In the latest instalment of Screen’s Cannes Close-Up interview series, Ed Guiney, Co-CEO and founder of Element Pictures, talks about his best Cannes memory and discovering a brilliant fish restaurant.
Guiney has three films in official selection this year, Yorgos Lanthimos’ Kinds Of Kindness in competition, and Rungano Nyoni’s On Becoming A Guinea Fowl and Ariane Labed’s September Says, both in Un Certain Regard.
In the interview, Guiney discusses his approach to working at Cannes, and why he’s “way happier sitting in a theatre than having a maybe not so fruitful meeting”.
Watch the full interview above.
Guiney has three films in official selection this year, Yorgos Lanthimos’ Kinds Of Kindness in competition, and Rungano Nyoni’s On Becoming A Guinea Fowl and Ariane Labed’s September Says, both in Un Certain Regard.
In the interview, Guiney discusses his approach to working at Cannes, and why he’s “way happier sitting in a theatre than having a maybe not so fruitful meeting”.
Watch the full interview above.
- 5/19/2024
- ScreenDaily
In the latest instalment of Screen’s Cannes Close-Up interview series, Ed Guiney, Co-CEO and founder of Element Pictures, talks about his best Cannes memory and discovering a brilliant fish restaurant.
Guiney has three films in official selection this year, Yorgos Lanthimos’ Kinds Of Kindness in competition, and Rungano Nyoni’s On Becoming A Guinea Fowl and Ariane Labed’s September Says, both in Un Certain Regard.
In the interview, Guiney discusses his approach to working at Cannes, and why he’s “way happier sitting in a theatre than having a maybe not so fruitful meeting”.
Watch the full interview above.
Guiney has three films in official selection this year, Yorgos Lanthimos’ Kinds Of Kindness in competition, and Rungano Nyoni’s On Becoming A Guinea Fowl and Ariane Labed’s September Says, both in Un Certain Regard.
In the interview, Guiney discusses his approach to working at Cannes, and why he’s “way happier sitting in a theatre than having a maybe not so fruitful meeting”.
Watch the full interview above.
- 5/19/2024
- ScreenDaily
Focus Features has taken worldwide rights to Yorgos Lanthimos’ latest project Bugonia, the remake of South Korean sci-fi comedy Save the Green Planet, which sees the Greek director reunite yet again with Emma Stone and Jesse Plemons. The trio are here in Cannes with their Competition title Kinds of Kindness, which had its world premiere Friday.
Focus will release Bugonia in the U.S., with Universal Pictures distributing the title internationally (excluding South Korea). It’s the second deal for Focus Features announced in Cannes this week (Focus picked up Woody Harrelson starrer Last Breath a few days ago), but this one will be a notable coup for the studio given that Lanthimos’ previous Oscar-winning titles The Favourite and Poor Things as well as Cannes contender Kinds of Kindness were all handled by Searchlight for distribution.
Bugonia follows two conspiracy-obsessed young men who kidnap the high-powered CEO of a major company,...
Focus will release Bugonia in the U.S., with Universal Pictures distributing the title internationally (excluding South Korea). It’s the second deal for Focus Features announced in Cannes this week (Focus picked up Woody Harrelson starrer Last Breath a few days ago), but this one will be a notable coup for the studio given that Lanthimos’ previous Oscar-winning titles The Favourite and Poor Things as well as Cannes contender Kinds of Kindness were all handled by Searchlight for distribution.
Bugonia follows two conspiracy-obsessed young men who kidnap the high-powered CEO of a major company,...
- 5/18/2024
- by Diana Lodderhose and Anthony D'Alessandro
- Deadline Film + TV
Signature Entertainment has taken UK-Ireland rights for French horror Schlitter, from WTFilms.
Pierre Mouchet directs, while Alain Benguigui produces, with a cast of Louka Meliava, Léna Laprés, Gilles David and Côme Levin.
A man returns to his native mountain village for his parents’ funeral, where he is confronted with a trauma from his past, in the shape of the father of his dead childhood friend.
WTFilms’ co-partner Gregory Chambet described the film as a ”cruel tale of revenge that will make you think twice before taking a trip in the French mountains”.
“Taking the cabin in the woods film to new gory heights,...
Pierre Mouchet directs, while Alain Benguigui produces, with a cast of Louka Meliava, Léna Laprés, Gilles David and Côme Levin.
A man returns to his native mountain village for his parents’ funeral, where he is confronted with a trauma from his past, in the shape of the father of his dead childhood friend.
WTFilms’ co-partner Gregory Chambet described the film as a ”cruel tale of revenge that will make you think twice before taking a trip in the French mountains”.
“Taking the cabin in the woods film to new gory heights,...
- 5/18/2024
- ScreenDaily
Mia Bays, director of the BFI Filmmaking Fund, is extending her contract to October 2026, after initially taking up the post for three years.
“Change takes time, film is slow to evolve,” said Bays. “The more I thought about it at the midpoint [of the contract], the more I felt there was more for me to do. The team has changed, it’s all quite recent. You need longer to do the finessing of the evolution. I can still see some gaps. It felt like the right thing, so I proposed it, and the upper echelons of the BFI agreed.”
She does not plan...
“Change takes time, film is slow to evolve,” said Bays. “The more I thought about it at the midpoint [of the contract], the more I felt there was more for me to do. The team has changed, it’s all quite recent. You need longer to do the finessing of the evolution. I can still see some gaps. It felt like the right thing, so I proposed it, and the upper echelons of the BFI agreed.”
She does not plan...
- 5/18/2024
- ScreenDaily
Quiver has picked up North American rights from Premiere Entertainment Group to the romantic comedy Plan B starring Jamie Lee from HBO’s Crashing and Jon Heder from Napoleon Dynamite.
Premiere is continuing international sales here on the story of a woman who gets pregnant after a one-night stand with her awkward neighbour and impulsively decides to sleep with a successful businessman to pass off the baby as his.
Tom Berenger, Shannon Elizabeth, and Kate Flannery round out the key cast. Quiver plans to release the film later in the year.
Brandon Tamburri directed Plan B film from his original...
Premiere is continuing international sales here on the story of a woman who gets pregnant after a one-night stand with her awkward neighbour and impulsively decides to sleep with a successful businessman to pass off the baby as his.
Tom Berenger, Shannon Elizabeth, and Kate Flannery round out the key cast. Quiver plans to release the film later in the year.
Brandon Tamburri directed Plan B film from his original...
- 5/18/2024
- ScreenDaily
Ireland’s screen industry is having a moment. With the Cannes Film Festival well underway, there’s a notable strong Irish presence in this year’s line-up including Element Pictures’ three entrants – Competition title Kinds of Kindness from Yorgos Lanthimos, Rungano Nyoni’s sophomore feature On Becoming A Guinea Fowl and Ariane Labed’s directorial debut September Says (both in Un Certain Regard). There’s also Competition title The Apprentice, which is co-produced with Irish outfit Tailored Films and Lorcan Finnegan’s Nicolas Cage starrer The Surfer premiering in the Midnight Screenings strand. Even Andrea Arnold’s Competition title Bird is rich with Irish talent with star Barry Keoghan and Oscar-nominated cinematographer Robbie Ryan both having worked on the film.
Irish actors continue to earn international acclaim – from Cillian Murphy’s Oscar win earlier this year for Best Actor in Oppenheimer and talent such as Paul Mescal, Jessie Buckley Keoghan...
Irish actors continue to earn international acclaim – from Cillian Murphy’s Oscar win earlier this year for Best Actor in Oppenheimer and talent such as Paul Mescal, Jessie Buckley Keoghan...
- 5/17/2024
- by Diana Lodderhose
- Deadline Film + TV
Cannes film festival
Nyoni uses unsettlingly playful surrealism in this account of a malign uncle and the family mythmaking that effaces his crimes
Rungano Nyoni is the Zambian-Welsh film-maker who in 2017 had an arthouse smash with her debut, the witty and distinctive misogyny fable I Am Not a Witch. Her new film is an oblique, intensely self-aware and often seriocomically strange family drama about sexual abuse. Its final moments give us something of the magic realism that the title hints at, but its playfully and startlingly surreal images are perhaps at odds with the fundamental seriousness of what this film is about. While it’s such an intriguing idea, an almost absurdist scrutiny of what avoidance looks like and how families choreograph their collective denial, there is something a little bit contrived in it and, though always engaged, I found myself longing for some outright passion or rage or confrontation.
Nyoni uses unsettlingly playful surrealism in this account of a malign uncle and the family mythmaking that effaces his crimes
Rungano Nyoni is the Zambian-Welsh film-maker who in 2017 had an arthouse smash with her debut, the witty and distinctive misogyny fable I Am Not a Witch. Her new film is an oblique, intensely self-aware and often seriocomically strange family drama about sexual abuse. Its final moments give us something of the magic realism that the title hints at, but its playfully and startlingly surreal images are perhaps at odds with the fundamental seriousness of what this film is about. While it’s such an intriguing idea, an almost absurdist scrutiny of what avoidance looks like and how families choreograph their collective denial, there is something a little bit contrived in it and, though always engaged, I found myself longing for some outright passion or rage or confrontation.
- 5/16/2024
- by Peter Bradshaw
- The Guardian - Film News
Rungano Nyoni made her name in 2017 with her Directors’ Fortnight entry I am Not a Witch, a surreal comedy of sorts in which a young Zambian girl named Shula is forced to choose between being turned into a goat or confessing that she is a witch. Opting for the latter, Shula is sent to a witch camp and put to work in the service of the community, the source of some uncomfortable satire, creating a space for Nyoni to explore the points of conflict between superstition and civilization in modern African society.
On Becoming a Guinea Fowl, by its total alone, suggests something similar, but although the protagonist is also called Shula, Nyoni’s sophomore film is something darker and altogether more serious. This time, the focus is the rub between tradition and modernity, using the occasion of a family funeral as the jumping-off point for a slow-burn drama builds,...
On Becoming a Guinea Fowl, by its total alone, suggests something similar, but although the protagonist is also called Shula, Nyoni’s sophomore film is something darker and altogether more serious. This time, the focus is the rub between tradition and modernity, using the occasion of a family funeral as the jumping-off point for a slow-burn drama builds,...
- 5/16/2024
- by Damon Wise
- Deadline Film + TV
It is polite, we are told, not to speak ill of the dead, though it’s just as often prudent not to speak ill of the living. For victims with grievances against those older and more powerful than them, it’s hard to know when to speak up at all. But a quivering collective fury scalds through the silence in Rungano Nyoni’s tremendous new film “On Becoming a Guinea Fowl” — as a group of young women, nursing the scars of sexual abuse, chafe against the quiet complicity of family elders when their shared perpetrator drops suddenly and none-too-sadly dead. Blending molasses-dark comedy with searing poetic realism to capture contemporary Zambian society at a generational impasse between staunch tradition and social progress, this is palpably new, future-minded filmmaking, at once intrepidly daring and rigorously poised.
Unspooling in Cannes’ Un Certain Regard sidebar — though more worthy of a spot in the main Competition,...
Unspooling in Cannes’ Un Certain Regard sidebar — though more worthy of a spot in the main Competition,...
- 5/16/2024
- by Guy Lodge
- Variety Film + TV
Andrea Scrosati, Fremantle’s group COO and CEO for continental Europe, is understandably proud that the company has landed five titles in the Cannes official selection, three of which – “Kinds of Kindness,” by Yorgos Lanthimos, Paolo Sorrentino’s “Parthenope” and Russian director Kirill Serebrennikov’s “Limonov” — are in competition.
The other two are Rungano Nyoni’s “On becoming a Guinea Fowl” and Ariane Labed’s “September Says,” both in Un Certain Regard.
“The incredible diversity of these titles – even in terms of the geographies and cultures they’re based on – is exactly the result of our strategy,” he tells Variety.
Scrosati, who is the architect of Fremantle’s expansion under a business model comprising a cluster of companies across Europe and beyond, discussed how he’s navigating a changing marketplace ahead of Cannes.
It looks like you’re scaling up on the film side. Why?
I think this comes from...
The other two are Rungano Nyoni’s “On becoming a Guinea Fowl” and Ariane Labed’s “September Says,” both in Un Certain Regard.
“The incredible diversity of these titles – even in terms of the geographies and cultures they’re based on – is exactly the result of our strategy,” he tells Variety.
Scrosati, who is the architect of Fremantle’s expansion under a business model comprising a cluster of companies across Europe and beyond, discussed how he’s navigating a changing marketplace ahead of Cannes.
It looks like you’re scaling up on the film side. Why?
I think this comes from...
- 5/16/2024
- by Nick Vivarelli
- Variety Film + TV
In a different world, had she not been readying her long-awaited sophomore feature, “On Becoming a Guinea Fowl,” for its Cannes premiere, Rungano Nyoni might have spent the past few weeks preparing her family for its upcoming move to Zambia, the southern African nation where the director was born and spent part of her childhood. Instead, it was a mad dash to get the film across the finish line.
“It’s been long hours, non-stop for weeks,” Nyoni says on the eve of the French fest’s opening night. The frenzy isn’t likely to let up anytime soon: The director and her family plan to move house and fly to Zambia not long after the whirlwind of her Cannes premiere. Even those rare moments of calm on the Croisette between photo calls and press junkets aren’t likely to offer much relief. “I brought my toddler for good measure,...
“It’s been long hours, non-stop for weeks,” Nyoni says on the eve of the French fest’s opening night. The frenzy isn’t likely to let up anytime soon: The director and her family plan to move house and fly to Zambia not long after the whirlwind of her Cannes premiere. Even those rare moments of calm on the Croisette between photo calls and press junkets aren’t likely to offer much relief. “I brought my toddler for good measure,...
- 5/16/2024
- by Christopher Vourlias
- Variety Film + TV
Irish production company Element Pictures is firing on all cylinders, as company partners Ed Guiney and Andrew Lowe bring three very different pictures to Cannes.
The Yorgos Lanthimos producers are still smiling after a nail-biter Oscar night that yielded four wins for “Poor Things,” including Best Actress for Emma Stone. She also stars in all three episodes in Lanthimos’ follow-up, the $15-million black comedy “Kinds of Kindness” along with returning co-stars Willem Dafoe and Margaret Qualley and Lanthimos newbie Jesse Plemons, who leads the first two episodes. He gets to show what he can do throughout; Stone delivers an emotional performance in the ultimate story.
Each of the stories features the same actors, but with different emphasis. Lanthimos had his eye on Plemons for a while, said Lowe on Zoom, and finally found a film for him: “When the right thing comes along, Yorgos pounces. He’s specific about casting.
The Yorgos Lanthimos producers are still smiling after a nail-biter Oscar night that yielded four wins for “Poor Things,” including Best Actress for Emma Stone. She also stars in all three episodes in Lanthimos’ follow-up, the $15-million black comedy “Kinds of Kindness” along with returning co-stars Willem Dafoe and Margaret Qualley and Lanthimos newbie Jesse Plemons, who leads the first two episodes. He gets to show what he can do throughout; Stone delivers an emotional performance in the ultimate story.
Each of the stories features the same actors, but with different emphasis. Lanthimos had his eye on Plemons for a while, said Lowe on Zoom, and finally found a film for him: “When the right thing comes along, Yorgos pounces. He’s specific about casting.
- 5/15/2024
- by Anne Thompson
- Indiewire
Emily Morgan’s Quiddity Films, the UK producer of Felipe Galvez’s Cannes 2023 title The Settlers, has landed strategic investment from Mexican production services outfit The Lift.
The Lift’s backing will support the development of Quiddity’s upcoming projects, and the companies will collaborate on select titles. It marks The Lift’s first international investment.
Morgan’s company is further expanding by hiring its first head of production, Filiz-Theres Erel, and first head of development, Alex Hitch.
Erel’s past credits include production manager on Netflix’s Persuasion and Roger Michell’s The Duke, while Hitch worked as a development executive for Ray Pictures.
The Lift’s backing will support the development of Quiddity’s upcoming projects, and the companies will collaborate on select titles. It marks The Lift’s first international investment.
Morgan’s company is further expanding by hiring its first head of production, Filiz-Theres Erel, and first head of development, Alex Hitch.
Erel’s past credits include production manager on Netflix’s Persuasion and Roger Michell’s The Duke, while Hitch worked as a development executive for Ray Pictures.
- 5/15/2024
- ScreenDaily
Getting a feature into Cannes’ official selection is among the pinnacles of filmmaking achievements for most production companies. Ireland’s Element Pictures clearly isn’t most production companies — this year, it has three.
According to co-founder Ed Guiney, who set up Element with Andrew Lowe in 2001, while his company’s triple-headed festival visit may be “wonderful”, it’s simply down to good fortune and timing. “You know, some years you have nothing for Cannes,” he says, speaking from Element’s breezy, white-walled Dublin headquarters, located above an outdoor clothing shop and a jeweler on the Irish capital’s busy O’Connell Street, where it also runs its distribution arm Volta Pictures and the programming for the popular arthouse Light House Cinema, which it has operated since 2012.
But for anyone who has been keeping an eye on Element over the last decade, this edition of Cannes is merely another unprecedented milestone...
According to co-founder Ed Guiney, who set up Element with Andrew Lowe in 2001, while his company’s triple-headed festival visit may be “wonderful”, it’s simply down to good fortune and timing. “You know, some years you have nothing for Cannes,” he says, speaking from Element’s breezy, white-walled Dublin headquarters, located above an outdoor clothing shop and a jeweler on the Irish capital’s busy O’Connell Street, where it also runs its distribution arm Volta Pictures and the programming for the popular arthouse Light House Cinema, which it has operated since 2012.
But for anyone who has been keeping an eye on Element over the last decade, this edition of Cannes is merely another unprecedented milestone...
- 5/14/2024
- by Alex Ritman
- Variety Film + TV
Element Pictures is coming off the back of yet another buzzy awards season with its absurdist comedy Poor Things, directed by Yorgos Lanthimos, notching 11 Oscar nominations and coming home with four wins, including Best Actress for Emma Stone. But just when it feels like the company’s trajectory can’t get higher, the Irish-Anglo production, distribution and exhibition banner is hitting the Croisette this year with no less than three films in the Cannes official selection. Lanthimos’s Kinds of Kindness, which reunites him with his long-term writing partner Efthimis Fillipou and Poor Things stars Stone and Willem Dafoe, will compete for the Palme d’Or, while French actor Ariane Labed’s directorial debut September Says and I Am Not a Witch director Rungano Nyoni’s sophomore feature On Becoming A Guinea Fowl are both screening in the Un Certain Regard section.
It’s especially significant to Element co-founders and...
It’s especially significant to Element co-founders and...
- 5/9/2024
- by Diana Lodderhose
- Deadline Film + TV
Dwayne Johnson is scheduled to descend on the Croisette for a buyers presentation to promote A24’s The Smashing Machine that Screen understands will take place on Tuesday (May 14).
The studio is producing and financing Benny Safdie’s biopic of the turbulent life of Mma fighter Mark Kerr and has high hopes for the project that sees it reunite with its Uncut Gems co-director.
Johnson’s appearance on the Croisette recalls pre-Covid years when A-listers frequently attended Cannes to meet buyers.
The Smashing Machine marks a step up in terms of scale for A24. Furthermore, industry sources regard it as...
The studio is producing and financing Benny Safdie’s biopic of the turbulent life of Mma fighter Mark Kerr and has high hopes for the project that sees it reunite with its Uncut Gems co-director.
Johnson’s appearance on the Croisette recalls pre-Covid years when A-listers frequently attended Cannes to meet buyers.
The Smashing Machine marks a step up in terms of scale for A24. Furthermore, industry sources regard it as...
- 5/7/2024
- ScreenDaily
‘Great 8’ 2024: BFI Sets Line Up Of British Titles From Early Career Directors Set For Cannes Market
The BFI is once again heading to the Cannes Market with its so-called Great 8 — a selection of projects from first and second-time filmmakers that it will present to international buyers.
Now in its seventh year, the 2024 Great 8 showcase is funded and produced by the BFI and the British Council, with support from the Great Britain & Northern Ireland campaign, BBC Film, and Film4. The list includes Portuguese filmmaker Laura Carreira’s feature On Falling, produced by Jack Thomas-o’Brien for Sixteen Films. The full list of titles are:
Brides – director Nadia Fall, writer Suhayla El-Bushra Bring Them Down – director/writer Christopher Andrews The Fall Of Sir Douglas Weatherford – director/writer Sean Dunn On Falling – director/writer Laura Carreira The Salt Path – director Marianne Elliott, writer Rebecca Lenkiewicz Sunlight – director Nina Conti, writers Shenoah Allen, Nina Conti Surviving Earth – director/writer Thea Gajić Witches – director/writer Elizabeth Sankey
With 2022 and 2023 editions taking place online,...
Now in its seventh year, the 2024 Great 8 showcase is funded and produced by the BFI and the British Council, with support from the Great Britain & Northern Ireland campaign, BBC Film, and Film4. The list includes Portuguese filmmaker Laura Carreira’s feature On Falling, produced by Jack Thomas-o’Brien for Sixteen Films. The full list of titles are:
Brides – director Nadia Fall, writer Suhayla El-Bushra Bring Them Down – director/writer Christopher Andrews The Fall Of Sir Douglas Weatherford – director/writer Sean Dunn On Falling – director/writer Laura Carreira The Salt Path – director Marianne Elliott, writer Rebecca Lenkiewicz Sunlight – director Nina Conti, writers Shenoah Allen, Nina Conti Surviving Earth – director/writer Thea Gajić Witches – director/writer Elizabeth Sankey
With 2022 and 2023 editions taking place online,...
- 5/2/2024
- by Zac Ntim
- Deadline Film + TV
Updated: The Cannes Film Festival will have an admirable UK and Irish presence in 2024, including three films from Dublin, London and Belfast-based production company Element Pictures, Andrea Arnold’s Bird in Competition and features from fresh talents Sandhya Suri and Rungano Nyoni, as well as Sister Midnight in Directors’ Fortnight.
Competition is still proving a tricky spot to land for UK or Irish directors. In 2022, none made the cut, while in 2023, UK filmmakers Ken Loach and Jonathan Glazer made it through with The Old Oak and The Zone Of Interest respectively.
This year, Arnold is flying the flag with her...
Competition is still proving a tricky spot to land for UK or Irish directors. In 2022, none made the cut, while in 2023, UK filmmakers Ken Loach and Jonathan Glazer made it through with The Old Oak and The Zone Of Interest respectively.
This year, Arnold is flying the flag with her...
- 4/17/2024
- ScreenDaily
Actresses Ariane Labed and Laetitia Dosch, Halfdan Ullman Tondel, Mo Harawe, Louise Courvoisier and Julien Colonna are part of the half dozen selected filmmakers that have been selected for the 2024 edition of the Un Certain Regard section. Fifteen selections were made this morning with some alluring new works from the likes of Konstantin Bojanov, Rungano Nyoni and Italian (US-based) filmmaker Roberto Minervini added to the mix. Since the 2021 edition the Cannes Premiere section have grabbed a number of premiere screening slots out of the Debussy theatre meaning the Un Certain Regard section hovers firmly around the twenty film range – so we can expect at least five more titles to be added to the section.…...
- 4/11/2024
- by Eric Lavallée
- IONCINEMA.com
As expected, the Cannes Film Festival line-up is pretty spectacular with new films from Yorgos Lanthimos, Andrea Arnold and David Cronenberg heading to the fest.
As the days are getting longer and there’s a tiny bit more sunshine in between the showers of rain, that can only mean one thing. The Cannes Film Festival is almost upon us.
Of course, us peasants rarely get to go, but it is fun to read the reactions from the glitzy world premieres as the stars gather in the picturesque town of Cannes.
And this year’s festival line-up is a doozy. We already knew George Miller was heading to the Croisette with Furiosa, Francis Ford Coppola is bringing Megalopolis and Kevin Costner will be premiering his new film, too, but there’s a whole heap of great filmmakers heading out to the beach with their films.
The highlights include Yorgos Lanthimos’ Kinds Of Kindness,...
As the days are getting longer and there’s a tiny bit more sunshine in between the showers of rain, that can only mean one thing. The Cannes Film Festival is almost upon us.
Of course, us peasants rarely get to go, but it is fun to read the reactions from the glitzy world premieres as the stars gather in the picturesque town of Cannes.
And this year’s festival line-up is a doozy. We already knew George Miller was heading to the Croisette with Furiosa, Francis Ford Coppola is bringing Megalopolis and Kevin Costner will be premiering his new film, too, but there’s a whole heap of great filmmakers heading out to the beach with their films.
The highlights include Yorgos Lanthimos’ Kinds Of Kindness,...
- 4/11/2024
- by Maria Lattila
- Film Stories
“On Becoming a Guinea Fowl,” the second feature from Zambian-Welsh writer-director Rungano Nyoni, has been picked up by A24 for international sales ahead of its world premiere at Cannes Film Festival next month.
The film, which marks Nyoni’s follow-up to her acclaimed 2017 feature debut “I Am Not a Witch,” was also financed by A24 alongside BBC Film and Fremantle, while it was developed by BBC Film and Element Pictures. It will bow in Cannes’ Un Certain Regard sidebar competition.
While the plot has been kept under wraps, in his lineup announcement Cannes director Thierry Fremaux said the film was a “family drama” set in Africa and also a “comedy,” describing it as “very strong.”
“I Am Not a Witch,” which first landed in Cannes’ Directors’ Fortnight, marked Nyoni as a filmmaker with a unique voice and one to watch. A darkly comic story of a young African girl who...
The film, which marks Nyoni’s follow-up to her acclaimed 2017 feature debut “I Am Not a Witch,” was also financed by A24 alongside BBC Film and Fremantle, while it was developed by BBC Film and Element Pictures. It will bow in Cannes’ Un Certain Regard sidebar competition.
While the plot has been kept under wraps, in his lineup announcement Cannes director Thierry Fremaux said the film was a “family drama” set in Africa and also a “comedy,” describing it as “very strong.”
“I Am Not a Witch,” which first landed in Cannes’ Directors’ Fortnight, marked Nyoni as a filmmaker with a unique voice and one to watch. A darkly comic story of a young African girl who...
- 4/11/2024
- by Alex Ritman
- Variety Film + TV
Descubre las películas que estarán en Cannes 2024: una lista completa de todas las secciones.
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
- 4/11/2024
- by Marta Medina
- mundoCine
Ahead of a festival kicking off in just about a month, Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate, have unveiled the selection of the 77th edition of the Cannes Film Festival.
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
- 4/11/2024
- by Jordan Raup
- The Film Stage
The Cannes Film Festival has unveiled the line-up for its 77th edition (May 14-25)
The competition includes films by Andrea Arnold, David Cronenberg, Yórgos Lánthimos, Paul Schrader and Paolo Sorrentino.
Festival director Thierry Frémaux revealed the Official Selection at a press conference at the Ugc Normandie theatre in Paris alongside festival president Iris Knobloch.
Previously announced titles include Quentin Dupieux’s The Second Act, which will open the festival on May 14 out of competition, George Miller’s Furiosa: A Mad Max Saga, Kevin Costner’s Horizon, An American Saga and Francis Ford Coppola’s Megalopolis.
Barbie director Greta Gerwig will preside over the jury.
The competition includes films by Andrea Arnold, David Cronenberg, Yórgos Lánthimos, Paul Schrader and Paolo Sorrentino.
Festival director Thierry Frémaux revealed the Official Selection at a press conference at the Ugc Normandie theatre in Paris alongside festival president Iris Knobloch.
Previously announced titles include Quentin Dupieux’s The Second Act, which will open the festival on May 14 out of competition, George Miller’s Furiosa: A Mad Max Saga, Kevin Costner’s Horizon, An American Saga and Francis Ford Coppola’s Megalopolis.
Barbie director Greta Gerwig will preside over the jury.
- 4/11/2024
- ScreenDaily
Ruben Östlund, Maryam Touzani, Denis Ménochet, Rungano Nyoni, Brie Larson, Paul Dano, Atiq Rahimi, Damián Szifron and Julia Ducournau put the cards on the table and it is Justine Triet who reigned supreme winning the big daddy Palme d’Or prize. We were on hand to witness all the happy faces for the evening. Here is a look back at the winners.
Palme d’or
Anatomy Of A Fall
directed by Justine Triet
Grand Prix
The Zone Of Interest – directed by Jonathan Glazer
Best Director
TRÂN Anh Hùng for The Pot-au-feu
Jury Prize
Fallen Leaves – directed by Aki KAURISMÄKI
Best Screenplay
Sakamoto Yuji for Monster directed by Kore-eda Hirokazu
Best Performance by an Actress
Merve Dizdar in About Dry Grasses directed by Nuri Bilge Ceylan
Best Performance by an Actor
Kōji Yakusho in Perfect Days directed by Wim Wenders
Camera d’or
Inside the Yellow Cocoon Shell – Pham Thien An...
Palme d’or
Anatomy Of A Fall
directed by Justine Triet
Grand Prix
The Zone Of Interest – directed by Jonathan Glazer
Best Director
TRÂN Anh Hùng for The Pot-au-feu
Jury Prize
Fallen Leaves – directed by Aki KAURISMÄKI
Best Screenplay
Sakamoto Yuji for Monster directed by Kore-eda Hirokazu
Best Performance by an Actress
Merve Dizdar in About Dry Grasses directed by Nuri Bilge Ceylan
Best Performance by an Actor
Kōji Yakusho in Perfect Days directed by Wim Wenders
Camera d’or
Inside the Yellow Cocoon Shell – Pham Thien An...
- 7/24/2023
- by Eric Lavallée
- IONCINEMA.com
It’s been a whirlwind two weeks, and as relieved as attendees and observers around the world are that the 2023 edition of Cannes has come to a close, we’re already eager for next year’s. Though too much attention may have been paid to the wrong things – controversies regarding the opening night selection, “Jeanne du Barry,” and altercations with police over bicycles come to mind – cinema and its celebration ultimately took centerstage. By most accounts, 2023 was an improvement over two (understandably) subdued years.
This year’s Main Competition jury was headed by two-time Palme winner Ruben Östlund (“Triangle of Sadness”) and co-jurored by Julia Ducournau (“Titane”), Paul Dano, Brie Larson, Denis Ménochet (recently seen in “Beau is Afraid”), Atiq Rahimi (“Our Lady of the Nile”), Damián Szifron (“Wild Tales” and this year’s “To Catch a Killer”), Rungano Nyoni (“I Am Not a Witch”) and Maryam Touzani (“The Blue Caftan...
This year’s Main Competition jury was headed by two-time Palme winner Ruben Östlund (“Triangle of Sadness”) and co-jurored by Julia Ducournau (“Titane”), Paul Dano, Brie Larson, Denis Ménochet (recently seen in “Beau is Afraid”), Atiq Rahimi (“Our Lady of the Nile”), Damián Szifron (“Wild Tales” and this year’s “To Catch a Killer”), Rungano Nyoni (“I Am Not a Witch”) and Maryam Touzani (“The Blue Caftan...
- 5/28/2023
- by Ronald Meyer and Denton Davidson
- Gold Derby
As relieved as attendees and observers around the world are that the 2023 edition of Cannes has come to a close, we’re already eager for next year’s. Though too much attention may have been paid to the wrong things – controversies regarding the opening night selection, “Jeanne du Barry,” and altercations with police over bicycles come to mind – cinema and its celebration ultimately took centerstage. By most accounts, 2023 was an improvement over two (understandably) subdued years.
This year’s Main Competition jury was headed by two-time Palme winner Ruben Östlund (“Triangle of Sadness”) and co-jurored by Julia Ducournau (“Titane”), Paul Dano, Brie Larson, Denis Ménochet (recently seen in “Beau is Afraid”), Atiq Rahimi (“Our Lady of the Nile”), Damián Szifron (“Wild Tales” and this year’s “To Catch a Killer”), Rungano Nyoni (“I Am Not a Witch”) and Maryam Touzani (“The Blue Caftan”). The Un Certain Regard series was presided over by John C. Reilly.
This year’s Main Competition jury was headed by two-time Palme winner Ruben Östlund (“Triangle of Sadness”) and co-jurored by Julia Ducournau (“Titane”), Paul Dano, Brie Larson, Denis Ménochet (recently seen in “Beau is Afraid”), Atiq Rahimi (“Our Lady of the Nile”), Damián Szifron (“Wild Tales” and this year’s “To Catch a Killer”), Rungano Nyoni (“I Am Not a Witch”) and Maryam Touzani (“The Blue Caftan”). The Un Certain Regard series was presided over by John C. Reilly.
- 5/28/2023
- by Ronald Meyer and Denton Davidson
- Gold Derby
Update: French filmmaker Justine Triet has become only the third woman to win the Cannes Film Festival’s top prize Palme d’Or in the event’s 76-year history, scooping the award for Anatomy of a Fall. She joins Jane Campion (1993’s The Piano), and, more recently, Julia Ducournau who won for Titane in 2021 (Ducournau was also on the jury this year).
Anatomy of a Fall follows Sandra (Sandra Hüller), a German writer, her French husband Samuel, and their eleven-year-old son Daniel who live a secluded life in a remote town in the French Alps. When Samuel is found dead in the snow below their chalet, the police question whether he committed suicide or was killed. Samuel’s death is treated as suspicious, presumed murder, and Sandra becomes the main suspect.
In his review, Deadline’s Damon Wise called it “a cerebral smash” that “subvert(s) the pleasures of genre...
Anatomy of a Fall follows Sandra (Sandra Hüller), a German writer, her French husband Samuel, and their eleven-year-old son Daniel who live a secluded life in a remote town in the French Alps. When Samuel is found dead in the snow below their chalet, the police question whether he committed suicide or was killed. Samuel’s death is treated as suspicious, presumed murder, and Sandra becomes the main suspect.
In his review, Deadline’s Damon Wise called it “a cerebral smash” that “subvert(s) the pleasures of genre...
- 5/27/2023
- by Nancy Tartaglione
- Deadline Film + TV
The 76th edition of the Cannes film festival concludes today with the Closing Ceremony and presentation of the coveted award, the Palme d’Or which was awarded to Justine Triet’s Anatomy of a Fall.
The Jury, presided over by director Ruben Östlund and includes director Maryam Touzani, actor Denis Ménochet, writer/director Rungano Nyoni, actress/director Brie Larson, actor/director Paul Dano, writer Atiq Rahimi, director Damián Szifron and director Julia Ducournau, selected the winners from the 21 films in Competition this year.
The Closing Ceremony marks the end of the 76th Festival de Cannes, and was followed by the screening of Peter Sohn‘s film Elementary in the Grand Théâtre Lumière.
Related: Cannes Film Festival Winners Announced
The last 2 weeks the Croisette has been a buzz with extravagant parties and bold fashion statements captured at the 21 world premieres on the Palais des Festivals red carpet.
Johnny Depp’s period...
The Jury, presided over by director Ruben Östlund and includes director Maryam Touzani, actor Denis Ménochet, writer/director Rungano Nyoni, actress/director Brie Larson, actor/director Paul Dano, writer Atiq Rahimi, director Damián Szifron and director Julia Ducournau, selected the winners from the 21 films in Competition this year.
The Closing Ceremony marks the end of the 76th Festival de Cannes, and was followed by the screening of Peter Sohn‘s film Elementary in the Grand Théâtre Lumière.
Related: Cannes Film Festival Winners Announced
The last 2 weeks the Croisette has been a buzz with extravagant parties and bold fashion statements captured at the 21 world premieres on the Palais des Festivals red carpet.
Johnny Depp’s period...
- 5/27/2023
- by Robert Lang
- Deadline Film + TV
The 76th edition of the Cannes Film Festival came to an end today at the awards ceremony, featuring prizes handed out by jury president Ruben Östlund and members Maryam Touzani, Denis Ménochet, Rungano Nyoni, Brie Larson, Paul Dano, Atiq Rahimi, Damián Szifron and Julia Ducournau.
Leading the pack was Justine Triet’s drama Anatomy of a Fall, marking the third time a woman has won the top prize following Jane Campion (The Piano) and Julia Ducournau (Titane). The award also means Neon now has four consecutive Palme d’Or winners with Parasite, Titane, Triangle of Sadness, and Anatomy of a Fall.
Check out the winners below, along with Un Certain Regard winners, and see all of our festival coverage here.
Palme d’Or: Anatomy of a Fall (Justine Triet)
Grand Prize: The Zone of Interest (Jonathan Glazer)
Best Actor: Koji Yakusho (Perfect Days)
Best Actress: Merve Dizdar (About Dry Grasses...
Leading the pack was Justine Triet’s drama Anatomy of a Fall, marking the third time a woman has won the top prize following Jane Campion (The Piano) and Julia Ducournau (Titane). The award also means Neon now has four consecutive Palme d’Or winners with Parasite, Titane, Triangle of Sadness, and Anatomy of a Fall.
Check out the winners below, along with Un Certain Regard winners, and see all of our festival coverage here.
Palme d’Or: Anatomy of a Fall (Justine Triet)
Grand Prize: The Zone of Interest (Jonathan Glazer)
Best Actor: Koji Yakusho (Perfect Days)
Best Actress: Merve Dizdar (About Dry Grasses...
- 5/27/2023
- by Jordan Raup
- The Film Stage
Justine Triet’s complex drama “Anatomy of a Fall” has won the Palme d’Or at the 2023 Cannes Film Festival, a jury headed by director Ruben Ostlund announced on Saturday evening in France. Jane Fonda presented the award to Triet, who became only the third woman to win the Palme, after Jane Campion for “The Piano” in 1993 and Julia Ducournau for “Titane” in 2021.
The film was acquired by Neon during the festival, which makes it the fourth consecutive Palme for that company after “Parasite,” “Titane” and “The Triangle of Sadness.”
“Part thorny family story, part whodunit, part courtroom drama and part meditation on the nature of truth and fiction, Justine Triet’s ‘Anatomy of a Fall’ takes two hours of conversations and makes them both provocative and propulsive,” wrote TheWrap in its review.
The Grand Prix, which is essentially Cannes’ second-place award, was given to the chilling Holocaust drama “The Zone of Interest...
The film was acquired by Neon during the festival, which makes it the fourth consecutive Palme for that company after “Parasite,” “Titane” and “The Triangle of Sadness.”
“Part thorny family story, part whodunit, part courtroom drama and part meditation on the nature of truth and fiction, Justine Triet’s ‘Anatomy of a Fall’ takes two hours of conversations and makes them both provocative and propulsive,” wrote TheWrap in its review.
The Grand Prix, which is essentially Cannes’ second-place award, was given to the chilling Holocaust drama “The Zone of Interest...
- 5/27/2023
- by Steve Pond
- The Wrap
Justine Triet’s French courtroom thriller Anatomy of a Fall has won the 2023 Palme d’Or for best film of the 76th Cannes International Film Festival.
Triet is just the third woman director to win Cannes’ top honor, but the second in three years, following Julia Ducournau, who took the Palme for Titane in 2021. Jane Campion was the first-ever female Palme d’Or winner in 1993 with The Piano.
German actress Sandra Hüller stars in the film as a German novelist who is put on trial for murder after her husband dies in suspicious circumstances.
In his review, The Hollywood Reporter‘s Jon Frosch called Anatomy of a Fall “a gripping and gratifyingly rich drama” and called lead actress Hüller “sensational.”
Jane Fonda presenting this year’s top honor, noted that when she first attended the Cannes festival, back in the 1970s, “There were no women directors competing at that time,...
Triet is just the third woman director to win Cannes’ top honor, but the second in three years, following Julia Ducournau, who took the Palme for Titane in 2021. Jane Campion was the first-ever female Palme d’Or winner in 1993 with The Piano.
German actress Sandra Hüller stars in the film as a German novelist who is put on trial for murder after her husband dies in suspicious circumstances.
In his review, The Hollywood Reporter‘s Jon Frosch called Anatomy of a Fall “a gripping and gratifyingly rich drama” and called lead actress Hüller “sensational.”
Jane Fonda presenting this year’s top honor, noted that when she first attended the Cannes festival, back in the 1970s, “There were no women directors competing at that time,...
- 5/27/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
A year after collecting his second Palme d‘Or for “The Triangle of Sadness,” Ruben Östlund bestowed the same honor to Justine Triet’s “Anatomy of a Fall,” a thought-provoking legal drama which purports to investigate the guilt or innocence of a popular novelist (Sandra Hüller), accused of murdering her husband. But the film is every bit as much an inquest into their marriage, bringing private details from the couple’s personal life into the courtroom for the press, public and audiences to dissect, as if under a microscope.
Triet is only the third woman to win the Palme d’Or. The prize was presented by Jane Fonda, who remarked on how far Cannes has come — setting a record for female representation, with seven woman helmers in competition this year — since the American star first attended. In accepting the award, Triet made a point of acknowledging the protests against French pension reform,...
Triet is only the third woman to win the Palme d’Or. The prize was presented by Jane Fonda, who remarked on how far Cannes has come — setting a record for female representation, with seven woman helmers in competition this year — since the American star first attended. In accepting the award, Triet made a point of acknowledging the protests against French pension reform,...
- 5/27/2023
- by Peter Debruge
- Variety Film + TV
Other winners included ’The Zone Of Interest’, ’Fallen Leaves’ and ’The Pot-Au-Feu’.
French writer-director Justine Triet’s Anatomy Of A Fall has won the Palme d’Or at the 2023 Cannes Film Festival.
Scroll down for full list of winners
The Hitchcockian mystery thriller is about a woman, played by Sandra Hüller, accused of murder when her husband dies of suspicious causes.
Triet and the film’s team earned a long standing ovation at the ceremony, held at the Grand Theatre Lumiere, with the director telling the audience that it was ”the most intimate film I’ve ever written.”
She is...
French writer-director Justine Triet’s Anatomy Of A Fall has won the Palme d’Or at the 2023 Cannes Film Festival.
Scroll down for full list of winners
The Hitchcockian mystery thriller is about a woman, played by Sandra Hüller, accused of murder when her husband dies of suspicious causes.
Triet and the film’s team earned a long standing ovation at the ceremony, held at the Grand Theatre Lumiere, with the director telling the audience that it was ”the most intimate film I’ve ever written.”
She is...
- 5/27/2023
- by Rebecca Leffler
- ScreenDaily
The closing ceremony takes place today at 20.30 Cest (19.30 BST) at the Grand Theatre Lumiere.
The closing ceremony of the 2023 Cannes Film Festival is taking place today (May 27) at 20.30 Cest (19.30 BST) at the Grand Theatre Lumiere.
Scroll down for winners
The ceremony is broadcast live on France 2, as well as online in various international territories. It will be followed by a screening of closing night film Elemental.
This story will update with the winners as they happen, below. Refresh the page for latest updates.
Watch the ceremony (via Brut), below.
This year’s jury was presided over by director Ruben Östlund,...
The closing ceremony of the 2023 Cannes Film Festival is taking place today (May 27) at 20.30 Cest (19.30 BST) at the Grand Theatre Lumiere.
Scroll down for winners
The ceremony is broadcast live on France 2, as well as online in various international territories. It will be followed by a screening of closing night film Elemental.
This story will update with the winners as they happen, below. Refresh the page for latest updates.
Watch the ceremony (via Brut), below.
This year’s jury was presided over by director Ruben Östlund,...
- 5/27/2023
- by Screen staff
- ScreenDaily
Updated May 26, 2023: The Cannes jury will hand out its awards on Saturday, May 27. The final predictions for which films and performances will win are listed below.
The Cannes Film Festival has had its fair share of impressive movie premieres this year, with audiences embracing new films from the likes of Jonathan Glazer, Todd Haynes and Hirokazu Kore-eda. But even the most sustained standing ovation doesn’t guarantee that a movie will walk away with the Palme d’Or, Cannes’ highest honor.
It all depends on the vagaries of the jury’s taste, and this one is headed up by Ruben Östlund, a two time Palme d’Or winner for “Triangle of Sadness” and “The Square.” And it’s not just Östlund’s decision to make. The ultimate victor will come down to the personal opinions of jury members Maryam Touzani, Denis Ménochet, Rungano Nyoni, Brie Larson, Paul Dano, Atiq Rahimi,...
The Cannes Film Festival has had its fair share of impressive movie premieres this year, with audiences embracing new films from the likes of Jonathan Glazer, Todd Haynes and Hirokazu Kore-eda. But even the most sustained standing ovation doesn’t guarantee that a movie will walk away with the Palme d’Or, Cannes’ highest honor.
It all depends on the vagaries of the jury’s taste, and this one is headed up by Ruben Östlund, a two time Palme d’Or winner for “Triangle of Sadness” and “The Square.” And it’s not just Östlund’s decision to make. The ultimate victor will come down to the personal opinions of jury members Maryam Touzani, Denis Ménochet, Rungano Nyoni, Brie Larson, Paul Dano, Atiq Rahimi,...
- 5/26/2023
- by Clayton Davis
- Variety Film + TV
At the start of the 2023 Cannes Film Festival, Swedish director Ruben Östlund told a roomful of journalists that he would rather win his third Palme d’Or than an Oscar. For this year, at least, the previous Cannes winner for “Triangle of Sadness” and “The Square” will have to settle for handing the Palme d’Or to someone else.
As the president of this year’s jury for the Official Competition of the 76th festival, Ostlund is leading a team of nine writers, directors, and actors (as well as two writer-director-actors): Fellow Palme d’Or winner Julia Ducournau (“Titane”), Brie Larson, Zambian filmmaker Rungano Nyoni, Moroccan filmmaker Maryam Touzani, Paul Dano, French actor Denis Ménochet, Afghan director Atiq Rahimi, and Argentinian director Damián Szifron. The group will spend the festival watching two to three competition films per day, and Ostlund has said that they will gather to deliberate every...
As the president of this year’s jury for the Official Competition of the 76th festival, Ostlund is leading a team of nine writers, directors, and actors (as well as two writer-director-actors): Fellow Palme d’Or winner Julia Ducournau (“Titane”), Brie Larson, Zambian filmmaker Rungano Nyoni, Moroccan filmmaker Maryam Touzani, Paul Dano, French actor Denis Ménochet, Afghan director Atiq Rahimi, and Argentinian director Damián Szifron. The group will spend the festival watching two to three competition films per day, and Ostlund has said that they will gather to deliberate every...
- 5/26/2023
- by Eric Kohn
- Indiewire
Michelle Yeoh is looking back on watching everything in competition at Cannes all at once while serving on the jury under then-president David Lynch in 2002.
Yeoh reflected on the particularly “emotional” year of films, ranging from Gaspar Noé’s jarringly violent sexual thriller “Irréversible” to Michael Moore’s school shooting documentary “Bowling for Columbine” and films like Olivier Assayas’ sex-trafficking mystery “Demonlover” and the Dardennes’ drama “The Son.” The Palme d’Or was eventually awarded to “The Pianist,” the harrowing Holocaust drama starring Adrien Brody and directed by Roman Polanski — who both went on to win Oscars.
Yeoh, who was fresh off of her iconic “Crouching Tiger, Hidden Dragon” role, served as part of the 2002 Cannes jury at a time when she admitted she may have been “too young” to refrain from getting “too emotional” watching the heavier films back-to-back.
“It is very intense, because you’re watching two or three movies a day,...
Yeoh reflected on the particularly “emotional” year of films, ranging from Gaspar Noé’s jarringly violent sexual thriller “Irréversible” to Michael Moore’s school shooting documentary “Bowling for Columbine” and films like Olivier Assayas’ sex-trafficking mystery “Demonlover” and the Dardennes’ drama “The Son.” The Palme d’Or was eventually awarded to “The Pianist,” the harrowing Holocaust drama starring Adrien Brody and directed by Roman Polanski — who both went on to win Oscars.
Yeoh, who was fresh off of her iconic “Crouching Tiger, Hidden Dragon” role, served as part of the 2002 Cannes jury at a time when she admitted she may have been “too young” to refrain from getting “too emotional” watching the heavier films back-to-back.
“It is very intense, because you’re watching two or three movies a day,...
- 5/23/2023
- by Samantha Bergeson
- Indiewire
The interlinked names of the lovers have an unusual power in Ramata-Toulaye Sy’s haunting, halting “Banel & Adama.” They play over and over as a whispery lullaby on the soundtrack. They cover the sheets of paper on which Banel (Khady Mane) compulsively writes, like a schoolgirl practicing cursive on the name of her crush. There’s an innocence to it at the beginning, as though Banel, whose strange mind we mostly occupy, is simply delighting in the sound and shape of their togetherness. But that’s when “Banel & Adama” is a love story, and before it descends, a little too hesitantly but with a subtly seductive power nonetheless, into drought and madness and maybe, cosmic retribution. The sun-and-superstition-soaked tale of an African girl contending with fate and folk tradition has some precedent in Rungano Nyoni’s excellent “I Am Not a Witch.” But here, as the bright imagery...
- 5/20/2023
- by Jessica Kiang
- Variety Film + TV
“You cannot go against your destiny,” 18-year-old Banel is warned in Banel & Adama (Banel e Adama), a visually striking and deceptively heavy debut from French-Senegalese director Ramata-Toulaye Sy, only the second Black woman to make it into the Cannes Competition since Mati Diop’s Atlantics in 2019. At first sight, Sy’s film seems a bit of an outlier in a lineup sprinkled with veterans, and the extra scrutiny that comes with a Competition slot may well work against it. But it’s entirely possible that it might strike a chord with the jury, notably Rungano Nyoni, whose debut I Am Not a Witch took a similarly subversive and sophisticated approach to themes of African tradition and folklore.
Banel, played by the revelatory Khady Mane, is a romantic, and when we meet her she is hopelessly in love with Adama (Mamadou Diallo), her childhood sweetheart. Banel was once promised to another man,...
Banel, played by the revelatory Khady Mane, is a romantic, and when we meet her she is hopelessly in love with Adama (Mamadou Diallo), her childhood sweetheart. Banel was once promised to another man,...
- 5/20/2023
- by Damon Wise
- Deadline Film + TV
At Tuesday’s press conference in Cannes featuring this year’s competition jury, Oscar winner Brie Larson was asked to recall her reaction upon receiving the call to serve. “I care so much about this medium and so to be in the company of these people I admire so much is a huge honor,” she answered.
Larson channeled that into what looked like exhilaration hours later as she hit the Palais red carpet for the first time in making her Cannes debut, wearing a Chanel gown accessorized with the luxury fashion house’s high jewelry. After exiting the car, Larson was all smiles, expressive faces and the pièce de résistance — a dance break at the top of the iconic stairs — before entering the venue for the night’s opening ceremony and a screening of Maïwenn’s Johnny Depp-starrer Jeanne du Barry.
The festival and its pomp and circumstance typically delivers...
Larson channeled that into what looked like exhilaration hours later as she hit the Palais red carpet for the first time in making her Cannes debut, wearing a Chanel gown accessorized with the luxury fashion house’s high jewelry. After exiting the car, Larson was all smiles, expressive faces and the pièce de résistance — a dance break at the top of the iconic stairs — before entering the venue for the night’s opening ceremony and a screening of Maïwenn’s Johnny Depp-starrer Jeanne du Barry.
The festival and its pomp and circumstance typically delivers...
- 5/16/2023
- by Chris Gardner
- The Hollywood Reporter - Movie News
Michael Douglas also received his honorary Palme d’Or,
Photographers crowded the Cannes red carpet to capture the controversial comeback of Johnny Depp, star of the opening night film Jeanne Du Barry, on Tuesday night (May 16).
Depp was all smiles as he signed autographs and posed for selfies with fans gathered outside before making his way into the theatre, walking hand in hand beside the film’s directorr Maiwenn and the main supporting cast of the film including Benjamin Lavernhe, Pierre Richard, Melvil Poupaud, India Hair and Diego Le Fur.
Maiwenn received a standing ovation as they entered the theatre...
Photographers crowded the Cannes red carpet to capture the controversial comeback of Johnny Depp, star of the opening night film Jeanne Du Barry, on Tuesday night (May 16).
Depp was all smiles as he signed autographs and posed for selfies with fans gathered outside before making his way into the theatre, walking hand in hand beside the film’s directorr Maiwenn and the main supporting cast of the film including Benjamin Lavernhe, Pierre Richard, Melvil Poupaud, India Hair and Diego Le Fur.
Maiwenn received a standing ovation as they entered the theatre...
- 5/16/2023
- by Rebecca Leffler
- ScreenDaily
Brie Larson seemed to dodge questions surrounding this year’s Cannes Film Festival opening with the Johnny Depp-led film “Jeanne du Barry”.
The actress, who is a juror at the 2023 festival, mainly avoided answering whether or not she’ll be attending the world premiere of Depp’s new film — his first leading role in three years following his publicized legal battles with ex-wife Amber Heard. Last June, a U.S. jury found that Heard defamed Depp and awarded him $10 million in compensatory damages, followed by the case being settled in December. As a juror, Larson isn’t required to attend since the historical drama is not playing in competition.
“You’re asking me that?” the “Captain Marvel” star responded to the question during a jury press conference on Tuesday. “I’m sorry, I don’t understand the correlation or why me specifically.”
Larson, 33, was seemingly pressed by media given...
The actress, who is a juror at the 2023 festival, mainly avoided answering whether or not she’ll be attending the world premiere of Depp’s new film — his first leading role in three years following his publicized legal battles with ex-wife Amber Heard. Last June, a U.S. jury found that Heard defamed Depp and awarded him $10 million in compensatory damages, followed by the case being settled in December. As a juror, Larson isn’t required to attend since the historical drama is not playing in competition.
“You’re asking me that?” the “Captain Marvel” star responded to the question during a jury press conference on Tuesday. “I’m sorry, I don’t understand the correlation or why me specifically.”
Larson, 33, was seemingly pressed by media given...
- 5/16/2023
- by Melissa Romualdi
- ET Canada
Ruben Östlund describes the Palme d'Or as 'the greatest film prize in the world' Photo: Richard Mowe If the Palme d’Or winning director of Triangle Of Sadness Ruben Östlund who heads this year’s Cannes Film Festival jury, had to choose between an Oscar and a Palme d’Or he would opt for the coveted Cannes prize - “no question”.
Paul Dano Photo: Richard Mowe He and his fellow jurors - Moroccan director Maryam Touzani, French actor Denis Ménochet, British-Zambian screenwriter & director Rungano Nyoni, American actress and director Brie Larson, American actor Paul Dano, Afghan author Atiq Rahimi, Argentinian director and screenwriter Damián Szifrón and French director Julia Ducournau who won the top prize in 2021 - bestow the top prize on the closing day of the festival on 27 May.
Östlund also won a Palme for The Square in 2017. Not surprisingly he believes it to be, “The greatest film prize in the world.
Paul Dano Photo: Richard Mowe He and his fellow jurors - Moroccan director Maryam Touzani, French actor Denis Ménochet, British-Zambian screenwriter & director Rungano Nyoni, American actress and director Brie Larson, American actor Paul Dano, Afghan author Atiq Rahimi, Argentinian director and screenwriter Damián Szifrón and French director Julia Ducournau who won the top prize in 2021 - bestow the top prize on the closing day of the festival on 27 May.
Östlund also won a Palme for The Square in 2017. Not surprisingly he believes it to be, “The greatest film prize in the world.
- 5/16/2023
- by Richard Mowe
- eyeforfilm.co.uk
During a tense moment at the 2023 Cannes Film Festival Jury press conference on Tuesday, juror Brie Larson was asked if she’ll be attending the premiere of the new Johnny Depp film “Jeanne du Barry,” as an outspoken advocate of Time’s Up.
“You’re asking me that?” Larson replied. “I’m sorry, I don’t understand the correlation or why me specifically.” When pressed further, the Oscar-winning actress said, “You’ll see, I guess, if I will see it. And I don’t know how I’ll feel about it if I do.”
Depp’s film is not playing in competition and thus Larson, as a Cannes juror, is not required to see it. The premiere is Tuesday night.
The film marks the “Pirates of the Caribbean” actor’s first major leading role following the legal battles with ex-wife Amber Heard. A jury found both parties responsible for separate instances of defamation in June,...
“You’re asking me that?” Larson replied. “I’m sorry, I don’t understand the correlation or why me specifically.” When pressed further, the Oscar-winning actress said, “You’ll see, I guess, if I will see it. And I don’t know how I’ll feel about it if I do.”
Depp’s film is not playing in competition and thus Larson, as a Cannes juror, is not required to see it. The premiere is Tuesday night.
The film marks the “Pirates of the Caribbean” actor’s first major leading role following the legal battles with ex-wife Amber Heard. A jury found both parties responsible for separate instances of defamation in June,...
- 5/16/2023
- by Adam Chitwood
- The Wrap
Members of the Cannes Film Festival competition jury, including Paul Dano, Brie Larson and president Ruben Östlund, talked about the ongoing WGA strike and Johnny Depp during the jury press conference on Tuesday, the opening day of the 76th edition of the fest.
Along with Östlund, Dano and Larson, Titane-directing Palme d’Or winner Julia Ducournau, I Am Not a Witch breakout filmmaker Rungano Nyoni, actor Denis Ménochet, Argentinian director Damián Szifron, Afghani-born, French-based filmmaker Atig Ranimi and Moroccan director Maryam Touzani make up this year’s jury.
Cannes is happening while back in the U.S., screenwriters continue to occupy picket lines in New York and Los Angeles, with contract negotiations still ongoing with the major networks and studios. When asked about the strike, Östlund offered, “I think it is great that people have a strong collegial feeling so people can go out and have a strike. I am definitely pro.
Along with Östlund, Dano and Larson, Titane-directing Palme d’Or winner Julia Ducournau, I Am Not a Witch breakout filmmaker Rungano Nyoni, actor Denis Ménochet, Argentinian director Damián Szifron, Afghani-born, French-based filmmaker Atig Ranimi and Moroccan director Maryam Touzani make up this year’s jury.
Cannes is happening while back in the U.S., screenwriters continue to occupy picket lines in New York and Los Angeles, with contract negotiations still ongoing with the major networks and studios. When asked about the strike, Östlund offered, “I think it is great that people have a strong collegial feeling so people can go out and have a strike. I am definitely pro.
- 5/16/2023
- by Mia Galuppo
- The Hollywood Reporter - Movie News
Ostlund and his Cannes jury discussed writers strike, Cannes protests.
Cannes Competition jury president Ruben Ostlund made a bold celebration of the festival at the 2023 opening jury press conference, stating that he would “rather have another Palme d’Or than an Oscar.”
Swedish director Ostlund has two Palme d’Ors to his name already, for The Square in 2017 and Triangle Of Sadness in 2022.
“The Golden Palme is the greatest film prize in the world,” said Ostlund. “For me, if I can choose between an Oscar or a Palme d’Or, it’s an easy choice. I’d rather have another Palme than an Oscar.
Cannes Competition jury president Ruben Ostlund made a bold celebration of the festival at the 2023 opening jury press conference, stating that he would “rather have another Palme d’Or than an Oscar.”
Swedish director Ostlund has two Palme d’Ors to his name already, for The Square in 2017 and Triangle Of Sadness in 2022.
“The Golden Palme is the greatest film prize in the world,” said Ostlund. “For me, if I can choose between an Oscar or a Palme d’Or, it’s an easy choice. I’d rather have another Palme than an Oscar.
- 5/16/2023
- by Ben Dalton
- ScreenDaily
The buyers’ event is organised by the BFI and British Council.
Janis Pugh’s Chuck Chuck Baby, Amrou Al-Kadhi’s Layla and Daniel Kokotajlo’s sophomore feature, Starve Acre, are among the eight features selected for Great8, the annual Cannes buyers’ showcase of UK films from emerging directors organised by the British Film Institute (BFI) and British Council.
The showcase, now in its sixth year, presents UK feature films from first and second-time filmmakers to international distributors and festival programmers. It is funded and run by the BFI and British Council, in partnership with BBC Film and Film4.
In preparation for the Marché,...
Janis Pugh’s Chuck Chuck Baby, Amrou Al-Kadhi’s Layla and Daniel Kokotajlo’s sophomore feature, Starve Acre, are among the eight features selected for Great8, the annual Cannes buyers’ showcase of UK films from emerging directors organised by the British Film Institute (BFI) and British Council.
The showcase, now in its sixth year, presents UK feature films from first and second-time filmmakers to international distributors and festival programmers. It is funded and run by the BFI and British Council, in partnership with BBC Film and Film4.
In preparation for the Marché,...
- 5/9/2023
- by Mona Tabbara
- ScreenDaily
The BFI and British Council have unveiled the eight new British films that will be presented to international distributors and festival programmers at the Cannes film market as part of the annual Great8 showcase.
Unseen footage from the films, from first and second time U.K. filmmakers, will be introduced by their filmmakers and screened on May 11. Now in its sixth year, the initiative is in partnership with BBC Film and Film4. Films previously highlighted by Great8 include Charlotte Wells’ “Aftersun,” Rungano Nyoni’s “I Am Not A Witch,” Georgia Oakley’s “Blue Jean” and Rose Glass’ “Saint Maud.”
Agnieszka Moody, BFI head of international and industry policy, said: “The lineup of films and filmmakers featuring in this year’s Great8 continues to shine a light on the exciting diversity of filmmaker voices and stories continuing to come out of the U.K. We are proud alongside our partners at the British Council,...
Unseen footage from the films, from first and second time U.K. filmmakers, will be introduced by their filmmakers and screened on May 11. Now in its sixth year, the initiative is in partnership with BBC Film and Film4. Films previously highlighted by Great8 include Charlotte Wells’ “Aftersun,” Rungano Nyoni’s “I Am Not A Witch,” Georgia Oakley’s “Blue Jean” and Rose Glass’ “Saint Maud.”
Agnieszka Moody, BFI head of international and industry policy, said: “The lineup of films and filmmakers featuring in this year’s Great8 continues to shine a light on the exciting diversity of filmmaker voices and stories continuing to come out of the U.K. We are proud alongside our partners at the British Council,...
- 5/9/2023
- by Naman Ramachandran
- Variety Film + TV
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