Keep track of all the submissions for best international feature at the 2023 Academy Awards.
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
- 9/1/2022
- by Screen staff
- ScreenDaily
Keep track of all the submissions for best international feature at the 2023 Academy Awards.
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
- 8/30/2022
- by Screen staff
- ScreenDaily
Uruguayan filmmaker Manuel Nieto’s social thriller “The Employer and the Employee,” starring Nahuel Pérez Biscayart (“Persian Lessons” and “Bpm” (Beats Per Minute), comes to the San Sebastian Film Festival to close the Horizontes Latinos sidebar on Thursday, Sept. 23. It’s a journey that began at Cannes’ Directors’ Fortnight where it world premiered after winning development prizes at Toulouse’s Latin Film Festival, Mar del Plata’s LoboLab and San Sebastián’s Wip Latam.
Picked up by Latido Films in the run-up to Cannes in July, “The Employer and the Employee” is Nieto’s third feature after his debut “The Dog Pound,” followed by “The Militant.” If there’s a thru line to find among his films, Nieto sees several: “The leads are masculine, the father figure is always present, they deal with youth in different stages and weights of responsibility and invariably touch on the concepts of legacy, identity,...
Picked up by Latido Films in the run-up to Cannes in July, “The Employer and the Employee” is Nieto’s third feature after his debut “The Dog Pound,” followed by “The Militant.” If there’s a thru line to find among his films, Nieto sees several: “The leads are masculine, the father figure is always present, they deal with youth in different stages and weights of responsibility and invariably touch on the concepts of legacy, identity,...
- 9/23/2021
- by Anna Marie de la Fuente
- Variety Film + TV
Cyril Schäublin’s Swiss project Unrest won several key awards
Cyril Schäublin’s Swiss project Unrest and Andrei Tănase’s Romanian drama Victus received the TorinoFilmLab’s production awards of €40,000 each on the final night of Tfl’s Meeting Event on November 23.
The three-day event served as a showcase for the new projects developed within each of the Tfl programmes, and as a pitching platform attended by international festival representatives, distributors and sales agents.
Three €50,000 co-production awards, funded by Creative Europe’s Media programme, were presented to Fabián Hernández’s A Male (Colombia-Netherlands), Veronica Nicole Tetelbaum’s Houses (Israel) and Marian Mathias’ Runner (Germany-France-us).
Furthermore,...
Cyril Schäublin’s Swiss project Unrest and Andrei Tănase’s Romanian drama Victus received the TorinoFilmLab’s production awards of €40,000 each on the final night of Tfl’s Meeting Event on November 23.
The three-day event served as a showcase for the new projects developed within each of the Tfl programmes, and as a pitching platform attended by international festival representatives, distributors and sales agents.
Three €50,000 co-production awards, funded by Creative Europe’s Media programme, were presented to Fabián Hernández’s A Male (Colombia-Netherlands), Veronica Nicole Tetelbaum’s Houses (Israel) and Marian Mathias’ Runner (Germany-France-us).
Furthermore,...
- 11/25/2019
- ScreenDaily
Cyril Schäublin’s Swiss project Unrest won several key awards
Cyril Schäublin’s Swiss project Unrest and Andrei Tănase’s Romanian drama Victus received the TorinoFilmLab’s production awards of €40,000 each on the final night of Tfl’s Meeting Event on November 23.
The three-day event served as a showcase for the new projects developed within each of the Tfl programmes, and as a pitching platform attended by international festival representatives, distributors and sales agents.
Three €50,000 co-production awards, funded by Creative Europe’s Media programme, were presented to Fabián Hernández’s A Male (Colombia-Netherlands), Veronica Nicole Tetelbaum’s Houses (Israel) and Marian Mathias’ Runner (Germany-France-us).
Furthermore,...
Cyril Schäublin’s Swiss project Unrest and Andrei Tănase’s Romanian drama Victus received the TorinoFilmLab’s production awards of €40,000 each on the final night of Tfl’s Meeting Event on November 23.
The three-day event served as a showcase for the new projects developed within each of the Tfl programmes, and as a pitching platform attended by international festival representatives, distributors and sales agents.
Three €50,000 co-production awards, funded by Creative Europe’s Media programme, were presented to Fabián Hernández’s A Male (Colombia-Netherlands), Veronica Nicole Tetelbaum’s Houses (Israel) and Marian Mathias’ Runner (Germany-France-us).
Furthermore,...
- 11/25/2019
- ScreenDaily
San Sebastian — Already backed by a four-way production partnership spanning Nicaragua, Mexico, the Netherlands and Germany, Nicaraguan Laura Baumeister’s stirring feature debut project “Daughter of Rage” swept three of the four prizes on offer at San Sebastian’s 8th Europe-Latin America Co-production Forum, which wrapped Wednesday night.
The other big prize of the night, a Films in Progress Prize for San Sebastian’s pix-on-post competition, went to another alumna of Mexico’s Centro de Capacitación Cinematográfica (Ccc) film school, Fernanda Valadez for “Non Distinguishing Features.” an extraordinary achievement for an already celebrated institution.
The trio of trophies – Best Project Award, an Efads-Caaci Grant, and Artekino Intl. Prize – for “Daughter of Rage” mark further recognition for a movie project whose combination of mother-daughter story and social-issue drama has won development backing from the Hubert Bals, Hb Minority Europe, Ibermedia funds.It also garnered a Woulter Barendrecht Award at the Rotterdam Festival.
The other big prize of the night, a Films in Progress Prize for San Sebastian’s pix-on-post competition, went to another alumna of Mexico’s Centro de Capacitación Cinematográfica (Ccc) film school, Fernanda Valadez for “Non Distinguishing Features.” an extraordinary achievement for an already celebrated institution.
The trio of trophies – Best Project Award, an Efads-Caaci Grant, and Artekino Intl. Prize – for “Daughter of Rage” mark further recognition for a movie project whose combination of mother-daughter story and social-issue drama has won development backing from the Hubert Bals, Hb Minority Europe, Ibermedia funds.It also garnered a Woulter Barendrecht Award at the Rotterdam Festival.
- 9/25/2019
- by John Hopewell
- Variety Film + TV
The TorinoFilmLab has announced the 20 feature projects and five story editor trainees who have been selected to take part in the 2019 edition of ScriptLab, an initiative focused on the development of fiction feature film scripts in early development stage.
Beginning in March, this year’s participants will team up with filmmakers from around the world to develop their feature-length scripts. The program includes three week-long workshop residencies and two online sessions, during which the 20 projects are divided into five work groups, each guided by an international script consultant and paired with one story editor trainee.
The ScriptLab culminates with a final presentation at the TorinoFilmLab Meeting Event in November, when the 20 participants will pitch their projects to an international audience of producers, sales agents, and other film professionals. They’ll also have one-to-one meetings with key decision-makers in the industry and see their projects included in the Tfl Catalogue.
This...
Beginning in March, this year’s participants will team up with filmmakers from around the world to develop their feature-length scripts. The program includes three week-long workshop residencies and two online sessions, during which the 20 projects are divided into five work groups, each guided by an international script consultant and paired with one story editor trainee.
The ScriptLab culminates with a final presentation at the TorinoFilmLab Meeting Event in November, when the 20 participants will pitch their projects to an international audience of producers, sales agents, and other film professionals. They’ll also have one-to-one meetings with key decision-makers in the industry and see their projects included in the Tfl Catalogue.
This...
- 2/18/2019
- by John Hopewell
- Variety Film + TV
This is the second of two dispatches from Michael Pattison on International Film Festival Rotterdam 2014.
The spectre of barbarism isn’t just haunting European Cinema. False radicalisms and tentative engagements with the world today are prevalent all over the seventh art. And while all-out bunk is as infrequent as what others might call ‘great cinema’, it’s the ever-widening middle ground—the one that pervades and defines many a film festival—that seems especially disappointing.
Just as the cinematic landscape as a whole is peppered too sporadically with outstanding works, so on a micro level, unremarkable films frustrate precisely because otherwise fine technical rendering is undone by an apparent unwillingness to confront prevailing political currents. Even if chewable nuggets intermittently emerge over the course of a single film, we are on the whole limited to thanking the Lord for small mercies.
Of course, it’s difficult enough to make a film to begin with.
The spectre of barbarism isn’t just haunting European Cinema. False radicalisms and tentative engagements with the world today are prevalent all over the seventh art. And while all-out bunk is as infrequent as what others might call ‘great cinema’, it’s the ever-widening middle ground—the one that pervades and defines many a film festival—that seems especially disappointing.
Just as the cinematic landscape as a whole is peppered too sporadically with outstanding works, so on a micro level, unremarkable films frustrate precisely because otherwise fine technical rendering is undone by an apparent unwillingness to confront prevailing political currents. Even if chewable nuggets intermittently emerge over the course of a single film, we are on the whole limited to thanking the Lord for small mercies.
Of course, it’s difficult enough to make a film to begin with.
- 2/4/2014
- by Michael Pattison
- MUBI
Matthew McConaughey and Scarlett Johansson win actor prizes.Scroll down for full list of winners
Tir, the first narrative film by Italian director Alberto Fasulo, has picked up the Golden Marc Aurelio Award for best film at the 8th Rome Film Fesival.
The docu-drama explores the current econmic crisis as seen through the eyes of a former professor who becomes a trucker to solve his money problems. It stars Slovenian actor Branko Zavrsan (No Man’s Land).
Fasulo is best known for documentaries including White Noise (Rumore bianco). Tir is being sold internationally by Fandango Sales.
One of 18 competition titles, Tir beat heavyweight Us titles including Jean-Marc Vallee’s Dallas Buyers Club, Spike Jonze’s Her and Scott Cooper’s Out of the Furnace.
However, all three of those films did manage to secure wins at the festival on Saturday evening.
Scarlett Johansson, who walked the red carpet at Rome earlier in the festival, won the best...
Tir, the first narrative film by Italian director Alberto Fasulo, has picked up the Golden Marc Aurelio Award for best film at the 8th Rome Film Fesival.
The docu-drama explores the current econmic crisis as seen through the eyes of a former professor who becomes a trucker to solve his money problems. It stars Slovenian actor Branko Zavrsan (No Man’s Land).
Fasulo is best known for documentaries including White Noise (Rumore bianco). Tir is being sold internationally by Fandango Sales.
One of 18 competition titles, Tir beat heavyweight Us titles including Jean-Marc Vallee’s Dallas Buyers Club, Spike Jonze’s Her and Scott Cooper’s Out of the Furnace.
However, all three of those films did manage to secure wins at the festival on Saturday evening.
Scarlett Johansson, who walked the red carpet at Rome earlier in the festival, won the best...
- 11/17/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Ashim Ahluwalia
Ashim Ahluwalia will sit on the Jury of the CinemaXXI section of the Rome Film Festival to be held from November 8 to 17, 2013.
The Jury, chaired by American director and artist Larry Clark, is composed of Ashim Ahluwalia (India), Yuri Ancarani (Italy), Laila Pakalnina (Latvia) and Michael Wahrmann (Uruguay).
On the occasion of the 100 Years of Indian Cinema, a restored version of Kamal Swaroop’s 1988 cult classic Om Dar Ba Dar will be screened out of competition in CinemaXXI.
Two Indian films are in competition in the CinemaXXI section: Prantik Basu’s Makara and Kamal Swaroop’s Rangbhoomi.
The Seventh Walk (Saatvin Sair) by Amit Dutta will be the closing film of CinemaXXI.
CinemaXXI is the Rome Film Festival competitive section devoted to new trends in world cinema and focuses on works that reflect the continuous reinvention of cinema in the contemporary audiovisual landscape. CinemaXXI hosts feature-length, medium-length, and short films.
Ashim Ahluwalia will sit on the Jury of the CinemaXXI section of the Rome Film Festival to be held from November 8 to 17, 2013.
The Jury, chaired by American director and artist Larry Clark, is composed of Ashim Ahluwalia (India), Yuri Ancarani (Italy), Laila Pakalnina (Latvia) and Michael Wahrmann (Uruguay).
On the occasion of the 100 Years of Indian Cinema, a restored version of Kamal Swaroop’s 1988 cult classic Om Dar Ba Dar will be screened out of competition in CinemaXXI.
Two Indian films are in competition in the CinemaXXI section: Prantik Basu’s Makara and Kamal Swaroop’s Rangbhoomi.
The Seventh Walk (Saatvin Sair) by Amit Dutta will be the closing film of CinemaXXI.
CinemaXXI is the Rome Film Festival competitive section devoted to new trends in world cinema and focuses on works that reflect the continuous reinvention of cinema in the contemporary audiovisual landscape. CinemaXXI hosts feature-length, medium-length, and short films.
- 10/24/2013
- by NewsDesk
- DearCinema.com
The Moving Creatures by Caetano Gotardo was named best narrative fiction award as the Hollywood Brazilian Film Festival (HBRFest) climaxed on Aug 4.
Joel Pizzini’s Mr Sganzerla – The Signs Of Light was named best documentary while Ebb And Flow won the shorts category.
The fourth annual HBRFest ran from Jul 31-Aug 4. Programmers corralled more than 30 Los Angeles premieres of independent Brazilian cinema presented a night of gay films and showcased Portugal as Guest Country.
While My Guitar Gently Weeps by Anna Muylaert opened the festival and the filmmaker took part in a panel discussion with other Brazilian directors on Friday [2] when she cited Alfred Hitchcock as a formative influence on her career.
Other participating filmmakers included Daniel Aragão with Good Luck, Sweetheart, Allan Ribeiro with This Love That Consumes, Gabriel Mascaro with Housemaids, Michael Wahrmann with Avanti Popolo and Gotardo.
HBRFest was presented by Riofilme. Sponsors included One Digital and Copa Airlines, with cultural...
Joel Pizzini’s Mr Sganzerla – The Signs Of Light was named best documentary while Ebb And Flow won the shorts category.
The fourth annual HBRFest ran from Jul 31-Aug 4. Programmers corralled more than 30 Los Angeles premieres of independent Brazilian cinema presented a night of gay films and showcased Portugal as Guest Country.
While My Guitar Gently Weeps by Anna Muylaert opened the festival and the filmmaker took part in a panel discussion with other Brazilian directors on Friday [2] when she cited Alfred Hitchcock as a formative influence on her career.
Other participating filmmakers included Daniel Aragão with Good Luck, Sweetheart, Allan Ribeiro with This Love That Consumes, Gabriel Mascaro with Housemaids, Michael Wahrmann with Avanti Popolo and Gotardo.
HBRFest was presented by Riofilme. Sponsors included One Digital and Copa Airlines, with cultural...
- 8/6/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Guild Presentation: Focus on Diversity Programs panel and Director's Roundtable are scheduled during the Hollywood Brazilian Film Festival (July 31-August 4, Egyptian Theatre, Hollywood). Both panels will be held at the Arena Cinema - 1625 North Las Palmas Avenue (adjacent to the Egyptian Theatre).
There will be an informal cocktail reception following each panel. Please let us know if we can reserve you a seat. ------------------------------------------------------------------------
Thursday, August 1:
Guild Presentation - Focus on Diversity Programs
3:30pm - 4:30pm - Diversity Panel
4:30pm -5:00pm - Cocktails
HBRFest will present a panel discussion explaining the importance of the Diversity Committee from three of the most powerful guilds in Hollywood: DGA, WGA and PGA.
The mission of all three guilds is to promote diversity and inclusion in the entertainment industry. The DGA and WGA have a number of minority committees representing Hispanics, gays, women, blacks, and Asians. The DGA has only one committee, the Diversity Committee, where all the subgroups fall under.
For this goal, the Diversity Committee offers a number of programs and opportunities to members and non-members in education and networking. They all celebrate producers whose projects in film, TV, and the Web reflect their mission.
Panelists:
Producers Guild of America (PGA) - Deborah Calla
A writer/producer originally from Brazil. She is the Chair of the Producers Guild of America Diversity Committee as well as the Chair of the Media Access Awards and a member of the WGA.
Writers Guild of America (WGA) - Kimberly Myers
Myers served as Vice President of Program Development at Turner Network and Vice President of Movies and Mini Series at Fox. She was the producer of television films for NBC, CBS, Lifetime and TNT prior to joining the Writers Guild of America in 2007 as its Director of Diversity.
Directors Guild of America (DGA) - Regina Render
Before joining the DGA, Render was a Business Representative at the International Cinematographers Guild and later a Senior Representative at the Los Angeles County Federation of Labor, where she managed key organizational functions and coordinated labor initiatives on public policy issues, multi-union campaigns, and political action. Regina has a long history of civic engagement, including being appointed by Los Angeles Mayor Tom Bradley to the “Neighbor to Neighbor Program,” which developed community response programs and activities after the civil unrest of the 1992 riots.
Friday, August 2
Director's Roundtable - Focus on the Creative Process
3:00pm - 4:30pm - Director's Roundtable
4:30pm -5:00pm - Cocktails
Back by popular demand, attending filmmakers will participate in a special Filmmakers Roundtable moderated by Robert Koehler, former Variety critic and expert in Latin American cinema. This event will provide great insight into the current state of Brazilian filmmaking, trends and an opportunity to meet the rising talent of Brazil.
Special Guest: Laurence Reymond - Directors Fortnight short film programmer.
Moderator: Robert Koehler
Panelists:
Gabriela Amaral Almeida
Director “The Comforting Hand” 19’ – West-Coast Premiere (Documentary)
Sergio Andrade
Director “Jonathas´ Forest” 98’ – West-Coast Premiere (Narrative Feature)
Daniel Aragão
Director “Good Luck, Sweetheart” 95’ – West-Coast Premiere (Narrative Feature)
Marcelo Caetano
Director “By Your Side” 20’ – North-America Premiere (Short Film)
Caetano Gotardo
Director “The Moving Creatures” 97’ – West-Coast Premiere (Short Film)
Helvecio Marins
Director “The Song Of The Nightingale” 19’23” (Short Film)
Gabriel Mascaro
Director “Housemaids” 76’ – North-America Premiere (Documentary)
Anna Myulaert (HBRFest Guest of Honor)
Director – “While My Guitar Gently Weeps” 52’ -Opening Night Film (Narrative Feature) ; “Durval Records” 103’ - Closing Night Film (Narrative Feature)
Allan Ribeiro
Director “This Love That Consumes” 80’ – International Premiere (Narrative Feature)
Rafael Sampaio
Producer “The Package” 18’ – L.A. Premiere (Short Film)
Leonardo Sette
Co-director “Enraged Pigs” 10’ – West-Coast Premiere (Short Film)
Rafael Todeschini
Director “Eva Maria” 12’ – World Premiere (Short Film)
Michael Wahrmann
Director “Avanti Popolo” 72’ – West-Coast Premiere (Narrative Feature)
For additional details: http://hbrfest.com...
There will be an informal cocktail reception following each panel. Please let us know if we can reserve you a seat. ------------------------------------------------------------------------
Thursday, August 1:
Guild Presentation - Focus on Diversity Programs
3:30pm - 4:30pm - Diversity Panel
4:30pm -5:00pm - Cocktails
HBRFest will present a panel discussion explaining the importance of the Diversity Committee from three of the most powerful guilds in Hollywood: DGA, WGA and PGA.
The mission of all three guilds is to promote diversity and inclusion in the entertainment industry. The DGA and WGA have a number of minority committees representing Hispanics, gays, women, blacks, and Asians. The DGA has only one committee, the Diversity Committee, where all the subgroups fall under.
For this goal, the Diversity Committee offers a number of programs and opportunities to members and non-members in education and networking. They all celebrate producers whose projects in film, TV, and the Web reflect their mission.
Panelists:
Producers Guild of America (PGA) - Deborah Calla
A writer/producer originally from Brazil. She is the Chair of the Producers Guild of America Diversity Committee as well as the Chair of the Media Access Awards and a member of the WGA.
Writers Guild of America (WGA) - Kimberly Myers
Myers served as Vice President of Program Development at Turner Network and Vice President of Movies and Mini Series at Fox. She was the producer of television films for NBC, CBS, Lifetime and TNT prior to joining the Writers Guild of America in 2007 as its Director of Diversity.
Directors Guild of America (DGA) - Regina Render
Before joining the DGA, Render was a Business Representative at the International Cinematographers Guild and later a Senior Representative at the Los Angeles County Federation of Labor, where she managed key organizational functions and coordinated labor initiatives on public policy issues, multi-union campaigns, and political action. Regina has a long history of civic engagement, including being appointed by Los Angeles Mayor Tom Bradley to the “Neighbor to Neighbor Program,” which developed community response programs and activities after the civil unrest of the 1992 riots.
Friday, August 2
Director's Roundtable - Focus on the Creative Process
3:00pm - 4:30pm - Director's Roundtable
4:30pm -5:00pm - Cocktails
Back by popular demand, attending filmmakers will participate in a special Filmmakers Roundtable moderated by Robert Koehler, former Variety critic and expert in Latin American cinema. This event will provide great insight into the current state of Brazilian filmmaking, trends and an opportunity to meet the rising talent of Brazil.
Special Guest: Laurence Reymond - Directors Fortnight short film programmer.
Moderator: Robert Koehler
Panelists:
Gabriela Amaral Almeida
Director “The Comforting Hand” 19’ – West-Coast Premiere (Documentary)
Sergio Andrade
Director “Jonathas´ Forest” 98’ – West-Coast Premiere (Narrative Feature)
Daniel Aragão
Director “Good Luck, Sweetheart” 95’ – West-Coast Premiere (Narrative Feature)
Marcelo Caetano
Director “By Your Side” 20’ – North-America Premiere (Short Film)
Caetano Gotardo
Director “The Moving Creatures” 97’ – West-Coast Premiere (Short Film)
Helvecio Marins
Director “The Song Of The Nightingale” 19’23” (Short Film)
Gabriel Mascaro
Director “Housemaids” 76’ – North-America Premiere (Documentary)
Anna Myulaert (HBRFest Guest of Honor)
Director – “While My Guitar Gently Weeps” 52’ -Opening Night Film (Narrative Feature) ; “Durval Records” 103’ - Closing Night Film (Narrative Feature)
Allan Ribeiro
Director “This Love That Consumes” 80’ – International Premiere (Narrative Feature)
Rafael Sampaio
Producer “The Package” 18’ – L.A. Premiere (Short Film)
Leonardo Sette
Co-director “Enraged Pigs” 10’ – West-Coast Premiere (Short Film)
Rafael Todeschini
Director “Eva Maria” 12’ – World Premiere (Short Film)
Michael Wahrmann
Director “Avanti Popolo” 72’ – West-Coast Premiere (Narrative Feature)
For additional details: http://hbrfest.com...
- 7/29/2013
- by Sydney Levine
- Sydney's Buzz
Main Competition
Golden Marc.Aurelio for Best Film: "Marfa Girl" by Larry Clark
Best Director Award: Paolo Franchi, "And They Call It Summer" ("E la Chiamano Estate")
Special Jury Prize: "Ali Has Blue Eyes" ("Alì ha gli occhi azzurri") by Claudio Giovannesi
Best Actor Award: Jérémie Elkaïm, "Hand in Hand" ("Main dans la main")
Best Actress Award: Isabella Ferrari, "And They Call It Summer" ("E la Chiamano Estate")
Best Emerging Actor Award: Marilyne Fontaine, "A Child With You" ("Un enfant de toi")
Best Technical Contribution: Arnau Valls Colomer, for the cinematography of "Never Die" ("Mai morire")
Best Screenplay Award: Noah Harpster and Micah Fitzerman-Blue for "The Motel Life"
Cinemaxxi Competition
The International Jury, chaired by Douglas Gordon and composed of Hans Hurch, Ed Lachman, Andrea Lissoni and Emily Jacir, awarded:
CinemaXXI Award (for feature-length films): "Avanti Popolo" by Michael Wahrmann
Special Jury Prize . CinemaXXI (for feature-length films): "Picas...
Golden Marc.Aurelio for Best Film: "Marfa Girl" by Larry Clark
Best Director Award: Paolo Franchi, "And They Call It Summer" ("E la Chiamano Estate")
Special Jury Prize: "Ali Has Blue Eyes" ("Alì ha gli occhi azzurri") by Claudio Giovannesi
Best Actor Award: Jérémie Elkaïm, "Hand in Hand" ("Main dans la main")
Best Actress Award: Isabella Ferrari, "And They Call It Summer" ("E la Chiamano Estate")
Best Emerging Actor Award: Marilyne Fontaine, "A Child With You" ("Un enfant de toi")
Best Technical Contribution: Arnau Valls Colomer, for the cinematography of "Never Die" ("Mai morire")
Best Screenplay Award: Noah Harpster and Micah Fitzerman-Blue for "The Motel Life"
Cinemaxxi Competition
The International Jury, chaired by Douglas Gordon and composed of Hans Hurch, Ed Lachman, Andrea Lissoni and Emily Jacir, awarded:
CinemaXXI Award (for feature-length films): "Avanti Popolo" by Michael Wahrmann
Special Jury Prize . CinemaXXI (for feature-length films): "Picas...
- 11/19/2012
- by Manny
- Manny the Movie Guy
Rome – The International Rome Film Festival announced the full lineup for its CinemaXXI sidebar Tuesday, highlighted by A Walk in the Park from “No Wave” cult director Amos Poe, Michael Wahrmann’s Avanti Popolo, Peter Greenway’s Goltzius and the Pelican Company and Steekspel (Tricked) from Paul Verhoeven. Newly installed artistic director Marco Mueller also announced that actor and director James Franco, who is connected to two films in the CinemaXXI lineup, will receive a special prize in Rome. And for the first time, organizers screened in public the short trailer that will precede the screenings of all the films in
read more...
read more...
- 10/23/2012
- by Eric J. Lyman
- The Hollywood Reporter - Movie News
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