When Myroslav Slaboshpytskiy “broke” the Cannes Critics Week selection six years ago with the devastating “The Tribe,” casting deaf actors in an institutional parable exclusively told through sign language, it seemed some sort of event horizon for authenticity and formal daring had been reached. But the deserving Best European Film winner in the Giornate sidebar of the 2020 Venice Film Festival, “Oasis,” which is director Ivan Ikic’s second feature after 2014’s raw and rattling football-hooliganism drama “Barbarians,” may outmatch even that benchmark. An unadorned three-way love story set within the joyless confines of a Serbian institute for people with mental disabilities, it is an unsparing though enrichingly shot tragedy, and its three young stars, as well as most of the background cast, are learning-disabled residents of the facility in real life.
The approach lends the slight story an impressive gravity, while also treating its subjects with profound respect — a quality...
The approach lends the slight story an impressive gravity, while also treating its subjects with profound respect — a quality...
- 9/16/2020
- by Jessica Kiang
- Variety Film + TV
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