Before he was a superstar auteur, a Royale-with-Cheese rock star, the divisive and worshiped motormouth who launched a thousand dissertations and 10 times as many Film Twitter flame wars, Quentin Tarantino was a movie fanatic.
It pays to remember this fact — not that the raconteur would ever let you forget it. Read those early interviews, right as Reservoir Dogs was beginning to establish him as one of the exciting (and the most excitable) filmmakers of the 1990s, and you’ll hear him wax poetic about John Woo and Jean-Pierre Melville, Rio Bravo...
It pays to remember this fact — not that the raconteur would ever let you forget it. Read those early interviews, right as Reservoir Dogs was beginning to establish him as one of the exciting (and the most excitable) filmmakers of the 1990s, and you’ll hear him wax poetic about John Woo and Jean-Pierre Melville, Rio Bravo...
- 11/6/2022
- by David Fear
- Rollingstone.com
A decade before Quentin Tarantino and screenwriter Roger Avary collaborated on Pulp Fiction, they were a couple of clerks renting out Betamax tapes at Video Archives in Manhattan Beach, California. Now the pair will be looking back on their video store days in The Video Archives Podcast, which will launch via SiriusXM’s Stitcher platform on July 19. It will be available on major podcasting platforms.
Tarantino purchased Video Archives’ library when the store closed in 1995 and used it to rebuild the shop in his home. For each episode of the podcast,...
Tarantino purchased Video Archives’ library when the store closed in 1995 and used it to rebuild the shop in his home. For each episode of the podcast,...
- 6/2/2022
- by Kory Grow
- Rollingstone.com
Italian pop culture expert, programmer and director Luca Rea first became acquainted personally with Quentin Tarantino in 2004 when he curated the “Italian Kings of the B’s” retrospective at the Venice Film Festival that Tarantino “godfathered.” They hit it off and stayed in touch. So when Rea was approached by producer Nicoletta Ercole about a year ago to make a Sergio Corbucci doc, he immediately hoped to be able to tap into Tarantino’s insight about the late great Italian director whose Spaghetti Westerns they both love. But, of course, Rea wasn’t sure he would get Tarantino on board for his doc “Django & Django,” which launched at Venice out-of-competition. He spoke to Variety about how he pulled off that coup and what Tarantino’s insight revealed. Excerpts.
I hear Tarantino is pretty reclusive these days. Was it tough to get him on board?
The first time I met with the producer,...
I hear Tarantino is pretty reclusive these days. Was it tough to get him on board?
The first time I met with the producer,...
- 9/11/2021
- by Nick Vivarelli
- Variety Film + TV
Sergio Corbucci, described by Quentin Tarantino in “Once Upon a Time in Hollywood” as the second-best director of Italian westerns, sure knew how to end a movie. He could serve up thrillingly bloody catharsis in the original “Django,” his 1966 breakout that proved the global commercial viability of spaghetti westerns extended beyond the films of Sergio Leone. He could do an operatically sprawling three-way shootout on Leone’s level, as with the ending of “The Mercenary.” He could end his films with a punchline, like the comedic Mexican Revolution tale “Compañeros.” Or he could serve up the most grim, depressing denouement you’ve ever seen for any “hero’s journey” tale, like he did with the “The Great Silence.”
But knowing how to end a movie is not a skill demonstrated in “Django & Django,” a new documentary about the spaghetti auteur by Luca Rea at its best when Quentin Tarantino gives...
But knowing how to end a movie is not a skill demonstrated in “Django & Django,” a new documentary about the spaghetti auteur by Luca Rea at its best when Quentin Tarantino gives...
- 9/8/2021
- by Christian Blauvelt
- Indiewire
A doc with its heart in the right place but very little polish, Luca Rea’s Django & Django wants to carve out space in the cine-pantheon for Sergio Corbucci, said to be the best director of spaghetti Westerns except for that other Sergio. Reliant to a surprising extent on a single casual, rambling interview with superfan Quentin Tarantino, the movie is not nearly as interested in his Django Unchained as its title suggests. (That film’s presence here amounts to a single scene, albeit one with a point to make.)
Though likely to inspire a viewer who’s seen only one or two Corbuccis to dig ...
Though likely to inspire a viewer who’s seen only one or two Corbuccis to dig ...
A doc with its heart in the right place but very little polish, Luca Rea’s Django & Django wants to carve out space in the cine-pantheon for Sergio Corbucci, said to be the best director of spaghetti Westerns except for that other Sergio. Reliant to a surprising extent on a single casual, rambling interview with superfan Quentin Tarantino, the movie is not nearly as interested in his Django Unchained as its title suggests. (That film’s presence here amounts to a single scene, albeit one with a point to make.)
Though likely to inspire a viewer who’s seen only one or two Corbuccis to dig ...
Though likely to inspire a viewer who’s seen only one or two Corbuccis to dig ...
The country’s box office is still sputtering but Italian cinema is instead “in a state of grace,” as Venice chief Alberto Barbera put it recently as he announced the five features from Italy that are competing for the fest’s Golden Lion. It’s the most he’s ever selected from Italy.
And Barbera is adamant that he didn’t allocate almost one-fourth of Venice’s 21 competition slots to Cinema Italiano “to support our colors at a difficult time.”
“Some years he selects very little from Italy,” notes Barbara Salabè, who is the top Warner Bros. exec in Italy. “But this year Alberto told me: ‘the [Italian] films are good.’”
The Italian contingent on the Lido spans a wide range of cinematic styles, from “Il Buco,” an eclectic film with no dialogue or music about a group of speleologists who, in 1961, discover the world’s second-deepest cave — directed by underground helmer Michelangelo Frammartino,...
And Barbera is adamant that he didn’t allocate almost one-fourth of Venice’s 21 competition slots to Cinema Italiano “to support our colors at a difficult time.”
“Some years he selects very little from Italy,” notes Barbara Salabè, who is the top Warner Bros. exec in Italy. “But this year Alberto told me: ‘the [Italian] films are good.’”
The Italian contingent on the Lido spans a wide range of cinematic styles, from “Il Buco,” an eclectic film with no dialogue or music about a group of speleologists who, in 1961, discover the world’s second-deepest cave — directed by underground helmer Michelangelo Frammartino,...
- 9/4/2021
- by Nick Vivarelli
- Variety Film + TV
The programme for the 2021 Venice Film Festival has been unveiled, and includes new films from Pedro Almodóvar, Jane Campion, Maggie Gyllenhaal, Michelangelo Frammartino, Pablo Larraín, Paul Schrader, Ridley Scott, and more.Parallel MothersCOMPETITIONParallel Mothers (Pedro Almodóvar)Mona Lisa and the Blood Moon (Ana Lily Amirpour)Un Autre Monde (Stephane Brize)The Power of the Dog (Jane Campion)America LatinaL’Evenement (Audrey Diwan)Official CompetitionThe Hole (Michelangelo Frammartino)Sundown (Michel Franco)Lost Illusions (Xavier Giannoli)The Lost Daughter (Maggie Gyllenhaal)Spencer (Pablo Larrain)Freaks Out (Gabriele Mainetti)Qui Rido Io (Mario Martone)On The Job: The Missing 8 (Erik Matti)Leave No Traces (Jan P. Matuszyński)Captain Volkonogov EscapedThe Card Counter (Paul Schrader)The Hand of God (Paolo Sorrentino)Reflection (Valentyn Vasyanovych)The Box (Lorenzo Vigas)Out Of COMPETITIONFeaturesDune (Denis Villeneuve)Il Bambino Nascosto (Roberto Andò)Les Choses Humaines (Yvan Attal)Ariaferma (Leonardo Di Costanzo)Halloween Kills (David Gordon Green...
- 8/3/2021
- MUBI
Italian sales company True Colours has secured a seven-title slate of pics premiering in Venice across various sections, including Mario Martone’s competition entry “The King of Laughter” and high-profile doc “Django and Django: Sergio Corbucci Unchained,” in which Quentin Tarantino talks about the influential Spaghetti Westerns director.
Martone (“Capri Revolution”), who is a Lido aficionado, will once again vye for the Golden Lion with “King of Laughter,” a drama about Neapolitan theatre luminary Edoardo Scarpetta, played by Toni Servillo (“The Great Beauty”). Italy’s 01 Distribution will release the film in Italian theaters in September.
Another Venice competition title that True Colours is handling –– in this case in tandem with Rai Com –– is “Freaks Out,” the new genre-bender by Gabriele Mainetti, known for off-kilter 2016 superhero pic “They Call Me Jeeg.” Mainetti’s latest is set in 1943 Rome where four “freaks” who work in a circus are left to their...
Martone (“Capri Revolution”), who is a Lido aficionado, will once again vye for the Golden Lion with “King of Laughter,” a drama about Neapolitan theatre luminary Edoardo Scarpetta, played by Toni Servillo (“The Great Beauty”). Italy’s 01 Distribution will release the film in Italian theaters in September.
Another Venice competition title that True Colours is handling –– in this case in tandem with Rai Com –– is “Freaks Out,” the new genre-bender by Gabriele Mainetti, known for off-kilter 2016 superhero pic “They Call Me Jeeg.” Mainetti’s latest is set in 1943 Rome where four “freaks” who work in a circus are left to their...
- 7/29/2021
- by Nick Vivarelli
- Variety Film + TV
“The 78th Venice International Film Festival is organized by La Biennale di Venezia and directed by Alberto Barbera. It will take place at Venice Lido from 1 – 11 September 2021. The Festival is officially recognised by the Fiapf (International Federation of Film Producers Association). The aim of the Festival is to raise awareness and promote international cinema in all its forms as art, entertainment and as an industry, in a spirit of freedom and dialogue. The Festival also organises retrospectives and tributes to major figures as a contribution towards a better understanding of the history of cinema.” Venezia 2021 – Competition Madres Paralelas, dir: Pedro Almodovar Mona Lisa And The Blood Moon, dir: Ana Lily Amirpour Un Autre Monde, dir: Stéphane Brizé The Power Of The Dog, dir: Jane Campion America Latina, dir: Damiano D’Innocenzo, Fabio D’Innocenzo L’Evénement, dir: Audrey Diwan Competencia Oficial, dirs: Gaston Duprat, Mariano Cohn Il Buco, dir: Michelangelo Frammartino Sundown,...
- 7/26/2021
- by HollywoodNews.com
- Hollywoodnews.com
Taking place September 1 through 11, the Venice Film Festival has now unveiled its lineup, after a few teases of what it contains (the opening night selection of Madres Paralelas by Pedro Almodovar and Denis Villeneuve’s Dune). Among the selections are Jane Campion’s The Power of a Dog, Paul Schrader’s The Card Counter, Pablo Larrain’s Spencer, Ana Lily Amirpour’s Mona Lisa and the Blood Moon.
Maggie Gyllenhaal’s directorial debut The Lost Daughter, Ridley Scott’s The Last Duel, Paolo Sorrentino’s The Hand of God, and Edgar Wright’s The Last Night in Soho will premiere there, along with new shorts by Radu Jude and Tsai Ming-liang.
Check out the line below for the festival that will feature 50% capacity at screenings.
Venezia 78 – Competition
Madres Paralelas, dir: Pedro Almodovar
Mona Lisa And The Blood Moon, dir: Ana Lily Amirpour
Un Autre Monde, dir: Stéphane Brizé
The Power Of The Dog,...
Maggie Gyllenhaal’s directorial debut The Lost Daughter, Ridley Scott’s The Last Duel, Paolo Sorrentino’s The Hand of God, and Edgar Wright’s The Last Night in Soho will premiere there, along with new shorts by Radu Jude and Tsai Ming-liang.
Check out the line below for the festival that will feature 50% capacity at screenings.
Venezia 78 – Competition
Madres Paralelas, dir: Pedro Almodovar
Mona Lisa And The Blood Moon, dir: Ana Lily Amirpour
Un Autre Monde, dir: Stéphane Brizé
The Power Of The Dog,...
- 7/26/2021
- by Jordan Raup
- The Film Stage
The 2021 Cannes Film Festival brought the international film circuit back to life in roaring fashion earlier this month (French filmmaker Julia Ducournau became the second woman director to win the Palme d’Or thanks to Neon release “Titane”), and next up are the trio of major fall film festivals in September: the Venice Film Festival, Telluride Film Festival, and Toronto International Film Festival. Venice is first out of the gate by launching its 78th edition Wednesday, September 1. The lineup for Venice 2021 has now been revealed.
As previously announced, Pedro Almodóvar will kick off the 2021 Venice Film Festival with the world premiere of his new drama “Parallel Mothers.” The film will debut in competition and vie for the festival’s top prize, the Golden Lion. “Parallel Mothers” is written and directed by Almodóvar, and stars both regular and new collaborators, including Penélope Cruz, Milena Smit, Israel Elejalde, Aitana Sánchez-Gijón, Julieta Serrano,...
As previously announced, Pedro Almodóvar will kick off the 2021 Venice Film Festival with the world premiere of his new drama “Parallel Mothers.” The film will debut in competition and vie for the festival’s top prize, the Golden Lion. “Parallel Mothers” is written and directed by Almodóvar, and stars both regular and new collaborators, including Penélope Cruz, Milena Smit, Israel Elejalde, Aitana Sánchez-Gijón, Julieta Serrano,...
- 7/26/2021
- by Zack Sharf
- Indiewire
This year’s line-up includes five female directors in competition.
The line-up of the 78th Venice Film Festival (September 1-11) has been announced by festival president Roberto Cicutto and artistic director Alberto Barbera.
Scroll down for the full line-up
This year’s selection saw the festival take a backward step for gender balance, with five female directors selected in the main competition, down from last year’s eight. 26% of films in the overall line-up are directed by women, down from 28% in 2020.
The high-profile titles picked for competition this year include Pablo Larrain’s Spencer; Paolo Sorrentino’s The Hand Of God...
The line-up of the 78th Venice Film Festival (September 1-11) has been announced by festival president Roberto Cicutto and artistic director Alberto Barbera.
Scroll down for the full line-up
This year’s selection saw the festival take a backward step for gender balance, with five female directors selected in the main competition, down from last year’s eight. 26% of films in the overall line-up are directed by women, down from 28% in 2020.
The high-profile titles picked for competition this year include Pablo Larrain’s Spencer; Paolo Sorrentino’s The Hand Of God...
- 7/26/2021
- by Orlando Parfitt
- ScreenDaily
The Venice film festival runs September 1-11.
The line-up for the 78th Venice Film Festival (September 1-11) is being unveiled this morning at around 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera.
The press conference will be live-streamed here below, and the story will be updated with the films as they are announced.
As previously announced, Pedro Almodóvar’s Parallel Mothers will open the festival in competition. Denis Villeneuve’s Dune will also have its world premiere at the festival out of competition on September 3.
Bong Joon Ho will preside over the competition jury that also includes Chloé Zhao,...
The line-up for the 78th Venice Film Festival (September 1-11) is being unveiled this morning at around 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera.
The press conference will be live-streamed here below, and the story will be updated with the films as they are announced.
As previously announced, Pedro Almodóvar’s Parallel Mothers will open the festival in competition. Denis Villeneuve’s Dune will also have its world premiere at the festival out of competition on September 3.
Bong Joon Ho will preside over the competition jury that also includes Chloé Zhao,...
- 7/26/2021
- by Orlando Parfitt
- ScreenDaily
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