Next week in Miami, hundreds of bloggers, marketers, corporate brand reps, music and film artists will be checking in at the Eden Roc Hotel to attend Hispanicize, a social media platform for today’s Latino innovators. Now in its 4th year, the marketing, interactive, film and music conference was founded by Manny Ruiz, a PR businessman who adopted the term Hispanicize to signify the transformation and growing impact of Latino culture into traditional American mainstream and who created this convergence to amplify the success of diverse voices in social media.
In part modeled after SXSW and Ted Talks, Hispanicize aims to be a digital multi-media launchpad and idea stimulating conference tailored towards Latinos. The event’s core journalistic DNA is confirmed by guest co-chair, Soledad O Brien, who just signed off on her morning CNN show capping off a decade of reporting for the news outlet. For the second year the South Beach setting will host yacht parties, beachside receptions, breakfast and lunch networking, and 100 plus talks, featuring such entrepreneurs in social media like the Latina Mom Bloggers, panels like How Brands and Agencies are Engaging and Collaborating with Latino Bloggers and Getting on Corporate Boards. The heavily sponsored event, (Procter & Gamble is the presenting sponsor) will include a Diversity Tech Leaders Summit presented by Sprint in which the lesser-known business stories of diverse tech and social media entrepreneurs who are making their marks in digital media will be highlighted.
I have to admit I knew nothing of Hispanicize up until a couple months ago. Curious, I went on the website and I found the lingo a tad superfluous and hyperbolic. Words like iconic and mighty are used to describe the young but clearly flourishing event. Then again, this kind of grandiose speak is typical Public Relations so it makes sense given it is a partnership with Hispanic Public Relations Association (Hpra) and the Public Relations Society of America (Prsa).
I reached out to the founder Manny Ruiz to find out more about the mission of the event and found his enthusiasm and excitement for what he considers a pioneering movement infectious. It’s hard to argue that this mass tech and entertainment crossroads gathering makes for an incredible networking opportunity. Ruiz called it a “Uniting of these industries to create a symphony” and went on to note it is much more powerful for bloggers to converge at the same place with journalists, marketers, digital, music and film innovators then if you had them out there individually and remotely. Before I knew it I was put in touch with with Roman Morales, the Film Showcase Organizer and I came onboard as Programmer for the film component. A big reason I stepped in was because I was particularly attracted to presenting Us independent Latino films to an audience heavy with social media influence and bloggers, to see if it would indeed create a higher level of buzz, publicity and exposure from the community.
Along with a special screening of Filly Brown days before its national theatrical release, this year Hispanicize will screen six features including the high profile sneak preview of The Weinstein Company’s Aftershock, the horror comedy produced and starring Eli Roth, directed by Chilean filmmaker Nicolas Lopez (Que Pena tu Vida, Promedio Rojo). Also, straight from SXSW the music industry and character-driven documentary Los Wild Ones about the Wild Records label and family of Mexican rockabilly acts. With the exception of Aftershock, all the films reflect a taste of the diaspora of unique, bi-cultural Us narratives, and notably are all first features. Three of the films, Blaze You Out, Filly Brown and Mission Park are being distributed by Lionsgate labels Pantelion and Grindstone Entertainment. Meanwhile, seeking distribution is Dreamer written and directed by Salvador born Jesse Salmeron, a poignant and timely story starring and produced by Jeremy Ray Valdez about an upwardly mobile American whose paralyzed by the fear of being deported. Los Wild Ones is also seeking distribution and should find considerable traction within and outside hard core music fan circles.
My personal pride and joy however has to be the shorts film showcase. Portraying visionary quests for identity, love, truth and legacy and created by multicultural emergent voices from San Antonio, Miami, La, NYC, Oaxaca and Puerto Rico. This is the medium in which to find provocative, daring and versatile young generation of fresh voices who you can expect will blow up big soon. To name just a few, the filmmakers include Jillian Mayer and Lucas Leyva of the Borscht corporation, Zoé Salicrup Junco, the filmmaker of Gabi who workshopped her feature script of the short at San Antonio’s CineFestival’s Latino Screenwriters Project, Victor Hugo Duran the Colombia Film grad whose short, Fireworks played at the La Film Festival last year and is currently shooting his first feature in Mexico called La Victoria, and Steve Acevedo, the director of El Cocodrilo which is a powerful and urgent film about a journalist played by Jacob Vargas on the run from narcos, who participated in NBCU Directing Fellowship.
I’ll try not to go all Spring Breaker debauchery when I head to Miami next week. I’m very interested in immersing myself in the Hispanicize program to cover the dialogue and scrutinize the impact so stay tuned for my report.
See below to check out full film list and links. Hispanicize will take place April 9 – 13. For information on how to attend and the schedule click here.
Blaze You Out
(USA, 2013, 90 min)
Writers/Directors: Mateo Frazier, Diego Joaquin Lopez
Cast: Veronica Diaz Carranza, Elizabeth Pena, Q’orianka Kilcher, Mark Adair Rios, Elizabeth Pena
Logline: An unyielding young woman ventures into the ruthless underworld of the town’s heroin trade in order to save her younger sister’s life.
Dreamer
(USA, 2013)
Writer/Director: Jesse Salmeron
Cast: Jeremy Ray Valdez, Isabella Hofmann, Cory Knauf
Logline: Joe Rodriguez is an All American young man. He’s amiable, well educated and attractive. He’s graduated from college and is working and excelling in his field. He’s on his way to achieving the American Dream. That is until his employer discovers his undocumented status and the life he’s worked so hard for begins to crumble around him. He must face the possibility of losing his livelihood, his family and even himself.
Los Wild Ones
(USA, 2013, 95 min)
Director: Elise Salomon Writers: Ryan Brown, Elise Salomon
Featuring Luis Arriaga, Gizzelle, the Rhythm Shakers and more
Logline: Wild Records is an La indie music label comprised of young Hispanic musicians, it is run by Irishman, Reb Kennedy. Wild is an unconventional family, reminiscent of the early days of Sun Records, all of its musicians write and perform 50s Rock ‘n Roll. If Wild is going to continue to grow and reach broader audiences, its current business model will cease to work.
Aftershock
(USA, 2012, 90 min)
Director: Nicolás López
Writers: Guillermo Amoedo, Nicolás López and Eli Roth
Cast: Andrea Osvart, Ariel Levy, Eli Roth
Logline: In Chile, a group of travelers who are in an underground nightclub when a massive earthquake hits quickly learn that reaching the surface is just the beginning of their nightmare.
Mission Park
(USA, 2013, 120 min)
Writer/Director: Bryan Ramirez
Cast: Jeremy Ray Valdez, Walter Perez, Fenanda Romero, Joseph Julian Soria, William Rothaar, Jesse Borrego
Logline: Four friends from the rough side of town grow apart when two are consumed by a life of crime, and the other two become FBI agents sent deep undercover – to bring down those childhood friends.
Shorts Film Showcase~
#Postmodem
(USA, 2012, 13 mins)
Writers/Directors: Lucas Leyva, Jillian Mayer
Cast: Jillian Mayer, Kayla Delacerda, Amy Seimetz, Arly Montes, Jesse Miller, Shivers Thedog
Logline: A comedic, satirical, sci-fi pop musical based on the theories of Ray Kurzweil and other futurists, #PostModem is the story of two Miami girls and how they deal with technological singularity, as told through a series of cinematic tweets.
@borschtcorp
Fireworks
(USA, 2012, 11 mins)
Director: Victor Hugo Duran
Writer: Kevin James McMuillin
Cast: Roger Cruz, Alberto Castañeda, Irene Sorto, Azucena Benitez, Edgar Vanegas, Julio Duran, Victor Hugo Duran, Kevin James McMullin
Logline: During the Fourth of July in South Los Angeles, a teenage boy and his brother scour the neighborhood for fireworks in order to win the admiration of a girl.
Twitter: @victorhugoduran
Clara Como El Agua
(USA, 2012 10 min)
Writer/Director: Fernanda Rossi
Cast: Kathiria Bonilla León, Sixta Rivera, Rubén Andrés Medina, Alfonso Peña Ossoria, Stephanie Quiles Reyes, Eyra Aguero
Logline: Clara is the only light-skinned and clear-eyed girl in an all-black neighborhood. Teased incessantly, the children claim her unknown father is actually a “gringo” tourist. However, Clara was told a different story, and to find out the truth, she will venture into the magical waters of the bioluminescent bay all on her own.
Echo Bear
(USA, 2012 6min)
Writer/director: Yolanda Cruz
Cast: Joe Nunez, Hugo Medina, Tzina Carmel, Donato López, Lobo Manet
Logline: Bear, a single gay Latino man in L.A.’s Echo Park neighborhood, looks for love online. Fearing traffic, he searches locally, but soon discovers how geographic convenience can turn to heartache overnight.
Vincent Valdez: Excerpts For John
(2012, USA, 12 min)
Directed by Mark and Angela Walley
Logline: Two years in the making, this beautifully shot and perfectly paced short documentary captures the creative process of painter Vincent Valdez, as the artist works on a series of pieces dedicated to a childhood friend John Holt Jr. an Army combat medic who died in 2009 after serving in Iraq.
El Cocodrilo
(2012, 15 min)
Director: Steve Acevedo
Writer: Alfredo Barrios, Jr.
Cast: Jacob Vargas Hugo Medina Shannon Lucio Manuel Uriza
Logline: A Mexican journalist and a cartel assassin collide in a diner, with tragic consequences for both.
Reinaldo Arenas
(USA, 2012, 3:29min)
Writer/director Lucas Leyva
Shark: Alberto Ibarguen Man: Epifanio Leyva
Logline: Told from the point of view of a dying shark, 'Reinaldo Arenas' metaphorically captures the current state of the aging Cuban-American exile community, many of whom have still not come to terms with the Communist Revolution that changed their lives forever. The film culls from various Cuban films and works of literature to create not a singular voice, but a feeling of a particular moment in time
@borschtcorp
Gabi
(2012, USA 20 min)
Writer/Director: Zoe Junco
Cast: Marisé Alvarez , Dalia Davi , Roy Sanchez Vahamonde , Aris Mejias
Logline: A Puerto Rican saying haunts single women in their 30’s: “If such a woman is not married by this time, she must be a slut, a lesbian, or a prude.” This is the story of that woman...
@gabifilm...
In part modeled after SXSW and Ted Talks, Hispanicize aims to be a digital multi-media launchpad and idea stimulating conference tailored towards Latinos. The event’s core journalistic DNA is confirmed by guest co-chair, Soledad O Brien, who just signed off on her morning CNN show capping off a decade of reporting for the news outlet. For the second year the South Beach setting will host yacht parties, beachside receptions, breakfast and lunch networking, and 100 plus talks, featuring such entrepreneurs in social media like the Latina Mom Bloggers, panels like How Brands and Agencies are Engaging and Collaborating with Latino Bloggers and Getting on Corporate Boards. The heavily sponsored event, (Procter & Gamble is the presenting sponsor) will include a Diversity Tech Leaders Summit presented by Sprint in which the lesser-known business stories of diverse tech and social media entrepreneurs who are making their marks in digital media will be highlighted.
I have to admit I knew nothing of Hispanicize up until a couple months ago. Curious, I went on the website and I found the lingo a tad superfluous and hyperbolic. Words like iconic and mighty are used to describe the young but clearly flourishing event. Then again, this kind of grandiose speak is typical Public Relations so it makes sense given it is a partnership with Hispanic Public Relations Association (Hpra) and the Public Relations Society of America (Prsa).
I reached out to the founder Manny Ruiz to find out more about the mission of the event and found his enthusiasm and excitement for what he considers a pioneering movement infectious. It’s hard to argue that this mass tech and entertainment crossroads gathering makes for an incredible networking opportunity. Ruiz called it a “Uniting of these industries to create a symphony” and went on to note it is much more powerful for bloggers to converge at the same place with journalists, marketers, digital, music and film innovators then if you had them out there individually and remotely. Before I knew it I was put in touch with with Roman Morales, the Film Showcase Organizer and I came onboard as Programmer for the film component. A big reason I stepped in was because I was particularly attracted to presenting Us independent Latino films to an audience heavy with social media influence and bloggers, to see if it would indeed create a higher level of buzz, publicity and exposure from the community.
Along with a special screening of Filly Brown days before its national theatrical release, this year Hispanicize will screen six features including the high profile sneak preview of The Weinstein Company’s Aftershock, the horror comedy produced and starring Eli Roth, directed by Chilean filmmaker Nicolas Lopez (Que Pena tu Vida, Promedio Rojo). Also, straight from SXSW the music industry and character-driven documentary Los Wild Ones about the Wild Records label and family of Mexican rockabilly acts. With the exception of Aftershock, all the films reflect a taste of the diaspora of unique, bi-cultural Us narratives, and notably are all first features. Three of the films, Blaze You Out, Filly Brown and Mission Park are being distributed by Lionsgate labels Pantelion and Grindstone Entertainment. Meanwhile, seeking distribution is Dreamer written and directed by Salvador born Jesse Salmeron, a poignant and timely story starring and produced by Jeremy Ray Valdez about an upwardly mobile American whose paralyzed by the fear of being deported. Los Wild Ones is also seeking distribution and should find considerable traction within and outside hard core music fan circles.
My personal pride and joy however has to be the shorts film showcase. Portraying visionary quests for identity, love, truth and legacy and created by multicultural emergent voices from San Antonio, Miami, La, NYC, Oaxaca and Puerto Rico. This is the medium in which to find provocative, daring and versatile young generation of fresh voices who you can expect will blow up big soon. To name just a few, the filmmakers include Jillian Mayer and Lucas Leyva of the Borscht corporation, Zoé Salicrup Junco, the filmmaker of Gabi who workshopped her feature script of the short at San Antonio’s CineFestival’s Latino Screenwriters Project, Victor Hugo Duran the Colombia Film grad whose short, Fireworks played at the La Film Festival last year and is currently shooting his first feature in Mexico called La Victoria, and Steve Acevedo, the director of El Cocodrilo which is a powerful and urgent film about a journalist played by Jacob Vargas on the run from narcos, who participated in NBCU Directing Fellowship.
I’ll try not to go all Spring Breaker debauchery when I head to Miami next week. I’m very interested in immersing myself in the Hispanicize program to cover the dialogue and scrutinize the impact so stay tuned for my report.
See below to check out full film list and links. Hispanicize will take place April 9 – 13. For information on how to attend and the schedule click here.
Blaze You Out
(USA, 2013, 90 min)
Writers/Directors: Mateo Frazier, Diego Joaquin Lopez
Cast: Veronica Diaz Carranza, Elizabeth Pena, Q’orianka Kilcher, Mark Adair Rios, Elizabeth Pena
Logline: An unyielding young woman ventures into the ruthless underworld of the town’s heroin trade in order to save her younger sister’s life.
Dreamer
(USA, 2013)
Writer/Director: Jesse Salmeron
Cast: Jeremy Ray Valdez, Isabella Hofmann, Cory Knauf
Logline: Joe Rodriguez is an All American young man. He’s amiable, well educated and attractive. He’s graduated from college and is working and excelling in his field. He’s on his way to achieving the American Dream. That is until his employer discovers his undocumented status and the life he’s worked so hard for begins to crumble around him. He must face the possibility of losing his livelihood, his family and even himself.
Los Wild Ones
(USA, 2013, 95 min)
Director: Elise Salomon Writers: Ryan Brown, Elise Salomon
Featuring Luis Arriaga, Gizzelle, the Rhythm Shakers and more
Logline: Wild Records is an La indie music label comprised of young Hispanic musicians, it is run by Irishman, Reb Kennedy. Wild is an unconventional family, reminiscent of the early days of Sun Records, all of its musicians write and perform 50s Rock ‘n Roll. If Wild is going to continue to grow and reach broader audiences, its current business model will cease to work.
Aftershock
(USA, 2012, 90 min)
Director: Nicolás López
Writers: Guillermo Amoedo, Nicolás López and Eli Roth
Cast: Andrea Osvart, Ariel Levy, Eli Roth
Logline: In Chile, a group of travelers who are in an underground nightclub when a massive earthquake hits quickly learn that reaching the surface is just the beginning of their nightmare.
Mission Park
(USA, 2013, 120 min)
Writer/Director: Bryan Ramirez
Cast: Jeremy Ray Valdez, Walter Perez, Fenanda Romero, Joseph Julian Soria, William Rothaar, Jesse Borrego
Logline: Four friends from the rough side of town grow apart when two are consumed by a life of crime, and the other two become FBI agents sent deep undercover – to bring down those childhood friends.
Shorts Film Showcase~
#Postmodem
(USA, 2012, 13 mins)
Writers/Directors: Lucas Leyva, Jillian Mayer
Cast: Jillian Mayer, Kayla Delacerda, Amy Seimetz, Arly Montes, Jesse Miller, Shivers Thedog
Logline: A comedic, satirical, sci-fi pop musical based on the theories of Ray Kurzweil and other futurists, #PostModem is the story of two Miami girls and how they deal with technological singularity, as told through a series of cinematic tweets.
@borschtcorp
Fireworks
(USA, 2012, 11 mins)
Director: Victor Hugo Duran
Writer: Kevin James McMuillin
Cast: Roger Cruz, Alberto Castañeda, Irene Sorto, Azucena Benitez, Edgar Vanegas, Julio Duran, Victor Hugo Duran, Kevin James McMullin
Logline: During the Fourth of July in South Los Angeles, a teenage boy and his brother scour the neighborhood for fireworks in order to win the admiration of a girl.
Twitter: @victorhugoduran
Clara Como El Agua
(USA, 2012 10 min)
Writer/Director: Fernanda Rossi
Cast: Kathiria Bonilla León, Sixta Rivera, Rubén Andrés Medina, Alfonso Peña Ossoria, Stephanie Quiles Reyes, Eyra Aguero
Logline: Clara is the only light-skinned and clear-eyed girl in an all-black neighborhood. Teased incessantly, the children claim her unknown father is actually a “gringo” tourist. However, Clara was told a different story, and to find out the truth, she will venture into the magical waters of the bioluminescent bay all on her own.
Echo Bear
(USA, 2012 6min)
Writer/director: Yolanda Cruz
Cast: Joe Nunez, Hugo Medina, Tzina Carmel, Donato López, Lobo Manet
Logline: Bear, a single gay Latino man in L.A.’s Echo Park neighborhood, looks for love online. Fearing traffic, he searches locally, but soon discovers how geographic convenience can turn to heartache overnight.
Vincent Valdez: Excerpts For John
(2012, USA, 12 min)
Directed by Mark and Angela Walley
Logline: Two years in the making, this beautifully shot and perfectly paced short documentary captures the creative process of painter Vincent Valdez, as the artist works on a series of pieces dedicated to a childhood friend John Holt Jr. an Army combat medic who died in 2009 after serving in Iraq.
El Cocodrilo
(2012, 15 min)
Director: Steve Acevedo
Writer: Alfredo Barrios, Jr.
Cast: Jacob Vargas Hugo Medina Shannon Lucio Manuel Uriza
Logline: A Mexican journalist and a cartel assassin collide in a diner, with tragic consequences for both.
Reinaldo Arenas
(USA, 2012, 3:29min)
Writer/director Lucas Leyva
Shark: Alberto Ibarguen Man: Epifanio Leyva
Logline: Told from the point of view of a dying shark, 'Reinaldo Arenas' metaphorically captures the current state of the aging Cuban-American exile community, many of whom have still not come to terms with the Communist Revolution that changed their lives forever. The film culls from various Cuban films and works of literature to create not a singular voice, but a feeling of a particular moment in time
@borschtcorp
Gabi
(2012, USA 20 min)
Writer/Director: Zoe Junco
Cast: Marisé Alvarez , Dalia Davi , Roy Sanchez Vahamonde , Aris Mejias
Logline: A Puerto Rican saying haunts single women in their 30’s: “If such a woman is not married by this time, she must be a slut, a lesbian, or a prude.” This is the story of that woman...
@gabifilm...
- 4/3/2013
- by Christine Davila
- Sydney's Buzz
All are first features by wildly original voices who are remixing potent multi-cultural heritage and inventing their own unique brand of genre. So much talent! Makes this Chicanita so proud!
Let’s start with numero uno:
1. Water & Power – from Chicano wordsmith warrior and Culture Clash iconoclast, Richard J. Montoya and produced by Mark Roberts. This is the screen adaptation of Montoya's 2006 play originally performed at the Mark Taper Forum in La. Rife with The City of Angels' legends, haunts and lore, the Chicano noir tale (how cool is that?) takes place over the course of one fateful night. An intense story centered on twin brothers nicknamed “Water” played by Enrique Murciano and “Power” played by Nicolas Gonzalez who were born and raised on the East Side streets playground - one grows up to be a senator and the other a high ranking cop. The young gifted musical artist and composer Gingger Shankar (Circumstance, Charlie Wilson's War) has contributed music to the film. The project participated in the 2007 Sundance Institute screenwriters & directors lab. A madly prolific playwright (a regular Berkeley and Yale Repertory Theatre collaborator), I got a chance to see Montoya's uproarious American history redux play, American Night: The Ballad of Juan Jose last fall (read the La Weekly feature review here). An uncompromising artist with a thundering voice all over the culture pop pulse, Montoya's first feature film tops my list of films to watch out for in 2013. Can. Not. Wait.
Like the Facebook page to stay on top of future premiere announcements and here's a pic on Mark Roberts website
Film contact: <mark@robertsdavid.com>
2. Pardon – written and directed by R.F. Rodriguez and produced by his production company BadMansSon. A story that deals with a cholo ex-con who returns to his barrio in Highland Park and sets to go on the straight and narrow but soon finds himself pulled by his old gang familia may sound familiar, but never has it been as emotionally excavated and depicted with such sensitivity and complexity. Hector Atreyu Ruizis Saul Sanchez whose driving motivation is the chance to reunite with his estranged daughter. Guided by a sympathetic parole officer, played by Tracey Heggins (from the 2008 indie African-American gem (Medicine for Melancholy), Saul tackles catch-22 circumstances towards his mission and confronts growing uneasiness from his vatos who continue to test if he's still down. At its core the film is an exploration about fatherhood and home, in particular highlighting the social phenomenon of absentee fathers because they are behind bars, an issue predominantly afflicting Latino families and communities.
Rodriguez, a USC film school grad, made the feature before graduating, having fleshed the story further out of the short film he made of the same name. His project mentor, Patricia Cardoso (Real Women Have Curves) encouraged him to do more with it and this is the amazing result. With earnest and raw performances, the moving and powerfully directed film marks this a sign of a true filmmaker talent discovery.
Website, Twitter
Film contact <contact@badmansson.com>
3. Recommended By Enrique written and directed by Daniel Garcia and Rania Attieh and produced by their NY based company En Passant Films. Shot in border town Del Rio, Texas (the U.S. side of the Rio Grande) with an offbeat hipster cast of young non-professionals plucked locally, the quirky, mystical tale is about an aspiring actress and an old cowboy who each arrive into town with respective plans and expectations, only to end up waiting for something to happen. Forced to wait out their time, they've nothing to do but explore the bewitching town and its people. Lino Varela plays the Cowboy and Sarah Swinwood, a Canadian newcomer actress nails the airhead wannabe star.
This is the second feature film from Texas native Daniel Garcia and Lebanese born Rania. Their first film, Ok, Enough, Goodbye screened at San Francisco International Film Festival among other world wide festivals, and the duo were included in 2011's Filmmaker Magazine’s 25 New Faces of Independent Film. Undertones of a Twilight Zone type of dimension and the spellbinding pull of the dusty town are perfect captured - as anyone who's been in these strange little Texas towns can attest. An unexpected, unpredictable and ultimately lyrical film, this definitely gets my recommendation.
Website, Facebook
Film contact < info@recommendedbyenrique.com>
4. Vincent & Luzy (Fka On the Run) written and directed by Alberto Barboza and produced by Cinético Productions. A charming, hip and modern fairy tale love story between a soulful graffiti artist,Vincent, played by Miguel Angel Caballero, and sexy tattoo artist, Luz, or Luzy played by Iliana Carter Ramirez. The film captures and romanticizes the happening, multi-culti rockabilly/emo scene and counter culture of Boyle Heights and Echo Parque, and features lots of home grown talent and spots like Self Help Graphics, the community visual arts mission center. The posters created by Vincent in the film are designed by La native, rising street artist, El Mac (Miles MacGregor). You'll recognize some of his murals around La like this one on Hollywood and Wilton, one of my favorites. He just did the album cover for No Doubt.
An eclectic soundtrack featuring local Vallenato band, Very Be Careful, Hermanos Herrera, Irene Diaz, Doghouse Lords and more. The cast also includes ol' G', Sal Lopez (American Me) and Lupe Ontiveros in what may be her last film role before she passed away last year (she also has a small role in Water & Power).
Fresh, exuberant and inhabiting a distinct, heightened magical street reality, Vincent & Luzy might be the first film to truly reflect this young, vibrant artist subculture, making this one a hot to track.
Film contact: info@CineticoProductions.com
Website
5. Blaze You Out – written and directed by Mateo Frazier and Diego Joaquin Lopez and produced by Alicia J. Keyes. Set in the rarely seen mystic world of New Mexico, this young female driven thriller is uniquely atmospheric. Starring the rising young talent, Veronica Diaz Carranza (Mamitas) along with Elizabeth Pena, Q'orianka Kilcher and Raoul Trujillo, all who ignite the screen. Diaz stars as Lupe, a DJ who is forced to venture into her town's heroin trade underworld in order to save her younger sister Alicia's life. To do so she must confront mysterious occult figures and harness the power within her to connect with the divine that surrounds her.
I was thrilled to hear that Lionsgate picked up the film at Afm a couple months ago. Lionsgate/Grindstone will release the film July 2013. 6 Sales is handling rights to rest of world. Intense and wicked and unlike anything else this is a film to look forward to. In the meantime, check out the press kit, pics and more on their site.
Website, Facebook
Must Mention
Chavez – written and directed by Diego Luna and produced by Canana Films, Mr. Mudd and backed by Participant Media. The biography of an iconic Chicano figure, labor rights activist Cesar Chavez, and Luna, who is an international name talent, has obviously been given major press coverage ever since it was first announced so it doesn't really fit my 'Discovery' profile. That said, it is a highly anticipated and eagerly awaited film. I truly hope the film opens wide and mainstream - although Participant will likely need a partner to make this happen in the U.S. Michael Peña, the Puerto Rican actor catapulting towards leading man roles and more regularly Hollywood roles (he's also in Gangster Squad opening this weekend), embodies a young Chavez. It wasn’t quite ready for Sundance so it’s possible the film will bow at a high profile festival like Cannes or Toronto. Although I'm hoping Stephanie Allain, director of Film Independent's La Film Festival will go hard after the film to wrangle what would be a fitting La gala premiere. Diego Luna proved his salt as the filmmaker of Abel, an eloquent and heart-stirring portrait of a little delusional boy who pretends to be the man of the house since his father left. Peña recently shared his approach was to be truthful to Cesar the Man not necessarily the legend or myth generated by his colossal perseverance and labor rights feats. All eyes will be on the representation of such a querido and influential figure. My bet? All in. I trust the filmmakers and cast will deliver a resonant and accomplished cinematic film worthy of the inspiring civil rights story, and more importantly re-introduce Chavez to mobilize our millennial generation.
Do you have a hot independent American Latino film recommendation I should track? Holler at your girl. Email me at chicanafromchicago@gmail.com
Next up, Non-Fiction American Latino films to track in 2013...
Let’s start with numero uno:
1. Water & Power – from Chicano wordsmith warrior and Culture Clash iconoclast, Richard J. Montoya and produced by Mark Roberts. This is the screen adaptation of Montoya's 2006 play originally performed at the Mark Taper Forum in La. Rife with The City of Angels' legends, haunts and lore, the Chicano noir tale (how cool is that?) takes place over the course of one fateful night. An intense story centered on twin brothers nicknamed “Water” played by Enrique Murciano and “Power” played by Nicolas Gonzalez who were born and raised on the East Side streets playground - one grows up to be a senator and the other a high ranking cop. The young gifted musical artist and composer Gingger Shankar (Circumstance, Charlie Wilson's War) has contributed music to the film. The project participated in the 2007 Sundance Institute screenwriters & directors lab. A madly prolific playwright (a regular Berkeley and Yale Repertory Theatre collaborator), I got a chance to see Montoya's uproarious American history redux play, American Night: The Ballad of Juan Jose last fall (read the La Weekly feature review here). An uncompromising artist with a thundering voice all over the culture pop pulse, Montoya's first feature film tops my list of films to watch out for in 2013. Can. Not. Wait.
Like the Facebook page to stay on top of future premiere announcements and here's a pic on Mark Roberts website
Film contact: <mark@robertsdavid.com>
2. Pardon – written and directed by R.F. Rodriguez and produced by his production company BadMansSon. A story that deals with a cholo ex-con who returns to his barrio in Highland Park and sets to go on the straight and narrow but soon finds himself pulled by his old gang familia may sound familiar, but never has it been as emotionally excavated and depicted with such sensitivity and complexity. Hector Atreyu Ruizis Saul Sanchez whose driving motivation is the chance to reunite with his estranged daughter. Guided by a sympathetic parole officer, played by Tracey Heggins (from the 2008 indie African-American gem (Medicine for Melancholy), Saul tackles catch-22 circumstances towards his mission and confronts growing uneasiness from his vatos who continue to test if he's still down. At its core the film is an exploration about fatherhood and home, in particular highlighting the social phenomenon of absentee fathers because they are behind bars, an issue predominantly afflicting Latino families and communities.
Rodriguez, a USC film school grad, made the feature before graduating, having fleshed the story further out of the short film he made of the same name. His project mentor, Patricia Cardoso (Real Women Have Curves) encouraged him to do more with it and this is the amazing result. With earnest and raw performances, the moving and powerfully directed film marks this a sign of a true filmmaker talent discovery.
Website, Twitter
Film contact <contact@badmansson.com>
3. Recommended By Enrique written and directed by Daniel Garcia and Rania Attieh and produced by their NY based company En Passant Films. Shot in border town Del Rio, Texas (the U.S. side of the Rio Grande) with an offbeat hipster cast of young non-professionals plucked locally, the quirky, mystical tale is about an aspiring actress and an old cowboy who each arrive into town with respective plans and expectations, only to end up waiting for something to happen. Forced to wait out their time, they've nothing to do but explore the bewitching town and its people. Lino Varela plays the Cowboy and Sarah Swinwood, a Canadian newcomer actress nails the airhead wannabe star.
This is the second feature film from Texas native Daniel Garcia and Lebanese born Rania. Their first film, Ok, Enough, Goodbye screened at San Francisco International Film Festival among other world wide festivals, and the duo were included in 2011's Filmmaker Magazine’s 25 New Faces of Independent Film. Undertones of a Twilight Zone type of dimension and the spellbinding pull of the dusty town are perfect captured - as anyone who's been in these strange little Texas towns can attest. An unexpected, unpredictable and ultimately lyrical film, this definitely gets my recommendation.
Website, Facebook
Film contact < info@recommendedbyenrique.com>
4. Vincent & Luzy (Fka On the Run) written and directed by Alberto Barboza and produced by Cinético Productions. A charming, hip and modern fairy tale love story between a soulful graffiti artist,Vincent, played by Miguel Angel Caballero, and sexy tattoo artist, Luz, or Luzy played by Iliana Carter Ramirez. The film captures and romanticizes the happening, multi-culti rockabilly/emo scene and counter culture of Boyle Heights and Echo Parque, and features lots of home grown talent and spots like Self Help Graphics, the community visual arts mission center. The posters created by Vincent in the film are designed by La native, rising street artist, El Mac (Miles MacGregor). You'll recognize some of his murals around La like this one on Hollywood and Wilton, one of my favorites. He just did the album cover for No Doubt.
An eclectic soundtrack featuring local Vallenato band, Very Be Careful, Hermanos Herrera, Irene Diaz, Doghouse Lords and more. The cast also includes ol' G', Sal Lopez (American Me) and Lupe Ontiveros in what may be her last film role before she passed away last year (she also has a small role in Water & Power).
Fresh, exuberant and inhabiting a distinct, heightened magical street reality, Vincent & Luzy might be the first film to truly reflect this young, vibrant artist subculture, making this one a hot to track.
Film contact: info@CineticoProductions.com
Website
5. Blaze You Out – written and directed by Mateo Frazier and Diego Joaquin Lopez and produced by Alicia J. Keyes. Set in the rarely seen mystic world of New Mexico, this young female driven thriller is uniquely atmospheric. Starring the rising young talent, Veronica Diaz Carranza (Mamitas) along with Elizabeth Pena, Q'orianka Kilcher and Raoul Trujillo, all who ignite the screen. Diaz stars as Lupe, a DJ who is forced to venture into her town's heroin trade underworld in order to save her younger sister Alicia's life. To do so she must confront mysterious occult figures and harness the power within her to connect with the divine that surrounds her.
I was thrilled to hear that Lionsgate picked up the film at Afm a couple months ago. Lionsgate/Grindstone will release the film July 2013. 6 Sales is handling rights to rest of world. Intense and wicked and unlike anything else this is a film to look forward to. In the meantime, check out the press kit, pics and more on their site.
Website, Facebook
Must Mention
Chavez – written and directed by Diego Luna and produced by Canana Films, Mr. Mudd and backed by Participant Media. The biography of an iconic Chicano figure, labor rights activist Cesar Chavez, and Luna, who is an international name talent, has obviously been given major press coverage ever since it was first announced so it doesn't really fit my 'Discovery' profile. That said, it is a highly anticipated and eagerly awaited film. I truly hope the film opens wide and mainstream - although Participant will likely need a partner to make this happen in the U.S. Michael Peña, the Puerto Rican actor catapulting towards leading man roles and more regularly Hollywood roles (he's also in Gangster Squad opening this weekend), embodies a young Chavez. It wasn’t quite ready for Sundance so it’s possible the film will bow at a high profile festival like Cannes or Toronto. Although I'm hoping Stephanie Allain, director of Film Independent's La Film Festival will go hard after the film to wrangle what would be a fitting La gala premiere. Diego Luna proved his salt as the filmmaker of Abel, an eloquent and heart-stirring portrait of a little delusional boy who pretends to be the man of the house since his father left. Peña recently shared his approach was to be truthful to Cesar the Man not necessarily the legend or myth generated by his colossal perseverance and labor rights feats. All eyes will be on the representation of such a querido and influential figure. My bet? All in. I trust the filmmakers and cast will deliver a resonant and accomplished cinematic film worthy of the inspiring civil rights story, and more importantly re-introduce Chavez to mobilize our millennial generation.
Do you have a hot independent American Latino film recommendation I should track? Holler at your girl. Email me at chicanafromchicago@gmail.com
Next up, Non-Fiction American Latino films to track in 2013...
- 1/10/2013
- by Christine Davila
- Sydney's Buzz
More from the Latino scene from our woman in L.A., free lance festival programmer extraordinaire, Christine Davila, from her blog Chicana from Chicago:
Looking at yesterday’s announcement of Film Independent’s Los Angeles Film Festival reveals a healthy Latino presence among the 62 features and 48 short films in the program. Here’s how I break down the Latino/ Ibero/ U.S. Latino component of the program.
Chile continues to give Argentina a run for its cache of exciting and growing cinematic output from South America with the inclusion of Thursday Til Sunday (Isa & Distributor: FiGa) written and directed by Dominga Sotomayor ♀, in Narrative Competition.
Although the traveling Mexican film festival Ambulante is no longer a program spotlight, Mexican films continue to be a mainstay of the festival. There are four feature-length films and three short films from/about Mexico. In Narrative Competition, The Compass is Carried by the Dead Man (Isa: Kafilms, Argentina) written and directed by Arturo Pons [about a young Mexican aiming for Chicago], and in Documentary Competition, Drought by Everado González (recently awarded Best Documentary at FICG27) . Out of competition is the gorgeously shot documentary, Canícula, and although the funding is mainly stateside, Bernardo Ruiz paints a fascinating portrait of the risky journalistic practice and history of the seminal Tijuana weekly, Zeta in Reportero.
Also of note in the program is that four short films list Cuba as a co-production/origin of country.
But what of the U.S. Latino filmmakers and stories? Last year Los Angeles Film Festival was a great launchpad for Mamitas (Distributor: ScreenMedia, Producer rep: Traction Media), an authentic Chicano portrayal of young love set in Echo Parque written and directed by Nicolas Ozeki (a non-Latino), co-starring fast rising hot talents Veronica Diaz-Carranzo (Blaze You Out) and E.J. Bonilla. The film is currently in theaters now. (Big recommend,theater listings here-go support it!)
The closest we have to representing U.S. Latino in the features section is Four, the feature debut of Joshua Sanchez who hails from Houston, Texas. Based on a Christopher Shinn play, the July 4th-eve-set story is a snapshot of two disparate relationships tensely intertwined and their at-odd dynamics of desire. Coincidentally, E.J. Bonilla also stars (this guy is blowing up!). I would also include as U.S. Latino, Searching for Sugar Man, the documentary by Malik Bendjelloul about singer songwriter Sixto Rodriguez’s fascinating rise and fall into obscurity as a Uj.S. Latino story. As a matter of fact, the film seems to suggest that perhaps Sixto’s Mexican-American identity might have been a reason he was not embraced by the 60s and 70s mainstream. [Per Sydney: The film was snatched up at Sundance by Sony Pictures Classics and by Isa Protagonist who is screening it twice in Cannes.]
As for U.S. Latino shorts, Fireworks written and directed by Victor Hugo Duran, which is also incidentally centered around 4th of July, is an L.A. set story about boys trying to rap on girls.
My favorite Miami based hooligans, Jillian Mayer and Lucas Leyva, keep representing with their fresh and experimental short film, Life and Freaky Times of Uncle Luke. They are part of a collective of go-there filmmakers, Borscht Corp who had four crazy shorts screen at SXSW (and they were a riot to bootie shake dance with at SXSW Film’s Closing Night Party). You must carve out an hour and look at their work on the site (Nsfw!)
And lastly, in front of camera there’s some America Ferrera in Todd Berger’s It’s a Disaster (Isa: Maya), and rising boriqua actress April Hernandez Castillo, of hit webseries East Willy B, Dexter and other TV, is in The History of Future Folk [Per Sydney: one of 7 horror films in the festival, another being It's A Disaster per Dread Central, so take note Latino distributors like Lionsgate because horror films are a favorite of a certain Latino demographic!] by J. Anderson Mitchell and Jeremy Kipp Walker, described as a “sweet sci-fi musical comedy”. Below is the rest of the Latino and Ibero-American (includes Spain and Portugal). Descriptions provided by L.A. Film Festival, and bold cap commentary by me.
Narrative Competition:
o All Is Well – Portugal (Director Pocas Pascoal ♀, Producer Luis Correia Cast Cheila Lima, Ciomara Morais) – Strangers in a strange land, two beautiful Angolan sisters fleeing a civil war in their homeland struggle to survive in Lisbon. Pocas Pascoal’s deeply personal saga shows us the face of exile with quietly stunning power. North American Premiere
o The Compass is Carried by the Dead Man – Mexico (Director/Writer Arturo Pons Producer Ozcar Ramírez González Cast Gael Sanchez Valle, Pedro Gamez, Ana Ofelia Murguía, Eligio Melendez, Luis Bayardo, Marco Perez) – A young man and a dead man journey north through a subtly surreal desert landscape, picking up a wagonful of odd characters as they go in this darkly humorous satire of contemporary Mexico. North American Premiere
o Four – (Director/Writer Joshua Sanchez Producer Christine Giorgio Cast Wendell Pierce, Emory Cohen, Aja Naomi King, E.J. Bonilla) – Over the course of a steamy 4th of July night, a father and daughter, each trapped in loneliness, reach out for sexual connection — he with a self-hating teenage boy, she with a smooth-talking wannabe homeboy — in this psychologically complex, beautifully acted drama. World Premiere
o Thursday till Sunday – Chile (Director/Writer Dominga Sotomayor ♀ Producers Gregorio González, Benjamin Domenech Cast Santi Ahumada, Emiliano Freifeld, Francisco Pérez-Bannen, Paola Giannini) – With uncommon beauty and style, this Chilean road movie finds a family at a crossroads, as the daughter slowly realizes the divide between the adults in the front seat and the kids in back. North American Premiere
Documentary Competition:
o Drought – Mexico (Director Everado González Producer Martha Orozco) – Contrasting the lives of a cattle-ranching community with the arid northeastern Mexican landscape that surrounds them, this cinema vertité documentary paints a poetic portrait of a community on the verge of extinction. Us Premiere
o Sun Kissed – (Directors Maya Stark ♀, Adi Lavy ♀ Producers Jocelyn Glatzer, Maya Stark, Adi Lavy) – With remarkable strength of spirit, a husband and wife examine their lives and why their children and others have been struck with a rare genetic disorder in this powerful portrait of a small Navajo community. World Premiere ~ Okay Not Latino But It'S Native American So I’M Giving It A Shout Since There Are Not Enough Native American Stories.
International Showcase:
o Canícula – Mexico (Director José Álvarez Writers Sebastián Hoffman, José Álvarez Producer Mauricio Fabre Cast Hermelinda Santes, Esteban González, Mario García) – This is a hauntingly beautiful portrait of the rituals and crafts of contemporary Indians in remote Veracruz, who teach their boys to fly. ~ See My Interview With Jose Here.
o The Last Elvis – Argentina (Director Armando Bo Writers Armando Bo, Nicolás Giacobone Producers Steve Golin, Hugo Sigman, Patricio Alvarez Casado, Victor Bo, Armando Bo Cast John McInerny, Griselda Siciliani, Margarita Lopez) – John McInerny gives a staggering performance in this poignant tale of a Buenos Aires Elvis impersonator who only comes alive when he dons the King’s clothes to perform. How can he reconcile his dreams of glory with his dead end factory job and an estranged wife and daughter who can’t live inside his fantasies?
o Neighboring Sounds – Brazil (Director/Writer Kleber Mendonça Filho Producer Emilie Lesclaux Cast Irandhir Santos, Gustavo Jahn, Maeve Jinkings, W.J. Solha) – Kleber Mendonca Filho’s astonishing, suspenseful debut film focuses on one upscale street in the seaside town of Recife, where a private security team is enlisted to protect the residents from crime. By its startling conclusion, you feel you’ve seen all of Brazilian society exposed.
o The Strawberry Tree – Canada/Cuba/Italy (Director/Producer Simone Rapisarda Casanova) – Filmed in a small Cuban fishing village mere weeks before a hurricane decimated the entire region, this stunning documentary unknowingly captures the town’s final days even as it reframes the usual filmmaker-film subject relationship.
Summer Showcase:
o La Camioneta: The Journey of One American School Bus – USA/Guatemala (Director Mark Kendall Producers Mark Kendall, Rafael González, Bernardo Ruiz) – The journey and transformation of a yellow American school bus into a vibrant Central American camionetasensitively reveals both the beauty and violence of everyday life in Guatemala.
o Reportero – (Director Bernardo Ruiz Producers Bernardo Ruiz, Patricia Benabe, Anne Hubbell Featuring Sergio Haro Cordero, Adela Navarro Bello) – A look at the incredible danger facing journalists in Mexico through the eyes of investigative reporter Sergio Haro and other staff at Zeta, the defiant Tijuana-based newsweekly.~ See My Interview With Bernardo Here
o Searching for Sugar Man – (Director/Writer Malik Bendjelloul Producers Simon Chinn, Nicole Stott, George Chignell) – Years after fading into obscurity at home, the music of ’70s U.S. singer/songwriter Rodriguez became an underground sensation in South Africa. Decades after his disappearance, two fans uncover the startling truth behind the legend.
Beyond:
o Juan of the Dead – Cuba (Director/Writer Alejandro Brugués Producers Gervasio Iglesias, Inti Herrera Cast Alexis Días de Villegas, Jorge Molina, Andrea Duro, Andros Perugorría, Jazz Vila, Eliecer Ramírez) – The streets of Havana are alive with the undead in Cuba’s first zombie comedy, a wild and bloody romp that sinks its sharp satirical teeth into the Cuban body politic. Castro may not be amused, but you will be.
Short Film Competition:
Against the Sea (Contra el mar) – Mexico, USA (Director) Richard Parkin
Black Doll (Prita Noire) – Mexico (Director) Sofia Carrillo
Kendo Monogatari – Cuba, Guatemala (Director) Fabián Suárez
Scanning (Ecografía) – Cuba (Director) Aleksandra Maciuszek Mukoid
Life and Freaky Times of Uncle Luke – (Directors) Jillian Mayer, Lucas Leyva ~Crazy Talented! Miami Represent!
Fireworks – (Director) Victor Hugo Duran -
Kendo Monogatari – Cuba, Guatemala (Director) Fabián Suárez
Paraíso – (Director) Nadav Kurtz ~Doc Subject Is About 3 Mexicans
Scanning (Ecografía) – Cuba (Director) Aleksandra Maciuszek Mukoid
Voice Over – Spain (Director) Martín Rosete
For full lineup and more info go to L.A. Film Festival...
Looking at yesterday’s announcement of Film Independent’s Los Angeles Film Festival reveals a healthy Latino presence among the 62 features and 48 short films in the program. Here’s how I break down the Latino/ Ibero/ U.S. Latino component of the program.
Chile continues to give Argentina a run for its cache of exciting and growing cinematic output from South America with the inclusion of Thursday Til Sunday (Isa & Distributor: FiGa) written and directed by Dominga Sotomayor ♀, in Narrative Competition.
Although the traveling Mexican film festival Ambulante is no longer a program spotlight, Mexican films continue to be a mainstay of the festival. There are four feature-length films and three short films from/about Mexico. In Narrative Competition, The Compass is Carried by the Dead Man (Isa: Kafilms, Argentina) written and directed by Arturo Pons [about a young Mexican aiming for Chicago], and in Documentary Competition, Drought by Everado González (recently awarded Best Documentary at FICG27) . Out of competition is the gorgeously shot documentary, Canícula, and although the funding is mainly stateside, Bernardo Ruiz paints a fascinating portrait of the risky journalistic practice and history of the seminal Tijuana weekly, Zeta in Reportero.
Also of note in the program is that four short films list Cuba as a co-production/origin of country.
But what of the U.S. Latino filmmakers and stories? Last year Los Angeles Film Festival was a great launchpad for Mamitas (Distributor: ScreenMedia, Producer rep: Traction Media), an authentic Chicano portrayal of young love set in Echo Parque written and directed by Nicolas Ozeki (a non-Latino), co-starring fast rising hot talents Veronica Diaz-Carranzo (Blaze You Out) and E.J. Bonilla. The film is currently in theaters now. (Big recommend,theater listings here-go support it!)
The closest we have to representing U.S. Latino in the features section is Four, the feature debut of Joshua Sanchez who hails from Houston, Texas. Based on a Christopher Shinn play, the July 4th-eve-set story is a snapshot of two disparate relationships tensely intertwined and their at-odd dynamics of desire. Coincidentally, E.J. Bonilla also stars (this guy is blowing up!). I would also include as U.S. Latino, Searching for Sugar Man, the documentary by Malik Bendjelloul about singer songwriter Sixto Rodriguez’s fascinating rise and fall into obscurity as a Uj.S. Latino story. As a matter of fact, the film seems to suggest that perhaps Sixto’s Mexican-American identity might have been a reason he was not embraced by the 60s and 70s mainstream. [Per Sydney: The film was snatched up at Sundance by Sony Pictures Classics and by Isa Protagonist who is screening it twice in Cannes.]
As for U.S. Latino shorts, Fireworks written and directed by Victor Hugo Duran, which is also incidentally centered around 4th of July, is an L.A. set story about boys trying to rap on girls.
My favorite Miami based hooligans, Jillian Mayer and Lucas Leyva, keep representing with their fresh and experimental short film, Life and Freaky Times of Uncle Luke. They are part of a collective of go-there filmmakers, Borscht Corp who had four crazy shorts screen at SXSW (and they were a riot to bootie shake dance with at SXSW Film’s Closing Night Party). You must carve out an hour and look at their work on the site (Nsfw!)
And lastly, in front of camera there’s some America Ferrera in Todd Berger’s It’s a Disaster (Isa: Maya), and rising boriqua actress April Hernandez Castillo, of hit webseries East Willy B, Dexter and other TV, is in The History of Future Folk [Per Sydney: one of 7 horror films in the festival, another being It's A Disaster per Dread Central, so take note Latino distributors like Lionsgate because horror films are a favorite of a certain Latino demographic!] by J. Anderson Mitchell and Jeremy Kipp Walker, described as a “sweet sci-fi musical comedy”. Below is the rest of the Latino and Ibero-American (includes Spain and Portugal). Descriptions provided by L.A. Film Festival, and bold cap commentary by me.
Narrative Competition:
o All Is Well – Portugal (Director Pocas Pascoal ♀, Producer Luis Correia Cast Cheila Lima, Ciomara Morais) – Strangers in a strange land, two beautiful Angolan sisters fleeing a civil war in their homeland struggle to survive in Lisbon. Pocas Pascoal’s deeply personal saga shows us the face of exile with quietly stunning power. North American Premiere
o The Compass is Carried by the Dead Man – Mexico (Director/Writer Arturo Pons Producer Ozcar Ramírez González Cast Gael Sanchez Valle, Pedro Gamez, Ana Ofelia Murguía, Eligio Melendez, Luis Bayardo, Marco Perez) – A young man and a dead man journey north through a subtly surreal desert landscape, picking up a wagonful of odd characters as they go in this darkly humorous satire of contemporary Mexico. North American Premiere
o Four – (Director/Writer Joshua Sanchez Producer Christine Giorgio Cast Wendell Pierce, Emory Cohen, Aja Naomi King, E.J. Bonilla) – Over the course of a steamy 4th of July night, a father and daughter, each trapped in loneliness, reach out for sexual connection — he with a self-hating teenage boy, she with a smooth-talking wannabe homeboy — in this psychologically complex, beautifully acted drama. World Premiere
o Thursday till Sunday – Chile (Director/Writer Dominga Sotomayor ♀ Producers Gregorio González, Benjamin Domenech Cast Santi Ahumada, Emiliano Freifeld, Francisco Pérez-Bannen, Paola Giannini) – With uncommon beauty and style, this Chilean road movie finds a family at a crossroads, as the daughter slowly realizes the divide between the adults in the front seat and the kids in back. North American Premiere
Documentary Competition:
o Drought – Mexico (Director Everado González Producer Martha Orozco) – Contrasting the lives of a cattle-ranching community with the arid northeastern Mexican landscape that surrounds them, this cinema vertité documentary paints a poetic portrait of a community on the verge of extinction. Us Premiere
o Sun Kissed – (Directors Maya Stark ♀, Adi Lavy ♀ Producers Jocelyn Glatzer, Maya Stark, Adi Lavy) – With remarkable strength of spirit, a husband and wife examine their lives and why their children and others have been struck with a rare genetic disorder in this powerful portrait of a small Navajo community. World Premiere ~ Okay Not Latino But It'S Native American So I’M Giving It A Shout Since There Are Not Enough Native American Stories.
International Showcase:
o Canícula – Mexico (Director José Álvarez Writers Sebastián Hoffman, José Álvarez Producer Mauricio Fabre Cast Hermelinda Santes, Esteban González, Mario García) – This is a hauntingly beautiful portrait of the rituals and crafts of contemporary Indians in remote Veracruz, who teach their boys to fly. ~ See My Interview With Jose Here.
o The Last Elvis – Argentina (Director Armando Bo Writers Armando Bo, Nicolás Giacobone Producers Steve Golin, Hugo Sigman, Patricio Alvarez Casado, Victor Bo, Armando Bo Cast John McInerny, Griselda Siciliani, Margarita Lopez) – John McInerny gives a staggering performance in this poignant tale of a Buenos Aires Elvis impersonator who only comes alive when he dons the King’s clothes to perform. How can he reconcile his dreams of glory with his dead end factory job and an estranged wife and daughter who can’t live inside his fantasies?
o Neighboring Sounds – Brazil (Director/Writer Kleber Mendonça Filho Producer Emilie Lesclaux Cast Irandhir Santos, Gustavo Jahn, Maeve Jinkings, W.J. Solha) – Kleber Mendonca Filho’s astonishing, suspenseful debut film focuses on one upscale street in the seaside town of Recife, where a private security team is enlisted to protect the residents from crime. By its startling conclusion, you feel you’ve seen all of Brazilian society exposed.
o The Strawberry Tree – Canada/Cuba/Italy (Director/Producer Simone Rapisarda Casanova) – Filmed in a small Cuban fishing village mere weeks before a hurricane decimated the entire region, this stunning documentary unknowingly captures the town’s final days even as it reframes the usual filmmaker-film subject relationship.
Summer Showcase:
o La Camioneta: The Journey of One American School Bus – USA/Guatemala (Director Mark Kendall Producers Mark Kendall, Rafael González, Bernardo Ruiz) – The journey and transformation of a yellow American school bus into a vibrant Central American camionetasensitively reveals both the beauty and violence of everyday life in Guatemala.
o Reportero – (Director Bernardo Ruiz Producers Bernardo Ruiz, Patricia Benabe, Anne Hubbell Featuring Sergio Haro Cordero, Adela Navarro Bello) – A look at the incredible danger facing journalists in Mexico through the eyes of investigative reporter Sergio Haro and other staff at Zeta, the defiant Tijuana-based newsweekly.~ See My Interview With Bernardo Here
o Searching for Sugar Man – (Director/Writer Malik Bendjelloul Producers Simon Chinn, Nicole Stott, George Chignell) – Years after fading into obscurity at home, the music of ’70s U.S. singer/songwriter Rodriguez became an underground sensation in South Africa. Decades after his disappearance, two fans uncover the startling truth behind the legend.
Beyond:
o Juan of the Dead – Cuba (Director/Writer Alejandro Brugués Producers Gervasio Iglesias, Inti Herrera Cast Alexis Días de Villegas, Jorge Molina, Andrea Duro, Andros Perugorría, Jazz Vila, Eliecer Ramírez) – The streets of Havana are alive with the undead in Cuba’s first zombie comedy, a wild and bloody romp that sinks its sharp satirical teeth into the Cuban body politic. Castro may not be amused, but you will be.
Short Film Competition:
Against the Sea (Contra el mar) – Mexico, USA (Director) Richard Parkin
Black Doll (Prita Noire) – Mexico (Director) Sofia Carrillo
Kendo Monogatari – Cuba, Guatemala (Director) Fabián Suárez
Scanning (Ecografía) – Cuba (Director) Aleksandra Maciuszek Mukoid
Life and Freaky Times of Uncle Luke – (Directors) Jillian Mayer, Lucas Leyva ~Crazy Talented! Miami Represent!
Fireworks – (Director) Victor Hugo Duran -
Kendo Monogatari – Cuba, Guatemala (Director) Fabián Suárez
Paraíso – (Director) Nadav Kurtz ~Doc Subject Is About 3 Mexicans
Scanning (Ecografía) – Cuba (Director) Aleksandra Maciuszek Mukoid
Voice Over – Spain (Director) Martín Rosete
For full lineup and more info go to L.A. Film Festival...
- 5/2/2012
- by Christine Davila
- Sydney's Buzz
I came across Mamitas (Producer Rep: Traction Media) as a short film version back in '07 and was struck by its charm. At the time there were few and far between coming-of-age stories set in L.A. about a budding romance in teenagers that didn't involve pregnancies or gang culture, yet Mamitas rang true in every sense. So, when Nick told me he was making the feature length version, I was anxious to read it, to see what journey he would take these two characters, Jordin and Felipa, on. I was pleasantly surprised by the elements he added to surround the core love story. These were teens with real life teen problems. Nick, clearly respected and cared for these characters. I was even more stoked to come home to a DVD copy of the completed film a year later. It was everything it was supposed to be. Jordin and Felipa, this time brought to life by Ej Bonilla and Veronica Diaz, were fully realized. Bonilla and Diaz were the perfect beat for the heart of this film. They each brought a radiant honesty and shone in their roles. I wasn't surprised this film and Veronica have recieved awards on its way to a theatrical release by Screen Media Films in Los Angeles, opening on Friday, April 27th.
LatinoBuzz:The film that made you say, "This is what I want to do"?
Nicholas Ozeki: This is a simple but tough question because I had so many films that inspired me throughout my youth. I would have to say the first film that really knocked me out was Alien by Ridley Scott. I think what really did it for me was his attention to detail. This firstly manifests itself through the immaculate production design of the spaceship Nostromo. I loved the weathered and dilapidated nature of the ships working areas contrast with the brightly lit and washed out living spaces of the crew. What really speaks to me though is Ridley Scott’s control of our emotions through out the movie. He builds the tension so gradually and precisely that by the time we are in the heart of the second act he has gotten the audience so scared that we are all on the edge of our seats. This is a great film because no matter how many times I watch it, I still find myself fully invested in the characters despite the fact I know what is coming. I think it was this type of mastery of storytelling and the ability of bringing the audience so completely into another world that made me want to become a director.
LatinoBuzz: Spike Lee's and Martin Scorcese's New York is rapidly disappearing/disappeared to gentrification were recapturing a time in New York is becoming increasingly difficult. Is that the case with La for you?
Nicholas Ozeki: I didn’t grow up in L.A. so I can’t really speak of this city as my own, but even living here for the better part of a decade I can see the changes spreading through the eastern part of the city. What I have noticed is that Eastern Los Angeles is similar to New York in that it is the oldest part of the city. It has some of the best architecture, oldest neighborhoods, and most importantly the oldest generations of true Angelinos, dating back to the early 1930s. I was surprised to learn that the silent era of the film industry started in the Los Feliz, Echo Park area where many of these movies were shot. That being said, I think Hollywood is more of a state of mind then a place. There are certainly iconic locations in L.A. but as far as the glitz and glamour of old Hollywood and the studio system, that’s all but faded away.
LatinoBuzz: Some have said the first feature you make is the story you've waiting to tell your whole life. Why did this story stay with you from a short film to a feature?
Nicholas Ozeki:I think the first feature of any director is going to hold a special place in their heart. It's kind of like a first kiss in that its highly anticipated and will be forever ingrained in your memory, but at the end of the day you’re just trying not to slobber all over the other person. For me this film was a wonderful experience but I would not say that it is my ultimate opus as a director. For some, they are lucky enough to be able to tell the story they have always wanted to tell as their first feature. However, I definitely felt extremely passionate about making Mamitas after I had completed the short film version in Graduate school because it was a story that really touched the audience. The film is not based directly from my life but I certainly tried to impart what limited wisdom I have gained in my 31 years into the characters of the film. I hope the audience finds truthfulness in the performances of the actors.
LatinoBuzz:So, what is the power of the short film in 2012?
Nicholas Ozeki: I think the power of the short film is incredibly underrated. I can tell you it is way easier to get someone to watch a 15-minute film then a full-length feature. In those 15 minutes you have the opportunity to express your voice as an artist and hopefully connect with your audience. If you are trying to be a first time feature director then a short film that demonstrates you have a grasp on the themes and concepts of the movie you want to direct is a no-brainer. Whether they are collaborators or potential investors, filmmaking is a visual art form so you obviously need visuals to show them!
LatinoBuzz:What's the dream?
Nicholas Ozeki:For me the dream is the freedom to make all the crazy ideas I have in my head into movies. I truly love directing and I think it is a privilege to have this as an occupation. Filmmaking is like playing in your imagination and getting paid to do it. How cool is that?! I guess I’ll ride this horse until it bucks me.
LatinoBuzz:You cast Mexican legend Pedro Armendariz Jr. who, God bless him, passed away this past December but had such an illustrious career in film including making appearances in personal faves of mine; Airwolf and The Love Boat. Tell us a story about him.
Nicholas Ozeki:Here is a great story of how beloved Pedro is. We were behind schedule one of the days of our shoot. It was a night scene and we were shooting in the backyard of a house. The biggest issue was that there was a huge party next door to us with a live metal band blasting music. Of course, this was creating havoc with our sound department. Then two local cops show up asking if we had permits to put lights out on the street. Of course, we didn’t so they were preparing to shut us down. Then one of the cops noticed Mr. Armendariz sitting patiently on the set. “Pedro!” He exclaimed. Luckily both cops were Mexican American and they instantly recognized one of Mexico’s most celebrated actors. Pedro very graciously went up to the cops and spoke with them for a few minutes. The next thing we new the officers were smiling and told us not to worry about the permit and then they went over to the house next door and shut the party down for us. I think that was the first time I saw how beloved Pedro was to the Hispanic community. He will be deeply missed. R.I.P.
LatinoBuzz:What traits should envelope the heart of a filmmaker as an artist?
Nicholas Ozeki: Vision –A filmmaker has to have great vision in order to tell a compelling story that is both distinctive and stylistic. I remember playing the movie in my head hundreds of times before it was ever made. You have to see it in your imagination. It has to be real to you.
Commitment –Making a film is like raising a child. You have to be there every step of the way, guide it, provide for it, and finally let it go into the real world and hope you have done a good job. If you don’t absolutely love your film then you will loss interest in it and the movie will suffer. At the end of the day, filmmaking is a sheer act of creative will. You have to be prepared to stick with your art no matter what comes your way.
The Eye of the Tiger –You have to believe in yourself and always strive for the best. Whether that is getting the best actor, the most talented cinematographer, or the best location for your story, you have to have the hunger to want it and be willing to do what it takes to get it. A filmmaker should never be satisfied with their work. There should always be something that they want to improve on.
LatinoBuzz:If you could pluck a character from any book and write a film around them, who is the character and where would you take them?
Nicholas Ozeki: One of my favorite books is The Wonderous Life of Oscar Wao (Junot Diaz), so I would have to take the main character Oscar De Leon and make a film that deals with his early adolescence. My only fear is living up to Junot Diaz’s incendiary prose. He is really such a brilliant an entertaining author.
LatinoBuzz: You were nominated for an Independent Spirit Awards ‘Someone To Watch Award’. Any pressure to exceed expectations and not become the next Michael Cimino (The Deer Hunter) and fade to black. 'The End'.
Nicholas Ozeki: It’s interesting because I think awards and accolades are wonderful and validating but really my concentration has been on how the film will be received by the general public. I think this will be the biggest catalyst of expectations. I’m sure that if the film does well I will feel pressure to succeed and improve upon my work. But these are good problems to have.
LatinoBuzz:Mamitas touches on the topic of fatherhood - how has your upbringing affected your choices to pursue film?
Nicholas Ozeki:I came from a strong middle class home and I have parents that have always supported me finding a profession that I love. I can say that their insistence on a good education is what made me the person I am today. That is why I focus a lot on the theme of education in Mamitas. As for the theme of fatherhood, it is certainly not a personal story but I do think it is something that everyone can sympathize and relate with.
LatinoBuzz:Mamitas is a coming of age romance story with a sweetness to it. Do you have an onscreen romance that you are fond of and tell me about your charming actors, Ej Bonilla and Veronica Diaz. They had amazing chemistry.
Nicholas Ozeki:I have to say one of the sweetest onscreen couples is Audrey Heburn and Gregory Peck in Roman Holiday. It also happens to be my favorite romantic comedy. Ej Bonillia and Veronica Diaz were wonderful together on screen. I think it was out of a mutual respect for one another’s talent as well as a trust that they formed together very quickly. I also think they really got their characters and did the work they needed to in order to nail their scenes. Both amazing actors with bright futures ahead of them.
For more on Mamitas & screening times, dig Mamitasthemovie.com...
LatinoBuzz:The film that made you say, "This is what I want to do"?
Nicholas Ozeki: This is a simple but tough question because I had so many films that inspired me throughout my youth. I would have to say the first film that really knocked me out was Alien by Ridley Scott. I think what really did it for me was his attention to detail. This firstly manifests itself through the immaculate production design of the spaceship Nostromo. I loved the weathered and dilapidated nature of the ships working areas contrast with the brightly lit and washed out living spaces of the crew. What really speaks to me though is Ridley Scott’s control of our emotions through out the movie. He builds the tension so gradually and precisely that by the time we are in the heart of the second act he has gotten the audience so scared that we are all on the edge of our seats. This is a great film because no matter how many times I watch it, I still find myself fully invested in the characters despite the fact I know what is coming. I think it was this type of mastery of storytelling and the ability of bringing the audience so completely into another world that made me want to become a director.
LatinoBuzz: Spike Lee's and Martin Scorcese's New York is rapidly disappearing/disappeared to gentrification were recapturing a time in New York is becoming increasingly difficult. Is that the case with La for you?
Nicholas Ozeki: I didn’t grow up in L.A. so I can’t really speak of this city as my own, but even living here for the better part of a decade I can see the changes spreading through the eastern part of the city. What I have noticed is that Eastern Los Angeles is similar to New York in that it is the oldest part of the city. It has some of the best architecture, oldest neighborhoods, and most importantly the oldest generations of true Angelinos, dating back to the early 1930s. I was surprised to learn that the silent era of the film industry started in the Los Feliz, Echo Park area where many of these movies were shot. That being said, I think Hollywood is more of a state of mind then a place. There are certainly iconic locations in L.A. but as far as the glitz and glamour of old Hollywood and the studio system, that’s all but faded away.
LatinoBuzz: Some have said the first feature you make is the story you've waiting to tell your whole life. Why did this story stay with you from a short film to a feature?
Nicholas Ozeki:I think the first feature of any director is going to hold a special place in their heart. It's kind of like a first kiss in that its highly anticipated and will be forever ingrained in your memory, but at the end of the day you’re just trying not to slobber all over the other person. For me this film was a wonderful experience but I would not say that it is my ultimate opus as a director. For some, they are lucky enough to be able to tell the story they have always wanted to tell as their first feature. However, I definitely felt extremely passionate about making Mamitas after I had completed the short film version in Graduate school because it was a story that really touched the audience. The film is not based directly from my life but I certainly tried to impart what limited wisdom I have gained in my 31 years into the characters of the film. I hope the audience finds truthfulness in the performances of the actors.
LatinoBuzz:So, what is the power of the short film in 2012?
Nicholas Ozeki: I think the power of the short film is incredibly underrated. I can tell you it is way easier to get someone to watch a 15-minute film then a full-length feature. In those 15 minutes you have the opportunity to express your voice as an artist and hopefully connect with your audience. If you are trying to be a first time feature director then a short film that demonstrates you have a grasp on the themes and concepts of the movie you want to direct is a no-brainer. Whether they are collaborators or potential investors, filmmaking is a visual art form so you obviously need visuals to show them!
LatinoBuzz:What's the dream?
Nicholas Ozeki:For me the dream is the freedom to make all the crazy ideas I have in my head into movies. I truly love directing and I think it is a privilege to have this as an occupation. Filmmaking is like playing in your imagination and getting paid to do it. How cool is that?! I guess I’ll ride this horse until it bucks me.
LatinoBuzz:You cast Mexican legend Pedro Armendariz Jr. who, God bless him, passed away this past December but had such an illustrious career in film including making appearances in personal faves of mine; Airwolf and The Love Boat. Tell us a story about him.
Nicholas Ozeki:Here is a great story of how beloved Pedro is. We were behind schedule one of the days of our shoot. It was a night scene and we were shooting in the backyard of a house. The biggest issue was that there was a huge party next door to us with a live metal band blasting music. Of course, this was creating havoc with our sound department. Then two local cops show up asking if we had permits to put lights out on the street. Of course, we didn’t so they were preparing to shut us down. Then one of the cops noticed Mr. Armendariz sitting patiently on the set. “Pedro!” He exclaimed. Luckily both cops were Mexican American and they instantly recognized one of Mexico’s most celebrated actors. Pedro very graciously went up to the cops and spoke with them for a few minutes. The next thing we new the officers were smiling and told us not to worry about the permit and then they went over to the house next door and shut the party down for us. I think that was the first time I saw how beloved Pedro was to the Hispanic community. He will be deeply missed. R.I.P.
LatinoBuzz:What traits should envelope the heart of a filmmaker as an artist?
Nicholas Ozeki: Vision –A filmmaker has to have great vision in order to tell a compelling story that is both distinctive and stylistic. I remember playing the movie in my head hundreds of times before it was ever made. You have to see it in your imagination. It has to be real to you.
Commitment –Making a film is like raising a child. You have to be there every step of the way, guide it, provide for it, and finally let it go into the real world and hope you have done a good job. If you don’t absolutely love your film then you will loss interest in it and the movie will suffer. At the end of the day, filmmaking is a sheer act of creative will. You have to be prepared to stick with your art no matter what comes your way.
The Eye of the Tiger –You have to believe in yourself and always strive for the best. Whether that is getting the best actor, the most talented cinematographer, or the best location for your story, you have to have the hunger to want it and be willing to do what it takes to get it. A filmmaker should never be satisfied with their work. There should always be something that they want to improve on.
LatinoBuzz:If you could pluck a character from any book and write a film around them, who is the character and where would you take them?
Nicholas Ozeki: One of my favorite books is The Wonderous Life of Oscar Wao (Junot Diaz), so I would have to take the main character Oscar De Leon and make a film that deals with his early adolescence. My only fear is living up to Junot Diaz’s incendiary prose. He is really such a brilliant an entertaining author.
LatinoBuzz: You were nominated for an Independent Spirit Awards ‘Someone To Watch Award’. Any pressure to exceed expectations and not become the next Michael Cimino (The Deer Hunter) and fade to black. 'The End'.
Nicholas Ozeki: It’s interesting because I think awards and accolades are wonderful and validating but really my concentration has been on how the film will be received by the general public. I think this will be the biggest catalyst of expectations. I’m sure that if the film does well I will feel pressure to succeed and improve upon my work. But these are good problems to have.
LatinoBuzz:Mamitas touches on the topic of fatherhood - how has your upbringing affected your choices to pursue film?
Nicholas Ozeki:I came from a strong middle class home and I have parents that have always supported me finding a profession that I love. I can say that their insistence on a good education is what made me the person I am today. That is why I focus a lot on the theme of education in Mamitas. As for the theme of fatherhood, it is certainly not a personal story but I do think it is something that everyone can sympathize and relate with.
LatinoBuzz:Mamitas is a coming of age romance story with a sweetness to it. Do you have an onscreen romance that you are fond of and tell me about your charming actors, Ej Bonilla and Veronica Diaz. They had amazing chemistry.
Nicholas Ozeki:I have to say one of the sweetest onscreen couples is Audrey Heburn and Gregory Peck in Roman Holiday. It also happens to be my favorite romantic comedy. Ej Bonillia and Veronica Diaz were wonderful together on screen. I think it was out of a mutual respect for one another’s talent as well as a trust that they formed together very quickly. I also think they really got their characters and did the work they needed to in order to nail their scenes. Both amazing actors with bright futures ahead of them.
For more on Mamitas & screening times, dig Mamitasthemovie.com...
- 4/27/2012
- by Juan Caceres
- Sydney's Buzz
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