Screen International can reveal the critics participating in this year’s jury grid at the 2024 Cannes Film Festival (May 14-25).
Joining Screen’s reviewing team will be critics from 11 international outlets to give their verdict on the 22 films in Competition this year for the Palme d’Or.
This year’s critics are all returners to the jury grid with the exception of Nt Binh who replaces Michel Ciment for France’s Positif. Ciment passed away in November last year at 85 and was a long-time contributor to the jury grid.
The selection also includes Justin Chang for The New Yorker who...
Joining Screen’s reviewing team will be critics from 11 international outlets to give their verdict on the 22 films in Competition this year for the Palme d’Or.
This year’s critics are all returners to the jury grid with the exception of Nt Binh who replaces Michel Ciment for France’s Positif. Ciment passed away in November last year at 85 and was a long-time contributor to the jury grid.
The selection also includes Justin Chang for The New Yorker who...
- 5/13/2024
- ScreenDaily
Critics this year include LA Times’ Justin Chang, Die Zeit’s Katja Nicodemus, and Positif’s Michel Ciment.
Screen International has revealed its critics for the jury grid that will run throughout the 2023 Cannes Film Festival (May 16-27).
Joining Screen’s reviewing team will be critics from 11 international outlets to give their verdict on the 21 films in Competition this year for the Palme d’Or.
The results will be published in Screen’s Cannes daily magazines and for the first time the grid will also be updated live on screendaily.com.
Egyptian critic Ahmed Shawky joins the Screen jury critics...
Screen International has revealed its critics for the jury grid that will run throughout the 2023 Cannes Film Festival (May 16-27).
Joining Screen’s reviewing team will be critics from 11 international outlets to give their verdict on the 21 films in Competition this year for the Palme d’Or.
The results will be published in Screen’s Cannes daily magazines and for the first time the grid will also be updated live on screendaily.com.
Egyptian critic Ahmed Shawky joins the Screen jury critics...
- 5/16/2023
- by ¬Ella Gauci
- ScreenDaily
Speakers include BFI London Film Festival director Kristy Matheson, Film4’s Farhana Bhula and The British Blacklist’s Akua Gyamfi.
US producer Anthony Bregman, incoming BFI London Film Festival director Kristy Matheson and leading UK execs are among the speakers confirmed for the second edition of the Sundance Film Festival: London industry programme.
The Sundance Institute will once again be partnering with Picturehouse for this year’s event, which takes place at London’s Picturehouse Central from July 6-9.
Bregman will deliver the keynote talk. He premiered three features at the Sundance Film Festival in January: Flora And Son, Eileen and You Hurt My Feelings,...
US producer Anthony Bregman, incoming BFI London Film Festival director Kristy Matheson and leading UK execs are among the speakers confirmed for the second edition of the Sundance Film Festival: London industry programme.
The Sundance Institute will once again be partnering with Picturehouse for this year’s event, which takes place at London’s Picturehouse Central from July 6-9.
Bregman will deliver the keynote talk. He premiered three features at the Sundance Film Festival in January: Flora And Son, Eileen and You Hurt My Feelings,...
- 4/26/2023
- by Mona Tabbara
- ScreenDaily
Joy Gharoro-Akpojotor, Helen Simmons and Rienkje Attoh were taking part in the Restart conference.
Film and TV productions should have lines in the budget for mental health services and childcare provision, according to a panel of emerging producers.
“On Boxing Day [Aml Ameen’s debut feature which shot in December 2020] we had a wellbeing practitioner,” said producer Joy Gharoro-Akpojotor, who produced Rapman’s debut feature Blue Story in 2019. “This is somebody available who is independent from us – if you were struggling, you could book a session.
“We covered it – it was a little line in the budget, we could get 10-15 sessions out of it,...
Film and TV productions should have lines in the budget for mental health services and childcare provision, according to a panel of emerging producers.
“On Boxing Day [Aml Ameen’s debut feature which shot in December 2020] we had a wellbeing practitioner,” said producer Joy Gharoro-Akpojotor, who produced Rapman’s debut feature Blue Story in 2019. “This is somebody available who is independent from us – if you were struggling, you could book a session.
“We covered it – it was a little line in the budget, we could get 10-15 sessions out of it,...
- 5/21/2021
- by Ben Dalton
- ScreenDaily
The festival’s awards ceremony took place both in Amsterdam’s Vlaams Cultuurhuis De Brakke Grond and online. The 2020 edition of the International Documentary Film Festival Amsterdam (IDFA), the world's largest gathering celebrating non-fiction cinema, held its awards ceremony yesterday, both in the Vlaams Cultuurhuis De Brakke Grond and online. The big winner of this year's festival was Firouzeh Khosrovani's Radiograph of a Family, the recipient of the Award for the Best Feature-length Documentary. In detail, the jury, composed of Marie-Pierre Macia, Ed Lachman, Alice Diop, Abdelkader Benali and Finn Halligan, announced the award for the Norwegian-Iranian-Swiss co-production with the following statement: “Radiograph of a Family is literally an X-ray of a family. As discontent grows with politics, many people are seeing their families divided on ideological lines. Through masterful storytelling, Khosrovani shows how history and revolution brought about the political and personal divorce of her...
- 11/27/2020
- Cineuropa - The Best of European Cinema
Amsterdam-based documentary festival IDFA has crowned Firouzeh Khosrovani’s Radiograph Of A Family as Best Feature-Length Documentary at its 2020 Awards Ceremony.
Taking place both at the city’s Vlaams Cultuurhuis De Brakke Grond as well as online, the ceremony also saw prizes awarded to Gorbachev. Heaven, which took Best Director for Vitaly Mansky, Inside The Red Brick Wall, which won Best Editing, and Nemesis, which took Best Cinematography.
The Best Feature-Length Documentary winner receives €20,000 while other awards range from €10,000 to €2,500.
Jury members for the IDFA Competition for Feature-Length Documentary were Marie-Pierre Macia, Ed Lachman, Alice Diop, Abdelkader Benali, and Finn Halligan.
IDFA 2020 still has 10 more days to run, but the fest has unveiled some stats for its event to date, saying the on-site portion of the festival had effectively been a sell-out (albeit with severely restricted numbers of screenings and capacities) with 15,000 admissions, while it had had 62,000 online film views and 3,000 online industry delegates.
Taking place both at the city’s Vlaams Cultuurhuis De Brakke Grond as well as online, the ceremony also saw prizes awarded to Gorbachev. Heaven, which took Best Director for Vitaly Mansky, Inside The Red Brick Wall, which won Best Editing, and Nemesis, which took Best Cinematography.
The Best Feature-Length Documentary winner receives €20,000 while other awards range from €10,000 to €2,500.
Jury members for the IDFA Competition for Feature-Length Documentary were Marie-Pierre Macia, Ed Lachman, Alice Diop, Abdelkader Benali, and Finn Halligan.
IDFA 2020 still has 10 more days to run, but the fest has unveiled some stats for its event to date, saying the on-site portion of the festival had effectively been a sell-out (albeit with severely restricted numbers of screenings and capacities) with 15,000 admissions, while it had had 62,000 online film views and 3,000 online industry delegates.
- 11/26/2020
- by Tom Grater
- Deadline Film + TV
Iranian director Firouzeh Khosrovani has won the IDFA award for best feature-length documentary with “Radiograph of a Family,” a film that uses an intimate study of her parents’ marriage—her father was secular, Westernized and progressive, while her mother was a devout, traditional Muslim—to explore the divisions in Iranian society both in the run-up and aftermath of the Iranian Revolution in 1979.
The jury, which comprised Marie-Pierre Macia, Ed Lachman, Alice Diop, Abdelkader Benali, and Finn Halligan, praised Khosrovani for the strength of her storytelling, adding, “The fractured body of family life is told through images, photos, and enactments in such a way that the viewer, too, feels the loss.”
Contacted by Zoom, the director screamed with delight. “I’m honored,” she said, after taking a second or two to collect her thoughts. “I have no words to express how happy I am,” she enthused. “I just want to thank...
The jury, which comprised Marie-Pierre Macia, Ed Lachman, Alice Diop, Abdelkader Benali, and Finn Halligan, praised Khosrovani for the strength of her storytelling, adding, “The fractured body of family life is told through images, photos, and enactments in such a way that the viewer, too, feels the loss.”
Contacted by Zoom, the director screamed with delight. “I’m honored,” she said, after taking a second or two to collect her thoughts. “I have no words to express how happy I am,” she enthused. “I just want to thank...
- 11/26/2020
- by Damon Wise
- Variety Film + TV
The panel took place as part of the Visions du Reel online film festival.
Curious industry watchers and audiences are likely to find out at least one film that was confirmed for the now-cancelled edition of Cannes Directors’ Fortnight 2020.
Paolo Moretti, head of Directors’ Fortnight, told a Visions du Reel online panel he was happy to give the label of “Directors’ Fortnight 2020 selection” to one film (he didn’t name the film) that was likely to be launched in November in cinemas or online if it would help the film’s journey.
“They want us to certify that we selected the film,...
Curious industry watchers and audiences are likely to find out at least one film that was confirmed for the now-cancelled edition of Cannes Directors’ Fortnight 2020.
Paolo Moretti, head of Directors’ Fortnight, told a Visions du Reel online panel he was happy to give the label of “Directors’ Fortnight 2020 selection” to one film (he didn’t name the film) that was likely to be launched in November in cinemas or online if it would help the film’s journey.
“They want us to certify that we selected the film,...
- 4/27/2020
- by 1100142¦Wendy Mitchell¦0¦
- ScreenDaily
The independent movie business still depends very largely on selling and buying individual titles. Much of that is driven, despite the eruption of streaming platforms, by festivals and markets. So how events react to the Covid-19 crisis is of huge interest to the industry.
Switzerland’s documentary festival Visions du Réel, one of the first festivals to go totally online, debated the issue Sunday at a thoughtful digital panel, led by artistic directors, programmers and heads of a range of European festivals.
Those taking part were Paolo Moretti, artistic director of Directors’ Fortnight, Sergio Fant, a member of the Berlinale selection committee and head of programming at the Trento Film Festival, Orwa Nyrabia, artistic director of Idfa, IndieLisboa’s co-director Miguel Valverde, and Visions du Réel’s artistic director Emilie Bujès.
Here are five takeaways from the session:
1. When Will Festivals Get Back to Normal?
Don’t hold your breath.
Switzerland’s documentary festival Visions du Réel, one of the first festivals to go totally online, debated the issue Sunday at a thoughtful digital panel, led by artistic directors, programmers and heads of a range of European festivals.
Those taking part were Paolo Moretti, artistic director of Directors’ Fortnight, Sergio Fant, a member of the Berlinale selection committee and head of programming at the Trento Film Festival, Orwa Nyrabia, artistic director of Idfa, IndieLisboa’s co-director Miguel Valverde, and Visions du Réel’s artistic director Emilie Bujès.
Here are five takeaways from the session:
1. When Will Festivals Get Back to Normal?
Don’t hold your breath.
- 4/27/2020
- by John Hopewell and Jamie Lang
- Variety Film + TV
The Venice International Film Festival is facing online backlash for a lineup announced Thursday that features just two female directors out of 21 in competition films, as well as the latest film from director Roman Polanski.
“1 rapist. 2 women directors in competition #Venezia76. What else am I missing?,” Women and Hollywood founder Melissa Silverstein tweeted Thursday in response to the lineup that featured Polanski’s “J’Accuse.”
“I think the gender imbalance coupled with the Polanski is really a hurdle for me to be honest,” Screen Daily reviews editor Fionnuala Halligan said in a tweet. “We’re at a point now where it just shouldn’t be acceptable and the Polanski is just like rubbing salt into that.”
Also Read: Roman Polanski and the Joker Headed to the Venice Film Festival
The lineup is actually a slight improvement on the slates from each of the last two years of the festival, which only included one woman.
“1 rapist. 2 women directors in competition #Venezia76. What else am I missing?,” Women and Hollywood founder Melissa Silverstein tweeted Thursday in response to the lineup that featured Polanski’s “J’Accuse.”
“I think the gender imbalance coupled with the Polanski is really a hurdle for me to be honest,” Screen Daily reviews editor Fionnuala Halligan said in a tweet. “We’re at a point now where it just shouldn’t be acceptable and the Polanski is just like rubbing salt into that.”
Also Read: Roman Polanski and the Joker Headed to the Venice Film Festival
The lineup is actually a slight improvement on the slates from each of the last two years of the festival, which only included one woman.
- 7/25/2019
- by Brian Welk
- The Wrap
The first episode looks at what it takes to win an Oscar these days, with guests Daniel Battsek, Elizabeth Karlsen and Stephen Woolley.
Screen International looks at the serious business of awards season in the first of our new Media Business Podcasts, which will be brought to listeners monthly by Media Business Insight, the publisher of Screen International and Broadcast.
In this inaugural episode, Screen International editor Matt Mueller is joined by the director of Film4 Daniel Battsek and Screen International’s chief film critic Finn Halligan and features editor Charles Gant to discuss this year’s awards season, looking...
Screen International looks at the serious business of awards season in the first of our new Media Business Podcasts, which will be brought to listeners monthly by Media Business Insight, the publisher of Screen International and Broadcast.
In this inaugural episode, Screen International editor Matt Mueller is joined by the director of Film4 Daniel Battsek and Screen International’s chief film critic Finn Halligan and features editor Charles Gant to discuss this year’s awards season, looking...
- 2/20/2019
- by Screen staff
- ScreenDaily
The first episode looks at the serious business of awards season with guests Daniel Battsek, Elizabeth Karlsen and Stephen Woolley.
Screen International looks at the serious business of awards season in the first of our new Media Business Podcasts, which will be brought to listeners monthly by Media Business Insight, the publisher of Screen International and Broadcast.
In this inaugural episode, Screen International editor Matt Mueller is joined by the director of Film4 Daniel Battsek and Screen International’s chief film critic Finn Halligan and features editor Charles Gant to discuss this year’s awards season, looking at what it...
Screen International looks at the serious business of awards season in the first of our new Media Business Podcasts, which will be brought to listeners monthly by Media Business Insight, the publisher of Screen International and Broadcast.
In this inaugural episode, Screen International editor Matt Mueller is joined by the director of Film4 Daniel Battsek and Screen International’s chief film critic Finn Halligan and features editor Charles Gant to discuss this year’s awards season, looking at what it...
- 2/4/2019
- by Screen staff
- ScreenDaily
Annual talent showcase spotlights the hottest up-and-coming actors and filmmakers in the UK and Ireland.
Screen International has revealed its Stars of Tomorrow 2018, spotlighting the hottest up-and-coming actors and filmmakers in the UK and Ireland.
Now in its 15th year, the annual talent showcase spotlights up-and-coming actors, writers, directors and producers from the UK and Ireland who are primed to make their mark in the industry in the years to come.
The annual showcase has established itself as a key identifier of emerging UK and Ireland talent, both in front of and behind the camera.
Screen International has revealed its Stars of Tomorrow 2018, spotlighting the hottest up-and-coming actors and filmmakers in the UK and Ireland.
Now in its 15th year, the annual talent showcase spotlights up-and-coming actors, writers, directors and producers from the UK and Ireland who are primed to make their mark in the industry in the years to come.
The annual showcase has established itself as a key identifier of emerging UK and Ireland talent, both in front of and behind the camera.
- 10/4/2018
- by Screen staff
- ScreenDaily
Directed by Paweł PawlikowskiThe Polish filmmaker Pawel Pawlikowski won best director, for ‘Cold War’, which follows two lovers from the end of World War II into the 1960s across countries and shifting political realities. Based on his own parents’ love story, this gorgeously shot, Robert Doisneau-esque (when in Paris) black and white period piece takes a slice of your heart away in its retelling.
Cold War reviews have been stellar as are the stars Joanna Kulig, Tomasz Kot.
“Luminous presence of Joanna Kulig, who on this performance is a powerful enough to become the Jeanne Moreau de nos jours.This film fizzes with a devotional energy and political relevance”
Nick James, Sight & Sound
“Kulig, as effervescent in her way as the young Jeanne Moreau, is the film’s life force”
Tim Robey, Telegraph 4****
“This is a movie of the flesh, not the spirit. Pawlikowski is a lyrical, mysterious filmmaker...
Cold War reviews have been stellar as are the stars Joanna Kulig, Tomasz Kot.
“Luminous presence of Joanna Kulig, who on this performance is a powerful enough to become the Jeanne Moreau de nos jours.This film fizzes with a devotional energy and political relevance”
Nick James, Sight & Sound
“Kulig, as effervescent in her way as the young Jeanne Moreau, is the film’s life force”
Tim Robey, Telegraph 4****
“This is a movie of the flesh, not the spirit. Pawlikowski is a lyrical, mysterious filmmaker...
- 5/26/2018
- by Sydney Levine
- Sydney's Buzz
The Cannes Film Festival wrapped its 71st edition on Saturday with the Palme d’Or ceremony, awarding the top prize to Japanese director Hirokazu Kore-eda’s “Shoplifters.” Other movies recognized by Cate Blanchett’s jury included Spike Lee’s “BlacKkKlansman” (Grand Prix) and Pawel Pawlikowski’s “Cold War” (Best Director). While these movies were all well-received by the media covering the festival, one major film in competition went home empty-handed — and now, it has topped IndieWire’s critics survey of the best films of the festival.
“Burning,” Korean director Lee Chang-dong’s first feature in eight years, took first place for best film in IndieWire’s annual poll. The drama, an adaptation of Haruki Murakami’s short story “Barn Burning,” focuses on the mysterious experiences of a working class man (Ah-in Yoo) who obsesses over a seductive woman (Jeon Jong Seo) while resenting the confidant man (Steven Yeung) she spends her time around.
“Burning,” Korean director Lee Chang-dong’s first feature in eight years, took first place for best film in IndieWire’s annual poll. The drama, an adaptation of Haruki Murakami’s short story “Barn Burning,” focuses on the mysterious experiences of a working class man (Ah-in Yoo) who obsesses over a seductive woman (Jeon Jong Seo) while resenting the confidant man (Steven Yeung) she spends her time around.
- 5/21/2018
- by Eric Kohn
- Indiewire
Will The Revenant sweep the boards? Screen’s staff run down their predictions for the 2016 Oscars…Best Picture
Finn Halligan, reviews editor and chief film critic
Will win: The Revenant.
Should win: The Revenant, probably, though The Big Short would also be a good winner. It felt somehow more fresh and relevant and sharp than Alejandro G. Inarritu’s man-vs-nature epic struggle. But The Revenant has a critical and business force behind it – domestic box office at $165m as opposed to The Big Short’s $67m, and the business does tend to vote for the business.
Jeremy Kay, Us editor
Will win: Spotlight. The race is too tight for The Revenant to scoop up everything, so this could be the upset. Spotlight has sputtered towards the finish line, but it has the right combination of smarts and righteousness so beloved by the Academy.
Should win: Spotlight.
Matt Mueller, editor
Will win: Post-BAFTAs, The Revenant has the...
Finn Halligan, reviews editor and chief film critic
Will win: The Revenant.
Should win: The Revenant, probably, though The Big Short would also be a good winner. It felt somehow more fresh and relevant and sharp than Alejandro G. Inarritu’s man-vs-nature epic struggle. But The Revenant has a critical and business force behind it – domestic box office at $165m as opposed to The Big Short’s $67m, and the business does tend to vote for the business.
Jeremy Kay, Us editor
Will win: Spotlight. The race is too tight for The Revenant to scoop up everything, so this could be the upset. Spotlight has sputtered towards the finish line, but it has the right combination of smarts and righteousness so beloved by the Academy.
Should win: Spotlight.
Matt Mueller, editor
Will win: Post-BAFTAs, The Revenant has the...
- 2/25/2016
- ScreenDaily
Find out what made our top 10 films of 2015 - and which films racked up the most mentions from Team Screen.Scroll down for Screen’s overall top 10
Screen’s esteemed critics have had their turn. Now, Screen staff, contributors and correspondents reveal their favourite films of 2015.
Matt Mueller (Editor)
Force Majeure (dir. Ruben Ostlund)Mad Max: Fury Road (dir. George Miller)The Look Of Silence (dir. Joshua Oppenheimer)The Revenant (dir. Alejandro Gonzalez Inarritu)Ex Machina (dir. Alex Garland)Amy (dir. Asif Kapadia)Sunset Song (dir. Terence Davies)Tangerine (dir. Sean Baker)The Martian (dir. Ridley Scott)Anomalisa (dirs. Duke Johnson, Charlie Kaufman)Michael Rosser (Managing editor)
Son Of Saul (dir. Laszlo Nemes)Star Wars: The Force Awakens (dir. Jj Abrams)Ex Machina (dir. Alex Garland)Room (dir. Lenny Abrahamson)The Martian (dir. Ridley Scott)Inside Out (dirs. Pete Docter, Ronnie Del Carmen)Amy (dir. Asif Kapadia)45 Years (dir. Andrew Haigh)Slow West (dir. John Maclean)[link=tt...
Screen’s esteemed critics have had their turn. Now, Screen staff, contributors and correspondents reveal their favourite films of 2015.
Matt Mueller (Editor)
Force Majeure (dir. Ruben Ostlund)Mad Max: Fury Road (dir. George Miller)The Look Of Silence (dir. Joshua Oppenheimer)The Revenant (dir. Alejandro Gonzalez Inarritu)Ex Machina (dir. Alex Garland)Amy (dir. Asif Kapadia)Sunset Song (dir. Terence Davies)Tangerine (dir. Sean Baker)The Martian (dir. Ridley Scott)Anomalisa (dirs. Duke Johnson, Charlie Kaufman)Michael Rosser (Managing editor)
Son Of Saul (dir. Laszlo Nemes)Star Wars: The Force Awakens (dir. Jj Abrams)Ex Machina (dir. Alex Garland)Room (dir. Lenny Abrahamson)The Martian (dir. Ridley Scott)Inside Out (dirs. Pete Docter, Ronnie Del Carmen)Amy (dir. Asif Kapadia)45 Years (dir. Andrew Haigh)Slow West (dir. John Maclean)[link=tt...
- 12/23/2015
- ScreenDaily
Includes the first award winner from Bame filmmaker scheme, who will join director David Yates on the set of his next feature.
Film London staged its London Calling Awards last night, showcasing the 24 filmmaking teams who made a short film through the London Calling and London Calling Plus schemes.
New this year, London Calling Plus produced five shorts by Black, Asian and Minority Ethnic (Bame) filmmaking teams, delivered as part of the BFI Net.Work for supporting new talent.
The films were assessed by Harry Potter director David Yates, who selected Sarmad Masud as the winner with his film Two Dosas. Sarmad will now join Yates on the set of a Tarzan, which he is currently shooting in the UK.
A total of 19 filmmakers also competed for the London Calling Jury Award, worth £2,000.
This was selected by a jury of industry representatives including BAFTA-winning producer Stephen Woolley, who presented the award. Some Candid...
Film London staged its London Calling Awards last night, showcasing the 24 filmmaking teams who made a short film through the London Calling and London Calling Plus schemes.
New this year, London Calling Plus produced five shorts by Black, Asian and Minority Ethnic (Bame) filmmaking teams, delivered as part of the BFI Net.Work for supporting new talent.
The films were assessed by Harry Potter director David Yates, who selected Sarmad Masud as the winner with his film Two Dosas. Sarmad will now join Yates on the set of a Tarzan, which he is currently shooting in the UK.
A total of 19 filmmakers also competed for the London Calling Jury Award, worth £2,000.
This was selected by a jury of industry representatives including BAFTA-winning producer Stephen Woolley, who presented the award. Some Candid...
- 9/12/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Mr. Torquay’s Holiday and The Field secure special mentions at the Best of Boroughs (BoBs).
Writer-director Fred Rowson and producer Christine Cheung have won the the BoBs Jury Award for their short film Woodhouse, which chronicles the investigation into an unknown creature in a South London nature reserve.
Film London hosted the Best of Boroughs last night [Sept 5], showcasing the 18 film-making teams who made a short film through the 2012/13 London Borough Film Fund Challenge (Lbffc).
This year’s jury was made up of Made in Dagenham producer Stephen Woolley, BFI Film Fund senior production executive Chris Collins, film critic Finn Halligan, Encounters Short Film Festival MD Liz Harkman and head of talent development and production at Film London Deborah Sathe.
On selecting the winner, who receives a prize worth £2,000, the jury said: “Woodhouse is a visual and aural treat. It is imaginative and intriguing, capturing South London suburbia past and present. The gorgeous...
Writer-director Fred Rowson and producer Christine Cheung have won the the BoBs Jury Award for their short film Woodhouse, which chronicles the investigation into an unknown creature in a South London nature reserve.
Film London hosted the Best of Boroughs last night [Sept 5], showcasing the 18 film-making teams who made a short film through the 2012/13 London Borough Film Fund Challenge (Lbffc).
This year’s jury was made up of Made in Dagenham producer Stephen Woolley, BFI Film Fund senior production executive Chris Collins, film critic Finn Halligan, Encounters Short Film Festival MD Liz Harkman and head of talent development and production at Film London Deborah Sathe.
On selecting the winner, who receives a prize worth £2,000, the jury said: “Woodhouse is a visual and aural treat. It is imaginative and intriguing, capturing South London suburbia past and present. The gorgeous...
- 9/6/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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