Mr. Kaplan is very much alive.
It seems that Red’s history with his former associate affected his normally accurate shot on The Blacklist Season 4 Episode 2. And rather than check to make sure she was truly dead, it looks like the thought of having to look at her after “killing” her must have been too much for him.
It’s definitely a major mistake that will come back to haunt Red and an interesting twist for the series.
A former friend turned enemy? Is there any other outcome after she recuperates?
View Slideshow: The Blacklist Photos from "Miles McGrath"
Thank goodness the answer of her fate wasn’t dragged out, and while a major reveal, it was a minor part of The Blacklist Season 4 Episode 3.
“Miles McGrath” was much more focused on Red’s hunt for Alexander Kirk, or Constantine. It was good to see the blacklister of the week...
It seems that Red’s history with his former associate affected his normally accurate shot on The Blacklist Season 4 Episode 2. And rather than check to make sure she was truly dead, it looks like the thought of having to look at her after “killing” her must have been too much for him.
It’s definitely a major mistake that will come back to haunt Red and an interesting twist for the series.
A former friend turned enemy? Is there any other outcome after she recuperates?
View Slideshow: The Blacklist Photos from "Miles McGrath"
Thank goodness the answer of her fate wasn’t dragged out, and while a major reveal, it was a minor part of The Blacklist Season 4 Episode 3.
“Miles McGrath” was much more focused on Red’s hunt for Alexander Kirk, or Constantine. It was good to see the blacklister of the week...
- 10/7/2016
- by Sean McKenna
- TVfanatic
20th Century Fox
Outside of the independent circuit, it would be safe to say that cinema is no longer a director’s medium. The studio executives that bankroll these projects now have the power to overrule the director at almost every turn, which frequently leads to the filmmakers being forced to compromise their artistic and creative vision. In recent years, that problem has been somewhat remedied by the home video market and the advent of the Director’s Cut.
These versions, along with extended and/or unrated editions, are often a chance to see a markedly different version of the movie than the one that hit theaters, or in some cases just an opportunity to rake in a few extra bucks. While The Lord of the Rings extended editions expand upon already-great movies, three different cuts of Oliver Stone’s Alexander still failed to cover the movie’s basic shortcomings.
Outside of the independent circuit, it would be safe to say that cinema is no longer a director’s medium. The studio executives that bankroll these projects now have the power to overrule the director at almost every turn, which frequently leads to the filmmakers being forced to compromise their artistic and creative vision. In recent years, that problem has been somewhat remedied by the home video market and the advent of the Director’s Cut.
These versions, along with extended and/or unrated editions, are often a chance to see a markedly different version of the movie than the one that hit theaters, or in some cases just an opportunity to rake in a few extra bucks. While The Lord of the Rings extended editions expand upon already-great movies, three different cuts of Oliver Stone’s Alexander still failed to cover the movie’s basic shortcomings.
- 8/15/2014
- by Scott Campbell
- Obsessed with Film
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