“Linoleum” starts out as one kind of movie, drops teasing hints that it might be another type of film and ultimately plot-twists into, well, something else. All of which makes it difficult to review, much less describe in detail, without spilling an economy size bag of beans. But wait, there’s more: It’s also a movie that, not unlike “The Usual Suspects” or “Jacob’s Ladder,” likely will drive some viewers to opt for an instant replay after closing credits roll by, to see if that final twist actually does a watertight job of answering and explaining. Why? To quote a line of dialogue repeated almost as a mantra throughout the proceedings: It’s not that simple.
Jim Gaffigan impressively manages the tricky task of serving simultaneously as sympathetic protagonist and unreliable narrator while portraying Cameron Edwin, a once promising scientist and astronaut wannabe who’s nearing 50 while weighed down...
Jim Gaffigan impressively manages the tricky task of serving simultaneously as sympathetic protagonist and unreliable narrator while portraying Cameron Edwin, a once promising scientist and astronaut wannabe who’s nearing 50 while weighed down...
- 2/24/2023
- by Joe Leydon
- Variety Film + TV
Exclusive: Shout! Studios has acquired North American rights to the sci-fi dramedy Linoleum from Sub_Sequential Pictures, following a competitive bidding situation. The multi-platform entertainment distribution and production arm of Shout! Factory is planning a strategic launch of the movie across all major entertainment platforms, beginning with a theatrical launch later this year. Pic will be presented at the Cannes Film Market by Blue Fox Entertainment.
The film from writer-director Colin West (Double Walker) follows Cameron Edwin (Jim Gaffigan), the host of a failing children’s science TV show called Above & Beyond, who has always had aspirations of being an astronaut. After a mysterious space-race era satellite coincidentally falls from space and lands in his backyard, his midlife crisis manifests in a plan to rebuild the machine into his dream rocket. As his relationship with his wife (Rhea Seehorn) and daughter (Katelyn Nacon) start to strain, surreal events begin unfolding around...
The film from writer-director Colin West (Double Walker) follows Cameron Edwin (Jim Gaffigan), the host of a failing children’s science TV show called Above & Beyond, who has always had aspirations of being an astronaut. After a mysterious space-race era satellite coincidentally falls from space and lands in his backyard, his midlife crisis manifests in a plan to rebuild the machine into his dream rocket. As his relationship with his wife (Rhea Seehorn) and daughter (Katelyn Nacon) start to strain, surreal events begin unfolding around...
- 5/16/2022
- by Matt Grobar
- Deadline Film + TV
Linoleum Review — Linoleum (2022): Film Review, from the 29th Annual South by Southwest Film Festival, a movie written and directed by Colin West, and starring Jim Gaffigan, Rhea Seehorn, Katelyn Nacon, Gabriel Rush, Amy Hargreaves, West Duchovny, Michael Ian Black, Tony Shalhoub, Elisabeth Henry, and Roger Hendricks Simon. This film may accurately be described [...]
Continue reading: Film Review: Linoleum: Surreal Symbolism Delivers More on Feeling than Logic [SXSW 2022]...
Continue reading: Film Review: Linoleum: Surreal Symbolism Delivers More on Feeling than Logic [SXSW 2022]...
- 3/18/2022
- by David McDonald
- Film-Book
There’s a euphoria among film sellers and buyers as SXSW finally convenes Friday in Austin, Texas after a three-year pandemic shutdown.
With the last two editions of the Sundance Film Festival being virtual, and the hybrid edition of TIFF seeing reduced capacities, few industry execs, and a muted atmosphere, SXSW marks the return to packed, receptive audiences; actual live pulses which can trigger good reviews and social media wattage, culminating in what some believe could be an active sales market here in Texas’s capital.
SXSW has a knack for programming comedies, genre, and genre-twisted features; titles which are best experienced by a reactive audience. Sellers previously told Deadline that virtual viewing of such fare at recent fests doesn’t really help their cause. While SXSW is enforcing vaxx cards and mask-wearing indoors, screenings will be at full capacity. In 2019, SXSW drew a reported 73K attendees alone to the...
With the last two editions of the Sundance Film Festival being virtual, and the hybrid edition of TIFF seeing reduced capacities, few industry execs, and a muted atmosphere, SXSW marks the return to packed, receptive audiences; actual live pulses which can trigger good reviews and social media wattage, culminating in what some believe could be an active sales market here in Texas’s capital.
SXSW has a knack for programming comedies, genre, and genre-twisted features; titles which are best experienced by a reactive audience. Sellers previously told Deadline that virtual viewing of such fare at recent fests doesn’t really help their cause. While SXSW is enforcing vaxx cards and mask-wearing indoors, screenings will be at full capacity. In 2019, SXSW drew a reported 73K attendees alone to the...
- 3/11/2022
- by Anthony D'Alessandro
- Deadline Film + TV
Shakespeare’s having a belated birthday party and New York actors are invited. The Bard’s 450th b-day celebration is being held June 24 in conjunction with The Simon Studio’s 36th anniversary. Roger Hendricks Simon, who founded the studio in 1978, will direct current studio members, alumni and special guests in a "an environmental collage of Shakespeare scenes, songs, and dance" at the Players Club. Admission to the "Bard at the Bar" event is a $10 donation at the door. More information is available here.
- 6/23/2014
- backstage.com
All signs point to this being the year for Roger Hendricks Simon, an actor-director-teacher. As the founder of the Simon Studios, he is celebrating his 30th anniversary. As an actor, he has the lead role in the independent film The Sublet, which has received positive notices from Back Stage and Variety, among other places. "Simon creates a wholly sympathetic figure, a man breaking out of his self-imposed exile despite his better judgment," wrote Simi Horwitz in Back Stage. "The unabashed eagerness with which he hovers over drop-in visitors affords some well-timed comedy bits," wrote Variety. Simon sat down with Back Stage recently to reflect on his career, past, present, and future.You have a lot to celebrate this year.It's the 30th anniversary of the Simon Studios, and since I'm only 26 years old, that's quite a remarkable achievement. A remarkable, remarkable event.How did you choose to become a teacher?...
- 2/9/2009
- by Andrew Salomon
- backstage.com
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