"Argo" remains the Oscar-frontrunner! The Ben Affleck film was the big winner at the recently concluded 63rd Annual Ace Eddie Awards honoring outstanding editing in nine categories of film, television, and documentaries. "Argo" won the Dramatic category, "Silver Linings Playbook" for Comedy/Musical, "Brave" for Animated, and "Searching for Sugar Man" for Documentary.
Here are the complete list of nominees; for winners/nominees of other award-giving bodies, click here:
Best Edited Feature Film (Dramatic):
*** Argo
William Goldenberg, A.C.E.
Life of Pi
Tim Squyres, A.C.E.
Lincoln
Michael Kahn, A.C.E.
Skyfall
Stuart Baird, A.C.E.
Zero Dark Thirty
Dylan Tichenor, A.C.E. and William Goldenberg, A.C.E.
Best Edited Feature Film (Comedy Or Musical):
The Best Exotic Marigold Hotel
Chris Gill
Les Misérables
Melanie Ann Oliver & Chris Dickens, A.C.E.
Moonrise Kingdom
Andrew Weisblum, A.C.E.
*** Silver Linings Playbook
Jay Cassidy,...
Here are the complete list of nominees; for winners/nominees of other award-giving bodies, click here:
Best Edited Feature Film (Dramatic):
*** Argo
William Goldenberg, A.C.E.
Life of Pi
Tim Squyres, A.C.E.
Lincoln
Michael Kahn, A.C.E.
Skyfall
Stuart Baird, A.C.E.
Zero Dark Thirty
Dylan Tichenor, A.C.E. and William Goldenberg, A.C.E.
Best Edited Feature Film (Comedy Or Musical):
The Best Exotic Marigold Hotel
Chris Gill
Les Misérables
Melanie Ann Oliver & Chris Dickens, A.C.E.
Moonrise Kingdom
Andrew Weisblum, A.C.E.
*** Silver Linings Playbook
Jay Cassidy,...
- 2/18/2013
- by Manny
- Manny the Movie Guy
The American Cinema Editors (Ace) has announced the nominees of the 63rd Annual Ace Eddie Awards honoring outstanding editing in nine categories of film, television, and documentaries. We'll find out the winners on Saturday, February 16th.
Here are the complete list of nominees; for winners/nominees of other award-giving bodies, click here:
Best Edited Feature Film (Dramatic):
Argo
William Goldenberg, A.C.E.
Life of Pi
Tim Squyres, A.C.E.
Lincoln
Michael Kahn, A.C.E.
Skyfall
Stuart Baird, A.C.E.
Zero Dark Thirty
Dylan Tichenor, A.C.E. and William Goldenberg, A.C.E.
Best Edited Feature Film (Comedy Or Musical):
The Best Exotic Marigold Hotel
Chris Gill
Les Misérables
Melanie Ann Oliver & Chris Dickens, A.C.E.
Moonrise Kingdom
Andrew Weisblum, A.C.E.
Silver Linings Playbook
Jay Cassidy, A.C.E. & Crispin Struthers
Ted
Jeff Freeman, A.C.E.
Best Edited Animated Feature Film:
Brave -- Nicolas C.
Here are the complete list of nominees; for winners/nominees of other award-giving bodies, click here:
Best Edited Feature Film (Dramatic):
Argo
William Goldenberg, A.C.E.
Life of Pi
Tim Squyres, A.C.E.
Lincoln
Michael Kahn, A.C.E.
Skyfall
Stuart Baird, A.C.E.
Zero Dark Thirty
Dylan Tichenor, A.C.E. and William Goldenberg, A.C.E.
Best Edited Feature Film (Comedy Or Musical):
The Best Exotic Marigold Hotel
Chris Gill
Les Misérables
Melanie Ann Oliver & Chris Dickens, A.C.E.
Moonrise Kingdom
Andrew Weisblum, A.C.E.
Silver Linings Playbook
Jay Cassidy, A.C.E. & Crispin Struthers
Ted
Jeff Freeman, A.C.E.
Best Edited Animated Feature Film:
Brave -- Nicolas C.
- 1/12/2013
- by Manny
- Manny the Movie Guy
The nominees for the 63rd Annual Ace Eddie Awards was announced today. Ace, the American Cinema Editors, is an honorary society of motion picture editors founded in 1950. Film editors are voted into membership on the basis of their professional achievements, their dedication to the education of others and their commitment to the craft of editing. Best Edited Feature Film (Dramatic): Argo William Goldenberg, A.C.E Life of Pi Tim Squyres, A.C.E. Lincoln Michael Kahn, A.C.E. Skyfall Stuart Baird, A.C.E. Zero Dark Thirty Dylan Tichenor, A.C.E. & William Goldenberg, A.C.E. Best Edited Feature Film (Comedy Or Musical): The Best Exotic Marigold Hotel Chris Gill Les Misérables Melanie Ann Oliver & Chris Dickens, A.C.E. Moonrise Kingdom Andrew Weisblum, A.C.E. Silver Linings Playbook Jay Cassidy, A.C.E. & Crispin Struthers Ted Jeff Freeman, A.C.E. Best Edited...
- 1/11/2013
- by hnblog@hollywoodnews.com (Hollywood News Team)
- Hollywoodnews.com
Mad Men, Season 5, Episode 11: “The Other Woman”
Written by Semi Chellas & Matthew Weiner
Directed by Phil Abraham
Airs Sundays at 9pm (Et) on AMC
In an episode crammed with a sickening amount of sexism, ‘The Other Woman’ offers one of the most surprising, and moving, climaxes of this acclaimed fifth season. Former Soprano’s cinematographer, Phil Abraham’s second directorial venture this year focuses on the stories of Don, Peggy, Joan and Pete. It also marks the first time Weiner and his writers have tackled the theme of sexism as intensely as it is approached this week. If this episode were a cake, it’d almost be too rich for the palate; such is the density of sexism, to the point of being overpowering. What better symbol to use for exploring the idea of men treating women as objects, than to have Scdp feverishly pursuing the Jaguar Motors account?...
Written by Semi Chellas & Matthew Weiner
Directed by Phil Abraham
Airs Sundays at 9pm (Et) on AMC
In an episode crammed with a sickening amount of sexism, ‘The Other Woman’ offers one of the most surprising, and moving, climaxes of this acclaimed fifth season. Former Soprano’s cinematographer, Phil Abraham’s second directorial venture this year focuses on the stories of Don, Peggy, Joan and Pete. It also marks the first time Weiner and his writers have tackled the theme of sexism as intensely as it is approached this week. If this episode were a cake, it’d almost be too rich for the palate; such is the density of sexism, to the point of being overpowering. What better symbol to use for exploring the idea of men treating women as objects, than to have Scdp feverishly pursuing the Jaguar Motors account?...
- 5/28/2012
- by Adam Farrington-Williams
- SoundOnSight
Mad Men, Season 5, Episode 5: “Signal 30″
Written by Frank Pierson & Matthew Weiner
Directed by John Slattery
Airs Sundays at 9pm (Et) on AMC
It was always going to be tough following up the brilliance of “Mystery Date”, however the teleplay produced for this episode is probably of even higher quality. Although more explicit in its messages and use of symbolism, “Signal 30″ seems to proffer that punishment will follow one’s refusal to conform.
This week there is a strong focus on Pete, who encapsulates this idea most powerfully, though not solely. Mad Men often delivers wonderfully textured episodes with such density to them and great complexity to its layers, and there is no aberration this time, as the message of heeding to conformity is explored across the multiple characters’ stories.
“Signal 30″ opens on Pete in the midst of viewing the driver safety film, Signal 30. Unwittingly, the film forewarns Pete to conform to safety,...
Written by Frank Pierson & Matthew Weiner
Directed by John Slattery
Airs Sundays at 9pm (Et) on AMC
It was always going to be tough following up the brilliance of “Mystery Date”, however the teleplay produced for this episode is probably of even higher quality. Although more explicit in its messages and use of symbolism, “Signal 30″ seems to proffer that punishment will follow one’s refusal to conform.
This week there is a strong focus on Pete, who encapsulates this idea most powerfully, though not solely. Mad Men often delivers wonderfully textured episodes with such density to them and great complexity to its layers, and there is no aberration this time, as the message of heeding to conformity is explored across the multiple characters’ stories.
“Signal 30″ opens on Pete in the midst of viewing the driver safety film, Signal 30. Unwittingly, the film forewarns Pete to conform to safety,...
- 4/16/2012
- by Adam Farrington-Williams
- SoundOnSight
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