“We’re all God’s creatures in the dark.” It’s a mysterious, yet resonant, sentiment, a pebble of wisdom about humanity that one might roll over again and again, worrying its surface. This line — which gives Anna Rose Holmer and Saela Davis the title of their intimate family drama “God’s Creatures,” set in a blustery Irish fishing village — is one of the life lessons Sarah has accrued in her young, tough life. She shares it, ruefully, with Aileen (Emily Watson), her friend and manager at a fish processing plant, over a cigarette.
Sarah is referring to her abusive ex Francie when she speaks to Aileen, but the opaque statement, which straddles the line between the dark and the divine, an insight at once profound, ambiguous, and cutting, becomes a prophecy as “God’s Creatures” evolves into a subtly striking suspense thriller.
In 2015, Holmer and Davis collaborated on the critically acclaimed and award-winning “The Fits,...
Sarah is referring to her abusive ex Francie when she speaks to Aileen, but the opaque statement, which straddles the line between the dark and the divine, an insight at once profound, ambiguous, and cutting, becomes a prophecy as “God’s Creatures” evolves into a subtly striking suspense thriller.
In 2015, Holmer and Davis collaborated on the critically acclaimed and award-winning “The Fits,...
- 9/27/2022
- by Katie Walsh
- The Wrap
Jessica Beshir’s feature debut Faya Dayi is all about khat, a plant native to Ethiopia harvested and known for its euphoric properties when chewed. On another level, the film is about khat’s cultural significance as a major cash crop, analyzing its role both economically, socially, and generationally. Editors Jeanne Applegate and Dustin Waldman share the fine line between crafting a visual drug trip and spiritual resonance, extracting meaning from beautiful images, and the liberatory aspect of editing a conceptual film. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led […]
The post "Film as a Prayer": Editors Jeanne Applegate and Dustin Waldman on Faya Dayi first appeared on Filmmaker Magazine.
The post "Film as a Prayer": Editors Jeanne Applegate and Dustin Waldman on Faya Dayi first appeared on Filmmaker Magazine.
- 1/30/2021
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Jessica Beshir’s feature debut Faya Dayi is all about khat, a plant native to Ethiopia harvested and known for its euphoric properties when chewed. On another level, the film is about khat’s cultural significance as a major cash crop, analyzing its role both economically, socially, and generationally. Editors Jeanne Applegate and Dustin Waldman share the fine line between crafting a visual drug trip and spiritual resonance, extracting meaning from beautiful images, and the liberatory aspect of editing a conceptual film. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led […]
The post "Film as a Prayer": Editors Jeanne Applegate and Dustin Waldman on Faya Dayi first appeared on Filmmaker Magazine.
The post "Film as a Prayer": Editors Jeanne Applegate and Dustin Waldman on Faya Dayi first appeared on Filmmaker Magazine.
- 1/30/2021
- by Filmmaker Staff
- Filmmaker Magazine - Blog
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