Sneak Peek footage of actress Cara Delevingne ("Suicide Squad") , co-starring in the official "Call of Duty: Black Ops III" live action trailer, directed by Wayne McClammy:
"...in 2065, 40 years after the events of Black Ops II, countries around the world have developed high-tech air defenses that render air assaults useless. As such, most of the warfare between countries is done by covert operatives fighting behind enemy lines.
"Science and technology have radically changed both the landscape as well as the future of the human race, with society violently protesting and attempting to halt further advancements touted by scientists.
Military technology has progressed to the point where robotics play a main role in combat, and supersoldiers have been developed to fight in the battlefield. Humans have reached the point where they are considered to be more machine than flesh and blood..."
Christopher Meloni is 'Commander John Taylor', Katee Sackhoff is 'Sarah Hall',...
"...in 2065, 40 years after the events of Black Ops II, countries around the world have developed high-tech air defenses that render air assaults useless. As such, most of the warfare between countries is done by covert operatives fighting behind enemy lines.
"Science and technology have radically changed both the landscape as well as the future of the human race, with society violently protesting and attempting to halt further advancements touted by scientists.
Military technology has progressed to the point where robotics play a main role in combat, and supersoldiers have been developed to fight in the battlefield. Humans have reached the point where they are considered to be more machine than flesh and blood..."
Christopher Meloni is 'Commander John Taylor', Katee Sackhoff is 'Sarah Hall',...
- 11/2/2015
- by Michael Stevens
- SneakPeek
Is an unusually long life an achievement? That's the crucial question Hunter Weeks's dim-witted and embarrassing first-person documentary Walter could ask but never does. (Weeks does, however, devote several scenes to him and his girlfriend, Walter producer Sarah Hall, eating burritos in their apartment.) After meeting 114-year-old Walter Breuning, the world's oldest living man at the time of filming, Weeks becomes a liver-spot chaser, tracking down and interviewing several "supercentenarians"—those who have reached or surpassed the age of 110. Midway through their journey, he chuckles, "I'm hanging out with the oldest people in the world. It's so bizarre." He might as well be talking about a donkey with the world's longest teeth—he's not interested in these p...
- 10/2/2013
- Village Voice
Writers often worry about the dangers of outside influence, but what about the non-literary inspirations they are far more comfortable admitting to? Andrew O'Hagan talks to six novelists about their passion for a second artform
The divine counsels decided, once upon a time, that influence is bad and that too much agency is the enemy of invention. Harold Bloom can't be blamed for that: he certainly pointed to the danse macabre of influence and anxiety, but to him the association was perfectly creative. Elsewhere, writers have always been blamed for being too much like other writers, or too much like themselves, and even now, in the crisis of late postmodernism, we find it hard to believe that writers might live happily in a state of influence and cross-reference. Yet anybody who knows anything about writers knows that they love their sweet influences.
What I've noticed, though, is that the influences...
The divine counsels decided, once upon a time, that influence is bad and that too much agency is the enemy of invention. Harold Bloom can't be blamed for that: he certainly pointed to the danse macabre of influence and anxiety, but to him the association was perfectly creative. Elsewhere, writers have always been blamed for being too much like other writers, or too much like themselves, and even now, in the crisis of late postmodernism, we find it hard to believe that writers might live happily in a state of influence and cross-reference. Yet anybody who knows anything about writers knows that they love their sweet influences.
What I've noticed, though, is that the influences...
- 4/27/2013
- by Andrew O'Hagan, Lavinia Greenlaw, John Lanchester, Alan Warner, Sarah Hall, Colm Tóibín
- The Guardian - Film News
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