North Korean propaganda is so ripe for satire that its darker ramifications are often lost in the laughter. “Under the Sun” literally puts them in closeup, as Russian filmmaker Vitaly Manskiy’s gripping experimental documentary follows an eight-year-old child struggling within the constraints of the country’s suffocating ideology.
Ostensibly an authorized project showcasing the state’s ebullient youth, “Under the Sun” was shot from a script provided by the regime, and footage was subjected to daily scrutiny. But Manskiy nonetheless manages to fashion this material into an ominous indictment of the country’s brainwashing tactics and absurd self-regard, mostly by just letting the camera roll. The insanity speaks for itself.
Read More: Beyond ‘The Interview’: 6 Movies About North Korea You Can Watch Right Now
The scenario for “Under the Sun” contains the flimsiest of plots: Petite young Zin-Mi endures a series of routines in the process of joining the Children’s Union,...
Ostensibly an authorized project showcasing the state’s ebullient youth, “Under the Sun” was shot from a script provided by the regime, and footage was subjected to daily scrutiny. But Manskiy nonetheless manages to fashion this material into an ominous indictment of the country’s brainwashing tactics and absurd self-regard, mostly by just letting the camera roll. The insanity speaks for itself.
Read More: Beyond ‘The Interview’: 6 Movies About North Korea You Can Watch Right Now
The scenario for “Under the Sun” contains the flimsiest of plots: Petite young Zin-Mi endures a series of routines in the process of joining the Children’s Union,...
- 7/6/2016
- by Eric Kohn
- Indiewire
Film festivals are truly a wonderful thing. Be it the globe’s biggest festivals like Cannes or the recently-concluded Sundance Film Festival, or the smallest of the small, festivals across the planet are bringing together film fans from all walks of life, to see pictures ranging from Oscar nominated dramas like Embrace of the Serpent to the experimental art installation The Sky Trembles. Just looking at this year’s Portland International Film Festival lineup, films range from the final documentary from Albert Maysles, In Transit, to the Palme d’Or winning Deehpan. And then there are even smaller pictures, like the newest film from experimental filmmaker Soon-mi Yoo, Songs From The North.
The type of meditative documentary that makes its biggest mark on the festival circuit, where itself has been floating around since 2014, Yoo’s film takes a look at modern Korean identity, a topic that she has attempted to...
The type of meditative documentary that makes its biggest mark on the festival circuit, where itself has been floating around since 2014, Yoo’s film takes a look at modern Korean identity, a topic that she has attempted to...
- 2/19/2016
- by Joshua Brunsting
- CriterionCast
Kon Ichikawa (The Burmese Harp, Fires on the Plain, Tokyo Olympiad) was born 100 years ago today. Also in today's roundup: Melissa Anderson remembers Chantal Akerman, André Bazin and Jean Renoir on television, Girish Shambu on Gina Teleroli's Here's to the Future! and Kurt Walker's Hit 2 Pass, J. Hoberman on Robert Aldrich's Emperor of the North and Nicholas Ray's Wind Across the Everglades, a roundup on Jonathan Demme's Stop Making Sense, Laurie Anderson on Fresh Air, independent Chinese cinema in San Francisco, Soon-Mi Yoo's Songs from the North in Los Angeles, plus news of an animated feature from Edgar Wright and the latest on that sequel to Trainspotting. » - David Hudson...
- 11/20/2015
- Fandor: Keyframe
Kon Ichikawa (The Burmese Harp, Fires on the Plain, Tokyo Olympiad) was born 100 years ago today. Also in today's roundup: Melissa Anderson remembers Chantal Akerman, André Bazin and Jean Renoir on television, Girish Shambu on Gina Teleroli's Here's to the Future! and Kurt Walker's Hit 2 Pass, J. Hoberman on Robert Aldrich's Emperor of the North and Nicholas Ray's Wind Across the Everglades, a roundup on Jonathan Demme's Stop Making Sense, Laurie Anderson on Fresh Air, independent Chinese cinema in San Francisco, Soon-Mi Yoo's Songs from the North in Los Angeles, plus news of an animated feature from Edgar Wright and the latest on that sequel to Trainspotting. » - David Hudson...
- 11/20/2015
- Keyframe
Soon-Mi Yoo’s Songs From the North joins a small group of recent films that attempt to understand North Korea despite a lack of readily available resources. (The Interview will not be mentioned except just this once, because c’mon.) Jim Finn’s The Juche Idea combines real North Korean footage with CCTV-level, rigorously stilted fake propaganda and musical numbers of the director’s own puckish division, attempting to define something about the nation by producing materials ostensibly following the titular gibberish ideology; Mads Brügger’s annoying and unlightening The Red Chapel sends the Danish provocateur to the Dprk along with comedians to find out What’s Really Happening, mostly by […]...
- 9/18/2015
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
Soon-Mi Yoo’s Songs From the North joins a small group of recent films that attempt to understand North Korea despite a lack of readily available resources. (The Interview will not be mentioned except just this once, because c’mon.) Jim Finn’s The Juche Idea combines real North Korean footage with CCTV-level, rigorously stilted fake propaganda and musical numbers of the director’s own puckish division, attempting to define something about the nation by producing materials ostensibly following the titular gibberish ideology; Mads Brügger’s annoying and unlightening The Red Chapel sends the Danish provocateur to the Dprk along with comedians to find out What’s Really Happening, mostly by […]...
- 9/18/2015
- by Vadim Rizov
- Filmmaker Magazine - Blog
Kino Lorber has picked up all North American rights to Soon-Mi Yoo’s Songs From The North, while in a separate deal FilmRise will distribute Steve McQueen: The Man & Le Mans in the Us.
Songs From The North won the Locarno Golden Leopard for best first feature in 2014 and will open on September 18 at New York’s Anthology Film Archives prior to expansion and VOD and home media in early 2016.
Kino Lorber president Richard Lorber brokered the deal with producer Haden Guest. Kino Lorber is planning to expand the release after its New York premiere. A VOD and home media release is scheduled for early 2016.
Songs From The North combines footage from three visits to North Korea by Soon-Mi Yoo with songs, popular cinema and archival footage to get behind the psychology of the North Koreans.
Brooklyn-based FilmRise brokered a Us deal with Content Media for the Cannes Classics documentary Steve McQueen: The Man & Le Mans...
Songs From The North won the Locarno Golden Leopard for best first feature in 2014 and will open on September 18 at New York’s Anthology Film Archives prior to expansion and VOD and home media in early 2016.
Kino Lorber president Richard Lorber brokered the deal with producer Haden Guest. Kino Lorber is planning to expand the release after its New York premiere. A VOD and home media release is scheduled for early 2016.
Songs From The North combines footage from three visits to North Korea by Soon-Mi Yoo with songs, popular cinema and archival footage to get behind the psychology of the North Koreans.
Brooklyn-based FilmRise brokered a Us deal with Content Media for the Cannes Classics documentary Steve McQueen: The Man & Le Mans...
- 9/2/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Read More: Locarno Review: North Korean History Takes on Personal Dimension in 'Songs From the North' Kino Lorber has acquired North American distribution rights to Soon-Mi Yoo's acclaimed documentary "Songs From The North." The movie won the Golden Leopard for Best First Feature at the 2014 Locarno Film Festival. "Songs From The North" is South Korean director Soon-Mi Yoo's meditation on North Korean society. The essay film is a mixture of archival materials and footage shot in the country over the course of four years and three visits. Handling editing and camera duties, Yoo recontextualizes the cold nature of North Korea's government-mandated image by getting intimate with its ramifications. The final result transcends borders and becomes a rescue mission for the country's soul. "'Songs from the North' is a hauntingly beautiful film that opens the eyes and mind to the deeper complexity of a culture...
- 9/1/2015
- by Zack Sharf
- Indiewire
The 6th annual Migrating Forms will be returning to the BAMcinématek in Brooklyn, New York on December 10-18 for a full week of new and classic experimental media.
The fun kicks off with the lyrical portrait of North Korea, Songs From the North, for which filmmaker Soon-Mi Yoo compiled footage from popular films, state-organized demonstrations and home video from her own visits to the country.
Highlights of the fest include a three-film retrospective of documentarian William Greaves, Still a Brother, The Fight and Symbiopsychotaxiplasm: Take One; a new consumerist exploration by Cory Arcangel, Freshbuzz (www.subway.com); the oblique narrative Don’t Go Back to Sleep by Stanya Kahn; and the Hong Kong experimental post-apocalyptic The Midnight After by Fruit Chan.
The full lineup for the 2014 Migrating Forms is below:
December 10
8:00 p.m.: Songs From the North, dir. Soon-Mi Yoo. This portrait of North Korea has been crafted...
The fun kicks off with the lyrical portrait of North Korea, Songs From the North, for which filmmaker Soon-Mi Yoo compiled footage from popular films, state-organized demonstrations and home video from her own visits to the country.
Highlights of the fest include a three-film retrospective of documentarian William Greaves, Still a Brother, The Fight and Symbiopsychotaxiplasm: Take One; a new consumerist exploration by Cory Arcangel, Freshbuzz (www.subway.com); the oblique narrative Don’t Go Back to Sleep by Stanya Kahn; and the Hong Kong experimental post-apocalyptic The Midnight After by Fruit Chan.
The full lineup for the 2014 Migrating Forms is below:
December 10
8:00 p.m.: Songs From the North, dir. Soon-Mi Yoo. This portrait of North Korea has been crafted...
- 12/10/2014
- by Mike Everleth
- Underground Film Journal
In Songs From the North, the South Korean–born, U.S.-based filmmaker Soon-Mi Yoo takes her camera to North Korea and, through a purposeful mix of on-location footage, poetic intertitles ("Is North Korea the loneliest place on Earth?"), and archival media, creates an empathetic snapshot of a country that is almost never depicted in such an accessible light. Indeed, Yoo's emphasis on capturing the everyday in this heavily censored state is so rare and extraordinary that her subjects can't help but comment on it: "You really are filming everything!" a man says as a long take lingers on his teary-eyed face. Later, a woman asks, "Of all things, why film me cleaning?" and Yoo's response to an offscreen spectator — "Isn't she pretty?" — betrays her heartfelt i...
- 12/10/2014
- Village Voice
Above: the November/December issue of Film Comment is upon us, featuring pieces on Interstellar, Inherent Vice, and Adieu au langage. The full program for BAMcinématek's 6th annual Migrating Forms festival has been announced. Soon-Mi Yoo's Songs From the North will be the opening film (check out our interview with Soon-Mi here), and Notebook contributor and friend Gina Telaroli's Here's to the Future! has its world premiere on December 13th. The full details can be seen here. The first reviews are in for Clint Eastwood's American Sniper. Here's Justin Chang's take for Variety:
"Although Steven Spielberg was set to direct before exiting the project last summer (just a few months after Kyle’s death in Texas at the age of 38), “American Sniper” turns out to be very much in Eastwood’s wheelhouse, emerging as arguably the director’s strongest, most sustained effort in the eight years since his...
"Although Steven Spielberg was set to direct before exiting the project last summer (just a few months after Kyle’s death in Texas at the age of 38), “American Sniper” turns out to be very much in Eastwood’s wheelhouse, emerging as arguably the director’s strongest, most sustained effort in the eight years since his...
- 11/12/2014
- by Notebook
- MUBI
The falling leaves are a sure sign it’s now the beginning of awards season, with Oscar short lists starting to leak out, Ida Awards prepping their program and the Emmy’s already handing out golden statues. Also, on the festival circuit this month we have a whole host of big lineup announcements coming from a hefty set of acronym loving non-fiction fests the world over, from Cph:dox and Doc NYC, to Idfa and Ridm. Best of Fests Docs is a monthly snapshot of the films and filmmakers that are the make-up of the docu film festival and awards circuit. Check out the full rundown below:
Cph:dox - Denmark – November 6th-16th
The festival, also known as Copenhagen International Documentary Festival , has announced its 2014 lineup, which was guest curated this year by Citizenfour director Laura Poitras. Over 200 films (with the likes of Robert Greene’s Actress, Joshua Oppenheimer’s The Look of Silence,...
Cph:dox - Denmark – November 6th-16th
The festival, also known as Copenhagen International Documentary Festival , has announced its 2014 lineup, which was guest curated this year by Citizenfour director Laura Poitras. Over 200 films (with the likes of Robert Greene’s Actress, Joshua Oppenheimer’s The Look of Silence,...
- 10/28/2014
- by Jordan M. Smith
- IONCINEMA.com
Below you will find our total coverage of the 2014 Toronto International Film Festival, including a round up on experimental short films, reviews, and the festival-spanning dialog between our two main critics at Tiff. More interviews will be added to the index as they are published.
Correspondences
Between Fernando F. Croce and Daniel Kasman
#1
Fernando F. Croce on Pedro Costa's Horse Money, Lisandro Alonso's Jauja, and Olivier Assayas' Clouds of Sils Maria
#2
Daniel Kasman on Pedro Costa's Horse Money, Peter Ho-Sun Chan's Dearest, Roy Andersson's A Pigeon Sat on a Branch Reflecting on Existence, Takashi Miike's Over Your Dead Body, and Sono Sion's Tokyo Tribe
#3
Fernando F. Croce on Sono Sion's Tokyo Tribe, Jessica Hausner's Amour Fou, Johnnie To's Don't Go Breaking My Heart 2, and Abel Ferrara's Pasolini
#4
Daniel Kasman on Alexandre Larose's brouillard passage #14, Friedl vom Gröller's...
Correspondences
Between Fernando F. Croce and Daniel Kasman
#1
Fernando F. Croce on Pedro Costa's Horse Money, Lisandro Alonso's Jauja, and Olivier Assayas' Clouds of Sils Maria
#2
Daniel Kasman on Pedro Costa's Horse Money, Peter Ho-Sun Chan's Dearest, Roy Andersson's A Pigeon Sat on a Branch Reflecting on Existence, Takashi Miike's Over Your Dead Body, and Sono Sion's Tokyo Tribe
#3
Fernando F. Croce on Sono Sion's Tokyo Tribe, Jessica Hausner's Amour Fou, Johnnie To's Don't Go Breaking My Heart 2, and Abel Ferrara's Pasolini
#4
Daniel Kasman on Alexandre Larose's brouillard passage #14, Friedl vom Gröller's...
- 9/16/2014
- by Notebook
- MUBI
Below you will find an index of all our coverage of the 67th Locarno Film Festival by Adam Cook, Marie-Pierre Duhamel, and Celluloid Liberation Front.
Web Exclusive: The World of Titanus by Carlo Chatrian
Films
From What is Before by Lav Diaz
The Princess of France by Matías Piñeiro
Buzzard by Joel Potrykus (x two)
Listen Up Philip by Alex Ross Perry
Horse Money by Pedro Costa
Sosialismi by Peter von Bagh
Single Stream by Ernst Karel, Toby Lee, & Pawel Wojtasik
White Nights on the Pier by Paul Vecchiali
La Sapienza by Eugène Green
Une jeune poète by Damien Manivel
Interviews
Soon-Mi Yoo (director of Songs From the North)...
Web Exclusive: The World of Titanus by Carlo Chatrian
Films
From What is Before by Lav Diaz
The Princess of France by Matías Piñeiro
Buzzard by Joel Potrykus (x two)
Listen Up Philip by Alex Ross Perry
Horse Money by Pedro Costa
Sosialismi by Peter von Bagh
Single Stream by Ernst Karel, Toby Lee, & Pawel Wojtasik
White Nights on the Pier by Paul Vecchiali
La Sapienza by Eugène Green
Une jeune poète by Damien Manivel
Interviews
Soon-Mi Yoo (director of Songs From the North)...
- 9/9/2014
- by Notebook
- MUBI
There are few greater enigmas to the outside world than North Korea, represented to us with sparse a limited set of images—most of them insufficient, be they from biased material, reductive documentaries, or the media. It’s an off limits, alien place. The result is that we can barely even begin to grapple with understanding it. In Songs From the North, director Soon-Mi Yoo has created over the course of three visits to North Korea a diary film that gives the viewer an invaluable, albeit brief and obstructed, view into another world. Mixed together with what she shot on site is archival footage of various musical performances, as well as excerpts from propagandistic cinema and television—blending together the nation’s reality with its façade, until there is hardly a line between them. The result is an increasingly ambiguous, incomplete portrait of an unknowable place, with an entirely different system of meaning,...
- 9/6/2014
- by Adam Cook
- MUBI
The results are in and the two heavy favorites, Lav Diaz and Pedro Costa, have both received major awards.
Concorso internazionale
Golden Leopard
From What is Before (Lav Diaz, Philippines)
Special Jury Prize
Listen Up Philip (Alex Ross Perry, USA)
Best Director
Pedro Costa for Horse Money (Portugal)
Best Actor
Artem Bystrov for The Fool (Yury Bykov, Russia)
Special Mention
Ventos de Agosto (Gabriel Mascaro, Brazil)
Concorso Cineasti del presente
Pardo d’oro Cineasti del presente – Premio Nescens
Navajazo (Ricardo Silva, Mexico)
Premio speciale della giuria Ciné+ Cineasti del presente
Los Hongos (Oscar Ruiz Navia, Colombia/France/Argentina/Germany)
Premio per il miglior regista emergente
The Creation of Meaning (Simone Rapisarda Casanova, Canada/Italy)
Special Mention
Un jeune poete (Damien Manivel, France)
Opera Prima
Pardo per la migliore opera prima
Songs From the North (Soon-mi Yoo, USA/South Korea/Portugal)
Special Mention
Parole De Kamizake (Sawada Masa, France)
Pardi di...
Concorso internazionale
Golden Leopard
From What is Before (Lav Diaz, Philippines)
Special Jury Prize
Listen Up Philip (Alex Ross Perry, USA)
Best Director
Pedro Costa for Horse Money (Portugal)
Best Actor
Artem Bystrov for The Fool (Yury Bykov, Russia)
Special Mention
Ventos de Agosto (Gabriel Mascaro, Brazil)
Concorso Cineasti del presente
Pardo d’oro Cineasti del presente – Premio Nescens
Navajazo (Ricardo Silva, Mexico)
Premio speciale della giuria Ciné+ Cineasti del presente
Los Hongos (Oscar Ruiz Navia, Colombia/France/Argentina/Germany)
Premio per il miglior regista emergente
The Creation of Meaning (Simone Rapisarda Casanova, Canada/Italy)
Special Mention
Un jeune poete (Damien Manivel, France)
Opera Prima
Pardo per la migliore opera prima
Songs From the North (Soon-mi Yoo, USA/South Korea/Portugal)
Special Mention
Parole De Kamizake (Sawada Masa, France)
Pardi di...
- 8/17/2014
- by Notebook
- MUBI
Locarno’s Golden Leopard has been awarded to Filipino director Lav Diaz’s five-and-a-half-hour epic From What Is Before.Scroll down for full list of winners
The film, which has the Filipino title Mula sa kung ano ang noon, also picked up the Fipresci International Critics Prize, the Environment is Quality of Life Prize, and the International Federation of Film Societies’ (Iffs) Don Quixote Prize.
On learning that he had won Locarno’s top honour, Diaz said that he wanted to dedicate the award to his father.
“He brought me cinema, he’s a cinema addict, and he started this passion in me,” said Diaz.
“For the Filipino people, it’s for them, for their struggle, and then I would like to dedicate it to all serious filmmakers in the world, to Pedro Costa, he’s my brother and I love his work, to Matias Pineiro, and to the makers of all the other films in the...
The film, which has the Filipino title Mula sa kung ano ang noon, also picked up the Fipresci International Critics Prize, the Environment is Quality of Life Prize, and the International Federation of Film Societies’ (Iffs) Don Quixote Prize.
On learning that he had won Locarno’s top honour, Diaz said that he wanted to dedicate the award to his father.
“He brought me cinema, he’s a cinema addict, and he started this passion in me,” said Diaz.
“For the Filipino people, it’s for them, for their struggle, and then I would like to dedicate it to all serious filmmakers in the world, to Pedro Costa, he’s my brother and I love his work, to Matias Pineiro, and to the makers of all the other films in the...
- 8/16/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Yesterday, Tiff’s Wavelengths program unveiled a Locarno-heavy line-up of feature-length films that all aim to push the cinematic medium to its breaking point. Highlights include new films by Pedro Costa’s first “proper” feature in eight years, Horse Money (scarequotes because Ne change rien really is quite a singular, musky piece of work – see pic above); Eugène Green’s typically Baroque La Sapienza; 338 minutes of gruelling Filipino mastery from Lav Diaz in the form of From What is Before; Yoo Soon-mi’s essay film on the tensions between North and South Korea, Songs From the North; and The Princess of France, Matías Piñeiro’s follow-up to his breakout revisionist Shakespeare drama. Other features include Tsai Ming-liang’s sixth and longest entry in his Walker series, Journey to the West (complete with a Denis Lavant (Holy Motors) cameo); Cannes hits like Sergei Loznitsa’s Maidan and Lisandro Alonso’s Jauja...
- 8/13/2014
- by Blake Williams
- IONCINEMA.com
The Arnold Schwarzenegger and Abigail Breslin zombie drama Maggie, Dustin Hoffman drama Boychoir, Kristen Wiig comedy Welcome To Me and Sophie Barthes’ Madame Bovary have landed world premieres, Tiff gala and special presentation slots.
Also in line to screen for the first time anywhere at the Toronto International Film Festival (Sept 4-14) are crime thriller The Forger starring John Travolta, Christopher Plummer and Tye Sheridan, thriller Escobar: Paradise Lost starring Benicio Del Toro, Thomas McCarthy’s The Cobbler starring Adam Sandler, and Paul Bettany’s directorial debut Shelter.
Tiff top brass also unveiled the Wavelengths, Future Projections, Tiff Cinematheque and shorts programmes.
Wp = World premiere / Nap = North American premiere / IP = International premiere / Cp = Canadian premiere.
Galas
Boychoir (Us), François Girard Wp
The Connection (La French) (France-Belgium), Cédric Jimenez Wp
Escobar: Paradise Lost (France), Andrea Di Stefano Wp
The Forger (Us), Philip Martin Wp
Infinitely Polar Bear (Us), Maya Forbes Cp
Laggies (Us), Lynn Shelton IP
Ruth & Alex...
Also in line to screen for the first time anywhere at the Toronto International Film Festival (Sept 4-14) are crime thriller The Forger starring John Travolta, Christopher Plummer and Tye Sheridan, thriller Escobar: Paradise Lost starring Benicio Del Toro, Thomas McCarthy’s The Cobbler starring Adam Sandler, and Paul Bettany’s directorial debut Shelter.
Tiff top brass also unveiled the Wavelengths, Future Projections, Tiff Cinematheque and shorts programmes.
Wp = World premiere / Nap = North American premiere / IP = International premiere / Cp = Canadian premiere.
Galas
Boychoir (Us), François Girard Wp
The Connection (La French) (France-Belgium), Cédric Jimenez Wp
Escobar: Paradise Lost (France), Andrea Di Stefano Wp
The Forger (Us), Philip Martin Wp
Infinitely Polar Bear (Us), Maya Forbes Cp
Laggies (Us), Lynn Shelton IP
Ruth & Alex...
- 8/12/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Arnold Schwarzenegger and Abigail Breslin zombie drama Maggie, Kristen Wiig comedy Welcome To Me and Sophie Barthes’ Madame Bovary have landed world premieres, Tiff gala and special presentation slots.
Also in line to screen for the first time anywhere at the Toronto International Film Festival (Sept 4-14) are crime thriller The Forger starring John Travolta, Christopher Plummer and Tye Sheridan, thriller Escobar: Paradise Lost starring Benicio Del Toro, Thomas McCarthy’s The Cobbler starring Adam Sandler, and Paul Bettany’s directorial debut Shelter.
Tiff top brass also unveiled the Wavelength, Future Projections, Tiff Cinematheque and shorts programmes.
Wp = World premiere / Nap = North American premiere / IP = International premiere / Cp = Canadian premiere.
Galas
Boychoir (Us), François Girard Wp
The Connection (La French) (France-Belgium), Cédric Jimenez Wp
Escobar: Paradise Lost (France), Andrea Di Stefano Wp
The Forger (Us), Philip Martin Wp
Infinitely Polar Bear (Us), Maya Forbes Cp
Laggies (Us), Lynn Shelton IP
Ruth & Alex (Us), Richard Loncraine Wp
Special...
Also in line to screen for the first time anywhere at the Toronto International Film Festival (Sept 4-14) are crime thriller The Forger starring John Travolta, Christopher Plummer and Tye Sheridan, thriller Escobar: Paradise Lost starring Benicio Del Toro, Thomas McCarthy’s The Cobbler starring Adam Sandler, and Paul Bettany’s directorial debut Shelter.
Tiff top brass also unveiled the Wavelength, Future Projections, Tiff Cinematheque and shorts programmes.
Wp = World premiere / Nap = North American premiere / IP = International premiere / Cp = Canadian premiere.
Galas
Boychoir (Us), François Girard Wp
The Connection (La French) (France-Belgium), Cédric Jimenez Wp
Escobar: Paradise Lost (France), Andrea Di Stefano Wp
The Forger (Us), Philip Martin Wp
Infinitely Polar Bear (Us), Maya Forbes Cp
Laggies (Us), Lynn Shelton IP
Ruth & Alex (Us), Richard Loncraine Wp
Special...
- 8/12/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Just steps from the outdoor screen and the 8,000 seats that have been set up on the Piazza Grande where the 67th Locarno International Film Festival will open on 6 August, I sat down with Artistic Director Carlo Chatrian to talk about films of the past and present, the American independent film line-up, Roman Polanski and Agnès Varda.
The Festival
Kouguell: This is your second year as Artistic Director. What changes will we see at the Festival this year?
Chatrian: “Last year, I didn’t want to change the Festival that much because I felt, and still feel, that the structure is good and fits the goals -- to continue on the same path with (both) the history of cinema and new films. This year’s selection of new films will have more surprises than last year. The main competition last year was composed of mainly quite well-known directors; this year there is a good balance of first-time, lesser known and established directors.”
Kouguell: Are there any current trends in filmmaking that you have found in this year’s films?
Chatrian: “Cinema as an art form has more than one direction. Luckily there are filmmakers willing to take different directions and we see this here at this year’s Festival. I’m always a little bit concerned when some critics say, ‘the new cinema will be this or that’ -- what I can say is that cinema -- especially through young filmmakers -- seems quite vibrant and not a dead art form.”
On American Indie Films at the Festival
Chatrian: “We try to provide a complete panorama of American indie cinema but we are not concerned about being exhaustive. Locarno is a good festival to help the career of a director. One of the purposes of the Locarno Film Festival is to discover new talent. I’m happy to have back -- they were discovered by Locarno -- American indie directors Alex Ross Perry ( "Listen Up Philip"), Joel Potrykus ("Buzzard") and J.P. Sniadecki with his documentary "The Iron Ministry".”
The other American films include "Single Stream" directed by Ernst Karel, Toby Kim Lee and Pawel Wojtasik, "Songs from the North" by Soon-Mi Yoo, the "Tony Longo Trilogy" directed by indie cinema veteran Thom Anderson, "Creep" (Patrick Brice’s first feature- length genre film), "Thirst" a short narrative film directed by Rachel McDonald, and the fiction feature "Christmas Again" directed by Charles Poekel.
On Roman Polanski
Kouguell: Some might feel that inviting Roman Polanski to the Festival is a controversial choice. What are your thoughts on this?
Chatrian: “I’m aware of this. I don’t want to hurt anyone. When I had the chance to invite him to do a master class for the young filmmakers at the Locarno Summer Academy, it was a chance to gain an inside angle of this director. That’s the purpose of the festival -- we exchange ideas; Polanksi can give his film knowledge to other people. One side is justice and one is the filmmaker. He is a great creator of moving images and for me, not controversial, simple as that. He is willing to share his ideas with young directors. If anyone else wants to take him and bring him to justice this is not the right place to do it because we are a film festival.”
On Honoring Agnès Varda with The Pardo d’onore Swisscom Award
Chatrian: “It is important to pay tribute to her as a woman director, and as a major figure in modern and independent cinema. Varda and I discussed the titles to choose to screen at the Festival. As you see there are well known films -- and others not as known [like] the 2011 documentary television series Agnès de ci de là Varda.
“What is interesting in her work is that she is absolutely free to choose topics, format, length, and style. She is free to switch from documentaries to fiction -- to work with big stars or not, to reflect on her own experience. Through her work we can see and experience a number of important movements in the 20th Century -- the American Blank Panthers (Huey), the women’s movement, "The Gleaners and I," " Les cent et une nuits de Simon Cinéma," and more. Varda allows me and the Festival to watch cinema as language; she allows the festival to retell important stories of the past years. At age 86 she is full of energy and willing to exchange her experience with the audience.”
The Locarno International Film Festival offers a vast range of work from the past and present, a diverse selection of shorts, feature-length, narrative and documentary films, and a window onto the future of cinema around the globe.
The Locarno International Film Festival runs from August 6-16, 2014. For more information visit: www.pardo.ch
Award-winning screenwriter and filmmaker, Susan Kouguell presents international workshops and seminars on screenwriting and film. Author of Savvy Characters Sell Screenplays! and The Savvy Screenwriter, she is chairperson of Su-City Pictures East, LLC, a consulting company founded in 1990 where she works with over 1,000 writers, filmmakers, and executives worldwide.www.su-city-pictures.com , http://su-city-pictures.com/wpblog...
The Festival
Kouguell: This is your second year as Artistic Director. What changes will we see at the Festival this year?
Chatrian: “Last year, I didn’t want to change the Festival that much because I felt, and still feel, that the structure is good and fits the goals -- to continue on the same path with (both) the history of cinema and new films. This year’s selection of new films will have more surprises than last year. The main competition last year was composed of mainly quite well-known directors; this year there is a good balance of first-time, lesser known and established directors.”
Kouguell: Are there any current trends in filmmaking that you have found in this year’s films?
Chatrian: “Cinema as an art form has more than one direction. Luckily there are filmmakers willing to take different directions and we see this here at this year’s Festival. I’m always a little bit concerned when some critics say, ‘the new cinema will be this or that’ -- what I can say is that cinema -- especially through young filmmakers -- seems quite vibrant and not a dead art form.”
On American Indie Films at the Festival
Chatrian: “We try to provide a complete panorama of American indie cinema but we are not concerned about being exhaustive. Locarno is a good festival to help the career of a director. One of the purposes of the Locarno Film Festival is to discover new talent. I’m happy to have back -- they were discovered by Locarno -- American indie directors Alex Ross Perry ( "Listen Up Philip"), Joel Potrykus ("Buzzard") and J.P. Sniadecki with his documentary "The Iron Ministry".”
The other American films include "Single Stream" directed by Ernst Karel, Toby Kim Lee and Pawel Wojtasik, "Songs from the North" by Soon-Mi Yoo, the "Tony Longo Trilogy" directed by indie cinema veteran Thom Anderson, "Creep" (Patrick Brice’s first feature- length genre film), "Thirst" a short narrative film directed by Rachel McDonald, and the fiction feature "Christmas Again" directed by Charles Poekel.
On Roman Polanski
Kouguell: Some might feel that inviting Roman Polanski to the Festival is a controversial choice. What are your thoughts on this?
Chatrian: “I’m aware of this. I don’t want to hurt anyone. When I had the chance to invite him to do a master class for the young filmmakers at the Locarno Summer Academy, it was a chance to gain an inside angle of this director. That’s the purpose of the festival -- we exchange ideas; Polanksi can give his film knowledge to other people. One side is justice and one is the filmmaker. He is a great creator of moving images and for me, not controversial, simple as that. He is willing to share his ideas with young directors. If anyone else wants to take him and bring him to justice this is not the right place to do it because we are a film festival.”
On Honoring Agnès Varda with The Pardo d’onore Swisscom Award
Chatrian: “It is important to pay tribute to her as a woman director, and as a major figure in modern and independent cinema. Varda and I discussed the titles to choose to screen at the Festival. As you see there are well known films -- and others not as known [like] the 2011 documentary television series Agnès de ci de là Varda.
“What is interesting in her work is that she is absolutely free to choose topics, format, length, and style. She is free to switch from documentaries to fiction -- to work with big stars or not, to reflect on her own experience. Through her work we can see and experience a number of important movements in the 20th Century -- the American Blank Panthers (Huey), the women’s movement, "The Gleaners and I," " Les cent et une nuits de Simon Cinéma," and more. Varda allows me and the Festival to watch cinema as language; she allows the festival to retell important stories of the past years. At age 86 she is full of energy and willing to exchange her experience with the audience.”
The Locarno International Film Festival offers a vast range of work from the past and present, a diverse selection of shorts, feature-length, narrative and documentary films, and a window onto the future of cinema around the globe.
The Locarno International Film Festival runs from August 6-16, 2014. For more information visit: www.pardo.ch
Award-winning screenwriter and filmmaker, Susan Kouguell presents international workshops and seminars on screenwriting and film. Author of Savvy Characters Sell Screenplays! and The Savvy Screenwriter, she is chairperson of Su-City Pictures East, LLC, a consulting company founded in 1990 where she works with over 1,000 writers, filmmakers, and executives worldwide.www.su-city-pictures.com , http://su-city-pictures.com/wpblog...
- 8/6/2014
- by Susan Kouguell
- Sydney's Buzz
Above: Pedro Costa's Horse Money
The Locarno Film Festival has announced their lineup for the 67th edition, taking place this August between the 6th and 16th. It speaks for itself, but, um, wow...
"Every film festival, be it small or large, claims to offer, if not an account of the state of things, then an updated map of the art form and the world it seeks to represent. This cartography should show both the major routes and the byways, along with essential places to visit and those that are more unusual. The Festival del film Locarno is no exception to the rule, and I think that looking through the program you will be able to distinguish the route map for this edition." — Carlo Chatrian, Artistic Director
Above: Matías Piñeiro's The Princess of France
Concorso Internazionale (Official Competition)
A Blast (Syllas Tzoumerkas, Greece/Germany/Netherlands)
Alive (Jungbum Park, South Korea)
Horse Money (Pedro Costa,...
The Locarno Film Festival has announced their lineup for the 67th edition, taking place this August between the 6th and 16th. It speaks for itself, but, um, wow...
"Every film festival, be it small or large, claims to offer, if not an account of the state of things, then an updated map of the art form and the world it seeks to represent. This cartography should show both the major routes and the byways, along with essential places to visit and those that are more unusual. The Festival del film Locarno is no exception to the rule, and I think that looking through the program you will be able to distinguish the route map for this edition." — Carlo Chatrian, Artistic Director
Above: Matías Piñeiro's The Princess of France
Concorso Internazionale (Official Competition)
A Blast (Syllas Tzoumerkas, Greece/Germany/Netherlands)
Alive (Jungbum Park, South Korea)
Horse Money (Pedro Costa,...
- 7/25/2014
- by Notebook
- MUBI
13 of the 17 films competing for the Golden Leopard are world premieres; Juliette Binoche to receive Excellence Award.
Full details of the line-up for the 67th Locarno Film Festival, which runs August 6-16, were unveiled at a press conference in the Swiss capital Berne today.
13 of the 17 films competing for the Golden Leopard in the festival’s International Competition section are world premiers including Syllas Tzoumerkas’s A Blast [pictured], Jungbum Park’s Alive (South Korea), Paul Vecchiali’s White Nights On The Pier (France) and Yury Bykov’s The Fool (Russia). International premieres include Alex Ross Perry’s hotly antipated Us comedy Listen Up Philip starring Jason Schwartzman who is expected to attend.
The Piazza Grande line-up includes the international premieres of Eran Riklis’ Dancing Arabs, Aaron Katz and Martha Stephens’ critically acclaimed Iceland set Land Ho! Which world premiered at Sundance, and Olivier Assayas’ Clouds Of Sils Maria, which played in competition in Cannes. World premieres...
Full details of the line-up for the 67th Locarno Film Festival, which runs August 6-16, were unveiled at a press conference in the Swiss capital Berne today.
13 of the 17 films competing for the Golden Leopard in the festival’s International Competition section are world premiers including Syllas Tzoumerkas’s A Blast [pictured], Jungbum Park’s Alive (South Korea), Paul Vecchiali’s White Nights On The Pier (France) and Yury Bykov’s The Fool (Russia). International premieres include Alex Ross Perry’s hotly antipated Us comedy Listen Up Philip starring Jason Schwartzman who is expected to attend.
The Piazza Grande line-up includes the international premieres of Eran Riklis’ Dancing Arabs, Aaron Katz and Martha Stephens’ critically acclaimed Iceland set Land Ho! Which world premiered at Sundance, and Olivier Assayas’ Clouds Of Sils Maria, which played in competition in Cannes. World premieres...
- 7/16/2014
- by sarah.cooper@screendaily.com (Sarah Cooper)
- ScreenDaily
2. Memory Believes Before Knowing Remembers
Weekend 3 - Jan.10-12th
The third Harvard Gulbenkian program showcases the work of three extraordinary artists who emblematize the creative and often radical approaches to non-fiction narrative that have transformed documentary cinema as a practice and realm of inquiry over the last two decades. In keeping with the larger mission of the Harvard-Gulbenkian program to create a new international context and conceptual framework from which to reexamine Portuguese cinema, the celebrated work of Susana de Sousa Dias is offered here in dialogue with the films and presence of two eminent figures of contemporary world cinema- the legendary Chilean documentarian Patricio Guzmán and South Korean experimental filmmaker Soon-Mi Yoo. Guiding the distinct work of each director is a restless searching for an original form adequate and appropriate to the difficult and, indeed, bitterly contested chapters of national history they have bravely chosen to engage. Embracing...
Weekend 3 - Jan.10-12th
The third Harvard Gulbenkian program showcases the work of three extraordinary artists who emblematize the creative and often radical approaches to non-fiction narrative that have transformed documentary cinema as a practice and realm of inquiry over the last two decades. In keeping with the larger mission of the Harvard-Gulbenkian program to create a new international context and conceptual framework from which to reexamine Portuguese cinema, the celebrated work of Susana de Sousa Dias is offered here in dialogue with the films and presence of two eminent figures of contemporary world cinema- the legendary Chilean documentarian Patricio Guzmán and South Korean experimental filmmaker Soon-Mi Yoo. Guiding the distinct work of each director is a restless searching for an original form adequate and appropriate to the difficult and, indeed, bitterly contested chapters of national history they have bravely chosen to engage. Embracing...
- 6/8/2014
- by Cinema Dialogues: Harvard at the Gulbenkian
- MUBI
Mubi is proud to present work produced for Harvard at the Gulbenkian, a collaboration between the Calouste Gulbenkian Foundation and the Harvard Film Archive. Curated by Haden Guest and Joaquim Sapinho, and produced by Pedro Fernandes Duarte, Harvard at the Gulbenkian organizes a series of dialogues about Portuguese film and world cinema. The series consists of 12 weekends, between November 2013 and July 2014, in which a Portuguese filmmaker and one, two or three international filmmakers, and one or more important film critics or scholars of many nationalities are brought together for a series of screenings and public discussions. We will be hosting the articles and video conversations produced for the series, and this index will be updated as events take place in Lisbon.
"The inaugural weekend of the Harvard-Gulbenkian collaboration makes clear the central ambition and idea of our program: a radical rethinking and recontextualization of Portuguese cinema within the broader realm of world cinema.
"The inaugural weekend of the Harvard-Gulbenkian collaboration makes clear the central ambition and idea of our program: a radical rethinking and recontextualization of Portuguese cinema within the broader realm of world cinema.
- 3/6/2014
- by Cinema Dialogues: Harvard at the Gulbenkian
- MUBI
For the rest of the Notebook's Fantasy Double Features of 2012, see the poll's main index.
***
New: Far from Afghanistan (John Gianvito, Jon Jost, Minda Martin, Soon-Mi Yoo, Travis Wilkerson)
Old: Allons enfants... pour L'Algerie (Karl Gass, 1961)
Two works of international(ist) solidarity made exactly half a century apart (Far from Afghanistan was already shown on the net last year in the so-called October Version), both dealing with a colonial war and its ramifications for the victim—as well the aggressor and collaborator state. Two works, also, of fragmentation, multitudes of voices, dialectic pluralism; Gass sub-divided his film into three parts (actually, it's more like two halves and a coda), while the Gianvito-masterminded project consists of five quasi-independent segments (working also quite well as stand-alone shorts) plus half a dozen interludes. Yet, in one—maybe the most—crucial way they're light years apart: Gass lays it down smack from the center...
***
New: Far from Afghanistan (John Gianvito, Jon Jost, Minda Martin, Soon-Mi Yoo, Travis Wilkerson)
Old: Allons enfants... pour L'Algerie (Karl Gass, 1961)
Two works of international(ist) solidarity made exactly half a century apart (Far from Afghanistan was already shown on the net last year in the so-called October Version), both dealing with a colonial war and its ramifications for the victim—as well the aggressor and collaborator state. Two works, also, of fragmentation, multitudes of voices, dialectic pluralism; Gass sub-divided his film into three parts (actually, it's more like two halves and a coda), while the Gianvito-masterminded project consists of five quasi-independent segments (working also quite well as stand-alone shorts) plus half a dozen interludes. Yet, in one—maybe the most—crucial way they're light years apart: Gass lays it down smack from the center...
- 1/7/2013
- by The Ferroni Brigade
- MUBI
As I mentioned in the preface to the first part of my Wavelengths preview (the one focusing on the short films), there are significant changes afoot in 2012. Until last year, the festival had a section known as Visions, which was the primary home for formally challenging cinema that nevertheless conformed to the basic tenets of arthouse and/or “festival” cinema (actors, scripting, 70+minute running time, and, once upon a time, 35mm presentation). This year, Wavelengths is both its former self, and it also contains the sort of work that Visions most likely would have housed. While in some respects this can seem to result in a kind of split personality for the section, it also means that Wavelengths, which has often been described as a sort of “festival within the festival,” has moved front and center. Films that would’ve occupied single slots in the older avant-Wavelengths model, like the...
- 9/12/2012
- MUBI
Above: Ernie Gehr's Auto-Collider Xv.
The vast bulk of Tiff's 2012 has been announced and listed here, below. We'll be updating the lineup with the previous films announced, as well as updating links to specific films for more information on them in the coming days. Of particular note is that the Wavelengths and Visions programs have been combined to create what is undoubtedly the most interesting section of the festival. Stay tuned, too, for our own on the ground coverage of Tiff.
Galas
A Royal Affair (Nikolai Arcel, Demark/Sweden/Czech Republic/Germany)
Argo (Ben Affleck, USA)
The Company You Keep (Robert Redford, USA)
Dangerous Liaisons (Hur Jin-ho, China)
Emperor (Peter Webber, Japan/USA)
English Vinglish (Gauri Shinde, India)
Free Angela & All Political Prisoners (Shola Lynch)
Great Expectations (Mike Newell, UK)
Hyde Park on Hudson (Roger Michell, UK)
Inescapable (Ruba Nadda, Canada)
Jayne Mansfield's Car (Billy Bob Thorton, USA/Russia)
Looper (Rian Johnson,...
The vast bulk of Tiff's 2012 has been announced and listed here, below. We'll be updating the lineup with the previous films announced, as well as updating links to specific films for more information on them in the coming days. Of particular note is that the Wavelengths and Visions programs have been combined to create what is undoubtedly the most interesting section of the festival. Stay tuned, too, for our own on the ground coverage of Tiff.
Galas
A Royal Affair (Nikolai Arcel, Demark/Sweden/Czech Republic/Germany)
Argo (Ben Affleck, USA)
The Company You Keep (Robert Redford, USA)
Dangerous Liaisons (Hur Jin-ho, China)
Emperor (Peter Webber, Japan/USA)
English Vinglish (Gauri Shinde, India)
Free Angela & All Political Prisoners (Shola Lynch)
Great Expectations (Mike Newell, UK)
Hyde Park on Hudson (Roger Michell, UK)
Inescapable (Ruba Nadda, Canada)
Jayne Mansfield's Car (Billy Bob Thorton, USA/Russia)
Looper (Rian Johnson,...
- 8/22/2012
- MUBI
The 37th Toronto International Film Festival® will roll out the red carpet for hundreds of guests from the four corners of the globe in September. Filmmakers expected to present their world premieres in Toronto include: Rian Johnson, Noah Baumbach, Deepa Mehta, Derek Cianfrance, Sion Sono, Joss Whedon, Neil Jordan, Lu Chuan, Shola Lynch, Barry Levinson, Yvan Attal, Ben Affleck, Marina Zenovich, Costa-Gavras, Laurent Cantet, Sally Potter, Dustin Hoffman, Francois Ozon, David O. Russell, David Ayer, Pelin Esmer, Tom Tykwer, Lana Wachowski, Andy Wachowski, Andrew Adamson, Michael McGowan, Bahman Ghobadi, Ziad Doueiri, Alex Gibney, Stephen Chbosky, Eran Riklis, Edward Burns, Bernard Émond, Zhang Yuan, Michael Winterbottom, Mike Newell, Miwa Nishikawa, Margarethe Von Trotta, David Siegel, Scott McGehee, Gauri Shinde, Goran Paskaljevic, Baltasar Kormákur, J.A. Bayona, Rob Zombie, Peaches and Paul Andrew Williams.
Actors expected to attend include: Bruce Willis, Joseph Gordon-Levitt, Jackie Chan, Tom Hanks, Halle Berry, Bill Murray, Robert Redford,...
Actors expected to attend include: Bruce Willis, Joseph Gordon-Levitt, Jackie Chan, Tom Hanks, Halle Berry, Bill Murray, Robert Redford,...
- 8/21/2012
- by Michelle McCue
- WeAreMovieGeeks.com
By merging the former Visions into the Wavelengths section, Cameron Bailey has essentially made a new incontournable programme. Headed by Andréa Picard, the section which at a time was populated by medium to short run times now includes some of the bigger names in innovative feature film filmmaking who have no qualms about bending the medium. This year the sections includes long, medium and short length works from the likes of Ben Rivers, Athina Rachel Tsangari, Carlos Reygadas (pic of his controversial Post Tenebras Lux above), Wang Bing, Mati Diop (actress from Claire Denis and Antonio Campos films) and our very own writer Blake Williams who makes it two for two at Tiff with Many a Swan – he previously had Coorow-Latham Road programmed last year. Here’s the complete A to Z listing and well-worth reading descriptions.
Pairings
The Capsule Athina Rachel Tsangari, Greece, 37’ A bevy of gorgeous Gothic...
Pairings
The Capsule Athina Rachel Tsangari, Greece, 37’ A bevy of gorgeous Gothic...
- 8/14/2012
- by Eric Lavallee
- IONCINEMA.com
While Cannes’ Quinzaine struggles to reframe its identity, its former artistic director Olivier Père continues to impress in his new job at the Locarno Film Festival. On Wednesday, he and his programming team unveiled a lineup that is absolutely salivatory, a who’s who for high-minded cinephiles. Perhaps most impressive of all, he has managed to once again nudge the festival’s selection aesthetic even deeper into esoteric ‘experimental’ territory without seeming all that radical. More than any other festival, Locarno is the home for the edgy projects that are too sophisticated for Cannes, whose cold shoulder to avant-garde narrative filmmaking becomes more glaring with each passing year. Check out the complete line-up at the bottom of this page.
In their International Competition, in which films compete for the increasingly prestigious Golden Leopard, we have a collaboration between João Pedro Rodrigues and his partner João Rui Guerra da Mata called...
In their International Competition, in which films compete for the increasingly prestigious Golden Leopard, we have a collaboration between João Pedro Rodrigues and his partner João Rui Guerra da Mata called...
- 7/13/2012
- by Blake Williams
- IONCINEMA.com
CinemaSpace is proud to launch its winter/spring 2012 programming with The Travelling Tour of the 49th Ann Arbor Film Festival, the longest-running experimental film festival in North America.
Ann Arbor Film Festival is back again with its tour programs! Divided into two high-quality digital and 16mm programs, the travelling tour of the 49th Ann Arbor Film Festival (Aaff) offers 17 short films 7 different countries, featuring award-winning and favourite new works from the 2011 edition across all genres: experimental, documentary, fiction, animation and hybrids. Some of the highlights of the programs include Home Movie (Best Narrative Film Award) by Braden King, director of the award-winning feature Here (Berlinale 2011, Sundance 2011), and The Florestine Collection (Jury Award) by the late animator Helen Hill, who was murdered in a home invasion in New Orleans in 2007, and her husband Paul Gailiunas, who survived the incident and eventually completed the film three years later.
Here is all the info:
Program I: Thursday,...
Ann Arbor Film Festival is back again with its tour programs! Divided into two high-quality digital and 16mm programs, the travelling tour of the 49th Ann Arbor Film Festival (Aaff) offers 17 short films 7 different countries, featuring award-winning and favourite new works from the 2011 edition across all genres: experimental, documentary, fiction, animation and hybrids. Some of the highlights of the programs include Home Movie (Best Narrative Film Award) by Braden King, director of the award-winning feature Here (Berlinale 2011, Sundance 2011), and The Florestine Collection (Jury Award) by the late animator Helen Hill, who was murdered in a home invasion in New Orleans in 2007, and her husband Paul Gailiunas, who survived the incident and eventually completed the film three years later.
Here is all the info:
Program I: Thursday,...
- 1/10/2012
- by Ricky
- SoundOnSight
I want to bang the drum a bit for Far From Afghanistan, a project inspired by the 1967 omnibus film, Far From Vietnam. The roster of contributing filmmakers is impressive to say the least: John Gianvito (Profit motive and the whispering wind), Jon Jost (All The Vermeers in New York), Minda Martin (Free Land), Travis Wilkerson (Distinguished Flying Cross) and Soon-Mi Yoo (Dangerous Supplement). You can read about each of their new films here, but overall, the goal is "to contribute to the international effort to redirect Us policy away from military and political intervention toward true humanitarian and developmental care-giving." If that strikes a chord, you might consider chipping in to the Kickstarter campaign. For one week, starting on October 6, you can watch the works-in-progress.
Isabelle Marinoni's essay "Surrealism in the Service of the Fantastic: Jean Rollin, a 'Parallel' Director in Libertarian French Cinema" makes for a nifty supplement to Arena,...
Isabelle Marinoni's essay "Surrealism in the Service of the Fantastic: Jean Rollin, a 'Parallel' Director in Libertarian French Cinema" makes for a nifty supplement to Arena,...
- 9/23/2011
- MUBI
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