening minutes: “I feel sad,” he says with ironic languor, poking fun at the one-dimensional solemnity with which stories like his are usually told. The sadness goes without saying, but he feels much else besides: anger, exhaustion and impatience, with bursts of amusement and creative inspiration in between.
- 5/6/2018
- by Guy Lodge
- Variety Film + TV
Flynn McGarry began hosting his own supper club when he was 11 years old. Now 19, the teen chef has fascinated readers of the New York Times Magazine, Time and food blogs the world over. McGarry is the subject of Chef Flynn, the second feature doc from director Cameron Yates (The Canal Street Madam). Yates hired Hannah Buck to edit Chef Flynn alongside consulting editors Amy Foote and Shannon Kennedy. Below, Buck discusses how she sought to move the film away from talking heads and voiceover narration and toward “a more vérité approach.” Filmmaker: How and why did you wind up […]...
- 1/23/2018
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Jairus McLeary in the Soho House screening room on The Work: "It's very masculine. That's why Amy Foote, our editor, and Alice Henty, the producer, they were the first women to see this footage." Photo: Anne-Katrin Titze
Rebecca Miller's Arthur Miller: Writer; Doug Nichol's California Typewriter; Andrew Rossi on Okwui Okpokwasili's Bronx Gothic; Elvira Lind's Bobbi Jene; Michael Almereyda's Escapes on Hampton Fancher; Brett Morgen's Jane on Jane Goodall; Ceyda Torun's KEDi; Sabine Krayenbühl and Zeva Oelbaum's Letters From Baghdad with Tilda Swinton voicing Getrude Bell; Griffin Dunne's Joan Didion: The Center Will Not Hold; Agnès Varda and Jr's Faces Places; Neasa Ní Chianáin and David Rane's School Life; Ferne Pearlstein's The Last Laugh; Lara Stolman's Swim Team; Kirk Simon's The Pulitzer At 100, and Josh Koury and Myles Kane's Voyeur on Gay Talese...
Rebecca Miller's Arthur Miller: Writer; Doug Nichol's California Typewriter; Andrew Rossi on Okwui Okpokwasili's Bronx Gothic; Elvira Lind's Bobbi Jene; Michael Almereyda's Escapes on Hampton Fancher; Brett Morgen's Jane on Jane Goodall; Ceyda Torun's KEDi; Sabine Krayenbühl and Zeva Oelbaum's Letters From Baghdad with Tilda Swinton voicing Getrude Bell; Griffin Dunne's Joan Didion: The Center Will Not Hold; Agnès Varda and Jr's Faces Places; Neasa Ní Chianáin and David Rane's School Life; Ferne Pearlstein's The Last Laugh; Lara Stolman's Swim Team; Kirk Simon's The Pulitzer At 100, and Josh Koury and Myles Kane's Voyeur on Gay Talese...
- 11/17/2017
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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