Time Bomb Y2K Movie Review Rating:
Star Cast: Peter De Jager, Al Gore, Bill Clinton, Bill Gates, Leonard Nimoy
Director: Brian Becker, Marley Mcdonald
Time Bomb Y2K Movie Review ( Photo Credit – IMDb )
What’s Good: The documentary skillfully maintains a severe tone, reflecting the genuine anxiety of the Y2K period. The absence of narration and talking heads enhances the immersive experience, making it a true time capsule. The film’s exploration of the intersection between technology, media hysteria, and societal fears adds depth to the narrative.
What’s Bad: While “Time Bomb Y2K” effectively captures the essence of the Y2K panic, its exclusive reliance on archival footage prevents a contemporary accountability check for those involved. The absence of post-event interviews with crucial figures creates a notable blind spot, leaving certain aspects unexplored.
Loo Break: Given the documentary’s gripping nature, skipping any breaks is advisable. The constant flow of 4:3 aspect ratios,...
Star Cast: Peter De Jager, Al Gore, Bill Clinton, Bill Gates, Leonard Nimoy
Director: Brian Becker, Marley Mcdonald
Time Bomb Y2K Movie Review ( Photo Credit – IMDb )
What’s Good: The documentary skillfully maintains a severe tone, reflecting the genuine anxiety of the Y2K period. The absence of narration and talking heads enhances the immersive experience, making it a true time capsule. The film’s exploration of the intersection between technology, media hysteria, and societal fears adds depth to the narrative.
What’s Bad: While “Time Bomb Y2K” effectively captures the essence of the Y2K panic, its exclusive reliance on archival footage prevents a contemporary accountability check for those involved. The absence of post-event interviews with crucial figures creates a notable blind spot, leaving certain aspects unexplored.
Loo Break: Given the documentary’s gripping nature, skipping any breaks is advisable. The constant flow of 4:3 aspect ratios,...
- 1/12/2024
- by Hari P N
- KoiMoi
There was actually a time when we didn’t need social media to drum up mass hysteria, and the new HBO documentary Time Bomb Y2K is ready and raring to take us back there. This superbly edited dash through pre-millennial anxieties is a time capsule of archive footage — no narrator, no talking heads, no new interviews — from the years and days leading up the year 2000 that had millions worrying a computer glitch could lead to government takeover, nuclear catastrophe, cats and dogs playing together, and any other kind of mayhem you might imagine.
- 12/30/2023
- by Chris Vognar
- Rollingstone.com
We all felt doomsday looming over us when Covid-19 spread rapidly in March 2020. HBO’s all-archival documentary Time Bomb Y2K reminds us that, pre-pandemic, the world last witnessed this level of mass hysteria in the late 1990s (even though the 2003 Sars outbreak was more directly related). In the years preceding 2000 computer engineers realized a mass-scale glitch within electronic systems would incorrectly update the year from 1999 to 1900 as the new millennium began because most computer systems only store the last two digits of a year when recording calendar data. Soon theories about how this would lead to global information systems collapsing like wildfire. Hysteria ensued, prompting businesses to go berserk over tackling this problem and civilians to panic as they sought approaches to survive.
Co-directed by debut directors Brian Becker and Marley McDonald, and executive-produced by Penny Lane, Time Bomb Y2K is a reminder to not rely too much on technology.
Co-directed by debut directors Brian Becker and Marley McDonald, and executive-produced by Penny Lane, Time Bomb Y2K is a reminder to not rely too much on technology.
- 3/6/2023
- by Edward Frumkin
- The Film Stage
HBO is set to air a documentary on the life of Bryan Stevenson, an Alabama public interest attorney who has led a fight against inequality for African Americans in the U.S.’s criminal justice system.
The network announced Monday that “True Justice: Bryan Stevenson’s Fight for Equality” will debut June 26 on the premium cable network and on their streaming platforms.
Produced and directed by Peter Kunhardt, George Kunhardt and Teddy Kunhardt, “True Justice” chronicles Stevenson’s work in Alabama as an advocate for the poor and incarcerated and how he seeks to eradicate racial discrimination in the criminal justice system. As a young lawyer in the 1980s, he witnessed firsthand how courts unfairly applied the death penalty based on race and how the Supreme Court ultimately declared that racial bias in the administration of the death penalty was “inevitable.”
Also Read: 'Deadwood' Movie Trailer: Al...
The network announced Monday that “True Justice: Bryan Stevenson’s Fight for Equality” will debut June 26 on the premium cable network and on their streaming platforms.
Produced and directed by Peter Kunhardt, George Kunhardt and Teddy Kunhardt, “True Justice” chronicles Stevenson’s work in Alabama as an advocate for the poor and incarcerated and how he seeks to eradicate racial discrimination in the criminal justice system. As a young lawyer in the 1980s, he witnessed firsthand how courts unfairly applied the death penalty based on race and how the Supreme Court ultimately declared that racial bias in the administration of the death penalty was “inevitable.”
Also Read: 'Deadwood' Movie Trailer: Al...
- 4/29/2019
- by Brian Welk
- The Wrap
Denis Villeneuve’s time-bending “Arrival,” Damien Chazelle’s musical love letter, “La La Land,” and Disney’s zeitgeist-grabbing “Zootopia” took editing honors in drama, comedy, and animation at the 67th Ace Eddie Awards Friday at the Beverly Hilton.
“O.J.: Made in America” (edited by Bret Granato, Maya Mumma & Ben Sozanski), meanwhile, won for best documentary. It’s considered the frontrunner for the Documentary Oscar.
TV winners included “Veep: Morning After” (edited by Steven Rasch, Ace) for Best Edited Half-Hour Series for Television, “This is Us:Pilot” (edited by David L. Bertman, Ace) for Best Edited One-Hour Series for Commercial television, “Game of Thrones: Battle of the Bastards”(edited by Tim Porter, Ace) for Best Edited One-Hour Series for Non-Commercial Television, “All The Way” (edited by Carol Littleton, Ace) for Best Edited Miniseries or Motion Picture for Television, and “Anthony Bourdain – Parts Unknown: Seneghal” (edited by Mustafa Bhagat) for...
“O.J.: Made in America” (edited by Bret Granato, Maya Mumma & Ben Sozanski), meanwhile, won for best documentary. It’s considered the frontrunner for the Documentary Oscar.
TV winners included “Veep: Morning After” (edited by Steven Rasch, Ace) for Best Edited Half-Hour Series for Television, “This is Us:Pilot” (edited by David L. Bertman, Ace) for Best Edited One-Hour Series for Commercial television, “Game of Thrones: Battle of the Bastards”(edited by Tim Porter, Ace) for Best Edited One-Hour Series for Non-Commercial Television, “All The Way” (edited by Carol Littleton, Ace) for Best Edited Miniseries or Motion Picture for Television, and “Anthony Bourdain – Parts Unknown: Seneghal” (edited by Mustafa Bhagat) for...
- 1/28/2017
- by Bill Desowitz
- Indiewire
Awards season keeps ticking right along, but tonight’s Cinema Eye Honors promised at least a tiny respite from narrative-based filmmaking, as the New York City-set ceremony is all about honoring the best in the year’s documentary filmmaking.
Big winners included Kirsten Johnson’s “Cameraperson,” which picked up Outstanding Achievement in Nonfiction Feature Filmmaking, along with editing and cinematography wins. Right behind it was Ezra Edelman’s “O.J.: Made in America,” which earned Edelman a directing win, along with a production win for Edelman and Caroline Waterlow. Best TV offering went to “Making a Murderer.”
Nominations were lead by Raoul Peck’s “I Am Not Your Negro” and “O.J.: Made in America,” which each pulled in five nominations apiece, though Johnson’s “Cameraperson” and Gianfranco Rosi’s “Fire at Sea” aren’t far behind, with four nominations each. Both Peck and Rosi’s features ultimately walked away without an award.
Big winners included Kirsten Johnson’s “Cameraperson,” which picked up Outstanding Achievement in Nonfiction Feature Filmmaking, along with editing and cinematography wins. Right behind it was Ezra Edelman’s “O.J.: Made in America,” which earned Edelman a directing win, along with a production win for Edelman and Caroline Waterlow. Best TV offering went to “Making a Murderer.”
Nominations were lead by Raoul Peck’s “I Am Not Your Negro” and “O.J.: Made in America,” which each pulled in five nominations apiece, though Johnson’s “Cameraperson” and Gianfranco Rosi’s “Fire at Sea” aren’t far behind, with four nominations each. Both Peck and Rosi’s features ultimately walked away without an award.
- 1/12/2017
- by Kate Erbland
- Indiewire
The editors of awards season front-runners La La Land, Manchester by the Sea and Moonlight are among nominees.
La La Land, Manchester by the Sea and Moonlight are among movies nominated for this year’s Eddie Awards, from the American Cinema Editors (Ace) guild.
In the best edited feature film (dramatic) category, Manchester (pictured) editor Jennifer Lame and Moonlight’s Nat Sanders and Joi McMillon are joined by the editors of Arrival, Hacksaw Ridge and Hell or High Water.
In the best edited feature film (comedy) category, La La Land’s Tom Cross is nominated alongside the editors of Deadpool, Hail, Caesar!, The Jungle Book andThe Lobster.
Eddie winners will be announced at the 67th Annual Ace Eddie Awardsceremony in Beverly Hills on January 27.
The Eddie feature film nominees in full:
Best Edited Feature Film (Dramatic):
Arrival - Joe Walker, Ace
Hacksaw Ridge - John Gilbert, Ace
Hell or High Water - Jake Roberts
Manchester by the Sea - [link...
La La Land, Manchester by the Sea and Moonlight are among movies nominated for this year’s Eddie Awards, from the American Cinema Editors (Ace) guild.
In the best edited feature film (dramatic) category, Manchester (pictured) editor Jennifer Lame and Moonlight’s Nat Sanders and Joi McMillon are joined by the editors of Arrival, Hacksaw Ridge and Hell or High Water.
In the best edited feature film (comedy) category, La La Land’s Tom Cross is nominated alongside the editors of Deadpool, Hail, Caesar!, The Jungle Book andThe Lobster.
Eddie winners will be announced at the 67th Annual Ace Eddie Awardsceremony in Beverly Hills on January 27.
The Eddie feature film nominees in full:
Best Edited Feature Film (Dramatic):
Arrival - Joe Walker, Ace
Hacksaw Ridge - John Gilbert, Ace
Hell or High Water - Jake Roberts
Manchester by the Sea - [link...
- 1/4/2017
- ScreenDaily
The editors of awards season front-runners La La Land, Manchester by the Sea and Moonlight are among the nominees for this year’s Eddie Awards, from the American Cinema Editors (Ace) guild.
In the best edited feature film (dramatic) category, Manchester (pictured) editor Jennifer Lame and Moonlight’s Nat Sanders and Joi McMillon are joined by the editors of Arrival, Hacksaw Ridge and Hell or High Water.
In the best edited feature film (comedy) category, La La Land’s Tom Cross is nominated alongside the editors of Deadpool, Hail, Caesar!, The Jungle Book andThe Lobster.
Eddie winners will be announced at the 67th Annual Ace Eddie Awardsceremony in Beverly Hills on January 27.
The Eddie feature film nominees in full:
Best Edited Feature Film (Dramatic):
Arrival - Joe Walker, Ace
Hacksaw Ridge - John Gilbert, Ace
Hell or High Water - Jake Roberts
Manchester by the Sea - Jennifer Lame
Moonlight - Nat Sanders, Joi McMillon
Best...
In the best edited feature film (dramatic) category, Manchester (pictured) editor Jennifer Lame and Moonlight’s Nat Sanders and Joi McMillon are joined by the editors of Arrival, Hacksaw Ridge and Hell or High Water.
In the best edited feature film (comedy) category, La La Land’s Tom Cross is nominated alongside the editors of Deadpool, Hail, Caesar!, The Jungle Book andThe Lobster.
Eddie winners will be announced at the 67th Annual Ace Eddie Awardsceremony in Beverly Hills on January 27.
The Eddie feature film nominees in full:
Best Edited Feature Film (Dramatic):
Arrival - Joe Walker, Ace
Hacksaw Ridge - John Gilbert, Ace
Hell or High Water - Jake Roberts
Manchester by the Sea - Jennifer Lame
Moonlight - Nat Sanders, Joi McMillon
Best...
- 1/4/2017
- ScreenDaily
The editors of awards season front-runners ‘La La Land,’ ‘Manchester by the Sea’ and ‘Moonlight’ are among the nominees for this year’s Eddie Awards, from the American Cinema Editors (Ace) guild.
In the best edited feature film (dramatic) category, Manchester (pictured) editor Jennifer Lame and Moonlight’s Nat Sanders and Joi McMillon are joined by the editors of Arrival, Hacksaw Ridge and Hell or High Water.
In the best edited feature film (comedy) category, La La Land’s Tom Cross is nominated alongside the editors of Deadpool, Hail, Caesar!, The Jungle Book andThe Lobster.
Eddie winners will be announcedat the 67th Annual Ace Eddie Awardsceremony in Beverly Hills on January 27.
The Eddie feature film nominees in full:
Best Edited Feature Film (Dramatic):
Arrival
Joe Walker, Ace
Hacksaw Ridge
John Gilbert, Ace
Hell or High Water
Jake Roberts
Manchester by the Sea
Jennifer Lame
Moonlight
Nat Sanders, Joi McMillon
Best Edited Feature Film (Comedy):
[link...
In the best edited feature film (dramatic) category, Manchester (pictured) editor Jennifer Lame and Moonlight’s Nat Sanders and Joi McMillon are joined by the editors of Arrival, Hacksaw Ridge and Hell or High Water.
In the best edited feature film (comedy) category, La La Land’s Tom Cross is nominated alongside the editors of Deadpool, Hail, Caesar!, The Jungle Book andThe Lobster.
Eddie winners will be announcedat the 67th Annual Ace Eddie Awardsceremony in Beverly Hills on January 27.
The Eddie feature film nominees in full:
Best Edited Feature Film (Dramatic):
Arrival
Joe Walker, Ace
Hacksaw Ridge
John Gilbert, Ace
Hell or High Water
Jake Roberts
Manchester by the Sea
Jennifer Lame
Moonlight
Nat Sanders, Joi McMillon
Best Edited Feature Film (Comedy):
[link...
- 1/4/2017
- ScreenDaily
The editors of awards season front-runners ‘La La Land,’ ‘Manchester by the Sea’ and ‘Moonlight’ are among the nominees for this year’s Eddie Awards, from the American Cinema Editors (Ace) guild.
In the best edited feature film (dramatic) category, Manchester (pictured) editor Jennifer Lame and Moonlight’s Nat Sanders and Joi McMillon are joined by the editors of Arrival, Hacksaw Ridge and Hell or High Water.
In the best edited feature film (comedy) category, La La Land’s Tom Cross is nominated alongside the editors of Deadpool, Hail, Caesar!, The Jungle Book andThe Lobster.
Eddie winners will be announcedat the 67th Annual Ace Eddie Awardsceremony in Beverly Hills on January 27.
The Eddie feature film nominees in full:
Best Edited Feature Film (Dramatic):
Arrival
Joe Walker, Ace
Hacksaw Ridge
John Gilbert, Ace
Hell or High Water
Jake Roberts
Manchester by the Sea
Jennifer Lame
Moonlight
Nat Sanders, Joi McMillon
Best Edited Feature Film (Comedy):
[link...
In the best edited feature film (dramatic) category, Manchester (pictured) editor Jennifer Lame and Moonlight’s Nat Sanders and Joi McMillon are joined by the editors of Arrival, Hacksaw Ridge and Hell or High Water.
In the best edited feature film (comedy) category, La La Land’s Tom Cross is nominated alongside the editors of Deadpool, Hail, Caesar!, The Jungle Book andThe Lobster.
Eddie winners will be announcedat the 67th Annual Ace Eddie Awardsceremony in Beverly Hills on January 27.
The Eddie feature film nominees in full:
Best Edited Feature Film (Dramatic):
Arrival
Joe Walker, Ace
Hacksaw Ridge
John Gilbert, Ace
Hell or High Water
Jake Roberts
Manchester by the Sea
Jennifer Lame
Moonlight
Nat Sanders, Joi McMillon
Best Edited Feature Film (Comedy):
[link...
- 1/4/2017
- ScreenDaily
The American Cinema Editors have announced the nominees for the 67th annual Ace Eddie Awards, with “Arrival,” “Moonlight,” “Manchester by the Sea” and “La La Land” among the contenders. On the comedy side, “Deadpool” and “The Lobster” continued their surprise awards-season runs by landing nods, while “Stranger Things” also had a strong showing in the TV category.
Final ballots will be mailed to Ace members on January 6, voting ends on January 17 and the ceremony takes place on January 27. Full list of nominees below.
Read More: 35 Directors Pick Their Favorite Movies of 2016
Best Edited Feature Film (Drama)
“Arrival” (Joe Walker)
“Hacksaw Ridge” (John Gilbert)
“Hell or High Water” (Jake Roberts)
“Manchester by the Sea” (Jennifer Lame)
“Moonlight” (Nat Sanders, Joi McMillon)
Best Edited Feature Film (Comedy)
“Deadpool” (Julian Clarke)
“Hail, Caesar!” (Roderick Jaynes)
“The Jungle Book” (Mark Livolsi)
“La La Land” (Tom Cross)
“The Lobster” (Yorgos Mavropsaridis)
Best Edited Animated Feature...
Final ballots will be mailed to Ace members on January 6, voting ends on January 17 and the ceremony takes place on January 27. Full list of nominees below.
Read More: 35 Directors Pick Their Favorite Movies of 2016
Best Edited Feature Film (Drama)
“Arrival” (Joe Walker)
“Hacksaw Ridge” (John Gilbert)
“Hell or High Water” (Jake Roberts)
“Manchester by the Sea” (Jennifer Lame)
“Moonlight” (Nat Sanders, Joi McMillon)
Best Edited Feature Film (Comedy)
“Deadpool” (Julian Clarke)
“Hail, Caesar!” (Roderick Jaynes)
“The Jungle Book” (Mark Livolsi)
“La La Land” (Tom Cross)
“The Lobster” (Yorgos Mavropsaridis)
Best Edited Animated Feature...
- 1/3/2017
- by Michael Nordine
- Indiewire
Here's the list of the winners and runners-up of the Los Angeles Film Critics:
New Generation
Trey Edward Shults and Krisha Fairchild, Krisha
Best Foreign-Language Film
Winner: The Handmaiden
Runner-Up: Toni Erdmann
Best Picture
Winner: Moonlight
Runner-Up: La La Land
Best Director
Winner: Barry Jenkins, Moonlight
Runner-Up: Damien Chazelle, La La Land
Best Actress
Winner: Isabelle Huppert, Elle and Things to Come
Runner-Up: Rebecca Hall, Christine
Best Actor
Winner: Adam Driver, Paterson
Runner-Up: Casey Affleck, Manchester By The Sea
Best Animated Film
Winner: Your Name
Runner-Up: The Red Turtle
Best Screenplay
Winner: Efthymis Filippou and Yorgos Lanthimos, The Lobster
Runner-Up: Kenneth Lonergan, Manchester By The Sea
The Douglas Edwards Independent/Experimental Film/Video Prize
Winner: The Illinois Parables
Documentary/Non-Fiction
Winner: I Am Not Your Negro
Runner-up: Oj: Made In America
Supporting Actress
Winner: Lily Gladstone, Certain Women
Runner-up: Michelle Williams, Manchester By The Sea
Editing
Winner: Bret Granato, Maya Mumma,...
New Generation
Trey Edward Shults and Krisha Fairchild, Krisha
Best Foreign-Language Film
Winner: The Handmaiden
Runner-Up: Toni Erdmann
Best Picture
Winner: Moonlight
Runner-Up: La La Land
Best Director
Winner: Barry Jenkins, Moonlight
Runner-Up: Damien Chazelle, La La Land
Best Actress
Winner: Isabelle Huppert, Elle and Things to Come
Runner-Up: Rebecca Hall, Christine
Best Actor
Winner: Adam Driver, Paterson
Runner-Up: Casey Affleck, Manchester By The Sea
Best Animated Film
Winner: Your Name
Runner-Up: The Red Turtle
Best Screenplay
Winner: Efthymis Filippou and Yorgos Lanthimos, The Lobster
Runner-Up: Kenneth Lonergan, Manchester By The Sea
The Douglas Edwards Independent/Experimental Film/Video Prize
Winner: The Illinois Parables
Documentary/Non-Fiction
Winner: I Am Not Your Negro
Runner-up: Oj: Made In America
Supporting Actress
Winner: Lily Gladstone, Certain Women
Runner-up: Michelle Williams, Manchester By The Sea
Editing
Winner: Bret Granato, Maya Mumma,...
- 12/8/2016
- by Manny
- Manny the Movie Guy
Catching up on precursors, one of the bigger critics groups that chime in each year is the Los Angeles Film Critics Association. The Lafca headlined the last couple of announcements, as they piggyback off of the New York Film Critics Circle to put forward some of the higher profile critics group awards out there. Los Angeles’ critics tend to be more eclectic in their selections than Nyfcc, often throwing in an unexpected name or two. That was again the case here, to some degree, so Lafca is nothing if not consistent. They’re nowhere near as influential as a guild, but among the critics groups, they’re definitely one of the ones you want to make note of. Below you’ll see not just the high profile Lafca results, but also ones from a newer group in the Atlanta Film Critics Society (or Afcs), as well as well as the Washington,...
- 12/6/2016
- by Joey Magidson
- Hollywoodnews.com
The Los Angeles Film Critics Association added their endorsement on Sunday to A24’s critical and awards darling with four prizes as Manchester By The Sea ended the day empty-handed.
The group named Moonlight its best film of the year, as Gothams voters did recently, and selected Barry Jenkins for best director, Mahershala Ali for best supporting actor, and James Laxton for best cinematographer.
Isabelle Huppert is the bicoastal empress as she repeated her recent New York Film Critics Circle win in the best actress category for Elle and Things To Come and is starting to surge towards the top in this category.
Certain Women’s Lily Gladstone won for supporting actress, beating her cast mate Michelle Williams for Manchester By The Sea.
Manchester By The Sea was named best film of the year by the National Board of Review last week but had to settle for two runner-up awards here. Oscar frontrunner...
The group named Moonlight its best film of the year, as Gothams voters did recently, and selected Barry Jenkins for best director, Mahershala Ali for best supporting actor, and James Laxton for best cinematographer.
Isabelle Huppert is the bicoastal empress as she repeated her recent New York Film Critics Circle win in the best actress category for Elle and Things To Come and is starting to surge towards the top in this category.
Certain Women’s Lily Gladstone won for supporting actress, beating her cast mate Michelle Williams for Manchester By The Sea.
Manchester By The Sea was named best film of the year by the National Board of Review last week but had to settle for two runner-up awards here. Oscar frontrunner...
- 12/4/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
“Moonlight” was named Best Film of the year by the Los Angeles Film Critics Association, which unveiled its pick for best movies and performances of 2016 on Sunday.
The Barry Jenkins drama was the critics’ big winner, scoring nods in four categories overall, including Best Director (for Jenkins) and Best Supporting Actor for Mahershala Ali. Best Actor went to Adam Driver for his performance in “Paterson,” while Isabelle Huppert was named Best Actress for her role in “Elle” and “Things to Come.”
Shirley MacLaine was honored with the org’s Career Achievement award this year. The prize will be given at the annual awards dinner to be held Saturday, Jan. 14, at the InterContinental Hotel in Century City.
Read More: New York Film Critics Circle Names ‘La La Land’ Best Film Of 2016, ‘Moonlight’ and ‘Manchester By the Sea’ Earn Three Awards
“Moonlight” is one of a handful of features have already received...
The Barry Jenkins drama was the critics’ big winner, scoring nods in four categories overall, including Best Director (for Jenkins) and Best Supporting Actor for Mahershala Ali. Best Actor went to Adam Driver for his performance in “Paterson,” while Isabelle Huppert was named Best Actress for her role in “Elle” and “Things to Come.”
Shirley MacLaine was honored with the org’s Career Achievement award this year. The prize will be given at the annual awards dinner to be held Saturday, Jan. 14, at the InterContinental Hotel in Century City.
Read More: New York Film Critics Circle Names ‘La La Land’ Best Film Of 2016, ‘Moonlight’ and ‘Manchester By the Sea’ Earn Three Awards
“Moonlight” is one of a handful of features have already received...
- 12/4/2016
- by Liz Calvario
- Indiewire
The nominees for the 10th annual Cinema Eye Honors have been announced, with “I Am Not Your Negro” and “Oj: Made in America” both receiving five each. They’re followed in short order by “Cameraperson” and “Fire at Sea,” which along with “Weiner” are all in contention for the top prize. A total of 37 features and five shorts will be in contention at the upcoming ceremony, which “Hoop Dreams” director Steve James will host from the Museum of the Moving Image on January 11. Here’s the full list of nominees:
Outstanding Achievement in Nonfiction Feature Filmmaking
“Cameraperson” (Kirsten Johnson)
“Fire at Sea” (Gianfranco Rosi)
“I Am Not Your Negro” (Raoul Peck)
“Oj: Made in America” (Ezra Edelman)
“Weiner” (Josh Kriegman and Elyse Steinberg)
Outstanding Achievement in Direction
Kirsten Johnson, “Cameraperson”
Gianfranco Rosi, “Fire at Sea”
Raoul Peck, “I Am Not Your Negro”
Robert Greene, “Kate Plays Christine”
Ezra Edelman, “Oj:...
Outstanding Achievement in Nonfiction Feature Filmmaking
“Cameraperson” (Kirsten Johnson)
“Fire at Sea” (Gianfranco Rosi)
“I Am Not Your Negro” (Raoul Peck)
“Oj: Made in America” (Ezra Edelman)
“Weiner” (Josh Kriegman and Elyse Steinberg)
Outstanding Achievement in Direction
Kirsten Johnson, “Cameraperson”
Gianfranco Rosi, “Fire at Sea”
Raoul Peck, “I Am Not Your Negro”
Robert Greene, “Kate Plays Christine”
Ezra Edelman, “Oj:...
- 11/2/2016
- by Michael Nordine
- Indiewire
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